Late at Night by Max Bindi

Late at night

Late at night

I lie awake

in a darkened room

while black phantoms

peer into my gloom

but do you see

what I see

when all ghouls

shut their eyes

and the darkness

comes eerily alive?

Late at night

lonesome wanderers

cross thin shadow lines

while unreal cities

burn in the moonlight

but do you feel

what I feel

when all spooks run wild

and the dead stars

shine ominously bright?

Late at night

spectral lovers stroll

down by the riverside

while their reflections

swim against the tide

but do you dream

what they dream

when love breaks all ties

and all faint hearts roll

like hollow dice?

Late at night

We climb over

abysmal heights

reaching out

for a frightening insight

but do you bleed

like I bleed

when the winds of sorrow

cut like a knife

and the ghost of tomorrow

weaves his uncanny web of life?

Picture of Max Bindi

Max Bindi

Max Bindi is an Italian Author/Translator/Poet. His work has been featured in Poetry Anthologies by publishers such as The SFPA, HellBound books, The Ravens Quoth Press etc. as well as in a variety of international Literary Magazines both online and in print, including: Aphelion, The Horror Zine, The Sirens Call eZine, Lovecraftiana (Rogue Planet Press), Raven Cage Zine, Better Than Starbucks and elsewhere. He was nominated for the Dwarf Stars Award in 2023.

Pursued by Joan McNerney

My dark dreams scatter across asphalt streets. Rain splashes

ebony ink, winds snarling my damp hair. My mind in knots

and snags. Throat dry raw as I step over cobblestones.

 

It follows me, this long shadow, waiting to cover me,

to encompass me.

 

Now I am passing a field. My worn shoes sink into moist grounds.

The soil offers up scents of mild vegetation, promises of spring.

Gusts tangle trees, calls from lost trains resound through night.

 

It follows me, this long shadow, waiting to cover me,

to encompass me.

 

I keep climbing a hill. My mind twisted into knots. How can

I breathe? White walls meet me head-on.

The rough concrete presses my fingers as I push in.

 

Following me again, covering me, swallowing me

into this black heart of night.

Picture of Joan McNerney

Joan McNerney

Joan McNerney’s poetry is published worldwide in over thirty-five countries in numerous literary magazines. Four Best of the Net nominations have been awarded to her. The Muse in Miniature, Love Poems for Michael, and At Work are available on Amazon.com. A new title Light & Shadows has recently been released.

Accident by Joan McNerney

If only it had not rained

the sky black and wet as

we hurried across streets.

 

Perhaps, had he worn a

light coat it would have

been easier to spot.

 

Maybe, if the cab driver

were not so tired, if

headlights shone brighter.

 

How many hundreds of things

lead him to that corner.

For instance, staying late

to check computer printouts.

 

The cab driver had felt like

going home at six but had

a recent rent increase.

 

Everything led to the cab

slipping along 3rd Avenue.

Him in front of his office

and then lunging out to

avoid a puddle.

 

There was no one to blame

nothing to blame really

not the rain

or the dark coat

not the dim lights

nor the cab driver

who would remember this always

and sometimes blame himself.

 

It was part of a series

of events of time and place

leading to this conclusion.

 

An ambulance screamed

down the avenue. His eyes

wide open as he lay

facing the black night.

 

His time finished

eyes opened as if

staring at something

quite different now.

Picture of Joan McNerney

Joan McNerney

Joan McNerney’s poetry is published worldwide in over thirty-five countries in numerous literary magazines. Four Best of the Net nominations have been awarded to her. The Muse in Miniature, Love Poems for Michael, and At Work are available on Amazon.com. A new title Light & Shadows has recently been released.

Falling by Joan McNerney

Down through blackness

into dusty subterraneous

tracks where trains race.

 

Silver rods speed through dream

stations transforming tunnels

with bolts of blue white sparks.

 

Falling

 

On a steel car looking out my

window. How many times will

this bullet train spin off rail?

 

How many times must I ride

that dark horse called nightmare?

in air off course tumbling down.

 

Falling

 

Dangling on thick utility cables

over edge, through trees into lights

crashing fast against buildings.

 

Now flying through space.

Careening in pitch black night,
my silver train shattering glass.

Picture of Joan McNerney

Joan McNerney

Joan McNerney’s poetry is published worldwide in over thirty-five countries in numerous literary magazines. Four Best of the Net nominations have been awarded to her. The Muse in Miniature, Love Poems for Michael, and At Work are available on Amazon.com. A new title Light & Shadows has recently been released.

Fear by Joan McNerney

Sneaks under shadows, lurking

in corners ready to rear its head

folded in neat lab reports charting

white blood cells over edge, running wild.

