Beneath by A.J. Dalton

There

under the low arched bridge

where the stream whispers

apologetically

and hurries away

There’s something

holding its breath

and waiting for me

when I dare venture below

Utterly still, invisible

against the brick wall

willing me to come just

that little bit closer

But my hair prickles

and I backpedal

stumble and pivot

hand pushing off the ground

lurching away

as the hungry air snatches at my back

with a gasping grumble

There’s something humid

and rotten—you’ll catch a whiff

and know in your gut

you only just escaped

some troll or older evil

Yet up in the light once more

you’ll chuckle brightly

and shrug it off

as a fancy and childish imagination:

not for one so educated, these oddities

of contemporary confusion

and disorientation.

Picture of A.J. Dalton

A.J. Dalton

A.J. Dalton is a UK-based writer. He’s published the Empire of the Saviours trilogy with Gollancz Orion, The Satanic in Science Fiction and Fantasy with Luna Press, the Dark Woods Rising poetry collection with Starship Sloane, and other bits and bobs. He lives with his monstrously oppressive cat named Cleopatra.

And On the Story Spins – Part One by S.J. Townend

Ellie, Eleanor at church, spins her wedding band on her finger and heads from her car toward the store. Gregory will need release soon. The path to the queue of shopping trolleys at the front of the store is arduous, so she steps as fast as she can, with caution, over the clusters of balled, rough, bent grass she meets en route. She only needs a few items, but the arthritis means she can’t carry a basket like she would have in her youth. Even for a small shop, Ellie needs a trolley.

Over her shoulder, a dozen long-abandoned cars—metal ghosts—sit at the dipped end of the car park, blanketed in thick tumbleweed, each buried too deep to dig free. Scything balls of detritus spin on by, carried in the wind.

Ellie thinks of nests—bird nests—emptied of eggs. What becomes of eggs once they’ve fallen from the warmth and comfort of their twig bed? A flashback. The disgust on her mother’s face moons ago, Ellie no older than six or seven. The one time they’d baked together, a rancid chicken fetus had fallen from a cracked shell. Ellie had refused to eat the sponge cake they’d produced, could only think of the small lump of beak and feathers—helpless, lifeless—floating in a bowl of flour and butter.

The tumbleweed pandemic does not scare Ellie, despite the bombardment of attention-grabbing headlines and the regular updates of disruption and fear the media churn out. No, Ellie does not feel alarmed. Just sad. Like a jilted bride or—how she imagines, herself not blessed with children—the mother bird of a pecked-open dead egg might feel.

The tension in her old shoulders dissipates as she escapes the melancholy of the weed-clogged car park.

To lose oneself in retail therapy, in a darned weed-free environment, is one of life’s simplest pleasures, she thinks.

***

A coin in the trolley socket, handbag resting in the fold-out toddler seat, Ellie fishes her list from her pocket, shakes it open with a firm flick, then checks her wristwatch. The clock is ticking. She needs to shop quickly. By ten at the latest, she must be home to slip into her white dress and lie with her husband.

Ten is their preferred time for release, relief, before sleep.

***

A creature of habit, she knows her way around the store like she knows Isaiah 41:10, Jeremiah 29:11, and all the other of God’s uplifting verses—the ones full of hope she recites to herself as she lies next to her husband before drifting off each night: fresh fruit and vegetables by the entrance, microwaveable meals in aisle thirteen, and milk, dairy, and bread towards the back of the store. In and out in no time at all, as fast as her knees will allow.

Ellie sets about her shopping duties, smiling with just her lips at other stone-faced customers, tsking at the newspaper section with its infestation of inflammatory headlines.

Tumbleweed Takeover.

Family Home Buried by Tumble.

School Closed due to ‘Weed Crisis.’

She has heard the stories on the radio, echoing themselves like an eternal well of mirrors. No one has come a cropper yet—no one even injured, from what she’s heard—not directly so, anyhow.

The media have nothing else to report, she thinks—the election’s now over, the same greasy, right-leaning pillock in power for another term.

Propaganda.

She loads her trolley with oranges and bananas to keep her regular, then moves toward the bakery at the back of the store, the scent of fresh-baked dough a soft balm to her sadness.

Her trolley half full, she looks up from the iced buns. To her left, on the end of the electrical appliances aisle, an advertisement screen shouts information at her. A wide-eyed blonde with a broad grin—too many teeth, perhaps—speaks without blinking from the 54-inch plasma screen. Ellie listens. Something about the advertising model wins Ellie’s attention.

“With the AshCompressor300, you can give yourself and your loved ones the sparkling eternity you all deserve. Simple to use, quick and easy to assemble—why not treat yourself or someone you know to our product today!”

Ellie moves closer to the display, moth to flame. The screen and its associated stock are sandwiched between walls of boxed microwaves and kettles. Unsure exactly as to what she is looking at—a new product, she thinks—but what is it for? Reeled in by the colorful packaging, she picks up the most prominent box, which is no larger than an average toaster, and squints to examine the small print.

A man wearing the store’s brown polyester uniform pulls a large stock trolley laden with tens more of the product on board. He sidles up to Ellie and nods at the display.

“Selling like hotcakes,” he says. He winks. His name badge tells Ellie this middle-aged man is called Gary and has worked his way up to Assistant Manager.

“What exactly are they?” she asks.

“Kits. For when someone dies. You slip their ashes in there”—he points to a large jar not dissimilar to the one you might find on a food blender—“then press that button, and in a matter of minutes, from the bottom drawer, a small diamond pops out.”

This is frightful, she thinks, how awful. With her index finger, she makes the Sign of the Cross on her chest. Her face contorts, like her mother’s had long ago, on cracking a dead bird into a mixing bowl and after Ellie had told her she was marrying Gregory. He’s no good for you, never smiles. But Gregory had smiled at Ellie on their wedding day, and Ellie had known what was best for herself, best for Gregory. Her and Gregory and Jesus shared a love like no other.

“Sales have boomed since the tumbleweed. People feel they deserve to treat themselves,” he says.

Ellie looks at her ruby-encrusted wristwatch, a gift from Gregory on their fortieth wedding anniversary. Nine-thirty. Time is pressing on—she must get home to open the door, open the window, bring her husband some relief. As much as she wants to state her disgust, she hasn’t the time. She goes about her business and makes her way to the tills.

***

Twenty minutes later, the crescent moon making a clear show of itself in the otherwise dark sky, Ellie pulls up outside her house. She lifts the shovel from the roof bracket of her car. It has become a regular occurrence to sweep away the plethora of tumbleweed that swamps her drive before she can reach her front door. She has never swept without tears in her eyes. Tonight is no different.

A thin segue cleared, she carries her groceries inside, rattling back and forth as fast as her old legs will allow.

Inside, she unpacks her comestibles and, in her actions, knocks her husband’s favorite glass to the floor.

“Oh no,” she mouths, and as she collects the shards, tears budding in her eyes, “Gregory will be cross.”

She’d purchased the glass for her beloved on a holiday back in the late seventies, on their honeymoon, from a gift shop in Lynton and Lynmouth after riding the cliff railway there. He’d smiled that day—she remembers it clearly—that broad grin, the dimple in his chin becoming more prominent, just showing itself through a thin dusting of stubble.

As a tear drops to the tiled floor, a rumble emits from the cupboard she’d used to house tin cans in. As the noise ascends in volume, she grumbles. The sound is distracting her from the hands-and-knees chore of sweeping up the glass.

Slowly standing, she fumbles for the parcel tape she knows Gregory keeps in his odd-bits draw and uses a snake of tape to seal the noisy cupboard closed.

A task for the morning, she thinks, as she places the tape back.

After this, her appetite not up to much and Gregory already in bed, she prepares a meager meal for one.

Two glasses of water and a five-minute macaroni later, she makes her way upstairs, brushes her teeth, then braces herself before opening her bedroom door.

Tumbleweeds spool out onto the landing.

“Darn it,” she cusses.

She battles her way through the thick, brambly soup toward the bedroom window. “Gregory. You wouldn’t believe what they’re selling down at the supermarket.”

Yanking open the window, she tosses the build-up of rough, bent grass outside, watching as they cascade into her garden below. This process, which she’s grown accustomed to, takes time—but it must be done. She worries that if she doesn’t remove the balls of dry grass, she won’t be able to get out of the room in the morning.

Her arms ache. Her day has been full of misery. Gregory, lying supine on the double bed, does not reply to his wife.

He’s sleeping, she thinks.

After ten minutes of pushing out weed balls, Ellie sits at his side and reaches for her husband’s hand—mere bone.

“To have, and to hold,” she whispers.

From her soft seat on the edge of the bed, her spine pressed up against her husband’s side, she sobs and addresses Gregory, aware he is unlikely to hear.

“Do these people not realize? Ashes—if that’s the decision the deceased have made—should be scattered, in the breeze, released amongst nature, when all are ready to say goodbye. Not compressed into monetary objects. How callous is the modern world.”

She looks up at the cobwebbed ceiling with its jungle of black-smudge-encrusted flypaper strips, her husband’s hand cold in hers. A solitary tumbleweed clings on—is wedged, caught between sticky strips and the dusty Tiffany-style shade. The weed ball and the glasswork shade sway together, gently, in the breeze drifting through the open window.

Swing there like a lynched body….

Picture of S.J. Townend

S.J. Townend

S.J. Townend is a single mother of two young children, a teacher, and an author of dark fiction. She has stories in publications from Vastarien, Eerie River Publishing, Dark Matter Magazine, and a few other places. Her first horror collection, Sick Girl Screams, introduced by Robert Shearman, is out now (Brigid’s Gate Press) and her second horror collection, Your Final Sunset, is coming in 2025 (Sley House Press).

38 Weeks by Paul W. La Bella

Delphina Phillips sat rubbing her swollen belly, thinking about what lay ahead. Del had never given birth before, and until six months ago, she didn’t think she ever would. They tried for almost two years before breaking down and going to see a specialist. The problem, for lack of a better word, was with her eggs. The doctor told Delphina that she wouldn’t be able to conceive naturally, and that the chances of success with invitro were slim.

It was a hard time waiting, but two months later, when the doctors told them that the IVF stuck, she and Arthur cried.

She looked over at him now, asleep on the couch with his feet propped up on a stack of pillows. He looked so peaceful, so comfortable. Must be nice to sleep. Del hadn’t had a restful night’s sleep since the baby took root and sprouted.

Despite the resentment she felt at his comfortable doze, Del loved Arthur and Arthur loved Del. It was as simple as that. Not that it was difficult to love Delphina Phillips. She had an air about her, her laugh was contagious, she was kind and generous, and everybody who talked to her walked away feeling good. But it wasn’t always that way. There was a time when talking to Delphina made people uncomfortable, even a little depressed. It took a lot of therapy—and a lot of medication—to transform Delphina Phillips into the woman she eventually became. Arthur knew her before the nightmares stopped and the healing began, which is perhaps why their bond was so strong.

If you were to run into Delphina in the supermarket and a conversation sprang up (the way they sometimes do between two strangers), she might ask you your opinion regarding the ideal amount of marbling in a steak, or if all the different butters are really any different. But back then, back before she got better, the conversation would have been geared towards the sky, the stars, the Grays.

You might have laughed, might have assumed it was a joke, but Delphina wouldn’t be laughing. Her eyes would look at you, and you would feel like you were looking into a pit. They wouldn’t see you, only search the air around you, search to see if you were really you, or if you were actually one of them. One of the Grays.

Delphina sat in the recliner, rubbing her pregnant belly, and the jealousy at Arthur’s comfortable doze slowly melted away. Tears fell silently down her cheeks, and in that moment, nothing in the world could wash away her happiness. Everything was all right. She was loved, loved Arthur in return, and loved the baby growing in her belly.

Feeling the baby tumble around inside of her, she decided it was time for bed. She kicked down the leg rest and it snapped into place. Then she rocked back and forth, building up the momentum necessary to propel her out of the chair without injury. This type of preparation, Delphina found, saved her back from spasms that would otherwise leave her moaning in pain. It’s only gonna get worse. She stood, arched her back, and tapped Arthur’s foot.

“Let’s go to bed, Art.”

One eye opened, then fell back down.

“I’m gonna go brush my teeth. You should try it sometime. Come on, don’t sleep on the couch all night. I’ll miss you.”

“Mmhh, all right.”

Del went into the bathroom, ran water over the bead of toothpaste, and went to work. She stared at herself as she brushed and saw how her auburn hair caught the light from above the sink. Her face was fuller, vibrant, glowing. She turned sideways to examine the growing bump, and smiled.

