The Gypsies of Arbor by Sandy DeLuca

They soar beneath

the gibbous moon,

at midnight,

wild and unafraid,

and when dawn comes

and dreams wane,

they tuck away

ancient spells…

mystic potions

symbols written

on ancient parchment…

sigils that seal

their spells

below tall oaks

where ravens perch

on limbs…

sentinels of dark magic…

watchers of the mystic veil.

Picture of Sandy DeLuca

Sandy DeLuca

Sandy DeLuca has written novels, several poetry and fiction collections and a few novellas. She was a finalist for the BRAM STOKER for poetry award in 2001, with BURIAL PLOT IN SAGITTARIUS; accompanied by her cover art and interior illustrations. A copy is maintained in the Harris Collection of American Poetry and Plays Poetry at Brown University, 1976-2000. She was also nominated once more in 2014, with Marge Simon, for DANGEROUS DREAMS. She lives in Rhode Island with several feline companions, including a black cat named Gypsy, and her two sons, Gemini and Leo.

Garden Fresh with Blood by John McMahon

who gave you your first knife,

dear?

was it the one that lost his

hand?

did he who gave you your second

knife

cut off the ears to your heart

so you no longer hear the pain?

the garden fresh with blood,

a hand gone

love gone

Picture of John McMahon

John McMahon

John McMahon has been writing for over twenty years. He lives with his wife and daughter in sunny Scotland. He has work published in a few magazines, and a couple of anthologies. Poetry for him is a source of great comfort as he suffers from bipolar disorder.

Our Family Closet by Joan McNerney

is full of cracked

skulls beginning

with nancy

“mother’s never

going to be

sick again—

see her steady hands”

cured twenty times

 

or take

longislandexpressway

aunt edna

shock treatment

in doctor’s

split level office

 

cruel irish grandfather

another lunatic

who chose

farming over teaching

tripling size

of fingers

 

don’t forget

uncle alcohol

plus patriot sister

with american eagle

in living room

& prison record

 

none of them will

ever speak of

secret secrets

exposed

 

add a couple

of 40-year-old

virgins & go

clear off a shelf

for me too.

Picture of Joan McNerney

Joan McNerney

Joan McNerney’s poetry is published worldwide in over thirty-five countries in numerous literary magazines. Four Best of the Net nominations have been awarded to her. The Muse in Miniature, Love Poems for Michael, and At Work are available on Amazon.com. A new title Light & Shadows has recently been released.

Deep Black Water by E.W. Farnsworth

On the edge of the void, she lost her mind,

Fell and her hand hit rows of framed prints,

Glass everywhere and when she came to,

Blood all over the hall, an emergency call,

And back to the hospital for another romp.

 

Tentacle rigs with lights, beeps and sirens.

A room in a ward, buffed linoleum floors.

Polishers whining and low sounds paging.

Occasional screams. Are they yours?

Again, on the edge of the void, she drowses.

 

New spring flowers, and poems from sad poets.

Laughter along the long passages, with footsteps,

Empty pedestrian greetings and hollow smiles.

A tentacle cuff squeezes hard then releases.

“You could not wait to get back here?”

 

Not her physician but the hospitalist,

Orchestrator of the institutional horror.

Her retinue like a Greek chorus dancing,

Her hands like butterflies. Escape? Perhaps,

But where? and for how long? Narcotic sleep?

 

None from outside come. Shades always drawn.

Level by level she descends, not really caring,

And who should know on what ledge she waits.

Finally tucked in her coma? Infinite questions

With answers composed in deep black water.

Picture of E.W. Farnsworth

E.W. Farnsworth

E. W. Farnsworth is widely published online and in print. Google the name.

Baracuda by Wellington Lambert

He called me Barracuda, yelling, “straight finisher, throat and kidneys,” while a screaming mob circled as we entertained them with our savage death.

His throat is soft.

There’s a pile of dead bait dogs buried just beyond the barbed wire fence. The smell of rotting meat teases us. We are tied outside with heavy chains to build muscle; muscle fed with hormone shots and not much else. We are kept permanently starving; just enough food to live, barely. We would eat ourselves to end it, but our instinct to survive does not give us the luxury of suicide.

His blood is sticky and sweet.

I could see him eating at night, staring out the window, stuffing his face. I knew I would eat that face; I wanted it to stay fat, fat and juicy.