 

Or hiding along icy roads when

day ends with seagulls squalling

through steel gray skies.

 

Brake belts wheeze and whine,

snapping apart, careening us

against the long cold night.

 

Official white envelopes stuffed with

subpoenas wait at the mailbox.

Memories of hot words burning

razor blades slash across our faces.

 

Fires leap from rooms where twisted

wires dance like miniature skeletons.

We stand apart inhaling this mean

air choking on our own breath.

Picture of Joan McNerney

Joan McNerney

Joan McNerney’s poetry is published worldwide in over thirty-five countries in numerous literary magazines. Four Best of the Net nominations have been awarded to her. The Muse in Miniature, Love Poems for Michael, and At Work are available on Amazon.com. A new title Light & Shadows has recently been released.

A Home to Go To by Fabrice B. Poussin

Where might she go this eve

the end of another week

full of treasures and surprises

for her friends.

 

Lights still shine down the corridor

she sits still before the neon screen

wondering whether she may stand

take a chance

 

As she had the day before

left alone in the space of an odd meaning

sweating away at endless reports

without meaning.

 

She fears what may happen as she will

rise and drive to her abandoned domain

cold as a realm forgotten by spring life

with no warmth to find.

 

She may cry in secret

for to them she loves in delight

her chest tight as in the grip of a vise

desperate for a gentle smile.

 

Soon she will depart this world of plywood

bright fibers flavored with aromas of a

stale brew sterile as the desert of Antarctica

to go home. What home?

 

The envy of the man who shivers

the modest abode just a place to rest

seems safe so long as she remains unaware

of the loveless hours.

 

She may dream and she may scream

in the unforgiving cold of lonely nights

yet she knows it is a brief respite

within the terrible cycle of hopeless years.

Picture of Fabrice B. Poussin

Fabrice B. Poussin

Poussin is a professor of French and World Literature. His work in poetry and photography has appeared in Kestrel, Symposium, The Chimes, and hundreds of other publications worldwide. Most recently, his collections In Absentia, and If I Had a Gun, Half Past Life, and The Temptation of Silence were published in 2021, 2022, 2023, and 2024, by Silver Bow Publishing.

Church on a Thursday Afternoon by Jessica Gleason

Father Smith struggled with his faith,

not his dedication to God, but

his dedication to the cloth.

 

It wasn’t that he yearned

for pleasures of the flesh, no,

he was attracted to women, but

lack of family was his one major regret.

 

He could have one, in theory,

could settle down with a kind, sturdy

ginger-haired woman, one devoted

to the Lord and to their marriage.

 

He could father children too,

if he removed the robes,

went plain-clothed into

the secular world, breaking

his vows, his sacred promises.

 

But his God was a forgiving

one. If he repented, and truly

meant it, surely his sins

would wash clean. Still,

he wasn’t ready to leap.

 

He enjoyed spreading the good word.

The parishioners doted on him,

filling him with their kind

words and decadent baked goods.

Days like today, though, tested his resolve.

 

***

 

No one had found Jeremy Schall’s

body, he’d simply vanished,

but to gain closure, the family

needed a memorial. Father Smith performed

a corpse-less service in Jeremy’s honor.

 

“They finally released my boy’s

mixed tape, the one found near the mine.

Do you think, father, that we can play it,

in Jeremy’s honor?”

 

Uncertain what the tape contained,

Father Smith was hesitant, but eventually

relented to the grief-stricken woman.

 

She placed her 1980’s boombox

near the pulpit, pressing play;

as soft drumming blasted into the drafty

church, shadows closed in, blocking each

stained glass window, blotting out the sun.

 

Shrieks echoed off the vaulted ceiling,

when inky black tentacles shattered the church glass,

snaking their way in and snuffing out so many

half-lived lives, including the wifeless, regret-filled priest.

 

In his final moments, Father Smith didn’t

pray, didn’t cry out to his Lord and savior, instead,

poisoned by resentment, he screamed an angry, “Fuck you.”

Picture of Jessica Gleason

Jessica Gleason

Jessica Gleason finds writing horror therapeutic. So, she puts her nightmares to paper for your enjoyment. As a Hawaiian-Italian, she often draws from her cultural background and lived experience to bring occult-flavored and slasheriffic horror to life. If you look hard enough, you can catch her singing hair metal karaoke somewhere between Chicago and Milwaukee. Her daytime persona is a college professor in the American Midwest. Jessica's recent releases include Playing Hooky (Unnerving Books), and The Dangerous Miss Ventriloquist (Evil Cookie Publishing). Follow her on Instagram or Threads (@j.g.writes), where she hosts the #WeWriteHorror challenge.