Her joy was undeniable, but there was still that—something. All the pain from her past; the nightmares, the delusions, the fear, seemed as impossible to her now as a combustion engine must seem to an ant. But that stuff didn’t just go away, not for Delphina. All of it—but mostly the fear—sat in the back of her mind, waiting to spring forward. She pictured that fear as a crouching cougar, stalking her in the dark, waiting for the right time to leap out and strike.

But what was she afraid of? Fear of fear itself? Or fear of them?

“Why’d you let me fall asleep?”

Arthur came into the bathroom. His hair was disheveled, and his green eyes were squinted against the bright lights until they were almost completely shut.

“I didn’t let you do anything,” she said, around the toothbrush in her mouth.

He pinched her behind.

She spun around, smiling, and smacked his hand away.

He smiled in return, but his squinted eyes made him look like the mugshot of a drunk driver. He pulled her in close and she tried again to say something through the toothbrush.

“Can’t understand you, mushmouth,” he said.

She took the toothbrush out. “I said leave my butt alone.”

He kissed her. Del had only one choice. She pushed foamy toothpaste out of her mouth and into his. It oozed from between their lips and fell onto the floor, making a splat sound. Arthur spat the rest into the sink, laughing hysterically. Del put on a half-joking, half-serious seductive face, and asked if he wanted some more. He said he did. They fumbled into the bedroom, their lips stuck together like the teenagers they once were.

Afterwards, they fell asleep in each other’s arms.

***

The idea of Yin and Yang is simple; life is about balance. There is light, and there is dark, good and evil, water and beer. Delphina was familiar with this concept. She believed she had experienced the darkest parts of her life at a fairly young age. It was a coping mechanism to believe that the worst was behind her, but it had worked so far. An image of a taijitu danced on the back of her eyelids as she tottered the line between wakefulness and sleep. She breathed deeply, comfortable and safe in Arthur’s arms, and watched as the black and white circle began to spin. It swirled until the colors blended and mixed, turning gray, and then she was asleep.

The gray circle followed her into her dreams. In the world outside of Delpina’s mind, her body stiffened, but Arthur didn’t notice. Her muscles tensed and her heart raced as the spinning gray circle transformed into a being she hadn’t seen in nearly a decade. It spun so fast that it no longer looked like it was spinning at all. Two black orbs popped out of the gray mass, then a mouth, and finally, two slits in between the two. A body sprouted from the head, gangly and angular.

In the dream, Del screamed, but in the world outside of her mind, her foot only twitched.

Now she was lying on a table, and her back was cold and the lights above her were bright, too bright for her to see anything. She tried to turn from them, but her head was locked in place. Her knees were bent, her feet were flat on the table, and her legs were spread. Metallic instruments clicked and someone (or something) stuck a needle into her arm. She woke up screaming.

A few years ago, someone tried breaking into Del and Arthur’s home. It was two or three in the morning, and when the alarm sounded, Arthur jumped up and grabbed the baseball bat leaning on the wall next to his side of the bed. When Del screamed that night, he’d reacted in much the same way. He was up, feet planted on the floor, ready to fight, ready to run, ready to do whatever needed to be done.

Her scream was high in pitch and long in duration. Once he realized what was happening, he went to her and tried to wake her up, but she wouldn’t come out of it. When Delphina opened her eyes, she slapped him across the face.

She looked around the room as if she’d never seen it before in her life. Her head jerked one way and then another, searching for that wandering hand and the black orbed eyes. Then the world slowly came back to her. There was the oak dresser that Arthur’s parents gave them for their one-year anniversary. Over on the wall was the framed Theodor Geisel print they bought last summer in San Francisco, the one with the smoking cat playing pool. She looked at Arthur, his eyes wide and concerned, one hand nursing his red right cheek.

“I’m sorry,” she said.

“Are you all right?”

She sat up and instinctively put her hands to her belly.

“Do you remember any of it?”

She shook her head.

“Maybe you screamed it right out of your memory. That’s probably better. You okay?”

She smiled and said, “I’m okay. Come back to bed.”

He climbed back in and kissed her forehead.

She closed her eyes and saw the cougar, only it wasn’t crouched down anymore. It stood tall and vicious and mean. She lay awake for a long time and took a tally of every awful thing from her past. They marched out from the shadows in a single file line, feeling safe now that the cougar had emerged.

***

The next two months passed without incident. Arthur got a promotion that kept him in the office more. Del missed him like crazy, but the added income made everything else a little easier. They bought new clothes for the baby and repainted the nursery, even got an expensive monitor that came with a camera and a sensor that you strapped to the baby’s ankle. It would send an alert to Del’s phone if the baby’s heart rate or breathing dropped below a certain point.

Arthur picked up most of the household duties and Del took early maternity leave. Her back ached, and so did her head, and it seemed as though acid was literally being pumped from her stomach into her throat. Every muscle in her body was sore, and it was a chore just to get from one room to the other. All of this was expected, and although she was uncomfortable, she was glad that there were no more dreams. Glad, but not unaffected by the first.

The morning after the dream, she made an appointment with a psychologist. She told Arthur it was just a precaution against the hormones, which was true, but she never told him about the dream. Her old psychologist, Dr. Bernbaum, was dead, so she made an appointment with Dr. Becky Renfrow. She was hesitant to schedule the day because she went by the name Becky instead of Rebecca, but Becky had the closest available appointment. She listened well and offered sound advice. They agreed to hold off on any medication until after the baby was born, if it was needed at all.

She spoke with Becky twice a week—once in person, once over the phone—and went through her entire history over the course of eight weeks. Becky told her that this was vital before moving on to interpret the meaning (if any) from her most recent dream.

Del woke up early, went into the kitchen, and boiled the water for coffee. She went to the calendar and there was a note in the box for the twenty-fourth. It said: DR. BECK-8A, and beneath, 38 WKS-OB-10A. Arthur said she was nuts for scheduling both appointments on the same day, but there was no way around it.

Arthur was already at work. It seemed he left earlier and earlier every day, while Del slept later and later as the weeks progressed. She was tired. Exhausted was more like it, and she had to set an alarm special for today.

She got to the office early and waited in the small lobby with a book.

“Morning, Del,” Dr. Becky said, “I’m ready whenever you are.”

Dr. Becky’s office was neat and had a smell like vanilla and lilacs that made Delphina nauseous. The curtains were pulled to the side and the sun shone through without impedance. Del sat in her accustomed chair and wondered if Dr. Becky let her patients choose the chair, and then wondered if that said something about them. Do the patients who choose the chair closer to the door have a strong urge to flee? She was thinking about this when Becky sat down across from her.

“You look like you could go any minute!”

“It feels like it, too.”

“Can I offer you something? Tea, water?”

“That’s okay.”

“Are you comfortable?”

“No, but that’s not a judgement against your chair.”

Becky smiled. “Great, let’s begin.”

“Okay. Well, Arthur and I were lying in bed and—”

“I’m sorry, before we really get into it, I had a question—where is it—here. When we last spoke, you told me about a dream you had, before the one from eight weeks ago. I believe you were—” She shuffled through her notes.

“I was about fifteen, maybe sixteen. Arthur would know, we had just started dating.”

“That dream—are you comfortable talking about it?”

Del nodded and forced a smile.

“Stop me any time. That dream started like all the others before it. The lights, the feeling of weightlessness, the cold table. And they all ended with you seeing the beings you call the Gray’s. My question is very simple: did it ever occur to you to wake up?”

The question struck Del. She thought about it, and the more the question tumbled around in her over-tired mind, the more it irritated her.

“No, waking up had never occurred to me, because I didn’t think I was asleep. I was really on that ship, and those gray—things—really did have their hands all over me. If I thought I was dreaming I would’ve happily forced myself awake instead of undergoing dozens of gynecological exams a thousand feet above my bedroom,” There was an unrecognizable rage building. How dare she? “I was sick. How could I have known?”

Dr. Becky absorbed Del’s response with infuriating patience. Then she jotted a note down on her pad. “Tell me about the dream.”

Del breathed deep and let it out. By the end, she was sobbing and fairly certain she was going into labor. Dr. Becky offered her a tissue and had the receptionist bring in a bottle of water.

“Are you okay?”

“I think so.”

“How did that make you feel? Going through the dream like that?”

Del looked at her with tears streaming down her face as if to say, Do you even have to ask?

“It’s important that you say your feelings out loud. Do you find that difficult?”

“Yes.”

“I see. That may be at the root of your issues.” She jotted another note and then said, “You and your husband had trouble conceiving your child, correct?”

Del nodded.

“Have you considered this dream recurred because of these troubles? Maybe it’s your mind’s way of rationalizing, of defending your own infertility. Your subconscious is grasping at straws, trying to make sense of a perfectly normal phenomenon by substituting it with a supernatural one.”

Del thought it stood to reason. The first dream came when she was twelve and every one since had been gynecologically focused. Dr. Bernbaum suggested it was her subconscious way of coping with puberty. She didn’t agree. Not at the time, at least.

Del was getting ready to respond when an alarm chimed on Dr. Becky’s phone.

“I’m sorry, that’s all the time we have left. Just think about it. We’ll talk on Thursday.”

***

Del walked to her car and suddenly found herself in full agreement with Arthur. She felt like it would be impossible to make it to her OB appointment. Time wasn’t the issue; it was her body. She was racked with pain from her head to her toes. She was mentally exhausted, and the thought of driving all the way across town forced about a cup of acid to push its way up to her throat.

Dr. Mafferty was young and childless, but that didn’t make her any less qualified in Del’s opinion. What she didn’t know from experience, she more than made up for in sense of humor and an ability to listen. Once Del had mentioned her ligaments felt like they were going to pop, Dr. Mafferty got her in that afternoon and imaged her abdomen, just to be sure. Everything was fine, of course, but they both felt a little more at ease when they saw the baby happily swimming in its own goop.

This appointment was mercifully quick. The baby was just the right size, and Del looked healthy and normal. Dr. Mafferty suggested yoga positions that might help with the discomfort and begged Del not to whack her upside the head for doing so. They both laughed, and laughing was good. Del left the office feeling better.

When she got home, she dropped her purse by the door and immediately changed back into her pajamas. She made lunch—jelly and cream cheese on whole wheat—and watched TV in bed.

When she woke up, she felt disoriented. She didn’t know when she had fallen asleep, but the sun was almost completely down, and darkness threatened outside the windows. She could hear the banging of pots and pans coming from the kitchen downstairs and smell the tantalizing aroma of frying onion and garlic.

Del lay in bed, absorbing the sweet, savory smells coming from the kitchen, when the room lit up like a forest fire. There was a sound like a vacuum, then a popping noise. Her body rose slowly from the bed, hovering just above the sheets like a feather over an air hockey table, and Del realized she was dreaming.

Did it ever occur to you to wake up?

The question that once infuriated her now calmed her, and she realized it wasn’t really meant as a question. It was a suggestion. She let herself float to the ceiling, through it, up above the house, towards the craft that waited to greet her like a loyal dog. The air smelled like the coming rain, and the higher she rose, the clearer she could see the last shades of the sun as it set below the horizon. Now that she knew she was dreaming, she felt at peace.

Del floated up, into the craft, down its well-lit halls and through its wide doors until she was lying on the cold metal table. She waited to see one of the Gray’s. She had an idea to talk to them, tell them she knew this was only a dream, nothing more than cold feet before the baby came. Then she would get up, walk over to the control panel of the ship, and explore the universe. That was her idea of heaven, exploring the universe as an entity, leaving her physical body behind and soaring through space. Del could witness a supernova, maybe even happen by two galaxies on a collision course. That would be something to see.

A Gray came into her field of view, its black eyes staring, its head tilting this way and that. Its cold fingers were exploring her body the way she looked forward to exploring the universe, feeling her bump, feeling her baby.

She had had enough. Her courage was spent, but when she went to speak, nothing came out. She tried lifting her head but couldn’t move. Something slid into her, and she felt the baby being manipulated, grabbed, and twisted. Pulled.

When she woke, she screamed and Arthur called up from downstairs. She told him she was okay, no labor, just a bad dream, she’d be down in a minute. Del had never experienced a false awakening before, and she didn’t like it. She lay still for a long time, afraid to move, wishing she had left a lamp on and wasn’t shrouded in darkness. As the real world slipped back into place, she regained some courage. She swung her feet from the bed, but in her haste, she forgot to rock back and forth to gain the momentum that would save her from a blown back. Sitting bolt upright, she waited for the pain to come, but it never did.

