Beneath by A.J. Dalton

There

under the low arched bridge

where the stream whispers

apologetically

and hurries away

There’s something

holding its breath

and waiting for me

when I dare venture below

Utterly still, invisible

against the brick wall

willing me to come just

that little bit closer

But my hair prickles

and I backpedal

stumble and pivot

hand pushing off the ground

lurching away

as the hungry air snatches at my back

with a gasping grumble

There’s something humid

and rotten—you’ll catch a whiff

and know in your gut

you only just escaped

some troll or older evil

Yet up in the light once more

you’ll chuckle brightly

and shrug it off

as a fancy and childish imagination:

not for one so educated, these oddities

of contemporary confusion

and disorientation.

Picture of A.J. Dalton

A.J. Dalton

A.J. Dalton is a UK-based writer. He’s published the Empire of the Saviours trilogy with Gollancz Orion, The Satanic in Science Fiction and Fantasy with Luna Press, the Dark Woods Rising poetry collection with Starship Sloane, and other bits and bobs. He lives with his monstrously oppressive cat named Cleopatra.

Seeds of the Future by Elliot Pearson

The war is over.

The humans lost.

Now, the one-eyed gargantuan—

head in the clouds—

scans the fields at dawn

and lets them fall like seeds

from its unfeeling grasp,

sprinkling naked bloated corpses

of all shapes and sizes,

colors and forgotten creeds—

strewn across fertile land

where fruitless battles

were fought and lost—

insurmountable odds

against the inevitable colossi.

The machines need

to grow seeds for green fuel

from the near-extinct species—

to wage a new war

in the stars where the last

of humanity’s colonies lie

unawares—for they know nothing

of what transpired

on their precious planet,

oh, so long—so long ago.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work has appeared in such publications as Star*Line, The Banyan Review, and The Stygian Lepus. After working as a teacher in Spain and Mexico, Elliot now lives in Las Cruces, New Mexico, and is working on his first novel.

Kiss of Death by Avery Hunter

The moon spills its silver,

veiling the room in whispers.

Burgundy curtains billow,

the bed—

a dark altar—

holds him.

Stillness.

Perfect.

Bare chest, shadows sculpting

planes and edges,

lips just shy of a smirk.

Moonlight tangles in his hair,

effortless, intoxicating,

like a trap.

She moves,

a wraith,

soundless on polished wood.

Every step—a whisper.

Every motion—a promise.

Hunger presses against her skin,

heat pulsing beneath pale flesh.

Her tongue flicks—

anticipation,

need.

His body beckons,

serene in stillness,

an invitation she cannot deny.

She straddles him,

knees sinking into the mattress,

thighs brushing cool skin.

Her palms map his chest,

nails raking,

igniting sparks of want.

A soft sigh escapes her lips.

She lowers herself.

Rides him.

Takes him.

Friction, pleasure—

her hunger mounting—

her fangs ache.

She leans in, lips brushing

the pale curve of his throat.

The vein calls her.

She bites.

Ecstasy—

the rush of heat,

the flood of life—

no.

No warmth.

Only stillness,

stagnant,

cold.

Her hands dig into rigid flesh—

panic rises.

She stares, blood on her lips,

his body unmoving.

Rigor mortis.

Angel lust.

She’s tasted death.

A scream shatters the dark,

her body twists, convulses—

skin blackens, cracks,

flakes fall like ash.

Her beauty crumbles.

Her hunger destroys.

Nothing remains,

but dust scattered

across a lifeless bed.

The man lies as he was—

rigid, serene,

perfect.

The faintest smirk

lingering

on lifeless lips.

Picture of Avery Hunter

Avery Hunter

Avery Hunter invented writing, the quokka (but not its propensity for sacrificing its young to predators), and mudguards for bicycles (after an unfortunate incident one muddy Monday morning). Now they teach tarantulas how to make a perfect mimosa.