Sons and Daughters by Steven Holding

As a child, I would come here all the time.

I don’t know how it feels to be back here again. Strange. A little peculiar.

I’m not sure.

It’s almost as if all those old moments, those distant, near forgotten memories, are still happening right now. Fragments of the past existing side by side with the present, hiding somewhere just out of sight. Maybe if I were to take a quick glance in the wrong direction, turn my head and have a sneaky peek out of the corner of my eye, I would see myself as I was back then.  

Of course, I knew I would be looking at a completely different person. A stranger, really. Younger, that’s true, but not only that.

Different inside. Full of alien emotions. Unrecognizable feelings.

Other reasons for being here.

I remember.

My mother used to send me packing first thing in the morning. Fill me up with toast and jam and fizzy Cola until I was fit to burst. A quick kiss on the cheek and then it would be, “Go on, Madam, out you go,” just so she could carry on with her endless list of chores. It gave her a purpose, I suppose. Sometimes, I would sneak back home and peer through the living room window to spy on her. Her jobs would all be finished by then and she would be curled up on the sofa, smoking a cigarette, drinking coffee from an oversized mug, gazing at the television set. She didn’t even know I was there. Staring vacantly at some soap opera, the fuzzy picture in crackling black and white.

Her favorite program. I didn’t mind, though.

I felt free.

I loved it.

Being a parent just isn’t the same these days. You cannot let a child wander the streets alone. Or let them stay out, playing hide and seek until it gets dark. Well, I wouldn’t. It’s just not safe anymore. Years ago, things seemed much more secure. Everything seemed easier. Not so complicated.

Just.

I don’t know.

Better. Happier.

I wish I could turn back the clock. Be eight years old again.

Long hot summer vacations that stretched out forever. I would go and knock for my best friend, Anna. Her Mom would usually still be in bed. She always seemed to sleep. Depression, of course, obvious now really, but when you’re a kid, you don’t think about these things. Just accept them for what they are. Anna would talk to me through the locked front door. Hushed whispers, excited and breathless, planning our adventures for the day. She would sneak out quietly through the back so as not to wake her mother. The pair of us, on our pushbikes, pedaling for all our worth, rushing to get here as quickly as we could.

The Recreational Park.

We just called it The Wreck. Looking at it now, I wonder if children still call it the same thing. They probably have some other name for it. Some crude piece of slang I would imagine, judging by some of the awful graffiti scrawled all over the place.

Still.

It really hasn’t changed that much.

A huge open expanse, lush emerald blades of grass. So lovely in the summertime. Just as long as those awful dog walkers remember to scoop up the foul smelling presents their filthy mutts leave behind. What was it we used to call them? Scooby Doo’s poop-poop! That was it! A beautiful children’s play park tucked away in the corner, overlooked by the old church. Most of the rides seem to be the same. The slide, the swings, the climbing frame, the roundabout.

To think, we used to perch on those swings, Anna and I, dipping licorice into sherbet, legs dangling, dreaming about the future. We both had our hearts set upon marrying some handsome fairytale Prince when we were old enough. Being whisked away from the boring confines of town to live in a glorious palace on some exotic, sun-kissed tropical island.

That didn’t happen, of course.

But most childhood fantasies never come true.

Do they.

Mark may be many things, but royalty, alas, is not one of them. And the life of the wife of a software engineer isn’t really the fast-paced whirl of social functions, champagne, and caviar that one might expect. But I shouldn’t complain. He is a good man. A decent man. He looked after me.

And Ben, of course.

He’d like it here, I’m sure.

Mark, that is. He’d like the silence. The peace and quiet.

Anyway.

Anna and I could easily let an entire day slip away from us. There always seemed to be hundreds of children playing. Boys yomping around, arms entwined tightly, screaming at the top of their lungs.

“Who wants to play…Army…no girls allowed!”

Not that I would’ve ever dreamed of participating. Back then, little boys were just beastly. Horrid dirty things. Covered from head to toe in muck and bruises. At that age, despite my childish daydreams of knights in shining armor, I could never imagine really kissing one. Let alone growing up and actually falling in love with one of them. Getting old and eventually having my very own little soldier to play with.

We girls had our own games.

Happy families.

Elaborate role playing that put you in good stead for the life that lay ahead. Well, prepared you as best as possible. In a child’s world, nothing bad ever happens, does it? When kids play at grown-ups, there are no furious arguments, no messy divorces, nobody coming home drunk at three in the morning and talking with their fists.

