My Brother’s Keeper by Jeff Clulow

Why could I not remember this place?

The morning sun lit the mirror of the lake and set ablaze the snow-capped peaks of the surrounding mountains. Miles away in the Massif des Écrins I heard the crack and rumble of ice shearing from rock and the occasional thunder of cornices collapsing in the warmth.

We’d spent so many of our holidays here, our little family, in the auberge beside Lac-Saint-Patrice. It’s where my parents first met on a hiking holiday, he from his home in North London, she from her native Lyon. They’d both fallen in love with the alpine landscape and the more intimate scenery of each other’s smiles. They’d married, raised children and hoped to imbue in us a similar love for the outdoors by way of regular family holidays to this place—this place I could not remember.

At least, that’s what my father told me.

We were happy once,” was another thing he told me. He said this often, as if it was a revelation, some lost history, scratched out and forgotten. He wanted to assure me I was born out of love, not sadness. He repeated the phrase over and over, perhaps because he thought I could never accept the fact as truth, not in the aftermath. But I never doubted him. I just couldn’t remember a time before it all fell apart, before Lorens died. Life, for me, began after.

I explained this to him once, and I remembered his reply. “The mind forgets what the heart regrets.” Yet what I could have regretted so deeply was beyond me.

This place, and that past, had not entered my thoughts for many decades. Until last night.

I was working late at the university, resisting boredom and the loneliness of my cramped apartment by researching the topic that has obsessed me for a lifetime: nature versus nurture. It’s one of the last big questions; one with no empirical answer: are we born innocent, a clean slate, a tabula rasa? If so, then it is the world that shapes the evil in our hearts. Or do we enter the world corrupt, and so shape the world in our own image?

It’s a question that may never be answered.

Am I good? Am I evil? Is this why the subject pulls at me so? Am I searching for my own absolution? When I look into my soul I see no answers. I sense a form of goodness, innate and protean, but there’s a shadow here too. Something old and formless.

From my bookshelf I had pulled a dog-eared volume of essays by Rousseau. I hadn’t read it since my undergraduate years. As I opened the book, a photograph fluttered from its pages to the floor. Stooping with a groan, I snatched it up. It looked unfamiliar at first, yet as I recognized it, something pulled at my insides, a stitch of nostalgia that tied me to a time long past, to something that was, and is no longer. I had once used this old black-and-white print as a bookmark.

The photograph must have been taken by my father because he was the only one missing from the composition. It struck me how beautiful my mother was as a young woman. I had forgotten the thick, raven-black hair, the graceful brushstroke of her dark eyebrows and lashes that framed the pools of languor that were her eyes. In the photo I snuggled next to her, my eyes lifted to hers in adoration. Hers were turned away from me and rested on the infant sitting in her lap. Lorens. He was the only one who faced the camera. Eyes squeezed shut in mirth, he was captured mid-chuckle. Chubby, cherubic and lovable, he was joy made flesh. Jove as a baby.

I sat at my desk, resting heavily in my chair, the photograph shaking in my hand. I thought without thinking, my mind drifting through clouds of patchy memory in search of the past. An hour must have slipped away before the impulse seized me. It was more of a whim than a conscious decision, a plan without forethought, a sudden need. I locked my office and drove to my apartment. There, I packed a few things: a raincoat, some warm clothes, my old leather hiking boots and a knapsack. It was late when I left Villeurbanne, but the roads were quiet. I drove southeast, turning off the well-lit motorway at Bourgoin-Jallieu. Within a few hours I was driving along unlit country roads. Tomorrow I would call the university to advise them of my absence. It wouldn’t be a problem. I no longer have students. I give the occasional lecture, nothing more. This suits me. I find students, like most people, invasive and needy. They steal my time and contribute little in return. I am better alone. It gives me space to think, to indulge myself in research of my own choosing. My only qualification for this continuing arrangement was a paper I’d written some forty years before. It questioned whether good and evil exist in the natural world or remain human constructs, ways to feed our righteousness and our guilt. The paper excited debate and is still quoted and referenced today. The university enjoys the renown this brings and so they keep me on, happy to have me haunt the hallways filled with youthful faces, a white-haired specter with armloads of books. Perhaps they think I add a sense of antiquity to the place—of gravitas—as much as the stern-faced busts of Voltaire and Descartes. Like them, I am a man who once was. I am become a name. A footnote in a thesis. My absence will not be a problem. Such is the privilege of age and reputation.

Here beneath the mountains, I planned to visit the dark ages of my childhood, to peer into the blind spots of my past. I was hoping that the permanence of the geography might trigger a recollection in my inconstant mind. I longed to remember what happened before death visited our family, before my mother fell inwards upon herself, shutting me and my father out.

She’s just gutted, son,” was the only explanation my father could offer in his North London way. In my immaturity, I took him at his word and believed that my mother had been secretly sliced open and her organs removed. As I came to understand the expression as imagery, the more appropriate it seemed. My mother had indeed been gutted: she had no stomach left for the world, no lungs to give her breath for speech or laughter, no heart to help her feel. Gutted was right.

My father tried to insulate me from the worst of the damage. I was sent to a boy’s boarding school in Chatres and, in many ways, I never returned. My mother never called or wrote to me. I’d hoped that after Lorens, her heart might let me in. Perhaps she saw the shadow in me. Perhaps she was made to love only one of us.

She moved back to Lyon, to live with her sister or a cousin, I think. My father visited her but she was beyond consolation. He tried as hard as he could, offering love without reciprocation, support without thanks—a vessel slowly emptying itself. In each other’s eyes their grief would always be mirrored; their loss, their sense of guilt, shared. Together they would never heal. So my father drifted back to London, to a life before marriage—a life that didn’t hurt. By the time I left school our little family had crumbled and fallen apart. Like a cornice in the sun.

The first flurries of snow melted on my windscreen. From Bourg d’Oisans the road began its slow climb into the Alps, along the pass of the Col du Lautaret. In the darkness I saw nothing of the forests or the grandeur of the mountains. I phoned the auberge from the road and, mercifully, the concierge was still awake. A room was made up and a cold supper prepared. As I pulled into the car park, my headlights swung across the emptiness above Lac-Saint-Patrice. My sleep was troubled by old dreams. I woke at the sound of my mother’s whisper in my ear, her hand upon my shoulder. Rousing, I knew the dream was a falsehood, its knowledge painful. My mother had never woken me this way. Soft words and gentle hands were reserved for Lorens.

It was early as I laced my hiking boots. The auberge was still quiet. At the breakfast buffet in the empty dining room, I wrapped some fruit and boiled eggs in a serviette, stowed them in my knapsack, then crept outside. A chill dawn washed the sky with pink and lavender. Soon the sun would crest the mountains. For now, the trees and lake brooded in darkness. Silence hung in the vastness of the landscape as if frozen.

There was light enough for me to find my way down to the gravel path that circumnavigated the lake. I began to walk, with mounting vigor and purpose as the light improved. The air was sharp in my nostrils. Some distance from the auberge, the path narrowed to a rocky track. It rose and fell behind stands of tall firs and birches that hid the lake. I slowed, glancing through the trunks to catch the occasional gleam of flat water. If I had walked this track before, I couldn’t recall.

By the time the sun had painted the landscape in all the glory of its true color, I was at the halfway point around the lake. Here the hourglass shape of the lake narrowed, and a rocky outcrop looked over the water in the direction of the auberge. The old building itself was screened from view by a rise of trees. The distance from shore to shore was no more than a hundred meters and I had a sweeping view of the lake in all directions. I drew in a lungful of crisp air and became lost in the scene. It was a masterwork. And still, I could not remember it.