She pushed herself up from the bed with almost no trouble. She felt—good. Her back didn’t hurt, and neither did her head. The acid in her throat even seemed to have subsided. She went into the bathroom, feeling better than she had in a long time, thinking maybe the dreams needed to come out, that maybe she never really got over what she went through when she was younger.

Walking down the dark hall towards the bathroom, her hands went instinctively to the place they had spent most of the last nine months. She laid her hands on her flat stomach and screamed.

***

There wasn’t much of a trial. The prosecutor merely had to suggest to the jury that Delphina Phillips gave birth to her baby and disposed of the body. There was no evidence, but what else could it have been? All the rest worked itself out. Del insisted, against her attorney’s advice, on testifying. Arthur sat in the front row, unable to look her in the eye, and listened to everything he’d heard before.

She was found not guilty by reason of insanity and sentenced to treatment at Maberly Asylum. Dr. Samuel Trask was her psychiatrist, and the book he wrote on the anonymous baby killer left no one fooled. Arthur only came to see her once to have her sign the divorce papers. His eyes, which once resembled the brilliant green hills of his ancestral Ireland, now looked dull and lifeless. She pleaded with him to believe her, but he didn’t. She signed the papers.

Delphina eventually realized that it was useless to fight the staff in Maberly. They were big and strong and most of them were men. She fell in line and took whatever pills they told her to take. After a while, she was able to participate in group activities. She took up writing poetry and amassed a respectable little library in her small room. But she never forgot about her baby.

It was rare that the nurses in Maberly forgot to administer medication, and it only happened one time that Delphina was aware of. About five years after the incident, she dreamed of the Gray’s again. She stood in their ship, and they waved to her, their black orbed eyes looking somehow emotionless and smug at the same time. There was a little girl beside them. She had Delphina’s auburn hair and Arthur’s green eyes, and she was waving, too. When she woke, she took a pencil from her desk drawer and planted it into her jugular vein, in and out, in and out.

Delphina never did get to explore the universe.

Picture of Paul W. La Bella

Paul W. La Bella

Paul W. La Bella lives in Dutchess County, New York. He’s a father, husband, and budding author who spends his days drawing maps for a small land surveying company. At night he likes to hide away in the basement and write stories. When he’s not writing, he enjoys reading, playing with his three children, and watching movies with his loving wife. His work has been featured in Bewildering Stories (August 2024), The Genre Society (October 2024), and the upcoming edition of Sally Port Magazine (April, 2025). When he’s not writing, he enjoy reading, playing with his three children, and watching movies with his loving wife. His work has been featured in Bewildering Stories (August 2024), The Genre Society (October 2024), and the upcoming edition of Sally Port Magazine (April, 2025).

Sin Eater – Part One by Paul W. La Bella

The words forced an image to flash across Bill’s mind; demons feasting on the flesh of the damned, a long table made of stone, blood trickling down the sides like rain out of a swollen gutter. The face was a long, drawn-out scream that seemed to burst from the frozen mouth. The words had power, as if saying them was enough to conjure up those disciples of hell and call them to the table for supper.

“It’s a position of honor. Of great respect. You should feel special that you were chosen,” Pastor Wilson said, and the images were torn from Bill’s mind.

They sat in the first row of chairs. Pastor Wilson’s voice was soft now, almost a whisper. He was smiling.

The Hall was narrow like a galley kitchen, and the dark paneled walls reminded Bill of a weekend hunter’s trophy room. The carpet was soft and frayed in places near the wall. There was lighting by way of sconces with red matte glass coverings, and two ceiling fans. A single naked bulb dangled below the fan perched above the stage where Pastor Wilson stood during his sermons.

“It’s an obligation that is reserved for the strong of spirit. That is why I have chosen you,” the pastor continued.

Bill studied the floor. The whimsical patterns in the rug reminded him of something out of a Dr. Seuss book. The golden shapes swirled and twirled on a deep blue background, like a ship lost at sea. Bill often stared at these shapes during mass. They were hypnotic, melding with the pastor’s often exuberant sermons like a fine red wine paired with seared duck breast. Bill could get lost in those shapes. He shifted uncomfortably and kept his eyes trained on the floor.

“It’s just that—well, it creeps me out,” Bill finally managed.

Pastor Wilson stood, slapped his hands on his thighs and laughed. The crisp whap reverberated off the paneled walls of the narrow room and Bill looked up.

“Where is my head? How can I expect you to say yes to a thing when you probably don’t fully understand its meaning?”

“Well, I admit I never heard of it before,” Bill said. Crudely drawn tattoos stained his skin and he pursed his mouth tight.

“There’s nothing to be ashamed of, son. Most people aren’t familiar. I myself was ignorant to sin eating most of my life, but let me tell you what…” Pastor Wilson sat back down next to Bill and sidled in close. “When I learned about it, I was overtaken with the Lord’s passion. I thought; What an idea! What a concept! I knew then and there we had to incorporate sin eating into our congregation.”

His grip tightened around Bill’s shoulder, and he spoke with spirited enunciations, raising a hand up to the heavens and exemplifying his words by shaking his fist. He let go of Bill and hopped onto the stage with the agility of a man pushing forty rather than sixty. He went to the podium and stood behind it. The only light which shone in the Hall was the one above the stage. It seemed to create more shadow than illumination.

“Do you remember our mission statement, Brother Bill?”

A flood of adrenaline rushed through Bill’s veins.

“Serenity through passion, passion through forgiveness, forgiveness through strength,” he recited.

“And what do those words mean to you?”

Bill dropped his head slightly and furrowed his brow. What do those words mean? He had them memorized the first week after Pastor Wilson brought him here, but he had never been quizzed on their meaning. He doubted if anybody in the congregation had. They just were, like saying “good morning” or “hello.” What do those words mean? A touch of panic.

He had repeated the mantra so many times that the words apparently lost all meaning to him. Had he ever truly understood them? He repeated them to himself now as Pastor Wilson awaited his response, and he found that there was still comfort in them, like a child’s well-worn blanket.

“Son?”

Pastor Wilson expected an answer. Bill thought one up and tripped through it like a toddler walking through a bramble of low growth vines, clinging to that worn out blanket like Bill clung to these words.

“In order to find peace in our lives, in order to find happiness, we must—we must love those around us,”

“Very good,” Pastor Wilson paced the stage with his hands buried in his pockets.

“And in order to love those around us, we must look past their faults,”

“Excellent!”

“And in order to look past their faults–in order to forgive—we must—we must—be strong?”

Pastor Wilson threw his hands in the air and turned his back to Bill. “Oh! You were so close! So close, Bill. No, no, you had the first part of it dead on, but you fell off just there at the end,”

Bill thought that the dim light shining above Pastor Wilson suddenly grew brighter, as if God wanted the man on the stage to be seen more clearly.

“You are partially correct. In order to find happiness, we must love everyone around us, and in order to do that, we must forgive their sins. Where you fell off is thinking that the strength must come from us, rather than from the Lord. It comes from Him because He is the only being that possesses the strength of mind, the strength of will, the strength of love needed to forgive the sins of man.”

The fans were droning on, and a steady breeze filled the room, but Pastor Wilson was sweating, nonetheless. Mesmerized, Bill felt swaddled in the warm, passionate voice bellowing from the pulpit.

“But God is good, and God knows that in order for his servants to be happy, we too must be able to forgive. But how? If only He can truly forgive a person of their sins, how in the world could we ever find happiness through forgiveness? Well, God thought of a way,”

Bill sat, silent and still. Pastor Wilson had done it again, like he did every week, like he did every day when Bill repeated the words to himself.

When he lay in bed, tormented by his past, Pastor Wilson’s voice called out in the darkness. Serenity through passion, passion through forgiveness, forgiveness through strength.

When he woke in the morning and his first instinct was to cry, to give up, the words were what motivated him to plant his feet on the floor. Serenity through passion, passion through forgiveness, forgiveness through strength.

When anger overtook him and hate swallowed his heart, when death seemed the only release, the words always came. Serenity through passion, passion through forgiveness, forgiveness through strength.

They came like a dove in the storm, braving the treacherous winds to land on his shoulder and offer him peace.

Serenity through passion, passion through forgiveness, forgiveness through strength.

And when he couldn’t live up to those words, he offered himself up to Pastor Wilson. He begged for forgiveness because, to Bill, being forgiven by Pastor Wilson was as good as being forgiven by the Lord Himself. It was Pastor Wilson who’d taken him in, Pastor Wilson who’d fed him and clothed him and told him everything would be all right.

“I said, God thought of a way!”

The pastor’s voice boomed in the small room and Bill was once again ripped away from his thoughts. There was a long silence while Pastor Wilson stood there, looking down at Bill from his pulpit with a blank expression on his face. After a moment, he cocked an eyebrow and smiled.

“You have a troubled past, Bill. We never talked about the night I found you. I never asked you about the blood.”

Bill hung his head, closed his eyes, and tangled his hands together as he muttered the pastor’s words underneath his breath.

Serenity through passion, passion through forgiveness, forgiveness through strength, serenity through passion, passion through forgiveness, forgiveness through strength serenitythroughpassionpassionthroughforgivenessforgivenessthroughstrength…

“I never asked you because it didn’t matter to me. I don’t require explanations in order to forgive, but we must answer to the Lord because only He can save our souls.”

Serenitythroughpassionpassionthroughforgivenessforgivenessthroughstrength…

The pastor leaped off the stage like a lion chasing after a gazelle. He landed at Bill’s feet, lifted him up by the collar of the shirt, and slapped him across the face. The sound bounced off the walls and struck Bill’s ears almost as painfully as the slap itself. He stopped muttering at once and his eyes widened, his gaze drawn to the pastor’s own like a magnet.

“I offer you true salvation, and all you can do is babble.” He slapped Bill again.

“Rise up and earn forgiveness from the only being whose forgiveness matters. Take a stand, take my offer!”

He hugged Bill tight and whispered in his ear.

“Become my sin eater.”

Picture of Paul W. La Bella

Paul W. La Bella

Paul W. La Bella lives in Dutchess County, New York. He’s a father, husband, and budding author who spends his days drawing maps for a small land surveying company. At night he likes to hide away in the basement and write stories. When he’s not writing, he enjoys reading, playing with his three children, and watching movies with his loving wife. His work has been featured in Bewildering Stories (August 2024), The Genre Society (October 2024), and the upcoming edition of Sally Port Magazine (April, 2025). When he’s not writing, he enjoy reading, playing with his three children, and watching movies with his loving wife. His work has been featured in Bewildering Stories (August 2024), The Genre Society (October 2024), and the upcoming edition of Sally Port Magazine (April, 2025).

Tap, Tap, Tap by M.M. Schreier

There’s a crow on the mailbox. It just sits there, beady eyes trained on the house. It doesn’t caw or ruffle its feathers when the mailman arrives with a pile of catalogs and circulars and whatever other junk that keeps coming to the house. Seemingly unaware of the avian watcher, the man scowls and jams the stack on top of yesterday’s mail. And the day before’s. And… well, for however long it’s been.

I consider going out and collecting it all, but the crow’s there, silently watching. Never mind. Anything important comes by email, anyway. I draw the curtain back over the window and head to the kitchen. Perhaps Shelly would like a cup of tea.

***

The ever-present feathered sentinel is still perched in the same spot, but the carrier doesn’t drop off today’s mail. He just glances at the rain-soggy flyers drooling out of the mailbox’s mouth and keeps walking. The crow catches my eye and clacks its beak like it’s won some sort of skirmish in this bizarre war of wills.

It hops off the mailbox and, with a few lazy flaps of inky wings, lands on a branch of the cherry tree in the yard. When we moved into the house, Shelly bought that tree as a whip-slender sapling. She said it signified new beginnings and good fortune. The once smooth branches are twisted and hunched. A wry smile crosses my cracked lips. We’re the same, me and that tree. Two old ladies past our prime but hanging on.

The crow hops from foot to foot on the branch in a bobbing two-step and the last of the autumn leaves float to the ground. My stomach frog flops.

“Get lost, you stupid bird!” I cringe at the thready sound of my voice. It used to be a strong, buttery contralto.

The bird doesn’t get lost. It makes a friend. The second crow settles on the branch next to the first and offers me an identical, melancholy stare.

I turn my back on the pair, a defiant gesture, and go upstairs to check on Shelly. The comforter is pulled up over her head. I always loved her frizzy locks. They made a walnut-hued halo around her face. It was the thing that attracted me to her all those years ago.