Nobody dies, and everybody gets to live forever.

Being here now, sitting quietly with Ben, everything seems to come flooding back.

I remember. I remember how he tried to speak.

But I was talking about families, wasn’t I?

Mark.

Well, what else can I tell you? Technically, he did not take me away from all of this, but he did stop me from coming back so soon. I had already made my escape, studying hard at school, getting good grades, earning a place at college. I liked that life. More fun and games really, more chances to dress up and play at being adults. I felt like an impostor most of the time. Like someone at a fancy-dress party, wearing a cheap rented costume that allowed them to be another person for the night. Someone new.

Someone vibrant. Vivacious and alive.

The details of our romance would bore you. We met, and in the long run, it just seemed easier to be with him than without. I guess I just wasn’t particularly good at being on my own. At being me. Mark was so strong, so sure of himself and our direction in life, that it was almost a relief to sit back and let somebody else take control and make all the important decisions. We both graduated and were married within a year. We stayed in the city. Mark was good at his job. So good, in fact, that after a couple of years he insisted I give up my position at the library where I was working. We certainly didn’t need the income anymore, and he was trying desperately to have a baby.

Sorry, excuse me. We were trying desperately.

He wasn’t my first, though. He thought he was, and I promised him he was, but he wasn’t. There were others. Like what happened over there in the children’s play park. I was fifteen. A Saturday night. It was summer, so it was still just light enough to see. I was lying down on the tarmac underneath the climbing frame, flowery skirt hitched up around my waist. The boy’s name was Malcolm Duffy. He was two years older than me and wore a leather jacket. He stank of cigarettes, beer, and body odor, had awful, greasy skin and a pencil moustache that looked like he had drawn it on with a biro. He still had braces, so it felt funny when he forced his mouth against mine, his tongue burrowing into my face like a huge, probing worm. I didn’t mind, though, I liked it that he wanted me so badly. It made me feel powerful.

I screamed when he came.

Not because of the sex. But because of what I saw. Over his shoulder, up above me, swinging in the breeze like a limp rag doll, open eyes bloodshot and bulging.

The spastic boy who had hanged himself.

His lips seemed to move. His swollen, purple lips writhing as if he were trying to talk.

Malcolm jammed his fingers into my mouth, hissed at me to shut up. Probably thought that I had changed my mind, would run off crying to my friends and then tell the whole wide world that he was a dirty rapist, a filthy pervert. After all, I was not, as people say, of age.

I remember closing my eyes, terrified. A tidal wave of utter panic, the paralyzing sensation of suffocation, fighting, struggling for a lungful of air. And then I was biting, snapping, chewing down hard on his knuckle, tasting the salt of his blood on my tongue as my teeth broke through his skin.

He released his grip and when I looked up again, the boy had vanished.

I didn’t tell Malcolm what I had seen as he rolled off me. He wanted to talk, begged to, pleaded with me, but all I did was slap his ugly, sweaty face. I crawled to my feet and staggered away, hiding amongst the shadows. Used my handkerchief to wipe away the tears and the sticky gunk that was dribbling down my thighs.

I kept it to myself for such a long time. I didn’t tell a single one of my friends. I didn’t tell anyone. Not even Mark.

Especially Mark.

After trying and trying for what seemed like an eternity, we eventually conceived. Mark was ecstatic. I was happy for him. I wasn’t really sure what my own feelings were regarding the situation. Not at first. Even as I began to show, could feel the life-force that would eventually grow to become Ben squirming and kicking inside of me, everything seemed so removed. Hazy and dreamlike. As if I was a character in someone else’s story.

Like the stories that surround this place.

They seem to have them everywhere, don’t they? Local legends, passed on by word of mouth from generation to generation. We may not remember who it was that told us the tale, but the gory details always seem to remain with us. So vivid. So real.

Like the priest who threw himself off the church tower, just there, over in the far corner.

An upstanding member of the community. A shining example of the strength and conviction of absolute faith. A well-respected man of the cloth. But we all have secrets, don’t we? Apparently, he harbored an unhealthy longing for one particularly young, fresh-faced member of the church choir.

Well, every man has their weakness.