I leaned back against a rock, pulled a boiled egg from my knapsack and began peeling it with a thumbnail. In my periphery flashed an intrusion of color, something brash and inappropriate that trespassed against the blues and greens of water, trees and sky.

Looking up, on the opposite shore of the lake, I saw a little boy, no more than a toddler. He wore an anorak of vivid yellow and matching gumboots. In his hands was a long, windblown branch which he held out over the water like a fishing rod. He slapped the water with the tip of the branch in some private game. In the still air, snippets of a rhyme or song drifted toward me. The little fellow seemed delighted at the splashing and at the ripples he was now causing to widen across the lake.

I returned to the peeling of my egg. Piece by piece, the shell came away as, piece by piece, a dark thought formed.

A mother would have realized the danger in an instant. But too selfish to ever have children, I was slow to understand, too slow to read the situation. I looked again. The child stood on a shallow bank of grass, close to the water’s edge. He was perhaps only four, maybe five years old, and unlikely to be a swimmer. Concerned now, I placed the egg back in the serviette and dropped it into my knapsack. I searched the distance, trying to see the auberge through the trees. An adult or parent must be nearby, perhaps watching from the terrace. I craned for a better view but couldn’t make out the terrace or the building itself. Even if someone was observing the boy from an upstairs window, they’d be too far away to prevent catastrophe. I couldn’t even see the roof, which only meant the auberge was hidden behind the trees, behind the hill. This little fellow was all alone.

I squinted against the glare of sun on water, looking for someone nearby. I searched the shade beneath the foliage of the trees, between the trunks. Just a short distance from the boy stood a tall willow that veiled the lake shore. Its branches cascaded down to the same water from which its roots no doubt drank. Between the partings of rope-like limbs, I glimpsed shadows. One such shadow looked different. It was tall, slender, and motionless in the gloom under the tree. I focused my attention on it. My eyes watered. I blinked.

The shadow moved.

I glanced at the toddler by the lake. He was happy, still immersed in his game.

Looking back to the shadow, I saw it move again. It was person shaped. Someone was standing in the shade of the tree, watching.

Relief washed over me. It must be a parent, disinclined to take part in the childish game, but performing their duty of care, nonetheless. Of course, they’d stand in the shade of a tree to stand guard. I would too. I shook my head at my over-reaction and bent to collect my breakfast just as the shadow broke cover.

I stood upright in time to see the figure step into the sunlight. It was another boy. He looked to be a good four or five years older than the first. No parent, no adult at all, and not quite a teenager. He stood motionless, as before, watching. Something about this boy prickled my skin. Although the smaller boy’s happiness was clear to see, the older boy’s mood was unreadable. For several minutes he stood with eyes fixed upon the smaller boy. Perhaps it was the distance, or my untrustworthy eyesight that caused me not to see any expression in the newcomer’s face.

He walked over to the younger boy and stood beside him at the edge of the lake. He gazed with ambivalence at the tip of the branch splashing the water. The younger child must have heard him by now, must have been aware of his presence, but his game continued. It could only mean that they knew each other. This should have brought me comfort, yet a fear floated up from the depths, unfounded and irrational. I was scared for the little one and I didn’t know why.

The older boy placed a hand on the toddler’s shoulder. I was right, they knew each other. My only hope was that the older of the two could swim, and that he was there to keep the younger boy safe. I took a bite from the egg I’d peeled and continued watching.

The older boy removed his hand from the other’s shoulder and walked a short distance along the grassy bank. Then he stopped and pointed at something in the water, calling out to the smaller boy. A fish perhaps?

The younger boy’s sounds of glee traveled to my ears across calm water in still air. He dropped the tree branch and stumbled towards the older boy, clumsy in his yellow gumboots. He stood beside the other, leaning forward to peer at whatever was in the water.

The two bent low over the lake, the elder pointing, the younger following the direction of the other’s finger.

It happened in an instant.

I saw no push from behind. There was no violence, no display of force. All I saw was the older boy’s hand, not the one he’d been pointing with, but the other one, the one hidden behind the smaller boy’s back. It was now raised palm outward as the smaller boy tumbled into the water with a cry.

Although I hadn’t seen it, I knew what had happened. All it took was a nudge.

The yellow anorak buoyed the little mite up. Through mouthfuls of water he squealed, hands raised in appeal. The older boy looked on, impassive. The water couldn’t have been deep because the little boy seemed to gain a foothold, his shoulders rising above the surface of the water. He blubbed, stricken with fear and cold. The older boy looked about now, up and down the shore, and his eyes seemed to rest on the discarded branch. In three quick steps he had it in his hand and held it out to the younger boy. I had imagined the worst. Foolish old man. It was all an accident, and now the older boy would drag the younger one to safety.

The little boy reached for the tip of the branch, his footing unstable. At the last moment, before his fingers closed around it, the older boy whipped the branch away. I felt my mouth fall open; my heart shuddered to a stop. Again, the older boy held out the branch and again he pulled it away at the last second. What was he thinking? Was this a game to him? His face still displayed no emotion and for a moment I considered he might be unbalanced, without conscience enough to understand what he was doing. The child in the water was screaming now, wild with fear. My short-lived relief sank into the depths, replaced by a searing anger. I screamed, too, but a cold, mid-morning breeze left the peaks and blew across the lake toward me. It bent the tops of the fir-trees in my direction and stirred the surface of the water. The harrowing cries from the opposite shore of the lake still reached my ears but my entreaties were blown back in my face.

The little toddler again found a foothold and was struggling from the water. The older boy lowered the branch in his direction and the toddler grasped the leafy tip with shaking hands.

But the older boy didn’t pull him in.

Instead, he pushed.

I shouted into the wind as the poor little chap fought back. The older boy snatched the branch away from the toddler’s hands and thrust it at his throat and face. He pushed hard, leaning out, forcing the younger child into deeper water.

I looked at the path on either side of me. Which way was quicker? I attempted a hasty calculation of the time it would take to reach the other side of the lake and put an end to this brutality. I’d never make it. Could I run? I hadn’t run in years. If I could bear the pain of grinding hips and arthritic knees I might reach them sooner, but not by much. A roar of frustration left me. The little toddler knew the danger he was in. He was fighting for his life now, thrashing the leaves and stems away from his face, pushing with all his strength against his assailant. He turned, trying several different routes to reach the bank, to avoid the thrusts of the branch, but the other boy moved quickly in front of him, blocking his escape and forcing him back. The wind carried the little boy’s desperate screams across the lake. Better that I stay where I am, in plain sight. I still had a good view up and down the lake. The screams were torture. I clapped my hands over my ears. My best hope was for someone from the auberge to appear, or another walker on the path. I could wave a warning, shout a message. If I could only get the older boy’s attention, he’d know he had a witness. It might shame him into stopping.

I called against the wind through cupped hands. I threw stones, I waved my arms and still the cruelty continued. The little boy was exhausted now. He splashed around in the water, listless and terrified. He sobbed. He cried for his mother. His begging tore at me, but the older boy remained stonily unresponsive. How callous. How heartless. Now, he hooked the end of the branch into the hood of the toddler’s yellow anorak. He held it out straight, preventing the younger child from climbing out, immobilizing him and forcing him to tread water. He held it this way for some time, draining the younger child’s energy while he splashed and floundered. All I could see was the yellow hood and tiny hands that flailed above the water. There came a spluttering and gasping for breath, a last waterlogged plea for mercy. Then the yellow hood sank below the water.