I popped the eyeballs in my mouth. The face is unrecognizable. Who’s the boss now?

I was adopted during the pandemic. A time when everyone wanted something soft and forgiving. We have been bred for unconditional love; it’s how we get food. At first, we just followed you around. In the old times, your waste was our prey. Then we created a relationship. Now, we are the waste. Who knew love was disposable.

The hands are crunchy, not much meat.

My adopted family welcomed me, fed me, walked me, loved me. We would sleep together, play. I grew, and grew, larger than expected. I was still a pup inside, but my appearance as an adult was unexpected. When the pandemic ended, everyone was released, back into their normal schedules, their busy lives, their lives without me. Walks were reduced to once a day by someone I didn’t know, coming and going. The parents were too busy, and the kids lost interest. Eventually I was let go, dropped off at a huge building and put into a cage.

His arm is mostly fat.

I was picked up from my shelter by a new owner. I was chained in the backyard. Some food was placed just out of reach and soon the howling and whining of the newcomers faded. His need to be viewed as a merciless owner was quick and painful. Reward was only less pain, nothing more. I realized soon enough I was being used for my size and strength to inflict horror on my own kind. The darkness I felt inside turned into a hatred for him I could taste.

Now the lips, no more yelling, no more screaming…just a soft gurgle.

How many times I’ve watched him train other dogs. Well, not really train, just torture. Leaving us in a pool to swim or die, moving through the water as each dog slowly surrenders to the welcome embrace of liquid heaven. I would have joined them, but my instinct to fight was too strong. I could crawl over my dead competition to get out.

His body is twitching; good, he is still alive.

I know what you’re thinking, “Why aren’t you eating the organs first? That’s where all the nutrients are, you silly pup.” You would be right, but this pup has other plans. After months of abuse, I want him to suffer. I want him to know he was defeated by the prize possession he thought he actually possessed. He is too simple to know that I have a soul and right now my soul speaks for all the dead dogs buried in his backyard.

The calf is chewy.

His mistake was thinking I wouldn’t fight back, but I was loved once, and I know the feeling. He didn’t contain the drug that would give me the high I needed. Once you are loved, you chase it forever.

Now the chest and abdomen—game over.

I had a plan. I knew after a successful fight he would drink and start to wobble. His voice would get louder, and he would assume a connection with me that was not there. I used this to my advantage, wagging my tail and licking his disgusting tattooed hands. There was rain that filled the backyard with mud that he could not move through. This happened once before, and he caged me inside. There is a brief moment of taking my chain off to push me into the cage. This was my moment. One click of the leash and it was on. He went down quickly. The surprise in his soon to be eaten eyes was a reward I would and will gladly die for. I could hear his voice inside my head. “Straight finisher, throat and kidneys.”

 I did not disappoint.

 Good boy.

Picture of Wellington Lambert

Wellington Lambert

Wellington Lambert resides in a tiny cement-walled room, resembling a bunker, shielded from the chaos of his four teenage sons who consume everything, including his sanity. His writing provides a much-needed reset for his mind. He is a visual artist living in Kingston, Ontario.

Everything Caving In by Barbara Anna Gaiardoni

dead silence
a black snake visible
in the dark

The moon is getting small and I keep flying straight ahead. This is important in allowing me to control destiny, because I keep getting small signs that make me feel positive. But before I reveal this mystery, let me explain better what is. I think about a tiny, little thing, and then I obsess on it, until, suddenly, it’s the only thing I can think about, but I can’t be sure. And here lies the mystery. The Self-doubt and fear of the unknown that often lead to the fact that one does not dare to try something new.

news spring
small fields obtained
by burning the forest

Picture of Barbara Anna Gaiardoni

Barbara Anna Gaiardoni

Barbara Anna Gaiardoni is winner of the First Prize 2023 “Zheng Nian Cup” National Literature Price and finalist of the Edinburgh “Writings Leith” contest. She receveid two nominations for the Touchstone Award 2023 and recognized on the Haiku Euro Top 100 list for 2023. Her Japanese-style poems has been published in The Mainichi, Asahi Haikuist Network, The Japan Society UK and in one hundred and seventy-two other international journals. They are been translated on Japanese, Romanian, Arabic, Malayalam, Hindi, French, Chinese, Korean, Turkic and in Spanish languages. Author photo credit: Andrea Vanacore.