It was said that he climbed to the summit of the ancient, crumbling building during a violent storm, leaning over the edge of the parapets, screaming and blaspheming at the top of his voice. Demanding to know why he had been cursed with such evil desires. Maybe he went unheard as the thunder and lightning drowned out his desperate pleas. Or perhaps his God just simply chose to remain silent, refusing to provide an adequate answer to his question.

Either way, forsaken, he flung himself over the side.

And even though the sheer drop shattered his bones, breaking his legs and his arms, twisting his body and filling it with splinters, it was not enough to kill him.

No. It took him all night to die.

They found his remains over five hundred yards away from where he must have fallen. He had crawled across the ground like an insect, clawing up the damp mud and turf with his fingers, dragging his broken frame through the night. Maybe looking for help. For salvation.

Who knows what went through his mind during those final hours? Who knows what suffering he must have endured? The pain and madness he faced at the end? A just and deserved punishment, perhaps.

It didn’t take long for the rumors to start, spreading and growing like a dark, black cancer. If one was to stand alone, or so the story went, close your eyes, then open them at the stroke of midnight, then the crippled apparition of the priest would appear, crawling and slithering through the grass towards you like the diseased, evil serpent he really was, his soft, oily voice whispering over and over again for forgiveness.

Oh yes, we all knew the stories.

And then.

And then Ben arrived and for a while, a brief, wonderful time, everything was simply perfect.

Any doubts I may have had melted away when I held him in my arms. He was my boy. My beautiful baby boy. And I loved him. For the first six months, Mark and I seemed to be closer than ever. I felt as if I had finally found my true self, my role, my place in this world. Being a mother filled me with such joy, a pure and untainted happiness. I awoke each morning eager to start the day and share it with my son. My sun.

Then, gradually, things changed. The world seemed to darken, heavy, black clouds rolling across the sky, casting long shadows over our lives. Mark was working all the time. Late night meetings at the office, weekend conferences away. We needed the money he would try to explain to me. But I needed him. Ben was having trouble sleeping. All through the night and into the day, he would cry and cry and no amount of soothing or soft words would bring him peace. I was so worn out, so exhausted. At my wits end.

I began to suspect that Mark was having an affair. Became convinced of it, in fact. I started snooping around, checking his wallet for damning evidence, going through the numbers on his phone, turning up with Ben at his office to check that he was really there. During one screaming argument, I finally came out with it. Accused him. He broke down in tears. How could I, he sobbed, how could I say such terrible things about him?

I was wrong, of course. He really was always working.

I was just…I was just so tired.

Tired…all…the…fucking…time.

I tried to get Ben to sleep. Read him story after story, endless fairy tales from children’s books, a thousand Once Upon a Time’s, a million Happy Ever Afters’. None of them worked. I talked and talked and rambled on, making things up, the words spilling out from me like water over the edge of an overflowing glass, held for too long under a scalding hot tap, until finally I found myself telling him about this place.

The stories of my childhood. The legends of my youth.

It was amazing how quickly it all came flooding back. 

Everybody knew the tale of the Choking Boy. We used to share it with each other as we hung upside down from the rusty, iron bars, swinging and screeching like caged monkeys in a zoo.

A local child. Simple. Retarded. Although heaven forbid if you tried to get away with using any of those terms nowadays. I don’t think anyone even knew his real name. It didn’t matter, though. It was the story that was important.

An accident, apparently. A knotted Christmas scarf, tied around his neck just a little too tight. It tangled and caught on the climbing frame as he was playing. He slipped off a rung and fell and that was that. Choked to death, hanging there like a puppet, twitching feet only a few inches away from the floor. The parents were too busy chatting. Nobody noticed at first. The other children didn’t help him. Just all stood there, hands over their mouths, giggling quietly. They thought it was all just a game.

And as I told Ben this story, a tiny smile seemed to flicker across his face as he finally drifted off to sleep. And I, thank God, could finally get some rest as well.

So, you see, I really had no choice. To save my sanity, I had to tell him everything. About the Choking Boy and the Crawling Priest, about Malcolm Duffy, and so much more. Every time it worked, every time he fell into a deep and peaceful slumber.

Until, one day, he never woke up.

People just die. It’s a fact of life. The elderly, the young. The doctors called it cot death, but that’s no real explanation. Sometimes people, even tiny, innocent little babies, reach a point when their time on this earth is over.

How was I to know that Mark had been standing behind me in the doorway, silently watching, listening, spying on me as I told Ben his bedtime stories?

I always thought I had been so careful.