I breathed in shallow gasps. My eyes remained on the older boy. He flashed a look to either side and over his shoulder in the direction of the auberge. He was checking his crime hadn’t been observed. But he didn’t look in my direction. It was then, to my amazement, that he pulled on the branch, lifting the younger child to the surface, dragging him toward the grassy bank. The toddler moved. He was alive yet.

Both hands on the branch, the older boy regarded the child in the water. There was a cough. The smaller boy writhed, still pinned by the branch tip in the hood of his anorak, but the older boy didn’t pull it free. Instead, he lifted the opposite end until it was vertical and moved his hands upwards along the branch. He stiffened and drew himself to his full height. Then he arched his back and drove the branch downward, plunging the little boy under the water by the hood of his anorak.

I screamed another unheard plea into the wind. The older boy leaned upon the branch, using his weight to drive it down and keep his victim submerged. He remained like this for some time. Five minutes? Ten? I watched little fingers and yellow gumboots froth and splash the surface of the water until they stilled.

The older boy relaxed and let the drowned child float to the surface. With a final thrust of the branch, he pushed the body away from the shore. It drifted towards me, slowly sinking, the yellow anorak blending into the blues and greens of the lake. There was bubbling, and the child in the water was gone.

I slumped back against the rock, my anger cooling. I only felt grief, a sorrow as deep and cold as any lake. My grief was for the little boy in the water, but something else besides—something larger, more universal, a wearying, leaden sadness for us all. If children can murder, what hope is there for any of us?

Here, near the closure of my life, I finally had my answer. We do not enter this world as a blank slate, as tabula rasa. Our slate is written upon—filled with every preordained sin, every evil of which we are capable. We are all guilty of that first, most barbarous of crimes. We all carry Cain’s mark. We are all sons of Adam. Our higher purpose is in not giving these evils action. We are here to choose. This is our only redemption.

Against the skin of my face, I felt the wind drop. Looking up, I saw the surface of the lake become a mirror once more. The boy watched the water where the smaller child had been. He seemed lost in thought. Whether it was remorse or gratification I could not tell.

I stood, raising a hand to shield my eyes from the glare of sun on water. With the other, I pointed in accusation.

“I saw you!” I shouted. “I saw what you did!”

My voice reached him, and he looked up, his brows gathering. He lifted a hand to shield his eyes as I did.

Something in the cosmos gave way, like the shattering of floodgates, a river bursting its banks. From far away I heard the deluge roar as the watershed of memory broke open. The mind forgets what the heart regrets. It surged toward me in a mountainous wave, apocalyptic with revelation. All that I had hidden, all that I had dammed up, now came flooding back.

I remembered.

I remembered this place.

I was a boy of nine again. I stood beside Lac-Saint-Patrice on a summer morning. With one hand I shielded my eyes from the sun. In the other I held a windblown branch. I looked across the water and the years, to the opposite shore.

There, his hand shielding his eyes in the same way, was an old man.

An old man looking back.

Picture of Jeff Clulow

Jeff Clulow

Jeff Clulow is a prizewinning author of dark fiction and horror. His stories have reached the finals of the Aurealis Awards, the American BookFest Awards, and the National Indie Excellence Awards. He has been awarded an “Honorable Mention” in the Robert N. Stephenson competition for short fiction in horror and is the winner of the 2023 Asylumfest Mayday Hills Ghost Story Competition. Jeff lives and writes in Sydney. Find him on his website.

The Rinse – Part One by Nicholas Woods

I often wondered, why me?

Why do we exist when we do?

Our time on this one Earth, chosen at random.

Why me?

Why now?

At the end.

Footsteps crashed through leaves and a desperate hand grasped nearby bark so roughly she was sure she’d stripped skin free. A sound crackled like a whip, not behind her, but above her, so loud that she sucked one single breath into her lungs before continuing her sprint.

Michelle Parker rounded a corner, head glancing back for only a second, as if she was being chased, before crashing right into something.

She didn’t even scream before the thing she barreled into was grabbing her.

“Where have you been?” James Parker glanced behind her, wild fear in his eyes.

“Is it happening?”

“Come on, we have to hurry.” James pulled her through the remnants of the forest before the trees gave way to a clearing with a cabin ahead.

Something cracked in the sky again, sending James and Michelle to the ground, an invisible wave of energy knocking them off their feet. Michelle recovered, the cabin’s front door mere feet away, but she needed to see it. Needed to look at the sky one more time.

High above the horizon spread a gaseous ripple, no larger than a full moon in harvest season. Its deep red color gave it the appearance of an angry eye, with amber and emerald haze swirling behind it.

James pulled her into the house, and for a moment she was grateful, because if he hadn’t she might have never peeled her eyes away from that awful sight.

They moved across the living room, passing a small electronic device left on the kitchen tablea Geiger counter, its radiation detection meter sitting in the green. But if one looked closely, they could see the needle ticking, slowly at first, but gaining a pulse that beat toward the red.

At the end of the hallway sat a lone metal door, a massive painting of an English Airedale Terrier leaning against the wall off to the side.

Michelle raced down the steps into a basement, watching her footing, passing by Phil Parker, twice her age in his early sixties, who sealed the metal door shut. Her instincts pulled her gaze to the walls lined with food and water, before moving back toward James’ father, who sat down at a computer system and a radio microphone.

A news broadcaster’s voice came over the stereo. “Everyone is being told to seek shelter. Concrete or metal structures.”

Michelle looked at James. “Are we safe in here?”

But Phil was the one to answer her, turning in his chair. “This room was built to survive beyond a blast range of a hundred kilometers.”

James, usually so strong, so carefree and sure of himself, choked on his rushed words. “From a bomb, or a nuke, but—”

“That’s not what this is.” Michelle tried to keep her voice level. If she could find steadiness in her words, perhaps the rest of her body would follow suit.

Phil nodded, attempting comfort. “I know darling. But we’re safe down here. We just have to…hang tight.”

James exhaled. “But for how long?”

Michelle’s eyes drifted back to the food and water.

***

We made it three hundred and eighty-eight days.

The door to the cellar creaked open, the metal hinges tight from disuse. Michelle walked through the dusty, empty house, her eyes going to the Geiger counter on the table. She replaced the batteries, the meter showing what she already knew. Green. Safe.

The next several days flowed like a strange dream, a detached sort of waking up after a long, disorienting nap. She tried not to dwell on the fact that most of the world, God only knew the numbers, was gone.

Phil tried to salvage his garden, the vegetables and herbs there long dead. James made repairs around the house, and Michelle helped where she could, all the while avoiding looking at the Ripple, which appeared even brighter and deeper in color than it had before.

Then, the sun would grow white and hot and angry. They would have to run inside the basement, again and again. When the radiation levels cooled, they would emerge, and attempt to rebuild.

Again and again.

The reasons that had led Phil to prepare for an off-chance inevitability that had become a reality were never dissected. Michelle was, in the end, just grateful that the man had whatever godly foresight or fear or paranoia that made him prepare. The cabin had a well they could pump for water, and James could hunt in the forest for meat. The white solar flares that penetrated the earth seemed to be slowing, giving them more time in between to rebuild.

Michelle thought the tension in her chest may finally release. She didn’t have any family of her own. There was no one to mourn except for her friends and those at work that she cared about and she tried her best not to think of them. They were gone, and perhaps, no, for sure, they were the lucky ones. Uncertainty brought its own kind of terror. And she thought she at least was starting to understand the nightmare she was in.

Then, one day, she woke up shooting from her bed, racing for a toilet, heaving the night’s meager rations from her stomach into the bowl. A cup of water, three minutes to relieve herself onto a plastic stick, and two pink lines were all it took.

 

The thought of starving didn’t scare me.