She cried when the chemo made every last curl fall out. I told her she was still beautiful. It wasn’t a lie, but I stayed in the shower until the water ran cold where she couldn’t hear my ragged, chest-heaving sobs.

I smooth the blankets and gather up yesterday’s cold, untouched tea on the bedside table. Allspice for healing, lavender for longevity, sweet cicely for spirit. Shelly prefers chamomile. I should have used that as the base, but the damned crow distracted me.

***

The crows now number three. I shiver and a sticky foreboding clings to me like a spiderweb. Three is a historically spiritual number in myth and legend. A warning, an omen. The birds’ patience seems infinite as they sit in an uncanny vigil.

My joints ache. I’m unsure if it is age or the promise of winter. I’ve always felt the turning of the seasons, and change is coming.

The dark trio settles on the cherry branch like too-realistic figurines. I imagine they too know that there’s a change coming. But we’re awaiting different things.

A muffled thump comes from above. I climb the stairs to tend to Shelly. She’s all that matters.

***

This morning, hoarfrost rims the windowpane and the row of maples across the street reach their skeletal branches toward a steel gray sky. The cherry tree in the front yard is covered in a strange canopy of black leaves. A dozen, two dozen, too many to count, the crows sit in the gnarled old tree, feathers ruffled by a breeze that doesn’t seem to touch anything else.

The neighborhood is vacant and hushed. Still, they wait.

My face flashes hot. If it’s up to me—and I’ll make sure it is—they can wait forever.

A soft moaning comes from upstairs. I hurry to the bedroom.

Shelly’s skin is so dry, like crumpled parchment stretched over bone. I do my best to be gentle as I rub lotion on her skin, but arthritis makes my fingers stiff. She doesn’t complain. I’m sure she knows I’m doing my best. Everything I do is for her.

***

There’s a tap, tap, tippity, tap coming from the front window.

I fling open the shade and battery-acid bile claws up my throat as I come face to face with a sharp beak.

Tap. Tap. Tap.

Though they all look the same, I can tell this is the first crow rapping at the window, like some parody of Poe’s raven. Its fellows watch from the cherry tree.

Tap. Tap. Tap.

The glass spiderwebs. Oh, no you don’t.

I scavenge linen-closet shelves and old chair backs and hammer them over the window frame. My hands ache, holding the nails in place. It takes longer than I would have liked, this messy crisscross of wood. But it will keep the damn bird at bay.

I hope.

Tap… tap… taptaptaptaptap.

***

The bedroom smells sour, like rotten flesh and grave dirt. One could pass it off as a dead mouse in the wall. I light a candle—wood betony and rue. Not just to cover the smell, but to ward off evil spirits. I put on a record. Puccini. Shelly loves opera.

I blink back a tear, wishing I still had the voice to sing along with the familiar aria, instead of this old witchy croak.

The record drowns out the incessant tapping.

For a moment, I let the music remake me into the woman I used to be, waltzing around the room, my aching knees forgotten. Shelly watches me with shark-dead eyes.

I pretend her sallow skin isn’t stretched over her skull like a death mask, that I can’t see the bone white of her jaw where rot has nibbled away her apple-blush cheeks. Just like I used to tell her how beautiful she was when the treatments turned her bald.

I shake my head. There’s nothing left for the cancer to consume.

Her hands, fingers tipped with gnarled, yellowing nails, twitch on the bedclothes. They say fingernails grow after death, but it isn’t true. It’s the skin that shrinks back, exposing the nail beds.

A swollen tongue clacks over withered lips.

“What’s that dear? You’d like to dance?” I sweep her into my arms, ignoring she’s become nothing more than a bundle of animated bones and maggot-ridden flesh.

We twirl around the room. I tell myself the scratching whisper in my ear is a harmonic descant to Puccini’s diva. Surely Shelly wouldn’t ask me to let her go after all I’ve sacrificed to keep her close, safe from those feathered harbingers of the Beyond.

The record skips and the warbling soprano falls silent. Something crunches beneath my feet, surprisingly loud in the sudden hush. I look down and cold sweat trickles down my spine.

“No!”

The salt circle around the bed, the one that tethers Shelly’s spirit, is broken, scuffed by my shuffling feet. She laughs, a dry, raspy cackle, reminiscent of the crow’s ka-caw.

Downstairs, wood and glass shatter. The crows are inside the house.

Picture of M.M. Schreier

M.M. Schreier

M.M. Schreier is the author of two speculative collections--Monstrosity, Humanity and Bruised, Resilient--as well as has numerous shorts published in a wide range of venues. In addition to creative pursuits, Schreier is on Leadership for a robotics company and tutors maths and science to at-risk youth. Select publications can be found in The Molotov Cocktail, MetaStellar, and Uncharted. Select publications can be found in The Molotov Cocktail, MetaStellar, and Uncharted. Additional listings and literary prize nominations can be found on their website.

The Goddess of Boston by Luna McNamara

When the clock strikes seven, Athena puts down her knitting needles and folds her arms. It is a clear signal that the evening, pleasant as it was, has come to an end.

The members of the Tuesday night knitting circle, mostly women, tuck away their projects and rise to leave, slinging puffy jackets over their shoulders while chatting with each other. Athena is a silent boulder in the current of conversation.

Call me when you get home.

You are absolutely not walking to the T alone. I’ll go with you.

Athena knows what they are really talking about. The shadow of the empty chair is a long one. One of their number, Julie, was found dead in her apartment last week.

Julie is only the latest in a string of murders across the city. Young people, mostly women, found tourniqueted and violated. Strangely, the doors of their apartments were left open, as though the murderer had casually let himself in and out. The Strangler—that is what the news has taken to calling the killer. The police have no leads.

Athena pauses at the threshold of her shop, the warmth of the interior mingling with the cold of the outside, watching as the members of the knitting circle walk in twos and threes through the winter slush to their cars or the nearest T station. The storefront is perched on Mass Ave along the vibrant river of headlights. Beyond it is the city of Boston, glowing like all the stars of the sky come to earth, like the Greek campfires outside the walls of Troy.

Cars swish past, and a runner flies by on the sidewalk. Above Athena’s head, vivid letters spell out the words Boston Yarn Supply.

How can they sell enough to pay the rent? One commuter asks another as they tromp past the glass windows through the graying snow.

Athena smiles. It takes divine intervention to run a small business in a large city, no matter the era. Her magic has faded and atrophied, but some things remain to her. The shop’s survival is one; the war cry is another.

Closing her eyes, she envisions row upon row of warriors with glinting bronze helmets and shields. A challenge rises from the phalanx, and they thump their spears on the dry earth. She sends out the silent cry into the January air, a silver thread snaking through the darkened byways of the city until it reaches the one who walks with murder in his heart. The Strangler.

Athena draws him like a beacon, one apex predator challenging another. He will hear her wordless call and follow, even if he doesn’t know what compels him.

Suddenly, the weight of her decision hits her, and Athena shivers. Once she might have turned her enemy into an insect or rained fire down on his city, but things are different now. Many centuries have passed since the sacrificial fires were extinguished for the last time. Having exhausted much of her remaining magic in the war cry, she is left to fight the Strangler hand-to-hand. Her immortality is cold comfort: over millennia, Athena has learned that there are many worse things than death.

In a silent flutter, an owl lands nearby. There are a good number of them in the city, nesting in parks and green spaces, fellow refugees from a lost world. The owls remember their ancient ties with Athena, and she receives them fondly.

He is coming, the owl warns.

“I know,” Athena replies.

Like the owls, she is adaptable, swift and quicksilver enough to find her footing anywhere. And now she has them to think of.

Her people. The ones who frequent this little yarn shop, who come here to talk and relax, and to weave something new through the skill of their hands.

 Destroyer of evils, the poet called her once, when she strode the hills outside Athens. Her customers simply call her Athena, the yarn shop proprietress, who never smiles but nonetheless knits a blanket for every baby born in the neighborhood. The yarn shop is no proper temple, but these are still her people. The Strangler has cruelly taken one of their number, and the goddess has a duty.

Athena flicks off the lights and glides through the darkened shop and up the stairs. While she makes her preparations, the enemy stalks the night, drawing ever closer.

A slight noise alerts her to his presence. Athena sees him through the owl’s eyes: an unassuming white man of middle height. The Strangler. He wears a delivery driver’s uniform, which must be how he gained entry into those apartments. The occupants would have let him in freely, never knowing his true intentions.

The door to the shop swings open and heavy boots tread across the floor. Taking cover in the shadows, Athena picks up a set of size seventeen aluminum knitting needles, about the heft and sharpness of a hoplite spear. She is, after all, the goddess of war as well as weaving.

It is all over quickly, with perfectly executed blows to his heart and throat. Athena dithers momentarily between a stab to the windpipe and a puncture to the aorta before she remembers she has two needles and there is no reason she cannot do both.

For Julie,” she whispers in the Strangler’s ear as his consciousness fades.

Athena leans against the wall, arms sticky with blood. In the window above, the naked trees send their claws into the gray underbelly of the city sky. Cold seeps in from the open door downstairs, but Athena is flush with victory. She has won. Her people are safe.

Athena has lost so much over the centuries, but she has gained things as well: perception, humility. The knowledge of the value of a human life, like a beating heart in her hand. The importance of protecting her people. This is what she will fight and kill for, though the death will never be her own.

Picture of Luna McNamara

Luna McNamara

Luna McNamara holds a master's degree from Harvard University in the study of women and gender in world religions. Her debut novel Psyche & Eros, published in the US by William Morrow, was chosen as an Indie Next Pick and has been translated into 13 languages. When not writing, Luna can be found going on walks, knitting, and embroidering rude cross-stitch patterns. She lives in Boston, though she is no goddess. To learn more, please see her website.

We Made This by Justin Carlos Alcalá

Dr. Benoit was only a bit more sane than his patients. Volunteering on Christmas Eve felt rash to his office partners, but the veteran psychiatrist insisted. He’d received an emergency call from a healthcare protection officer at noon, and by twelve-thirty, Dr. Benoit drove his compact car five hours downstate through hoary weather, listening to past recordings from the involuntary psychiatric wing’s most precarious patients including… her. When he arrived at Gray Ridge Hospital Center, a crepuscule blackness drank the sky’s leftover light. An unrelenting gale punished the winterland doldrum, compelling Dr. Benoit’s car towards the main gates.

Backup floodlights shined down on the grounds of the four-floor infirmary. An untangled holiday wreath obstructed the automated gate’s sensors from releasing the egress. Dr. Benoit pressed a drive-up call button, but when no one responded, the Rubenesque psychiatrist squeezed from his car and straightened the plastic evergreen ring. A mechanical response ground from the motor box before the gate swung open. Dr. Benoit peered inside the grounds. A dappled light, like television static, flitted through the east wing’s frosted windows. Dr. Benoit retreated from the biting weather back into his car, straightening a photograph on his dashboard of an older woman with a striking smile.

“Come Libby,” said Dr. Benoit to the photograph, pushing his car into drive and paving through snow to the employee parking lot. “There’s work to be done.”

Not a creature stirred in the main lobby. The grumble of a distant generator echoed through the halls, drowning the knell of Carol of the Bells from an overhead speaker. Dr. Benoit peeked over the office counter where a computer screen displayed several camera angles on a grid. A bed of neighboring two-way radios inside a unit charger crackled with voices next to the monitor. Dr. Benoit spotted two protection officers, a maintenance woman, and a nurse on a video-block struggling with a furnace inside what appeared to be a cellar. Dr. Benoit reached for a radio and pressed down on its push-to-talk button.

“Test, test. This is Dr. Benoit—the locum’s psychiatrist you called for?”

“Hey doc,” a man with a thick city accent said. “This is Matty. I’ll be up shortly. Dang generator ain’t heating east-sector.”

“I’m quite familiar with the facility,” said Dr. Benoit. “I can see myself if you’re in dire straits?”

No, don’t do that!” shouted Matty. “I’m coming up.”

Dr. Benoit sighed and helped himself to a miniature candy cane resting on the desk. He fixated on a particular section of the computer’s grids. In the east wing where the involuntary psychiatric patients lived, rime glazed over walls. Each door, painted in vivid colors to mask its uncongenial nature, kept a circle top window. In each of those fogged windows, patients’ heads bobbed, gawked, or pressed against the glass. All except for one. At the end of the hall, the ajar door for Ms. Gryla Drosselmeyer flickered with the identical television static from outside, though the camera angle denied perspective within.