He said I was the one who was responsible. That it was me who had poisoned our baby, filling him up with darkness and disease and death. As if such a thing was possible! Such horrible things he said, such nasty, vile words. He threw me out of the house. Told me to never come back. I haven’t seen or spoken to him since. But I do miss him. I miss him very much.

But not as much as I missed my little darling. My little sweetheart. My little man!

I am not a stupid woman. I know deep in my heart that nothing can bring him back as he was. But there are other ways to be together. Other ways to achieve immortality. To live forever.

To become the stuff of legend.

Of this, I am sure.

The other night, I drove to his grave with his pushchair and a shovel in the backseat of my car. It was hard work, and it took a lot of sweat and tears, but I got him back and it felt so good to hold him in my arms once again.

You see, I know what it is I must do. How to ensure that Ben and I will be together forever. How we will live on in memories and stories, just like the stories Ben loved so much.

So, as we sit together on this park bench, waiting for the sun to rise, I take a long, slow sip from the bottle of gin that I have in my handbag, using it to swallow down another couple of sleeping tablets. Already I am feeling a little drowsy, but that’s okay because I have wanted to go back to sleep for such a long time now.

And as I look around upon this beautiful place, I can easily make out the shape of a small boy swinging back and forth, and I can see and hear a dark man as he crawls nearer towards me, and I don’t feel afraid. I don’t feel afraid.

Because when the very first child discovers me here in the morning, so shall my real story begin. To be told over, again and again and again.

And my identity shall be long forgotten, as who I am and what I was becomes nothing, meaningless, just shifting dust blown away by the breeze.

But the children, all the children, the sons and the daughters, they will know me, and they shall whisper about me in hushed, quiet voices.

And they shall call me by my true name.

The Dead Baby Lady.

Picture of Steven Holding

Steven Holding

Steven Holding lives in the United Kingdom. Most recently, his stories have appeared in the collections Annihilation from Black Ink Fiction and Year Four from Black Hare Press.

Rotten Apple by J.R. Harlow

There’s a light drizzle merging in clingy, bulbous raindrops. It seems to upset the spiders that I watch desperately trying to anchor their gossamer lines in the wind. They try so hard out there, little bent legs trembling under the pressure and full thorax whirling on the web.

I can see the apple tree from here; a perfect symbol of the gift of regeneration. Every year dour Mr. Honeycott swore to us that the winter had killed it off into the ugly lump of bitter black wood, and each year it was back in the spring like a phantom, a few persistent buds weeping themselves open like pink wounds.

The harsh winter of three years ago killed Mr. Honeycott off. He didn’t spring back like the trees and the bulbs; instead, he was lowered into the ground to become one with the apple tree that defied his expectations. I very much doubt that I will ever see his fingers worming their way up out of the ground like green tendrils. If they did, I would stamp them out. Each time I take a bite out of one of the tree’s fruits, like naughty Eve, I imagine his bemused, pock-marked old face, his leathery hands, his acrid, nicotine-soaked breath. As the apples burst in my mouth, I imagine him screaming his last.

Alice says I am sick because of the things I say. But Alice, my dear, I say to myself as I watch her run from the house, trip on a tree root, gather up her skirt, and struggle on…Alice, my love, it is you who is sick. You’ve developed a cough this fall, and you don’t yet know why. It is a hacking, insistent, lung corrupting cough. You are not well. The visits from the doctor are more frequent, but he doesn’t suggest a thing except bed rest and quiet.

Alice, my dear, you really should be resting. In peace.

I watch her run to collapse on the damp ground under the apple tree, spread out her skirt, and unfold her book. The damp cannot be good for someone so sick. As she reads some syrupy, glib stanzas, one of the spiders on the window in front of me descends on a firm line, then weaves shakily back up again. Alice looks up at the window, as if tickled, and waves just as the spider comes level with her eyes. I wave back, smiling, then I crush the spider with a fulsome crunch.

We grew up like sisters, but we are nothing alike. We ate our meals at the same table, slept in the same little bed. That seemed to be enough for our mother. I often wanted to ask her what it was like, looking after these children that have nothing in common with each other, like seeds from different pods, blown together on an ill wind.

Alice has always been gentle, sweet, and kind to animals. She rescues insects that are caught in the spider’s webs, and she kisses the dogs goodnight on their long, dirt encrusted snouts. Perhaps that is why she is sick now. All the dogs ever did to me is growl.