Or radiation poisoning.

Or the sun’s white fury melting the skin from my bones.

Nothing, compared to this.

***

 

 

SEVEN YEARS INTO THE END OF THE WORLD

What do you tell a child about the world ending?

Tell me, I’d love to know.

 

“Just a little further!” The boy didn’t petulantly beg.

There was sincerity and maturity in his request. Perhaps that’s what made it so hard to refuse. The week before, he wanted to see the lightning struck pine tree, a mile away from the cabin. Before that, he asked to see the wooden woodpecker house, half a mile away. Since he had turned six, each week he wanted to venture further and further. He was asking more questions. Questions Michelle didn’t have the answers to.

“No, Joseph. We need to get back. It’s going to get dark soon.” Michelle took the boy by the hand. They made their way through the forest, back toward the cabin. “Grandpa will be up soon; he’ll want to read with you.”

In the last few years, Phil had grown accustomed to sleeping during the day so that he could keep watch at night. They had only one incident with a Roamer in the past few months, but those types were desperate, dangerous, and Phil claimed to feel more content keeping watch while the parents kept a normal schedule with their son.

Michelle looked down at Joseph. Her son was so full of curiosity, so seemingly knowing, but of what reality she couldn’t guess. All she wanted in the entire painful universe was to show her son a beautiful world before he learned about the one they were truly in.

“Wanna race back to the cabin?” Michelle found the smile she had learned to wear, a convincing excited façade that displayed anything other than what she truly felt inside.

With a nod, Joseph ran towards the cabin, Michelle on his ever-quickening heels. The moment he reached the door, she grabbed him. “I got you!”

A fit of giggles took him before he slipped from her grip and moved inside.

The cabin’s interior no longer appeared as it once had. Colorful sheets were torn to stream from ceiling to banister, hand-crafted paintings and beautiful pieces of artwork torn from books and magazines now lined the walls. Her goal was a kindergartener’s classroom on steroids, and Michelle thought she’d hit the mark well.

“Where’s Dad?” Joseph asked, looking around.

“He must still be at work.”

At work. James’ day job consisted of foraging for supplies, avoiding exiles, bandits, and Roamers. Working with other survivors on the mountain to trade goods for their water supply. While others had various items to offer, their cabin had one of the few wells that was dug deep enough to avoid radiation when solar flares struck.

When those unfortunate days came, Michelle made a game out of it, getting Joseph downstairs with the rest of the family in a manner that not only didn’t frighten him, but made him happy and excited. It was all she could do.

Joseph moved up to Michelle. “There’s a picture in your room of Dad and Grandpa, when Dad was little. Where were they?”

Michelle’s heart froze. She knew the photo. Were they in Chicago? She was pretty sure.

“I want to go there,” Joseph said, and Michelle realized she hadn’t responded.

She took a deep breath and kissed her son’s head. “One day, we will.”

It wasn’t exactly a lie. Maybe they would, somehow. For seven years, she hadn’t so much as gone down the mountain. James barely went past Auberry, the small town at the foot of the pass, unless scavenging was incredibly desperate. It was just too much of a risk to go much further.

That evening, James returned home, washing himself outside before moving into the house, a dark expression on his face, which he tried to cover up. He wasn’t as good at pretending as Michelle was. That was okay. He had his job; she had hers.

Earlier that day, James had mentioned he thought it was time Joseph learned to use a rifle. The boy was getting bigger. Michelle had found James in the bedroom before he went out for the day.

“Look, I thought about what you asked the other day, and I just don’t think it’s a good idea.” Michelle saw the frustration in his eyes but remained strong. “No guns. It’s too early.”

James took a breath. He’d never yelled at Michelle, never lost his temper, though if he had, she probably wouldn’t have blamed him. The things he had to do, the things he did on a regular basis for the family, were enough for anyone to need twenty-four-hour therapy. But James had no one. Except for her. Yet he was soft with her, even when he was in a tough place, and if his mood was especially dark, he would take time to himself until he was better.

His eyes found hers, steady. “He needs to learn some simple skills. Self-defense.”

Michelle fought the urge to snort. The idea was almost comical. “At his size, who is he going to be defending himself against? That’s our job.”

“He’s big enough to pull a trigger.” James went quiet, guessing the words would rock Michelle. And they did. He continued. “And when was the last time you practiced your shooting?”

It had been a while, she had to admit, but she stayed focused on the part that mattered most to her. “He’s just a boy.”

“He’s getting older, baby. Asking more questions. We’re going to have to tell him something about the world.”

In her heart, she knew he was right. Speaking to a child about the normal world would have been difficult. What does someone tell a six-year-old about disease, suicide, and murder? But now, with the world the way it was, it seemed an impossible task. One wrong word, or rather, one truthful one, could rip the veil of childhood from his eyes and replace it with a lens she never wanted him to see through. But perhaps it was inevitable.

That night, she looked over at Joseph, who sat at the dinner table next to a quiet James while she stirred soup on a portable gas heater. Footsteps creaked on the floorboards, and Phil entered the room.

“Was that you I heard running around earlier?” Phil directed a mock-stern look at Joseph, who only stifled a grin.

“Sorry, Dad.” James wiped at his face, clearly exhausted, but knew sleep was far from near.

“Don’t be.” Phil settled into the table. “I like the noise. Funny. Your Mom and I bought this place, well, to get away from the city. Get some peace. Three months in, we looked at each other like we were crazy.”

Michelle turned to look at James, both sharing the same thought: Thank god you did.

Later, Phil read to Joseph from Charlotte’s Web by E.B. White. Michelle listened while she cleaned, one section resonating deep within her.

“‘Fern says the animals talk to each other. Dr. Dorian, do you believe animals talk?’

‘I never heard one say anything,’ he replied. ‘But that proves nothing. It is quite possible that an animal has spoken civilly to me and that I didn’t catch the remark because I wasn’t paying attention. Children pay better attention than grown-ups.’”

Michelle looked at Joseph, and his brown eyes stared back at her.

After reading, she tucked him into bed, kissing his forehead.

“Are you going to sleep?” Joseph asked, that curious tone in his voice searching for more.

“No, we are going to be up a while.” Michelle stood, moving towards the door.

“Doing what?”

“Grown-up things. Get some sleep.” Taking one last look at the boy, who’d settled into his blankets, she closed the door.

Michelle moved downstairs, and out of the house, then into the exterior garage where she knew James and Phil would be waiting.

The garage functioned nothing like it once had. It was now the base of operations for everything they had to do to survive. Weapons lined the walls, cleaning supplies for the guns neatly stored, as well as ammunition that Phil had stockpiled.

Michelle entered the room to find James at the center table, cleaning a pistol, while Phil moved in the background, a long-range radio held to his ear. “Three gallons for how many carrots? No fucking way, Rich. Yeah, yeah, okay, now you’re talking. And some sweet potatoes.”

James stepped towards Michelle, the anticipation in his eyes making her nervous. “What’s going on?”

“There’s something you need to hear.” James motioned her over to the radio controls. Michelle watched as he dialed into a nearby keypad.

A voice sounded over the speaker. “Thank you for calling the Co-Op information channel. Please enter your designated pass-key to receive the latest local information.” James typed in their family’s designated code.

Michelle’s gaze went to a sticky note above the keypad that read, 6, 7, 8 months since last big one.

Once the passkey was accepted, the neutral voice spoke again. “Thank you Independent house, Parker family, St. Paul’s Mountain. Here is the local forecast. Radiation activity in your area is clear. There have been increased reports of criminal activity and Roamers gathering in the southern towns of Prather and Auberry.”

