Drafting a Memoir

is an archeology of journals,

unearthing the entombed past,

layers within layers, exposing

the true character of characters.

Who can remember who said

 

what, or when? What did I reply?

Who knows how long it took to learn

their customs and kinship rites

when so much was omertà? How

can I be sure if what I wrote

 

in journals at that time expressed

my true feelings? Or was it my inner

parrot memorizing, reciting back

for that old carrot? I learned through

indirection, signals, distractions

 

which subjects were taboo. Don’t call

this vendetta or revenge. There’s enough

blame and blackmail for all. I never had my

say, was never understood. Autonomous,

now I’m digging down, digging in

 

to grasp the last rubble of memory,

to comprehend how I hooked onto

someone who called himself analyst,

not the puppet master, cult leader, pimp,

and scammer he exposed himself to be.

 

It’s right here in writing, in my hand,

inked on these bound pages. How clearly

I revealed the doubts in my own words

that no one perceived or heard. Changed,

I wish I’d listened, read my pages.

Picture of Joan Mazza

Joan Mazza

Joan Mazza worked as a microbiologist and psychotherapist, and taught workshops on understanding dreams and nightmares. She is the author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam). Her poetry has appeared in Potomac Review, The Comstock Review, Prairie Schooner, Adanna Literary Journal, Slant, Poet Lore, and The Nation. She lives in rural central Virginia.

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