Alice has hair like roosting ravens and hazel-gold eyes. She has pale skin and a long neck, a slim waist, and shapely legs. She laughs when she should, she can cook, she can sew, she can clean. She would make an ideal wife for any man if she weren’t of late betrothed to the grave. Alice is my mother’s favorite daughter. Mr. Honeycott said she was my mother’s only daughter. Alice’s mother, then, would be horrified to learn that she sneaks off to meet her suitor in the dusk on dark evenings.

I follow Alice on these nights, on each illicit rendezvous. She picks her way through the heavy woods with her book in her left hand and her other hand nervously working to brush teasels from her dress and cobwebs from her hair. I pick through the trees behind her, not half so nimble but twice as quiet. Insidious. I practice the route during the day with my nostrils full of the wet, earthy scent of the woods, ensuring that I know where all the protruding roots are, where all the bushes ramble, and where the rain seeps into the ground to leave a boggy mush that might give me away if I fell. I know the path better than she does. I know a lot of things better than she does.

When she reaches the very edge of the riverbank, she stops and waits for him. We wait there together, barely breathing. I am concealed in the knotty bushes, and she is out in the open, as the true heroine should be, fresh and naïve. I enjoy our time together. Sometimes only a minute or so passes, sometimes much more, but he always arrives.

His name is Christopher, and he is around her age. I know all about him because I go to his mother’s house for cake when he is at the carpenter’s (where he is apprenticed). She’s such a sweet old lady, Christopher’s mother, very obliging. She can afford the sugar to put in those luxurious cakes, so I return home fat and satisfied. She proudly tells me everything about her son and I take care to leave well before he returns home, the sawdust clouding around him like a halo, falling from his boots and coating his hair.

Christopher is of exact average height and very thin, like a sapling, despite all the work he does. He has watery blue eyes, pale blond hair that seems to get paler with each coating of sawdust, and a voice that verges on a whisper. He has nervous ways and almost dances when he walks. He is one of those people who is barely there, an apologetic excuse for flesh, just like Alice. I look into his old mother’s rheumy eyes and wonder how far I could bend that sapling before it would break.

I crouch behind the same scrubby bushes each time I follow my ersatz sister. I listen to her pleasantries, wafting like gently shifting breezes. I watch the owls gather in the trees and the tiny wheeling bats as they embrace. I try to find enough beetles to arrange in a circular pattern in front of me as the feeble quarter or half-moon becomes a stronger light, filtered out by the trees.

Sometimes Christopher brings her a gift, a ribbon to put in her hair, another sickening book of poetry, once even a locket. I felt my eyes light up as the sliver of crescent moon reflected her pale face onto the mirror of the locket. Now, that was a gift worth having. I wondered if it was made of real silver. There was a lock of his hair inside. Alice giggles when she is presented with the gifts and hides them away like a child. Then Alice and Christopher kiss, chaste and not awakened to the pleasures of the flesh.

When they part company, I pick my way back through the woods with her, parallel but never crossing paths. Alice is dreamy and short of breath with excitement and the cough normally seizes her about halfway home and I often doubt she will make the last few yards.

***

When Alice is dead, I will marry Christopher. I have run through the encounter in my head, going down to meet him on the riverbank in Alice’s place, pretending I do not know the route, awkward but sharp, like a caltrop, casually discarded in his path. I will return his locket, and I will hand him a letter, penned in Alice’s hand (or at least a passable imitation). With tears rolling down his cheeks, he will read Alice’s dying request that he should marry her half-sister. Trembling with shock and misery he will get down on bended knee as the night closes in and I will accept him graciously, taking one of his thin pallid hands and smiling into his indefinite eyes, thrilled by the calls of the owls as they solicit a mate.

Tonight, I will creep from the bed that I share with Alice. It will be a full moon, and too bright for her to meet him.

The moment I am waiting for will be heralded by an end to the violent coughing as it changes to the painful wheezing of her sleep. The gas-light from the corridor will seep into the room and mingle with the light from the moon and I will watch her sleep for some minutes to ensure that all is well. When I am satisfied, I will find the (now blunt) scissors that she keeps for sewing. With these, I will carefully amputate several locks of her lustrous, dark mane. Then I will search for the locket.

I imagine it may take me a while to find. Such precious things cannot be left out in the open. But time has taught me patience. I learned to wait with that hateful Mr. Honeycott, and nature rewarded me.

