The Black Heart Tree by Elliot Pearson

It started with a pulsating

in the heart of the oldest tree in the world,

observed by Jasmine, her eyes a deep azure—

biologist and caretaker of the old oak.

It stretched like an organic gelatine mass,

rising and falling as if breathing—

the globulin center bulging like an ageing gut

leaking glistening obsidian resin

atop the last hill, dripping down, gleaming,

where forest once writhed and wound for miles around,

the land now flattened and plaster cast,

the tree alone and surrounded by the gray city,

home to a lost population not long for this world,

that did not see,

that had no need

for the tree that was cheered and revered

by Jasmine alone.

Outsider. Outcast.

Yet, with the tree, never alone.

 

She reached out to place her palm on its cracking, blackening bark,

before the gas-masked men in hazmats cordoned it off.

Stay back. Step away. An infection, they say.

But there was nothing they could do as the land above

where the roots grew began to turn gray,

and what flora and fauna remained turned ashen and died,

disintegrated, struck by a sharp wind, drifting away.

The tree’s limbs slackened and withered slight,

and the once lush green leaves Jasmine had nurtured fell,

the light in her eyes fading, azure to gray,

sent for decontamination and treatment

as her skin began to blister and bubble—

never to be seen again.

 

But the tree did not die, for something kept it alive.

That black beating heart inside, harder and faster now.

Deep scarlet veins reached out from within

like bloody skeletal hands wrapping around,

growing on the outside, a myriad of vessels

like a harlequin baby

that writhed, reaching out further for the gray city

with a silent cry.

 

Terraformers toiling on a distant star

could not have seen nor known

that their work angered a voiceless consciousness

unknown to humankind,

for they could only comprehend what they could see.

Their efforts to turn seemingly barren worlds

into another Earth,

chasing a nostalgic dream,

a one done thing,

only to poison it in the blink of an eye before

moving on to the next

and the next,

while unknowingly corrupting and destroying

all that the all-seeing eyes had known

since before the beginning of time.

 

It had watched as humans began to spread among the stars

after laying waste to their home of green and blue,

toiling away,

turning it as gray as the dull minds

of the inhabitants of the day,

who neither saw nor spoke of stories and oak,

but lost their way in artificial worlds and work

and didn’t stop to question why.

If the oldest oak in the world could not be seen,

the all-seeing eyes would molest and corrupt

and spread its wrath for all to see—

as the sky turned black,

where day never came, casting shadows no longer,

as the land turned black,

stretching to the streets

in the concrete city that turned black

from hacked up phlegm

from char-grilled lungs from

blackened bodies stepping over

lifeless bloated black bodies.

 

The bleeding black oak glowing red atop the hill,

the only light in the sky, rising

above for all to see—

who raised their heads and opened their eyes,

transfixed by the open chest of what was once

the old oak tree,

revealing now that bleeding, black beating heart.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work can be found in Starline, The Banyan Review, and in several past editions of The Stygian Lepus. He lives in New Mexico.

Growing, Always Growing by Elliot Pearson

A hunk of metal drifting in a sea of iridescent stars,

blinking, reflecting in the station windows, but she doesn’t see—

Christine is where she’s always wanted to be,

alone

with the fungal root harvested from a wandering star,

away from it all,

like she was as a girl in the garden at home

in a world of her own.

 

The root is her prize and hers alone.

She sits and watches for hours at this dark, alluring little thing—

speaks to it and greets it good morning and wishes it good night

when there is neither in the black vacuum—

keeping it alive, secure in the lab

as it’s growing, always growing.

Hers and hers alone.

 

Oh, what joy to never see another soul,

to wake up with the sole purpose of feeding the root,

to watch it grow,

black as tar and pulsating—

growing, always growing

as the mold spreads,

and Christine is inhaling, always inhaling,

for what use is a filtration mask with such

a harmless specimen?

 

It is what keeps her connected, her root,

and the mold is spreading, growing in her now,

and she is changing, always changing,

waking each morning, growing closer to the root,

as if they were becoming one,

as the microscopic spores dance and drift into her open holes,

settling and seeding

as the mold takes over her mind.

 

She is unaware, complacent, no longer performing tests on herself,

coughs and sneezes blood into white paper sheets,

her hair falling out in clumps forming a sleek dark carpet

on the cold metal floor

as she wanders down the station corridors

in blood-soaked coveralls,

and she sheds her skin and peels it off in the shower

and it drops heavy to the wet tiles like thick pig skin

and the blood flows in the running water

and the steaming shower makes the flesh burn

that is no longer hers

as her bloated eyeballs push forth and pop out of her skull—

but she doesn’t feel a thing

because she is one with the mold.

 

Christine rots from within

but she is alive,

for the root has her mind

and they are a dyad.

They are legion

and they are many,

plotting a course back to Earth—

and there the mold will keep growing, always growing,

and Christine will make roots where she was once never able.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work can be found in Starline, The Banyan Review, and in several past editions of The Stygian Lepus. He lives in New Mexico.