James scribbled on the notepad: Roamers gathering?

The voice continued its log, “Eighty percent chance of solar flare expected October thirtieth.

James’ hand found paper once more: Storm in three days?

Michelle felt her throat go tight. Three days. They were prepared to go down at any minute, but the thought of going into that cellar was difficult to accept. Solar Flare radiation was different from other forms of disastrous radiation. The cosmic rays and radiation emitted from the sun during a Solar Flare storm would be devastating while it was active, but the moment the sun settled and the ejection was over, the radiation would clear up quickly, unlike the effects of a bomb or nuclear power plant meltdown. But while the storm was hot and white, they would need to be locked downstairs for as long as it lasted.

Michelle sat in the chair, her thoughts racing, her eyes moving along the notes and taped information around the equipment.

Her eyes found a map of St. Paul’s Mountain. On the west side stood the Parker cabin. Four names were written in various other spots around the mountain, noting the other independent families, each of whom had some sort of shelter to protect against Solar Flares. Whether they were as updated as the one in Phil’s cellar, none of them knew, as this was not information freely given on the rare chance the independent survivors got to chatting.

On the far side of the mountain was a drawing of a collection of buildings with the words CO-OP, 58 members, written below. Underneath that the mountain were names of other cities and their population changes San Jose: 971,233, 459. Fresno: 545,277, 240. And so on. Michelle found it difficult, still, to comprehend such devastation.

Michelle turned to James. “Roamers are gathering? They never come up the mountain.” There was little for the Co-Op exiles to forage, and Co-Op rangers would shoot any of them on sight if they were seen. At the start of the Co-Op’s formation, they had set out rules. Many similar to the laws society previously held. Punishment for the simplest infraction was banishment from their shelters, their food supply, and, most importantly, their equipment that detected solar flares.

“Only one reason to gather in mass. They must have caught wind of the storm coming. I think they’re finally going to try.” James didn’t hold a trace of worry in his voice.

Picture of Nicholas Woods

Nicholas Woods

Nicholas Woods is a writer and filmmaker out of Westwood, California in Los Angeles. Nicholas' second feature film as a writer and director, Echoes of Violence, premiered at Cinequest Film Festival in 2020 and was released in 2021 featuring Frank Oz (Star Wars, Knives Out). Nicholas's feature film debut The Axiom was distributed through Vertical Entertainment and sold by DevilWorks, with over 1 million streams world-wide. It was accepted into the acclaimed Sitges Film Festival / BIFFAN Film Festival, and was distributed globally hitting the top-grossing horror films on iTunes for the first 3 weeks after its release In February 2019.

Them by Elliot Pearson

Crackling static merging with the sound of the rain outside and the snapping wick of the burning candle within.

A piano note…

Stops.

Scratches.

I rush over to the record player…the music cannot stop, must not stop, to keep them out…examine the needle that had slipped into the run-out groove. Covered in dust.

Pull it off the needle between thumb and forefinger. Capturing the weightless clump in skin oil. Wipe it off on my jeans. Carefully, but swiftly, put the needle back in place, and it drops.

A second piano note…

Starts.

I sigh with relief. Then listen out…

Nothing.

Nothing yet.

Creep silently to the steel door. Listening harder. Slowing my breath until I end up holding it still and silent.

Nothing behind the door.

I breathe again.

But just then—steps. Steps in the wet grass.

How many, I can’t be sure.

One.

Two.

I turn back to the record player. All looks well.

I blow out the candle.

Go back to the steel door and slide the shutter open.

I squint, gazing out.

The footsteps have stopped.

But then I see a shape through the rain. A silhouette atop the hill against a colorless night sky.

As my vision further adjusts to the light, or lack thereof, I see another.

Two.

And another.

Three.

And another.

Four.

Crackling static merging with the sound of the rain outside.

A piano note.

Stops.

I close my eyes. Feel my body envelop itself.

An awful moan—not mine—something like a dying black dog caught in a bear trap.

My eyes open.

Now their faces are before me, eyes pitch-black and lidless.

My mouth gapes and my heart leaves me.

No matter how hard you try, you cannot keep them out forever.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work has appeared in such publications as Star*Line, The Banyan Review, and The Stygian Lepus. After working as a teacher in Spain and Mexico, Elliot now lives in Las Cruces, New Mexico, and is working on his first novel.

Beach Bodies by Jim Mountfield

Grady eased his motorbike down the plunging road while the sea revealed itself below. The cleft containing the road, quarried out of the rocky shoreline, offered no shade. The sun blazed from the strip of sky overhead and doused him in heat and ultraviolet rays. But the pain in his foot tormented him more. Yesterday, riding, he’d stupidly worn flip-flops and burned his shin against the motorbike’s exhaust casing.

The road ended at a small parking lot. He secured the bike, then headed for a shack containing a bar, which was perched beside some steps descending the final yards to the beach. By now, he craved a pint of Bintang.

Inside, he clambered onto a stool at the scuffed, heavily graffitied counter. A mirror hung on the wall behind it and showed him his face in unflattering detail. It was red, wrinkled, and littered with broken capillaries. For decades that’d been his appearance—even during his thirties when he’d worked as a roughneck in the Libyan and Nigerian oilfields. The African sun, the backbreaking labor, and the booze had marked him long ago.

He ordered a Bintang.

“Holiday?” inquired the barman, curiosity piqued by Grady’s age.

“No,” he replied. “Business.” This seemed an appropriate moment to conduct business, so he removed Elizabeth’s photo from his shirt-pocket.

No joy. The barman couldn’t remember seeing her. Dutifully, he took the photo around the bar’s other customers. He was inured to the responses—bemusement, indifference, irritation, looks that silently asked: Who are you, creepy old man, and how dare you interrupt me while I’m on my smartphone? Often, because of language barriers, he got incomprehension. This was particularly true of the Russian youths, who, since their country’s invasion of Ukraine, had left home and holed up in Bali to escape being drafted. Occasionally, someone was interested enough to question him and nodded politely when he explained about his daughter who’d been missing for the last half-year.

A young Englishman was talking at an upright smartphone. He reviewed a plate of nasi goreng he’d been served as pub-grub, his voice so solemn he could have been reviewing something from the Arts de la Table Menu at London’s Ritz. Patiently, Grady waited until he finished filming, then asked him too.

Again, no joy. He returned to the counter. Trying to lift his mood, he twisted on his stool and gazed westwards, between the timber columns supporting the bar’s roof, out across the sea to the line where the water’s dark turquoise gave way to the sky’s bleached blue. His spirits didn’t revive. Damn you, girl. I know you’re here somewhere. You can’t stay hidden forever. He stared at the horizon more intently, as if Elizabeth was floating there, waiting to be discovered.

He saw something, but not Elizabeth.

It was a straggling chaos—like a gigantic spider whose body constantly pulsated, outwards, inwards. Whose many limbs constantly stretched, broke off, fell into nothing, and were replaced by more limbs sprouting at ever wilder angles. He closed his eyes, but the hideous, sprawling image remained, seared on his retinas.

Then it wasn’t there. Grady dared to open his eyes. It wasn’t anywhere.

Shakily, he drained his Bintang, left the bar, and went down the steps to the sand. A pod of surfers bobbed on the sea, waiting their turn as, one by one, they rode in on each large wave. Along the beach’s landward edge lay a row of lithe, nearly naked bodies, like surplus shop mannequins dumped in an alley behind a department store. Most had an arm bent upwards at the elbow and a hand grasping a smartphone above them.