When I find the fine, gossamer chain and drag it from under her pillow to reveal the silver orb, bigger than one of her hazel eyes, I will no doubt be disappointed at her lack of ingenuity in hiding it.

Inside the locket, I will find the lopped locks of his golden hair. I will take the newly pruned swatch of Alice’s hair and intertwine the two braids and then I will leave, ensuring that I replace the scissors and close the door, leaving her sleeping as if she might never wake up.

Out over the uneven heaps of earth at the roots of the apple tree I will dance in an exquisite pleasure, sky clad, holding the silver orb up to the light of the omniscient moon, showing the spoils of my hunt to the bloodthirsty and noble Artemis.

Then I will dig the locket a shallow grave with my bare hands, aching in the cold.

I know exactly where to dig, exactly where Mr. Honeycott was buried three years ago. I have planned this for three long years. I will bury the locket on top of him, where he can see it. But wait…not before I remove the braids of hair, gold and black, sun and moon, day and night, male and female. Christopher and Alice, their very essences tied up together in a dance of forced passion.

Then I will find an apple.

In the late fall they taste of alcohol and feel like old wrinkled skin, like old, wrinkled Mr. Honeycott. They burst if you hold them too hard, so I will take the cold, rotting thing and push my fingers into its flesh, forcing the locks of hair inside like fibrous maggots, and when they are hidden in the heart of the fruit, I will eat the apple and the prisoners inside, never choking.

I will eat Christopher and Alice’s vows, their love, their souls.

Picture of J.R. Harlow

J.R. Harlow

J.R. Harlow (J. Rosina Harlow) writes dark, surreal and humorous short stories. She is a regular contributor to the Dark Lane anthology series and won third prize in the CAS short story competition in 2022. She has also appeared in Adverbially Challenged: Volume 2, and Holidays; Straight up or on the Rocks, and was longlisted for the 2019 "To Hull and Back" competition. She was a winner of the Philip LeBrun prize for creative writing at Chichester University and currently lives in Kent, England, with her husband and just the right amount of cats.

Past Relationship by Andrew Kurtz

“I’ve been on a lot of dating sites, and you wouldn’t believe the characters I’ve met. It’s came to the point that I thought I’d be single forever,” Janice told Max as they awaited their food in a restaurant.

“You’re not the only one—I’ve had a few winners too,” Max agreed.

“Have you? Such as?” she asked, her hands folded under her chin and her eyes focused on him.

“One woman was the Queen of Criticism. There was nothing I could do to satisfy her. If I bought her flowers, she scolded me because she’s allergic. When I gave her candy, she asked if I wanted to make her diabetic. Asking her out to dinner was an insult to her cooking…”

He was stopped as Janice’s hand waved in his face.

“I’ve heard enough. What did you do to end the relationship?”

“I dumped her.”

“Good for you. And the others?”

“Another woman, who I thought was decent at first, tried to empty my bank account. While I was asleep in my apartment, she took my wallet. Luckily, I woke up and found her copying the information. She burst into tears, saying it was for her sick mother who lives in the next state—apparently, she needed the money for some operation. I don’t know if it was true, but I gave her the money, bought a train ticket, and sent her on her way. That was the last I saw of her.”

“That’s terrible. I’m so glad you aren’t with those women anymore. Hopefully things can work out between us.” Janice placed her hand on top of Max’s.

“Me too.”

Max smiled, his mind going to the trash heap where he’d dumped the dead Queen, maggots and rats feasting on her flesh. And to the suitcase currently in the baggage compartment of an interstate train, the sliced-up scam artist festering inside.

Picture of Andrew Kurtz

Andrew Kurtz

Andrew Kurtz is an up-and-coming horror author who writes very graphic and violent short stories which have appeared in numerous horror anthologies. Since childhood, he has loved horror films and literature. His favourite authors are Stephen King, Clive Barker, H.G. Wells, Richard Matheson, Edgar Rice Boroughs, and Ian Fleming.

The Girl Who Lived in a Shoe by Hari Navarro

Vanessa feels wettened fingers in her ears as they snap at the knuckles, and then, slowly, she closes her eyes. 

It is suddenly so deliciously hot as the clenching billowing maw above opens, and plastic scented light pours over her, gathering and pulling at her skin.