“Doc,” said Matty, entering the room. Dr. Benoit sprang up, hand over his heart. Manny, donned in a police blue uniform, wiped his greasy hands along his sleeve.

“Goodness, you startled me,” said Dr. Benoit.

“Sorry, didn’t mean to spook you. I appreciate you coming out on Christmas Eve.”

“Why is the east wing so active? Is there an issue with their medication?”

“That’s just it, doc. As soon as my shift started, the entire sector got chatty.”

“About anything in particular?”

The Conception.”

“Conception?”

“No idea, doc. We’re used to peculiarities, but not in collusion. Martha asked Barry and I to assist her in giving them something, but the power went out before we could. We’ve been on the back foot ever since.”

“I notice Ms. Drosselmeyer’s door is open.”

“I know,” Matty said. “No power and old locks. We figured the other doors ain’t open, so the old staff-breaker can’t get to anyone.”

“Staff-breaker?”

“Little nickname we gave her after her third nurse quit.”

“What did your director have to say about all this?”

“He’s in Cancun, and our supervisor is stuck across the state. We received instructions to contact the authorities, if necessary, but it doesn’t seem appropriate.

“No, that’s unnecessary. Have Martha prepare Geodon. I’ll administer it.”

“I’ll gather the crew so we can hold down Ms. Drosselmeyer.”

“Allow me to go alone. We’ve built a relationship.”

“I don’t know, doc. Ain’t that a little unorthodox?”

“Desperate times. Now, do you have a spare keycard I could use?”

“Take mine. It’s the only one working right now.”

“What are your instructions for me and the team?” asked Manny, unclipping a fob with his ID from his belt.

Dr. Benoit took the keycard and smiled. “Fix the heat.”

***

A distinctive atmosphere reigned in the east wing, dated and demode. Dr. Benoit journeyed down the corridor forged in sand-lime bricks and Victorian cornice. The hot incandescent bulbs and cool air formed a lingering mist that curled along the ceiling. Room signs with sharpied patient names and notes warned about who lurked inside. Someone from a far-off room spoke in a child’s voice before cackling, while fingernails scraped from an adjoining wall. Dr. Benoit proceeded down the hall, syringe of Geodon in his hand.

“Saint Nicholas is here,” said a bass heavy voice from a room Dr. Benoit passed. The seven-foot man with stringy hair and a chin beard stared through the snowman he drew in the window’s condensation. Months ago, Dr. Benoit watched this man tear off a protection officer’s winter jacket sleeve with a thrust from his offhand before five staff members struggled to restrain him.

“Hello, Foley,” said Dr. Benoit. “Glad to see you. It’s been—”

“One-hundred-and-seventeen-days.”

“That’s right. Apologies for the cold. Staff is working on it.”

“We wished for it. We made a snow globe.”

“What do you mean we, Foley?”

“The east wing. We asked The Conception.”

“The Conception?”

“We’ve been working hard on it. Hey Saint Nick, I got you something for Christmas.” Foley ducked from the window, and a hard key slid from under the door’s crack. Dr. Benoit picked up the laser cut key and put it in his breast pocket as Foley’s face returned behind the window.

“Oh, that’s wonderful, Foley. I’m sure I’ll find a use for it. Say, have you seen Ms. Drosselmeyer?”

Foley’s gaze lowered.

“Everything okay, Foley?”

“Then the Grinch thought of something he hadn’t before! What if Christmas, he thought, doesn’t come from a store? What if Christmas… perhaps… means a little bit more?”

A creak of metal down the hall stole Dr. Benoit’s attention. “Well, there’s my answer, I suppose. Good to see you, Foley.”

“Merry Christmas to all, and to all a goodnight,” said Foley as Dr. Benoit renewed his trek.

Dr. Benoit tottered down the corridor, disregarding patients’ further attempts to gain his attention from their windows. Upon reaching the end of the hallway where Ms. Drosselmeyer’s ajar door awaited, he cleared his throat.

“Come in, Dr. Benoit,” said the smokey, anodyne woman’s voice from inside.

Dr. Benoit drew the rest of the door open to find Ms. Drosselmeyer, contrary to what he’d seen the first time they’d met. Her hair, once a wild mess, was now tamed and pulled under a Santa hat stained with blue pen ink. Where she once washed herself red from self-inflicted wounds, now she awaited with clean pale skin. Her pressed pajamas tucked neatly as she sat up crossed legged on the edge of her bed reading a dog-eared copy of The Gift of the Magi.

“Merry Christmas, Ms. Drosselmeyer,” said Dr. Benoit. “It’s good to see you again.”

“Gryla is fine, doctor.”

“I see you’re managing on your own. That’s very good, Gryla.”

“Spare me your placations, Dr. Benoit. Same degree.”

“I’m not here to condescend, Gryla.”

“You’re here to control me. That is Geodon in your hand, isn’t it?”

“Gryla, progress is slow, but you’re getting there. For now, we must take precautions.”

“You’re no stranger to irony, Dr. Benoit. These safeguards they keep imposing on us facilitated The Conception’s threading.”

“Yes, Foley mentioned something of that. Care to elaborate?”

“We built it in our sleep. The staff sedates us twice the legal limit, so we have plenty of time to dream. Now, it wishes to free us.”

“Gryla, this sounds delusional.”

“I respect your honesty, doctor. You’re one of the few who care. That’s why we invited you.”

“Thank you. Can you tell me more about The Conception?”

“Dr. Benoit,” Ms. Drosselmeyer stared at her cuticles. “You mentioned your wife last we met. Do you remember?”

“I do.” Dr. Benoit’s posture stiffened.

“You displayed vulnerability, perhaps to build a connection?”

“There’s nothing wrong with being vulnerable. I’m human too.”

“Your words that day resonated with me. Do you remember what you said?”

“Nothing is ever lost in our dreams.”

“Did I tell you how I ended up here?”

“You lost your boy.”

“I owned a memory retrieval practice. Twelve years, in fact. Then my patient implicated a man with good lawyers of seven felonies. The state revoked my license after he was proven innocent. Then David left me. Jacob’s death was a consummation of it all. A discount babysitter.”

“You did what you could. Anyone would fold under that weight.”

“I still see Jacob. David too. They’re here now… and I’m happy again.”

“The Conception did that?”

“Yes.”

“Gryla, you’ve told me what The Conception does, but not what it is. Could you expand?”

“It is us, and we are it. A construct weaved from our hopes and our memories. It wants what is best for us because it is us.”

“I see. Gryla, why don’t you take a break?” Dr. Benoit brandished the syringe. “Let me help you.”

“We are the Sleepless. We don’t need rest anymore. The Conception provides contentment without that facet.”

“Gryla, this is irrational.”

“It will give you Libby back if you help us.”

“Please don’t use her name like that.”

“We need you, Dr. Benoit. It’s why we called you here. We want out.”

“Gryla, this is the last time I’ll ask,” Dr. Benoit took a step forward, uncapping the needle tip. “Let me help you.”

A half dozen steel doors from the east sector moaned open. Dr. Benoit flashed a glance over his shoulder. The smiling patients of the east wing approached like a school of white pajamaed sharks, trapping the therapist amid them and Ms. Drosselmeyer.

“You don’t believe the power outage would only affect a single door, did you?” Ms. Drosselmeyer glanced up from under her fingernails. The massive hand of Foley reached for Dr. Benoit, clutching the psychiatrist by his shoulder.

“Marley was dead to begin with,” said Foley.

Dr. Benoit winced as he sank to a knee.

“Beneath the bark is rot,” a short-haired woman with gray lips said in a child’s voice, prying the syringe out of Dr. Benoit’s hand, and offering it to Ms. Drosselmeyer.

“We are victims of fate,” said Ms. Drosselmeyer, squeezing the syringe plunger until it spit a droplet of sedative. “The people here wash away our past, drown out our now, but we deserve to preserve our dreams. You included Dr. Benoit.”

“Gryla, what are you plotting?” Dr. Benoit murmured, grasping Foley’s colossal hand.

“We want to escape,” stated Ms. Drosselmeyer. “We’ll take our loved ones someplace special. Once you meet The Conception, I’m positive you’ll help. You’ll be sleepless.”

Ms. Drosselmeyer stood, loomed over Dr. Benoit, removing her hat and placing it on the psychiatrist’s head. She kissed his dimpled cheek, then pressed the needle into his neck. Dr. Benoit froze, numbness washing through his nerves. When his bones turned to rubber, he heard it. From behind the hall of patients, a cat’s purr, a mother’s laugh, and a child’s coo echoed. A swell of darkness with a hundred eyes flickering like black-and-white static constructed itself behind the patients. Oily tendrils slithered from the stalking gloom, curling along the assembly. Silhouettes of grandmas, parents, and children embraced the patients. Dr. Benoit’s heavy eyes slid to Ms. Drosselmeyer, who rested her hand on a boy’s shoulder while the dark form of a man put his arm around her waist.

“No,” Dr. Benoit said. “This isn’t real.”

“Robert,” the voice of Dr. Benoit’s wife called out. A strobe of light poured from The Conception. “It’s okay. I’m here.”

A long string of oil stretched from the standing black wave with one-hundred eyes and coiled around Dr. Benoit’s ankle before taking shape.

“Libby?” asked Dr. Benoit.

“Nothing is lost in our dreams,” said the congealing shape of a slender woman who pressed her sable hand onto Dr. Benoit’s cheek. The east wing’s smiles grew, elated by Dr. Benoit’s reunion. Patients clapped, tittered, and cheered.

“God bless us, everyone!” said Foley over Dr. Benoit’s sobbing.

***

“So, he left with them all?” asked the policewoman, staring down at the grid of cameras replaying security footage.

“The doors locked up, and he had my fob, so we couldn’t do anything until it was too late,” said Matty. “Locum’s doc just… took them away.”

“Locum’s?” asked the policewoman, watching a parade of patients from the east wing follow a Santa hat clad Dr. Benoit dancing out of the faculty door.

“Rent-a-doc,” said Matty. “Still, he came all this way from upstate. Seems decent enough.”

“Or lonely enough. How’d he get the key to the bus?” asked the policewoman, watching a rosy-cheeked Dr. Benoit wave ebullient patients into a half-bus with the Gray Ridge Hospital Center logo on its side. Ms. Drosselmeyer patted Dr. Benoit on the arm before assisting a short, invisible person up the bus stairs.

“That’s beyond me. I was just trying to survive the shift. Didn’t think someone could orchestrate something like this. He must have been planning it for months.”

“Someone was.”

The policewoman zoomed in on Dr. Benoit as the jolly psychiatrist spoke to the vacant space behind him before kissing the air. Then, after the last patient entered the vehicle, with a wink of his eye, Dr. Benoit climbed the bus stairs. The camera’s grainy display showed high beams ignite before the bus cut through the employee parking lot snow and fly out of view.

“They all look so happy,” the policewoman said.

“Yeah, well,” Matty shrugged. “Their Christmas dream came true, I guess.”

Picture of Justin Carlos Alcala

Justin Carlos Alcala

Justin Carlos Alcalá is a Mexican-American author of horror and dark fiction. Born and raised in Chicago, he now resides in the mountains of North Carolina—rumoured to be in the company of Bigfoot—where he continues to craft his chilling tales. Over the past thirteen years, Justin has published four novels and dozens of short stories in esteemed American literary journals, magazines, and anthologies. His work has earned multiple accolades, including the Speculative Literature Foundation Finalist Award for A Dead-End Job and a Horror Writers Association Grant for The Taming of the Cthulhu. With a distinct voice and a flair for the macabre, Justin is a rising force in modern horror fiction.

A Penny Saved by Dennis McFadden

The dead cat didn’t help. The dead cat couldn’t be a good sign. Lafferty ran over the poor creature in the rain, driving Cleery’s rattletrap of a car back into the village from the tumbled-down ruins of the cottage where he and Mary used to go to play their games.

It was the last place he’d gone to search for the penny. He’d looked everywhere and come up empty, come to the realization that the penny was not to be found. He was making his way back over all the bumps and ruts and holes in the little lane when the sky opened up and the bottom fell out. And then the flash of something moving quick followed by the thump that was bigger than all the others in the legion of thumps.

He got out of the car in the lashing rain. It was loud, the thrum and rumble of it causing a turmoil in his ears, slapping the wee leaves in the hedgerow senseless, taking great leaps and bounds off the bonnet of the car. He was soaked in an instant, the raindrops like cruel little blows. Behind the car in the mud lay the cat, dead indeed. Ran right out the bloody hell in front of him. A suicide maybe? Another?