Once he’d composed himself again, Grady worked his way along the sunbathers, showing the photo, asking. From under sunglasses, eyes squinted up at him resentfully. The girls probably thought this was a ruse whereby he could ogle them at close quarters. Also, he sensed his physical condition offended them. Yes, he mused. I’m an affront to your youthfulness. A reminder that no matter how many yoga sessions and beauty treatments you do here, you’ll still look as shit as me one day.

Then he limped southwards. The beach gradually narrowed and ceased altogether at a muddle of boulders. Beyond the boulders, he couldn’t see anything more of the shore. It curved inwards, forming a bay. But a cliff to his left, crags bearded with precariously growing trees, blocked it from view.

He listened as the waves struck the boulders and slathered them with foam. Then he saw the apparition again in the air ahead. It was too riotous now to resemble a spider. It was more like a vast splatter of ink, tendrils of it wriggling off in all directions.

What, he wondered, is happening to me?

This vision finally passed too. He’d seen many versions of it in recent days, not just in the air but superimposed on things around him. As a multicolored splodge of oil on a puddle outside a garage. Or a strangely tentacled swirl of dust approaching on a highway. Or an amorphous, squirming combination of street light and curtain-shadow on the ceiling of his hotel room. What was it? Something conjured by a physical malfunction in his brain—a tumor, a blood-clot? Or by a psychological one—madness? Or could it possibly have an external origin?

Whatever caused it, it was manifesting itself more often. And if it was an external phenomenon, perhaps he was getting closer to its source.

He headed back. Above one section of the beach, a grassy shelf extended to the base of the cliff. On this, he noticed a local man operating a film camera on a tripod, so he scrambled up to him. Grady saw on the camera’s LCD that the man was filming the surfers. Each would get footage of their exploits on the waves today that they could upload to their social-media accounts.

This local man said he hadn’t seen Elizabeth either. Then Grady asked him what lay beyond the boulders, inside the hidden bay. Was there more beach?

“No beach,” he replied, slightly too brusquely.

Grady looked back at the way he’d come. Something caught his eye, not at the level of the beach but up on the ridge of the precipice beside it.

He retrieved his motorbike and ascended the road. While the cleft’s rock walls crept by him, he felt like a bug climbing the inside of a drainpipe. At the top, he found a track that followed the cliff-edge, though it was difficult to know where that edge was exactly because a dense screen of stunted trees and thorny bushes grew along it.

Finally, he located what he’d seen from below—a trawler catamaran. Concrete pillars had been set against its hull to hold it upright. Vegetation pressed against it too, branches growing at skewed angles across it, showing it’d been there a long time. Perhaps the locals had planned once to turn this shoreline into a thriving tourist area. Perhaps an entrepreneur had parked the boat on the clifftop intending to create an eccentric shipboard restaurant, not one that floated, but one with a spectacular view. But the plan had come to naught. This stretch of coast remained an outpost visited by only the most adventurous backpackers and influencers. Abandoned, the boat had become an oddball landmark.

On his phone, Grady studied the last picture Elizabeth had posted of herself. He zoomed in on the cliff behind her. Yes, at one point, distantly, a boat was perched on top of it. He couldn’t inspect the sea-facing side of this boat because the wall of snarled undergrowth made it inaccessible. But it had to be the same craft. In the picture, the sea was on Elizabeth’s right, meaning it’d been taken on a beach south of here, not north. And south implied the hidden bay, the place where the cameraman claimed there was no beach.

Grady followed the track further. He calculated he’d drawn level with the bay when he spotted amid the tangle of trees and bushes a gap that opened onto a narrow path. He chained his bike to a tree-trunk and ventured through the vegetation. After a few yards, the path reached the edge, dropped away, and transformed into a flight of stairs. The stairs had been hewn out of the cliff-face, though sometimes stone slabs and now-rotted planks had been laid to make them firmer.

Because of their unevenness, Grady’s injured foot, and the intrusion of clawing, scratching branches—misshapen trees cloaked the cliff-face too—going down those stairs was an ordeal. And a few times, the thing tortured him again. No longer did it materialize in the sky. Now, it appeared as angry, writhing conformations of shadows cast by the sun as it poked between the trees. Terrified the sight of it would cause him to lose his footing and fall, he halted each time and waited for the manifestation to fade.

He drew on all his willpower to keep going. He couldn’t give up now, not when it was possible Elizabeth was below.

At last, wheezing, drenched in sweat, foot so sore it could have been jammed against the exhaust pipe again, Grady cleared the bottom stairs and emerged from the lowest trees. He hobbled across another shelf of grass and arrived on a band of smooth, pale sand that arced off to his left and right. For a time, he stood listening to the rumble of incoming waves and the rustle and hiss that accompanied their disintegration into breakers. He savored the feeling of solitude, of not having other people around to remark on his agedness and decrepitude.

So, this was the hidden bay. With an apparently empty beach.

He turned and started northwards. He fixed his gaze on the boat on the clifftop, hoping he’d come to a spot where his view of it exactly matched the background of Elizabeth’s picture—the spot she’d stood on six months earlier. His foot ached more than ever and walking on the shifting, sliding sand was laborious. Soon he was panting again.

Then he trod on something solid. The sand had given way to an expanse of rock. It was a huge slab about twenty yards long, though he couldn’t tell how wide it was because on one side it disappeared beneath the swarming breakers. From above, it must resemble a tumor that’d burst through the beach’s soft skin. Grady crouched. The rock looked almost metallic, its gray color imbued with a faint silveriness. He touched it. The surface wasn’t hot, despite the sun beating on it all day, but after a few moments, he detected a subtle warmth. It seemed not to come off the rock’s topmost layer, but from inside it. He felt like he was holding his hand against the casing of a tumble-dryer and feeling the heat from its drum.

Another thing. The surface wasn’t flat, but mildly lumpen and carbuncled, and was imprinted with runnels that were a few inches across and deep. He raised his head to see how far those runnels extended.

But then he forgot about the rock. Ahead, past where it ended and the sand resumed, he’d spotted a one-story building standing on the grassy shelf behind the beach. Two wooden shafts sprouted crookedly from the sand in front of it, maybe the poles of a long-disappeared volleyball net.

Grady limped towards the building. By the time he’d passed from the rock onto the sand again, he could tell it was a shell. The windows in its concrete walls lacked glass and it had no roof. Not that it was a ruin. It’d never been finished. Someone had started building it—a hotel, probably, from its size—but then, during construction, abandoned it.

He came close enough to see half-a-dozen concrete steps rise from the beach to a doorless opening in its seaward wall. He also observed figures on the sand between the entrance and the two poles. One was sitting, the others lay on their backs. The seated figure he identified as a young woman. She was meditating, legs folded under her in the lotus position. A selfie stick was planted upright in the sand before her, the smartphone on it filming her.

He asked excitedly, “Elizabeth?”

Approaching the figures, though, Grady realized the girl wasn’t his daughter. He came closer still, saw what was wrong, and thought, Thank God that’s not Elizabeth. He also experienced a rush of nausea that made him spew up the beer he’d drunk in the bar.

The girl wore a bikini. The sun had turned her bare skin hideously red and baked it so dry it was corrugated and fissured. Peeling strands of it formed a gruesome beard under her jaw. Her parched hair poked out of her scalp like stalks of straw. Momentarily, Grady thought her torso exuded extra breasts, then recognized these as huge, globular sun-blisters. She was wildly emaciated too, her face sunken and skull-like.