This artificial aroma; she remembers it as the cheap sun lotion she’d once lathered into her pores. Those dreamy chemicals that stuck in the grooves of her lips. That so filled her nostrils with memories of sand and bearded, moated boulders, and dunes that unraveled as skinny legs plowed through and up to their peaks.

And again, just now, the ground beneath suddenly tips as one foot slumps lower than the other. There is screaming, but it is not human. It is a wail that sucks into itself, and then something cool and sharp plays and runs through her hair.

She needs to be in the pit.

She feels safe in the pit.

***

Vanessa stands on the shore and contracts her feet into the strata lines of ruddied foam, sighing into its cooling swallow. This is a memory of teenage toes and grains that fouled sandwiches that cracked between the, then, effortless twitch of her smile. But, this is now, and her dry lips thin and split as she pulls them back against her teeth. Her mind leaching, bleeding them of any part of joy.

She stands alone with her eyes closed so tightly she can feel them beat, and she plugs her toes ever deeper, down and into the sand.

“I am Drowner of the incessant silences. Drowner of the septic naked thing that purged from the ragged canal in a gush of amniotic roadside wash.”

In this fuddled moment she feels intimately connected to this far beginning, and just short of the end of many a thing. The sand; it has changed its counsel over these long years, she thinks.

In her youth, its rub was a soothing and searing balm to the soles of her feet. But now, it offers only abrasion. Painful mutterings that echo of the very Earth’s approaching demise. Its slow remorse as the moving water forever scratches and wears away at its skin.

***

Vanessa opens her eyes, and for a moment, everything is blue. The sky is ripped of its clouds, and the sea is calmed and without its white-licked peaks. Above and below merge into something terrifying and lovely, and infinite and connected, and so very blue.

“How am I here?”

She loses herself sometimes. She gets lost amid sentences, and on familiar streets, and in the ramping beat of her panting as she claws randomly found flesh into her zenith release.

She gets lost in the question of whether she is cold or hot. A God or not. Sick or not. She gets lost in the not knowing if she is bad or if, indeed, she is good.

She hears sea birds, and she opens her eyes and marvels at how freely they drop and bounce through the currents. To fly.

Vanessa has to work today so surely she didn’t abuse the boys, she wonders. The boys is the name she has given to the capsules that bustle and ruminate in the shoebox beneath her bed—the team she is on as she tries to neatly fold her past. An attempt, of a night, to put it all most soundly to sleep.

Spittle crests and runs the edge of her lip, and her head falls away to the side and bits of shell between her toes poke at her eyes as they play in the sun, and the world pulls back into step.

The ancient sand. Wet cement fragments in time copied so perfectly her feet as she ran.

***

Vanessa is standing naked with her skin torn and rubbed raw at the points where her clothes were torqued and drawn until they snapped and raped from her flesh.

“What am I?”

She knows this place—this bent scoop cove with thrusting walls of failing rock and dripping clay that pantomime at her back. Cliffs that fold to the ever-angered, and at once, so very meek waves that bite and chew. An incessant hunger that crumbles the farmland splaying out from and cowering at its very top.

She knows it well.

There is a ladder of sorts leading down from this top. Not all the way, as it stops twice on little ledges that allow her to swivel and adjust her stance. The ladder is formed from found things. Its main poles are mill-shaved lumber, but the struts are nailed branches of manuka and parts of window frames and such—an old street sign, that even now, as the salt picks and plays at her bare eyes, she wishes the name would thicken, and spill from her throat.

But it doesn’t. Her past does so lock itself in corridors of identical rooms.

***

Before her now, a beautiful ghost wades into the waves with a towering fishing rod in his grasp. This, she knows at once, is her grandfather, the massive height of the rod playing in his hand, begging only to be cast.

She struggles to grasp just how she is here. How she now sees this rod, or still just how the mangled line, wound within its long-neglected reel, passes so perfectly up through its guides and now hangs before him and her, replete with sinker and lavishly baited hook.

She would have thought an apparition such as this would weld his rod in the pristine condition he always maintained it in life. Not projecting it, as it now sits, neglected in the rafters of her grandfather’s long-since visited shed.

He seems full of tiny holes that allow the wave-spun breeze easy passage as it passes through him and beats against her skin.

The old man flips the bar that locks his reel in place and secures his finger to hold the nylon just so against the pole. Then he steps one foot forward, to widen and steady his stance, and arches backward, and with his other hand gripping firmly at the rod’s base, he heaves it backward over his head.