He stood there looking down at the thing. Couldn’t bring himself to look away. Why would a man stand in the pouring rain looking down at a dead cat? The cat put him in mind of something. Of someone. The scrawny, balding, mangy fur, the bulging, hollow eyes.

Tommy Hogan was who.

Sure, the likeness was uncanny. Wasn’t Hogan every bit as skinny and scrawny and bald and hollow-eyed? He’d known him since they were wee gurriers growing up in Dublin, best mates ’til Lafferty’s discovery of the charms of the feminine gender had pried them apart. And why would he think of him now, standing there in the lashing rain looking down at the dead cat, the likeness notwithstanding? To be sure, he must have laid his eyes on plenty of scrawny, mangy, bug-eyed cats in years gone by and never thought a thing of it, never thought of the oul bowsie Hogan at all. A nostalgia thing?

Or something more? An omen of some sort?

***

Back into the car, dripping. What had brought him to this moment, sitting sopping wet in a dead man’s car, obsessing like a lunatic over the fate of an ancient penny?

It was months ago he’d followed his erstwhile wife, Peggy, to the little village of Kilduff, deep in the heart of County Nowhere, for want of keeping her roof over his head. There, he’d begun to frequent Cleery’s pub. Cleery was a gruff one, a hard one, a man of mysterious history and a scar and a limp to prove it. There it was too he’d fallen for Cleery’s neglected and abused wife, Mary, a shy, clumsy angel of a woman possessing a fragile-skinned beauty that Lafferty often felt he was the only one could see.

On an evening not two months back, doesn’t an old farmer named Foley, a regular, come strolling into Cleery’s to change the world. He’d unearthed an ancient, three-sided coin while out digging turf—an archeological treasure, it turned out to be worth a hundred thousand quid, maybe more. The long and the short of it: Cleery stole the three-sided penny—no hint of a denomination on the thing at all, and so Foley called it a penny—and didn’t your man Lafferty, interrupted in a moment of intimacy with Mary, steal it back again.

But Cleery, nobody’s fool, sussed it out.

The confrontation took place at Foley’s derelict farm, only a week or two after Foley, the old scut, had taken his own life in despair over losing the penny. Cleery had thought to hold Mary under threat of abuse to force Lafferty to hand the penny over, but Lafferty turned the tables in a happenstance of rare serendipity, freeing Foley’s malicious old bull, Cromwell, who promptly dispatched Cleery at the end of his bloody horns.

Weren’t he and Mary free as wild sparrows then, free to do as they pleased, and the wealth of the penny to lift them, ease them over the trauma of the violent, albeit just, decease of her husband? But alas. Didn’t the happy ending turn sideways?

When Lafferty woke the next morning with the first light, the bed beside him was empty as his heart. Mary was gone. And the three-sided penny gone with her. Lafferty waited, hoping she’d hid the penny for safe-keeping and stepped out to Connor’s for a box of milk and a loaf of bread for their breakfast. He waited and waited ’til he knew he was waiting in vain and then he waited still. Finally, he slipped out the back to fetch his bike. Peddled through the village, ignoring the hails and calls of the neighbors, peddling on and on through the countryside toward Foley’s.

His heart dipped as he came over the hill to see Mary’s own bike by the yellow Peugeot where Cleery had parked it the night before.

And he found her there, where he knew he would, in the shanty where old Foley had hanged himself, Foley’s three-legged stool tipped over beneath her feet.

He sat on the ground outside the door, leaning against the wall, his back to his Mary, trying to pretend he couldn’t hear the flies buzzing behind the door. The sun was in his eyes, so he closed them and soaked in the heat on his face. Saw the steam rising from her morning cup of tea, saw her bringing it to her face to sip, the way her eyes closed, the way her lips kissed the rim so soft.

He resolved not to search for the penny. It was the least he could do. It would be an insult to Mary, to her memory; had she not disposed of the penny as best she saw fit? Her last will and testament. And wasn’t it inconsequential after all, in light of the love and the loss, the life and the death? Wasn’t it nothing but a spit in the ocean?

He held firm for maybe an hour.

Then he saw through to the higher plan, the grander good, the enormous worth of the penny, and he searched and he searched and he searched. But nothing was all he found.

***

Up to his room above Cleery’s pub he traipsed, leaving puddles on the narrow stairway, to the room he’d had to let when Peggy had tossed him out on his ear yet again. Wouldn’t the neighbors and the regulars already be wondering where the bloody hell Cleery was and why wasn’t the bloody place open? And his wife Mary gone as well, as soon they’d discover. And Cleery’s car, of course, his rusty old yellow Peugeot nowhere to be seen—for Lafferty’d parked the thing hidden in a gully behind the hedges out at the edge of the village.

It was only midday, but the darkest of days. He didn’t turn on the lamp by the bed, though he did raise up the torn and dirty shade. Rain hammered at the window. There was a wee wooden chair beside the chipped chest of drawers—them and the bed and the little stand beside it took up nearly the whole of the room—and he sat in the gloom and shadows to drip dry.

He could not bring himself to muss the bed up. Nor to get it wet. He’d made the bloody thing yesterday (as he never had before), tucked the threadbare blue blanket about it neatly, smoothed it out, patted down and fluffed up the pillow invitingly under the headboard. All for Mary. All in the chance he might lure her upstairs.

She’d hinted often she’d love to see the wee room where he passed the minutes of his life without her. But that had never happened, and now it never would, and now the bed had taken on the hushed wonder of a shrine, as if it would somehow be an insult to the memory of her to wallow about on it, to leave it sullied. So the wee chair would have to do. He stared at the bed, then at the rattling smear of the rain on the window, then back to the peaceful bed. Brought to his mind the softness of a coffin awaiting the corpse.

What now? Walking away was not an option. Since his early noble notions, he’d come to realize that no force in the known world could bring him to give up on an archeological treasure of inestimable worth. But where else could he search? His mind was a raging blank. He’d looked everywhere he could think of that Mary might think of.

He gave in to a shiver. Damp and clammy clothing turning cold, clinging over him like dead skin. And to think he’d thought, with the penny in hand, his troubles were behind him, all his and Mary’s troubles behind them.

He was at a bloody dead end in his cold, dead skin. What he needed was something to stir the pot. He needed a bloody pint, warmth and noise, a chinwag, a bit of craic. He needed a sounding board, fresh eyes and ears, an oul mate. The dead cat came to mind.

He headed out to the Pig & Whistle on the outskirts of the village—Cleery’s, his own local, having removed itself from consideration—to call his oul mate, Tommy Hogan.

***

The Pig & Whistle was thick with smoke and people and loud music from the ancient juke box at the back of the bar spewing American country tunes. He saw more than one of Cleery’s erstwhile patrons at the bar, pretending he didn’t.

When Hogan arrived, Lafferty watched him pause, bewildered, in the doorway—bewildered was how he remembered him best—as he looked about the room trying to spot Lafferty. When spot him he did, a look of bald joy came over his face, and Lafferty couldn’t recall the last time he’d caused joy in any beholder. Peggy’s was long since dead, and Mary’d been always afraid of the joy. Afraid it might turn on her and attack.

Hogan made his way over, five years older, but still skinny and scrawny and balding, with only wandering wisps of hair, too flimsy to have even earned a color. And his big wide pools of eyes the color of stones in the rain, full of wonder—not the marveling, would-you-look-at-that kind of wonder, but the what-the-hell-just-happened kind of wonder.

After the hugs and backslaps, Hogan says, “Jesus, Terrance, I can’t believe you’re standing here. The middle of nowhere—do you remember? The middle of nowhere you said you’d never step foot in if your bollocks depended on it.”

“I’m nothing if not flexible, Tommy. Green acres is the place for me.”

“And how’s Peggy?”

“Don’t ask.”

Hogan needed no further encouragement to not ask. “Can we get a bloody drink around here?” he said. “My poor stomach thinks my throat has been cut.”

Pints of stout, black and foamy and scarcely touched before Hogan got to the point—to lure him from the city out to Kilduff, over an hour away, Lafferty’d had to bait the hook well. “So tell me more,” Hogan said, “about this missing penny yoke.”

Lafferty told him more. Told him about Cleery the publican and Mary, his wife. He had to fairly shout it, such was the clamor and clatter of the merriment about them, two old farmers having produced tin whistles, another a bodhrán, and a room full of singers joining in, and the session well underway, ragged and lively—there was no fear in Lafferty’s heart of the wrong ears overhearing.

He told Hogan about the three-sided penny. Told him about the worth of it, about the well-deserved murder of Cleery by the mad bull Cromwell, and about the tragic ending of poor Mary. And the tragic vanishing of the penny.

Hogan’s eyebrows hoisted themselves high up on his brow early into Lafferty’s story, and they never came down again. “By God, green acres is the place to be,” says he.

Hogan ordered fresh pints. The news of the penny would take some time to digest. They chatted amid the clamor of the crowded pub, for after all, wasn’t there five years of non-penny news to catch up on, the antics of Hogan’s beleaguered wife Bridie, his job selling pots and pans up and down the east coast of Ireland, and wasn’t there an entire roster of memories from their school days in Dublin to revisit. But didn’t every venture into the years past always lead roundabout back to the penny. And what could be done. For Lafferty was far from finished when it came to lamenting the penny, and talking about the penny, and wondering where on God’s green earth the penny could be.

But there was only so much could be said about the bloody thing. Hogan asked him had he searched here, had he searched there, and Lafferty said yes to here, yes to there, yes to every-bloody-where. Would it do any good to go back and search it all over again? Sure, couldn’t he have missed it first time through in all the fuss and hurry, the deaths so fresh, the mind so gobsmacked, such a wee thing it was after all. Maybe, allowed Lafferty, though the time was short. How much of a grace period they might still have, he couldn’t be certain. Sure, maybe Cleery and Mary had already been found out at Foley’s decrepit place.

Hogan said, “We should look up the brother superior—what was his name, Brother Francis, Brother Joseph, I lost track of ’em by now—we should have him do the search. Sure, he’d ferret out the bloody thing in a hurry, wouldn’t he?”

Lafferty knew the memory Hogan was referring to. “The time Kevin nicked the medallion from the new boy,” he said, “they turned the whole school inside out, looking for it. Brother Joseph, Brother Francis, Brother Needledick, whatever the feck his name was, at the head of the pack.”

“Ha! Do you remember the snout on the man? A yard long it was, and the bristles of a pig sticking out of it.” The pair slapped at the bar, laughing.

“Like a bloody root-hog he was. Sniffing out truffles and medallions.”

“But by God, they never found it.” Hogan laughed.

“No, by God, they didn’t.”

Hogan wiped away a tear. “Same with your fecking penny, no doubt. That bloody thing’ll probably never be found either, sure it won’t.”

Lafferty frowned and sniffed at a sudden thought. “Do you remember why they never found the bloody medallion, yeah?”

“Aye, I do indeed,” Hogan said. “I nearly choked in my hole laughing at the sight of Kevin choking, swallowing that bloody wee thing. With the brothers closing in on him like a pack of wild dingoes.”

This was the moment their dazed and bleary eyes locked in horrible revelation.

***

The bloody thing would just have to stay lost. If Mary’d swallowed it, if indeed she’d hidden it inside her, it might just as well be buried on the far side of the moon under the Great Wall of China in the heart of a raging volcano seven leagues under the sea. If she’d swallowed it, that would be rock solid, lead-pipe cinch confirmation of her last wish, that she indeed wanted it never to be found. Wanted to take it with her.

On the other hand, wasn’t that at odds with what he’d been led to believe all his years on the planet? You can’t take it with you.

At any rate, the price was too high, the blasphemy too big, the desecration of her.

There was no way he could do what would have to be done, even with all the justification in the whole bloody world. There was no way he could take a knife to her, a woman he’d loved. A woman who, he thought, had loved him back as well. A woman who, if it wasn’t for the bad luck in her sad little life, would have had none of the stuff at all.

It was settled then.

***

When the Pig & Whistle finally shuttered, Lafferty took Hogan back to Cleery’s. Not to his room above the pub, a place altogether too dry and too close for comfort, but in through the back of the bar using Mary’s spare key that he’d borrowed from Mary, though she and Cleery never knew of the borrowing. There they drank and talked the night away in the dimness, not lighting a single light, relying on the little that the village of Kilduff sent in through the front window.