The figures reposing beside the girl were even worse. There was a boy with spindly limbs and a ribcage that jutted high above his wasted stomach. His skin was so sun-ravaged it’d metamorphosized into a hard, scaly crust, making him look almost reptilian. Next to him lay the mummified remains of a woman. Her flesh had dried and shrunk and taken on the color and texture of hard toffee. On her face, while the tissue contracted, her mouth had expanded into a great, gaping maw of teeth. Tendons as straight and sharp as piano wire protruded from her shriveled throat. At her side, a smartphone was half-buried in the sand between the splayed, root-like fingers of her hand.

Meanwhile, the phone on the selfie-stick wasn’t filming the girl at all. It was cracked and begrimed and surely couldn’t be functioning.

Grady wiped threads of regurgitated beer from his chin. “Fuck,” he exclaimed. “Jesus fucking Christ!” Then, assuming the girl was alive, since a corpse couldn’t maintain the pose she was in, he spluttered, “I’ll get you out of this sun.”

She didn’t respond, so he grasped her under the armpits, hoisted her, and wrestled her up the steps. They passed through the opening into a large, square space intended to serve as a hotel lobby. It was roofless and the walls cast only narrow strips of shade. He dragged the girl into one of the strips and lowered her. When she lay on the ground, he realized shreds of her skin were hanging from his fingers and suppurations from her sun-blisters had wet his shirt and shorts.

Grady needed time to get his head around this. Some kids had arrived here and set up camp and…yes, afflicted by sunstroke, or drugs, or both, they’d gone crazy. They’d burned themselves in the sun, and starved, and the beach was so isolated nobody had witnessed their craziness and summoned help. It occurred to him he should do that now. His heart sank when he took out his phone and looked at the indicator icons at the screen’s top—no signal bars, no Wi-Fi. The phone on the selfie stick outside had been incommunicado even before it stopped working.

He had another thought. Others might be here—including Elizabeth.

He left the girl in the shade and approached an opening in the lobby’s far side. Things crackled between his feet and the sandy floor and, looking down, he found himself tramping on desiccated fish-skins, eggshells, feathers, little animal-bones. Is this, he wondered, all they’ve been eating? He avoided some dried lumps he knew were pieces of excrement.

He entered a passageway with empty doorways lining its sides. The absence of a roof and doors made him feel he was in an outdoor maze, one whose sides weren’t formed by hedges or shrubbery but by concrete-block walls. These walls, closer together, created more shade and the heat felt a little less fierce. In the slightly cooler temperature, he noticed a smell—a musk of putrefaction. From nearby came a whirr of busy flies.

Grady steeled himself and entered the first of the unfinished hotel rooms. The sun fell on half of its floor and showed the same litter of food-debris and lapidified turds. Whereas in the shaded half, he made out an ominously human-shaped mound. He knelt and placed his hands against one end of it and started brushing sand away. His shaking fingers exposed the hard dome of a forehead and the sharpened ridge of a nose. For a vile moment, one of his fingertips blundered into a socket and, at its bottom, touched something round and soft. Then his fingers crossed cellophane-like skin, binding the remaining scraps of flesh against the skull. He uncovered teeth. Like the dead woman outside, the teeth took up far too much of the face.

He checked the quills of hair sticking from the edges of this death-mask and groaned with relief. The hair was blonde. So, this wasn’t Elizabeth either.

Grady heard a cough. “Fuck!” he shouted and sprang back, lost his balance, and landed on his backside. The cough sounded again, and he realized it hadn’t come from the corpse. Rather, it came from a far corner, obscured by the shade, which seemed to contain a pile of rags and dirt. The pile shifted. It extended two limbs across the ground towards him, and he suddenly understood a person was huddled in the corner. A living person who was now stirring.

Slowly, on all fours, another woman came at him. She was skeletally thin, her face burned by unrelenting exposure to the sun, strings of rancid hair trailing around her shoulders. As she crawled over the sand-covered contours of the corpse, she raised her head, and he saw the cloud of a cataract filling one of her eyes.

Her other eye goggled at him in horror. Instead of another cough, she released several hoarse screams.

Somehow, those screams were the worst experience yet for Grady. Numbed, he sat on his backside while the woman shrieked into his face. Then his numbness gave way to a desperate urge. I need to get out of here! He scrambled to his feet and lurched into the passageway, where immediately he crashed into someone else.

The figure staggered back from him. It was a man—a young one, presumably, though it was impossible to tell his age from the condition he was in. Skin was flaking off his face and pieces of it formed oversized dandruff on a matted beard hanging down his chest. Grady looked deeper into the hotel’s interior. More figures were shambling out of the doorways along the passageway, as emaciated and as disfigured by extreme sunburn as the others. Tottering towards him, summoned by the girl’s screams, they resembled ambulatory scarecrows.

Grady tried running the other way, back through the lobby, but the bearded man had fastened a claw-like hand on his arm. Also, he held forward a smartphone, the sun glinting on its shattered screen. “Fuck, man, you’re ugly.” An Australian accent was vaguely discernible in his parched voice. “So fucking old. It must be hell for you, skin all cracked and wrinkled like that.”

“Seen yourselves lately?” Grady roared, almost hysterically, and swung a punch. It caught the man’s jaw, and he dropped like a marionette whose strings had been cut. Grady’s years in the oil fields had made him handy with his fists, but this man looked so flimsy a child could have felled him.

He glanced back. The passageway was filled with them now, a shuffling, nightmarish parade of apparitions, stick-thin, rank with filth, faces blackened and blistered. The nearest ones were almost within arm’s reach of him. He ran through the lobby and careened down the steps outside. There, he saw the boy with the crusted skin had revived and was crawling blindly on his hands and knees, more reptilian, more lizard-like than ever. Then Grady raced back along the beach, oblivious to the pain flaring in his foot each time it struck the sand.

As he dashed onto the expanse of rock, a major wave crashed over its edge and sent breakers fizzing across it. Something made him stop running. He stood watching the water’s progress. It poured into the rock’s runnels, filled them, coursed through them. Only now did he see how the runnels covered the entire rock in a giant, labyrinthine pattern, simultaneously intricate and chaotic. While the white foam followed the countless straggling grooves, it took on familiar forms. He knelt, mesmerized by the ever-changing configurations of the sea-foam as it drizzled through the rock. Configurations he’d likened earlier to spiders, ink blots, oil spillages, dust swirls, dancing shadows.

He stayed there a long time. Several times more, a large wave doused the rock in water, filled its runnels, created the patterns that’d haunted him during the past weeks.

He became convinced he could commune with it.

Gradually, he was enlightened. He understood how an entity resided within this rock. For eons it’d been buried, until some natural cataclysm, a tsunami perhaps, had uncovered it. He also understood how it’d lured the youngsters here and how it existed with them parasitically, draining of them of their life-energy whilst feeding them comforting delusions that they remained young and beautiful, that they were still uploading photos and videos to eager social-media audiences on their smartphones, which in reality had ceased working long ago.

One, two, then several shadows fell across him and a familiar, Australian-accented voice croaked, “That skin of yours, man. So wrinkled, so fucking ugly!”

A crowd had followed him from the hotel, clambered onto the rock, and formed a circle around him. Among them was the youth he’d punched, his beard now splattered with blood as well as befouled with flakes of skin. He extended his broken phone, believing he was filming.

Grady couldn’t move or speak. The force in the rock had made him its captive. Another big wave hit and again, in the surrounding rock, foaming water created the tumultuous shape that’d obsessed him.

The one-eyed woman who screamed at him was present, too. “Don’t worry,” she rasped. “We’ll help you. We’ll free you of it.”

But why had it brought him here? Was it because it needed something to keep its livestock content for a while? Was he meant to be a distraction, an entertainment for them? An object they could vent their bloodlust on because, while draining these young people, the entity had also made them insane?