She is sad as the line passes through her mind, and even sadder that she doesn’t flinch in the slightest as it does.

Nothing now is tactile. Everything is hollowed, and she cannot clutch nor caress the form of most anything. Just wisps of husk and shell remain.

“Please don’t speak,” she begs silently of the old man’s back. “Please, I don’t think I can bear it after all this time you’ve been gone.”

“Come now, little whip. What is it that you hope to catch?”

“Myself. As always, Grandad, you know. Always there to wordlessly syphon off my self-pity and loathing with one of these dear trips to the beach.”

The old man smiles as he violently lurches forward, thrusting his bottom hand down to cast his line out. And the lead at its end pours into the ascendant before then falling, the dive probing the farthest distant swell.

***

She thinks she is mad.

She thinks she is mad, as she can feel, again, hands at her back, shuddering as they continue to flail the clothes from her body.

There is a threadbare waterfall that excretes from the cliff behind her. It forms a small pool at its base, and then dribbles down between her parted legs. A stream that splits at the base of the pole she now holds, and then deltas through the sand before her, spilling the clay’s rusty tint further down, veining into the sea.

“So that’s why the foam is red.” She sighs through a briefest smile of relief.

Her hooked finger feels a tug on the line. Then nothing. This pull it is that thing. That thing she tried so hard to ignore as she slipped into the bath with lipstick smiles at her wrists.

It tugs again, and the reel hisses as it plays out. She cranks the handle at its side, and the guide bar flicks back into place. She stops and she waits, and then again it tugs and runs off to the left. She winds again, heaving back the rod, and then stops and locks the line, and heaves it back again.

Time now races, and she can see but flashes of the moon and the sun as they chop and change in the sky. Her name is Vanessa, and she wants to carve it into a sea log so that it might float away, and when found, someone could care to wonder just what it was she was for.

The tip of the rod bows and it whips from side to side. She can see it now; this gathered floundering thing, fighting in the nearby roll, and she wades into the waves and winds and winds and winds.

It flaps and it screams, and then, this mass, it distills in the splaying foam. A great hook scooped into the corner of her scream, and torn out through the puff of her cheek.

She is human. Black hair shaved back to her scalp. Her face pulled apart and leaking like fruit torn to its pith.

Vanessa falls heavily at her side. Guilt throbs in her fingers as she holds the poor girl’s head and, with a long ago practiced twist of her wrist, she removes the hook from her face.

“I’m so sorry, look how I have ruined you,” Vanessa pleads as her voice bends and cracks against the gutted ripped flap of flesh that now slides beneath her hand as she tries to hold it in place. “I so wanted to catch you, but now I have, all I want is to throw you back,” she says to herself as she cups her own head, running her hand across the crust at its fire-scorched brow.

***

She’s seen wonderful things. With her job, she has visited the world entire. She has sat alone in empty bars at dawn and sucked the head off fizzing amber shafts of filthy glass. She has marveled at the flustered faces of commuting crowds packed into trains, and wept as they looked so happy.

Grooves within a lock, clicking and clicking and clicking into place.

“I am a pilot, and I need to get back to the pit. The pews which sit behind me there, worshiped my invisible power to give them all wings to skirt the globe. To find safe passage. My sermon gave them comfort, and now look at the harvest I’ve lost.”

You were in the sky, and you left the cockpit, and as the switches passed above your head, you thought of nothing. Nothing.

Vanessa?

It is now late afternoon, but still the sun, it reaps. Vanessa lies naked and jagged and dead as the returning tide pushes and pulls at the holes in her body.

The bay is strewn with bomb-gouged bodies, and bits of headrests and plastic cups, and private things that float.

Her right leg floats atop the gentle surge of the tide. Its foot remains bound and safe in a shoe—it now the only thing that holds her in place.

The sea sways and sauces the sand, and the sand, it grates and parts and parts again. Smaller and smaller, until finally Vanessa becomes nothing at all.

Nothing but a single shoe to be found on a beach by a stranger.

Picture of Hari Navarro

Hari Navarro

Hari Navarro has, for many years now, been locked in his neighbour’s cellar. He survives due to an intravenous feed of puréed extreme horror and Absinthe-infused sticky-spiced unicorn wings. His anguished cries for more dip can be found via Black Hare Press, Black Ink Fiction, Hellbound Books, 365 Tomorrows, Breachzine, AntipodeanSF and Horror Without Borders.