What were the odds she’d been so desperate as to swallow the penny?

What if she hadn’t hidden the bloody thing at all?

What if it had only fallen out of her pocket? Somewhere. But where?

Finally, nearly dawn, they fell into a restless slumber.

***

When they got to old Foley’s place the next day to search anew, they were too late. The night before, as they were whiling away the hours at the Pig & Whistle, hadn’t Cromwell the mad, murderous bull come strolling down the main street of Kilduff, lord of the manor, poking his fierce and horny head into whatever doorway he deemed needed poking into, wreaking havoc on the normally calm custom and commerce of the village. The origin of the beast having soon been ascertained, Cromwell was shot and the guards dispatched out to Foley’s.

News of a scale this grand would take days to simmer down. Lafferty and Hogan sat at the corner of the crowded bar in the Pig & Whistle that evening trying to be invisible, as the smoke rose and the rumble and jangle raged around them.

Kilduff’s own Romeo and Juliet was all the talk: Mary, having witnessed the love of her life—Cleery—being gored to death by a rampaging bull of horrific proportions, gored to death no doubt in the act of laying down his own life in defense of his damsel, was tragically moved to do her own self in, at the end of a rope. From the very same rafter of the very same shanty where, only recently, another tragic ending had taken place, old Foley’s own.

Why were they at Foley’s in the first place, Cleery and Mary?

The penny didn’t pass without mention. The three-sided penny was well and widely known. Had Cleery gone there, taken his missus with him, thinking they might turn it up? Was it his searching and rooting about that had driven the mad bull to exact his fierce and deadly revenge?

“Where would she be waked, do you suppose?” Hogan wondered.

“Why? What difference would it make? Why would we care? If she swallowed it, she swallowed it, end of story.”

“I was only thinking you might want to pay your respects.”

“Oh, aye,” said Lafferty. “To be sure.”

Across the room, beneath a plastic Powers clock in the cloud of neon smoke, a red-headed lad and a black-haired girl in striped pants and puffy shirts were handing out flowers, yellow posies of some class or other (Lafferty never knew which posies were which) to whoever in the place might fancy one. In memoriam, Lafferty supposed. He raised his hand, and the girl spotted him. Made her way through the milling throng, her handful of posies thrust out before her like the prow of a ship.

“Would you like a flower?” She was a pretty girl, though her eyebrows were thick as a hedge.

“I’d love one, Love.”

“Isn’t it awful, then? Did you know ’em well at all?”

“Aye. Well, her I did. Where is it she’s being waked at?”

“What I heard is she’s no family they know of. They’re trying to find a next of kin.” Then she looked at him sideways. “Are you kin to her? Do you know her kin?”

“No, no, not at all. Do you know where she’s keeping the night?”

“I would think at Rossa’s, if the cops have done with her. It’s the only mortuary about.”

“I would think.”

“Would you like a flower?” she said, sticking one under Hogan’s nose.

“It’s Bird’s-foot is what it is,” Hogan said.

“What is?” Lafferty said.

“The flower,” said Hogan. “Bird’s-foot-trefoil, to be exact. Common.”

“Jesus, Tommy. What are you doing knowing that?”

The girl said, “She’s part of the flower now, Mary is. She’s no longer in her body, her body is only an empty vessel, a shell that she’s shed, and now she’s part of everything that’s glorious and beautiful in the world. The flowers and the sunshine and rainbows. She’s all the colors of the rainbow.”

“I couldn’t dispute it,” Lafferty said.

“That’s a tall order,” said Hogan.

The girl’s smile faltered for only a moment, and she withdrew the flower that Hogan hadn’t touched. “Peace,” she said.

“Of what?” said Hogan, confounded.

“Thanks for the posy, Love,” Lafferty said as the girl shied away.

“Bird’s-foot,” corrected Hogan.

***

“Are you going in with me, or are you going to wait out here?” Lafferty said. They were in Hogan’s Austin, in a row of cars parked for the night in front of the greengrocer and newsagent’s shops, both long since shuttered for the night. Across the street at the corner of the little lane sat Rossa’s Funeral Home, a plain, decent-sized house, puffed up by a grand cornice along the roofline in front. There was a plum tree in the yard. Lafferty’d never have known the kind of tree it was, but Hogan had kindly pointed it out for him. Rossa had turned out the lights, locked the door, and walked away down the lane an hour ago, an hour after last call at the Pig & Whistle. The front seat of the wee Austin was getting smaller.

“So, you’re going in, then? You made up your mind, have you?”

“I don’t know,” said Lafferty.

“Then what are you asking me for?”

“I was asking in case I do decide to go in are you coming with me or you going to wait out here in the bloody car?”

“I’ll cross that bridge when I get to it,” Hogan said. Reaching into the sack in the backseat, he pulled out two more bottles of stout. “Here. For courage.”

“It’s not courage I need.”

“Then what is it you do need, Terrance?”

What was it he needed, indeed? He needed to know it was right. He was not a devout man, not a spiritual man, he seldom made Mass of a Sunday, but he needed to know it was not a mortal sin. He needed justification. A clear conscience. He needed to know how it was at all possible in this world for a man to take a sharp instrument in his own hand, the same hand that had caressed and comforted the same woman, a woman he’d loved, and insert that sharp instrument into the body of her. And then to stick in his hand and grope all about.

All right then, he needed fecking courage. “I don’t know what I need.”

“You couldn’t take the knife to her. Sure you couldn’t, anyway.”

“Could you?”

“Me?” Lafferty felt Hogan’s wide and beggaring eyes wheel around on him in the dim light from the streetlamp. “Where would a question like that even come from?”

Good question. He remembered watching the heels of his mate fleeing the scene, himself not two steps behind, to avoid battle whenever any scuffles, tussles, or kerfuffles had threatened to break out and upset the harmony of their youthful existence. He remembered Hogan nearly fainting at the sight of blood from the gash on the noggin of the lad who’d fallen off the monkey bars at the playground. Lafferty looked over at his mate, who was staring bug-eyed at Rossa’s again, as if the building itself might break loose of its foundation and try to tip-toe off.

At the end of the day, no—he couldn’t picture Hogan wielding the knife.

Could he picture himself?

Hogan looked over. Lafferty could almost see the lightbulb light up over his head. “Maybe it’s only just under her tongue,” says he. “I wonder did they look there.”

Lafferty said nothing, staring at Rossa’s. Wagged his head.

***

He told Hogan to wait in the car. He wanted no one there to witness his failure of courage if he was unable to bring himself to do it, nor did he want any witness if he could, any witness at all, to the mortal desecration. He told himself Mary would understand. That if he could talk to her, he could talk sense into her, persuade her it was for the grander good. He told himself she’d only just been out of her head with the shock and the grief and the depression. Told himself what a fine tombstone, bollocks, a monument, a bloody fecking mausoleum he would buy for her grave, so she’d never be forgot.

He felt calm enough passing under the plum tree in the faint reaches of the streetlamp, dew licking his brogans. On the streets of Dublin, he’d learned invisibility. Other skills he’d picked up there as well, and the soft tinkling of breaking glass scarcely made a dent on the night, and the wee glow from the skull-and-bones nightlight—Rossa’s savage sense of humor, he supposed—in the hallway was plenty enough to skulk by, to the stairs, down to the cellar mostly by touch alone, the steps groaning mournfully, where another soft light of a blue hue on the wall showed the empty coffins, lids yawning open and hungry. Two lumpy gurneys covered with sheets. He lifted the sheet over the lesser lumps. On a nearby counter, Rossa’s instruments lay gleaming and grinning.

***

She’s no longer in her body. Her body is an empty vessel. A shell she’s shed. No longer in her body, only an empty vessel, a shell she’s shed. No longer in her body an empty vessel a shell. A hundred thousand quid. Empty vessel, a shell she’s shed. A hundred thousand quid. A shell… a hundred thousand… a shell… a hundred thousand quid…

***

A different man came out of Rossa’s than the man who’d walked in before. A space man in a space suit walking across the dark side of the moon, he made his way slowly across the lawn, beneath the pear tree, across the lane, up to Hogan’s car. He leaned against the door of the Austin for the longest time, head hung down. Hogan stared up at him with the question in the wide pools of his eyes. Lafferty only shook his head.

“Pity,” says Hogan.

Lafferty slumped into the car. “The awfulest thing,” was his only murmur.

They headed up to his room above Cleery’s pub, Lafferty quiet as a spider. He pulled the shade before turning on the wee lamp on the stand by the bed, scarcely light enough to fill the little room. He sat roughly on the side of the bed, the bed he’d made up for Mary, her shrine, not caring now in the least if he despoiled it.

Hogan sat on the tipsy chair by the chipped chest of drawers to wait. He hadn’t a baldy notion what he was waiting for.

She’d wanted to see his room, Mary had, but never got to, and Lafferty, now, a different man than before, clenched at the edge of the bed, his blood beginning to stir and rise again, volcano-like. Hogan sitting patient, a patient waiting for the bad diagnosis.

“Feck her,” Lafferty said.

“What?” said Hogan. “Who? Mary?”

“The bitch.”

“Bitch? I thought you were sweet on her. All this yabbering about love. I thought you could barely stand to… to, you know, do what you did. Do what you had to do.”

“That was then. To think I loved the bitch. Well, there’s no way she could have loved me, or she’d never have stole the thing from me. From us. It was my penny, I had it in my possession, I offered it to her, to share it with her, bollocks, to share a life with her, and what does she do? She steals the fecking thing. She takes it. I don’t give a fecking toss what state of mind she was in. There’s no bloody excuse. I’m glad I took the fecking knife to her.”

Hogan, the bug eyes of him desperate to help. “Did you look under her tongue?”

Lafferty stamped his foot and gave out with an animal howl, and picked up the pillow to hurl at his mate. There, tucked tidily under the pillow, lay an object all wrapped in white linen.

A three-sided object at that.

Picture of Dennis McFadden

Dennis McFadden

Dennis McFadden, a retired project manager, lives and writes in a cedar-shingled cottage called Summerhill in the woods of upstate New York. His short story collection, "Jimtown Road," won the 2016 Press 53 Award for Short Fiction; another collection, "Lafferty, Looking for Love," is forthcoming from Cornerstone Press. His novel, "Old Grimes Is Dead," was selected by Kirkus Reviews as one of the Best Indie Books of 2022. His stories have appeared in dozens of publications, including The Missouri Review, New England Review, The Sewanee Review, The Massachusetts Review, and The Best American Mystery Stories.

Malédiction by Nick Young

It would not be found on any tourist map, but ask the locals; they could tell you. In the dark heart of St. Martin Parish, east of New Iberia by a handful of miles as the heron flies, lies Bayou Lafouche, a sluggish crawl that ends in a shallow swamp, its origin stretching back through nameless eons, long predating the first Acadians.

Bernard Seydoux was steeped in the lore of his people, nurtured through his fifty-three years by vivid tales spun late into the night over draughts of strong drink. And more than any man around, Bernard Seydoux knew Bayou Lafouche. Only once in his life had he ventured beyond—a weekend in Lafayette as a young buck with two friends. He could recall little of the trip apart from the haze of alcohol and a vague memory of a girl picked up at a bar. But he had no taste for going back.

So, he lived a bachelor’s life in an isolated, cramped shanty of scavenged planks and castoff corrugated sheet metal that clung to the lip of the bayou. He spent his days in a weathered twelve-foot skiff tending to his crawfish traps baited and dropped at intervals in the shallows. His catch, usually abundant, he sold to a distributor whose customers included seafood stores and restaurants as far away as Baton Rouge. His labor kept him in beer and cigarettes, and he was content to spend most evenings drinking and listening to the music of his watery environs or the distant voices that came by way of his radio from New Orleans.

On nights when the moon was full, Bernard would down a few bottles of Dixie, push away from the short dock in front of his place and pole his boat past where he placed his last crawfish pot and follow the bayou to its terminus in the swamp. There he would sit on the skiff’s thwart, beneath a curtain of gently susurrating Spanish moss, smoke and ruminate on the mystery of life, an exercise for which he lacked any philosophical aptitude. Still, he felt a kinship with the night’s creatures, as if he were one of them, and took comfort in their nocturnal chorus.

Though Bernard Seydoux was well-versed in Cajun lore, there were stories in which he put no stock, tales of gris-gris and mal juju.

“Fah,” he would say with derision, “the talk of old women.”

So it was that in the summer of 1967 when several of the old ones circulated ominous warnings about a malédiction du diable that would descend on the bayou in late summer, Bernard dismissed the talk with a wave of his hand and a vulgar retort, “The Devil can embrasse mon cul!”

The night of August twenty-sixth. was clear, the moon dull-ivory, suspended high in the southeast sky. The air was heavy, relinquishing little of the day’s stifling heat and humidity. For Bernard, there was nothing unusual in it as he pushed away from the shanty and guided his skiff toward the deeper water where the moonlight fell like gauze upon the gentle ripples. His destination was the seclusion of the swamp to see for himself what the radio had told him was a once-in-a-lifetime celestial event, a total lunar eclipse.

He stood as he poled, and when he reached the swamp, he moved with a practiced rhythm through the carpet of duckweed and salvinia. He took care to keep clear of the shallows, the ones favored by alligators, maneuvering the skiff to a spot where his view of the moon would not be impeded by the towering cypresses and their moss draperies.

Shipping the pole and taking a seat, Bernard used the back of his hand to swipe perspiration from his forehead. He lifted the lid of a small cooler he had brought along and pulled a bottle of Dixie from its nest of ice. He relished the chill as he rolled it across his brow several times before using the opener slung around his neck on a greasy leather thong, popping the cap, and taking a long drink.

Craning his neck skyward, he saw the eclipse had already begun, with the moon nearly a quarter blocked by the Earth’s shadow. So he relaxed, finished his beer, and promptly opened another. He was content to smoke and listen to the chorus of crickets and tree frogs, broken by the occasional splash of a creature in the murky water. After his third beer, he checked the moon again, now more than half hidden, and he dozed.

Maybe half an hour had passed when he was startled awake, not by a noise but by the total absence of sound. It was as if every creature in the swamp had at once fallen mute, disappeared, ceased to exist. And accompanying the eerie silence was near-total darkness. Bernard turned toward the moon—the eclipse was at its peak. At the same moment, he felt a curious stirring in the water around him and a thump from beneath that jarred the bow of the skiff, lifting it just off the surface of the water. Then came another and a third, each sharper than the one before. He did not understand what was happening, but it unnerved him enough that he took up his pole and stood, letting his eyes probe the darkness.

“Mebbe one big ’gator,” he muttered. He slipped the pole into the water, feeling the bottom six feet from the surface. He threw his weight against the pole as he tried to turn the skiff and maneuver it into a different position. But when he attempted to slide the pole free for another stroke, it locked in the muck on the swamp floor.

Merde!

He struggled with the pole, bending it this way and that, but he could not dislodge it. He was sweating again, so he took a break and leaned on the pole with one hand, while he shucked a cigarette from the pack in his shirt pocket with the other. But before he could light up, he felt a ripple in the night air, an electrified swirl of static that rushed like a whirlwind, enveloping him, raising every hair, causing every pore to come alive. Frantically, he waved his right hand to brush away the electric currents that shimmered over his entire body. He tried to cry out, but no sound escaped his throat. There came a fresh agitation in the water around the skiff, which began pitching and yawing with enough intensity that he felt himself in danger of losing his footing.

Then, as he fought to keep his balance, there arose a piercing, keening wail. It came on softly but quickly crescendoed. It emerged from the very depths of the swamp, becoming louder and louder, bearing with it a horror and unmitigated pain of despair that tore at Bernard’s soul. Again, this time out of profound anguish, he tried to scream. Again, it was in vain. And with the rising sound came a swift upsurge of the water beneath the boat, lifting and capsizing it, pitching him headlong into the stagnant, fetid pool. Quickly, he twisted his body and struggled to get upright. The water was deep enough so that his toes hit bottom, which allowed him to thrust his chin just above the waterline and, while bobbing, gulp air. Still, the hellish sound howled around him, rising and falling and rising louder again, as if emanating from a demonic choir. He attempted to thrash his hands free, to clasp them over his ears and dull what was now painful, but he was unable to move them. The more he strained, the tighter his arms were frozen with immobility. As he struggled, a new terror arose, for he felt first his toes, then gradually his feet being gripped and sucked into the thick muck of the swamp floor, as if he were being methodically swallowed by a huge, hungry mouth. Eyes bulging with the horror of it and unable to utter a desperate cry for help, he was pulled below the surface. And as he sank, he heard the rasp of an ancient, dreaded voice, one that carried all the ineffable pain and cruelty of mankind, hiss through the shrieking that rent the night.

You dare to mock me?”

In an instant, all sound died away.

Beneath the surface, Bernard’s skin was alive, nerve endings afire to every sensation of the swirling water, every jagged terror that his imagination conjured—long, venomous snakes entwining his limbs, crawfish swarming to nibble at his flesh, and the hideous muck that sucked his feet fast.

And with eyes wide, mouth filling and choking on the brackish water—filling and choking again and again but never drowning, never dying for evermore—Bernard Seydoux watched through the undulating murk as the first tiny rind of the ivory moon reappeared.

Picture of Nick Young

Nick Young

Nick Young is a retired award-winning CBS News Correspondent. His story "Breathe" appeared in the Stygian Lepus, Edition Six. In addition, his writing has been published in dozens of reviews, journals, and anthologies. His first novel, Deadline, was published in the Fall of 2023. He lives outside Chicago.

Mia’s Bird by Andreas Flögel

Mia had a strange bird. But what attracted me to her was the smile, which lit up her face and the golden shine of her blonde braids.

Many of my classmates, boys and girls in the seventh grade, seemed to feel the same way. Mia was popular, and after school, we all met behind her parents’ house to hang out with her.

The property bordered a forest that we were all forbidden to enter since we were little, as our parents were worried we’d get lost in the dense, dark woods. But we were older now, so this, of course, made it the preferred destination for our “expeditions.”

We always went as a group, looking for interesting roots whose shapes sparked our imaginations, or listened for the sounds of “dangerous” animals to track down.

It was on one of those trips that Mia found the bird. Roughly the size of my fist, with black feathers and unable to fly due to some injury, it was the ugliest creature I had ever seen. Its head was not black but bone-colored and looked like a skull.

As she reached out her hands to pick up the animal, a murmur went through the group, and Abby, a girl who was always dressed up like a doll, exclaimed loudly, “Eww, don’t touch that!”

But Mia wouldn’t have been Mia if she’d been deterred. She not only gently picked up the bird but also held it protectively against her chest the entire way back.

Needless to say, Mia’s parents didn’t allow her to bring this oddity into the house. But with the help of some rags and branches from the garden, Mia built a nest-like structure in the shed. Here, she fed and cared for the bird until it could fly again. During this time, the animal became accustomed not only to Mia but also to those in our group, who, despite its appearance, were undaunted from visiting it every afternoon. Mia named the creature Skully, but I think she was the only one in our group to use this name.

My interest was solely in Mia. But being around her meant not showing the discomfort the bird caused me. I tried, however, to avoid touching it as much as possible.

Even when the animal had recovered and there was nothing stopping it from flying away, the bird stayed with Mia. When we played in the afternoons, it circled around, flew from bush to tree, and always came back to perch on Mia’s shoulder. Our group got smaller now. Some of the kids who had hoped the scary creature would leave no longer joined us when it became clear the bird was staying.

Mia always had a little stale bread with her, and when we gathered around the old sawed-off tree stump, our makeshift table, she would break off small crumbs and place them on the wooden surface for the creature to peck at. The bird strutted around on the wooden surface, picked up individual crumbs with its bill, then stretched its head up and cracked open its beak to let the morsels fall into its throat. It was a strangely fascinating spectacle to watch the bread disappear piece by piece into the bone-colored skull.

One afternoon, as the bird landed on Mia’s shoulder, it brushed the hair of Abby, who was sitting next to her, causing her to jump up and flail. She screamed that someone should chase the horrible beast away from her. Mia laughed and soothingly stroked the bird with the back of her hand. Abby calmed down again once it was clear the animal had only touched her briefly.

A little later, my thoughts still occupied with Mia’s laughter, the bird jumped from its perch on her shoulder to the tree stump. There, it stood motionless for several minutes, its gaze fixed directly on Abby. The girl shifted uncomfortably, visibly growing more uneasy as the creature’s stare lingered.

“What’s its problem?”

Then, the bird picked up a crumb of bread, but instead of swallowing it, it walked towards Abby with it. She recoiled, but the bird simply placed the crumb in front of her spot, then stared at her again.

“Oh, how sweet! I think Skully wants to apologize to you.”

Mia’s voice was so bright and melodic, I could have listened to her for hours.

“Eww, does it want me to eat that? It held it in its bill. And anyway, I have to go home now.”

When she left, I had the feeling she was struggling not to run.

Abby was absent from school for the next two days. When she returned, she told everyone that when she got home that afternoon, she found her cat’s corpse in her parents’ garden. The animal’s belly was slit open, and it was covered in maggots. She was convinced that Mia’s bird was to blame, without being able to explain why.

This led to a further shrinking of our group. All the girls, and, of course, those boys who mainly came for Abby, stayed away from then on. Thus, our gang now consisted only of Mia, Bob, G, and me.

The reason Bob stayed was obvious. He followed G on every step. On the other hand, G’s motivation was also no secret. It was the same as mine. But while I was happy to be in Mia’s presence, G wanted to be seen by her. Therefore, he took every opportunity to show off and be the center of attention. He loved to climb trees at the edge of the forest, as high as possible. Only when Mia repeatedly called out in an increasingly agitated voice that he shouldn’t climb any higher because it was too dangerous did he come back down.

I cannot speak for Mia, but I found his behavior quite annoying.

On one such occasion, when G had climbed into a treetop again, we heard the loud cracking of wood followed by a startled exclamation. G clung to something in the tree, preventing a fall, but a large branch crashed to the ground and almost hit Mia, who jumped aside at the last moment.

This even caused Bob, who normally never said anything against G, to give G a piece of his mind. But the bird seemed to be the most enraged. For minutes, it stood still, fixing its gaze on G, just as it had done with Abby. Then, once again, it picked up a crumb of bread and placed it, almost ceremoniously, in front of G.

“What’s that supposed to mean? Does that ugly creature mean to threaten me?” G’s voice, however, didn’t sound as confident as the words would suggest.

Mia, clearly not happy with how G was talking about her bird, stepped forward. “I think you’d better leave now. Only come back when you can behave reasonably again.”

G left, not without giving the animal one last hateful glare. Bob followed him, as was to be expected.

The next day at school, Bob told us that G’s older brother had been involved in an accident. He was apparently in terrible shape, which is why G and his parents were staying with him at the hospital.

I felt very sorry for G, but on the other hand, I was now alone with Mia for the rest of the summer, and I couldn’t have been happier. Of course, I made sure not to upset the bird. I kept my distance, didn’t speak badly of it, and generally kept to myself when Mia was playing with it. And every smile from Mia, every word she addressed to me, made my heart leap.

Summer was coming to an end, and Mia and I lay in the grass, watching the clouds together. As if by chance, our hands touched. Normally, we would have both immediately pulled them back in surprise, but this time, it was different. Our fingers found each other’s and our hands intertwined. I turned to Mia, she to me, and we gazed into each other’s eyes for a long time, while our fingers gently played together. My throat felt dry. Should I say something? And if so, what? Finally, Mia released her hand from mine and gently stroked my cheek with the back of her hand, just as she often did with her bird. I felt like I was in seventh heaven.

But as we sat up, my world shattered. The bird stood on the tree stump, staring at me intently.

An icy chill immediately ran down my spine. I didn’t need to wait a minute to realize it was fixing its gaze on me in the same way it had on Abby and G. My eyes went to Mia, and I saw the horror on her face.

As the bird picked up a crumb of bread, I jumped to my feet and ran to my bike. I had neither a pet nor siblings, but my parents… My mind raced with terrible possibilities as I pedaled faster than I ever had before.

I covered the way home in record time, my lungs burning. Even before I turned onto our street, I saw the flashing lights, police cars, and an ambulance. My heart sank as I approached our house. Two officers stood at the door, speaking in hushed tones. Through the open doorway, I could see shapes covered with sheets.

The police brought in a social worker who explained what happened in words too gentle to match the horror. That night, I was placed in an orphanage, too numb to even cry. After that, I was moved between various group homes and foster families, some of them far away.

I never saw Mia again.

Picture of Andreas Flögel

Andreas Flögel

Andreas Flögel is a German author whose fiction has been published in both German and English anthologies and magazines. Recent credits include stories in Dark Moments, Flashpoint SF, Trembling with Fear, Stygian Lepus Magazine, Sci Phi Journal, and various anthology collections.