He knew he should get up and flee, but the entity kept him paralyzed. He continued to kneel while the noose of ravaged bodies tightened around him. As they closed in, they lunged down at him, scratching, clawing, gouging.

One pair of hands sank long, sharp fingernails into the sides of his face. Before pain fogged his vision, he peered up at the person the fingers belonged to and recognized her gaunt, scorched features.

Grady cried, “Elizabeth!”

***

He regained consciousness and found himself spreadeagled on the beach, his wrists and ankles bound to pegs that were driven deep into the sand. He was beside one of the poles and from its top something fluttered in the sea-breeze. Watching it, he admired its ragged tentacles as they wove this way and that. They made riotous shapes that, to him, were somehow familiar and reassuring.

But then he became conscious of an excruciating, burning sensation across his naked body while the sun blazed on it. Realizing the thing fluttering above was a substantial area of his skin, removed with non-surgical haste and eagerness, Grady screamed.

Picture of Jim Mountfield

Jim Mountfield

Jim Mountfield was born in Northern Ireland, grew up there and in Scotland, and has since lived and worked in Europe, Africa and Asia. He currently lives in Singapore. His fiction has appeared in Aphelion, Blood Moon Rising, Death Head's Grin, Flashes in the Dark, Hellfire Crossroads, Horla, Horrified Magazine, The Horror Zine, The Hungur Chronicles, Schlock! Webzine, Shotgun Honey, The Sirens Call, Witch House, and previously in The Stygian Lepus, as well as in a dozen anthologies

Call of the Forest by Fariel Shafee

cerulean loss and

snow-lined streaks of

hope were

painted in that voice.

.

you called me, wounded, happy and

tired from the cove of shadows and

ancient trees, and I ran, right into

that darkness filled with ghosts.

.

you whispered,

first softly and then

you moaned, sang the

tune of desperation.

.

did the wise owl fly away,

did the prowling beasts

just watch, frozen in

the shrubs?

.

the fool I was, thinking

how I mattered, how the

world had stopped for me

as I darted through the

knee-high grass and the

persistent weeds!

.

you whistled and the

rustling leaves shuffled, and then ibises

flew to infinity.

.

for how long did I chase

shadows I thought were

you? they were laughing at me,

the jungle ghouls, weren’t they; as I

raced

endlessly, until I withered, until I

lay upon the sacred tree that

watched silently

as the hissing vines

wrapped around my body,

sucked up all my blood,

sang to me the

sweetest

hymns of peace.

Picture of Fariel Shafee

Fariel Shafee

Fariel Shafee studied physics. However, she loves to wander in dark speculative worlds as well. She has published writing in 34 Orchard, Sirens Call and various Black Hare Press anthologies among others. She is also an award-winning artist.

Crystal Comes Home by Lee Clark Zumpe

Crystal scrambles down the side of Snake Den Ridge, playfully skipping through a mountain laurel tunnel. The harvest moon splashes the sky with swirls of orange and purple twilight, and composes a symphony of weird and wonderful shadows, which flutter throughout the forest. The little girl stops at a small outcropping of bald rock the locals call Grim Knob. She admires the spectacular view. Her gaze darts across the valley below. The dim streetlamps from the tiny village of Emmett’s Cove twinkle in the distance, and an icy breeze whistles through the Eastern hemlocks at her back.

Carefully, she gets down on her hands and knees and crawls over to the edge. She peers over the craggy ledge hesitantly, gazing down the side of the steep cliff. She lays flat on her stomach, rests her chin upon her folded arms. It is a long way down to the boulder-strewn banks of Cold Spring Branch. She can barely hear the distant voice of the talkative creek drifting up into the chilly night.

In a minute, she is racing down the trail again, smiling.

Crystal immediately recognizes the vestiges of old Otis Greely’s pioneer cabin with its three courses of saddle-notched chestnut logs. She traces the stone wall that encircled the farmstead, now overgrown with thick vegetation and inhabited by graceful shadows. She has roosted upon that wall dozens of times, her little legs dangling, while admiring the patches of Dutchman’s pipe and bellwort skirting the trail. Many afternoons she has spent simply watching Yellow-bellied sap-suckers flirting with a nearby tuliptree.

Very few things about this place frighten her anymore. Over the years, she has fostered a deep intimacy with the quiet forest.

Continuing down the side of the ridge, the night grows colder. Stars shiver above the treetops as arctic winds rove across the Appalachian highlands. Too early for snow, but the promise of a cold winter is more than a whisper on the icy breath of October. As Crystal draws closer to Emmett’s Cove, she notices the familiar scent of pine-smoke. The thought of huddling beneath a blanket in front of a stone fireplace conjures up a comforting sensation of warmth in her soul.

The forest grows darker around Dwain Bryson’s place, where sinister pools of uncanny gloom rally to blot out the moonglow.

Crystal approaches the cottage discreetly, focusing on the splinters of sterile fluorescent light seeping through a crack in the drapery. The air here is still and stale, the ground beneath her bare feet sodden and cold. Shielded by an ancient stretch of hardwoods untouched by the logging industry, tucked neatly between two sheer bluffs in an eerie grotto, the secluded plot engenders a sense of unnatural dread in its few visitors. Regional folklore claims the native Americans avoided the place in centuries past, fearful of malignant spirits rumored to haunt it.

Dwain Bryson always shrugged off such superstitious nonsense.

She peeks through the crack in the drapery, studying the small kitchen. A mountain of cookware and plates sits upon the countertop, leaning precariously over the washbasin. Flies hover over a wastebasket overflowing with scraps of raw meat. Crimson droplets speckle the floor.

A stewpot bubbles incessantly on the woodburning stove.

It is just as she remembers it.

Crystal slips inside the cottage unnoticed, creeping through the pools of darkness betrayed by lantern light. Carefully, she creeps from room to room, anxiously trying to find the owner of the place.

The stench billowing from the kitchen makes her gag and choke.

She finds Dwain in the Secret Chamber below the cottage. She glides down the steps stealthily, desperately trying not to disturb him until the time is right. He works frantically, his back to the wooden staircase, his bulky arms in constant motion. Dwain has put on weight. Too much stew.

A steady stream of blood dribbles off the side of the cutting table and onto the floor. Crystal notices the crimson-tinged mop propped against the stone wall in the corner, the carton of discarded bones draped by cobwebs.

She sees the little bleached skulls of twenty children lined up methodically along a shelf on the far side of the room.

“Hello daddy,” Crystal says.

Dwain whirls about, bloodied butcher knife still firm in his hand.

“I’ve come home,” she says.

For an instant, a spark of recognition glimmers in the man’s eyes at the sound of her voice. He squints, trying to identify the little girl cowering in the darkness, but shadows zealously cloak her face. His eyebrows twitch and his brow wrinkles. His lips part as if he might speak, but the words elude him.

“Don’t be afraid, daddy,” Crystal says, an innocent smile blossoming on her face. “I know you won’t hurt me. You promised.”

Dwain Bryson grunts and slowly raises the knife into the dead air of the Secret Chamber. His left hand stretches out menacingly across the darkness, fingers writhing like baby copperheads. The dim glow of recollection quickly gives way to a rush of rage and bloodlust.

Crystal bolts back up the steps screaming, and Dwain takes off after her.

Outside, clouds have eclipsed the harvest moon temporarily and the malevolent murk enveloping Dwain Bryson’s cottage spread gravely through the forest. As Crystal clambers back along the trail, she can hear his heavy breath close behind; his ponderous footfalls sound like angry summer thunder rolling through the mountains. She bounds over rotting logs, fords a slender creek on moss-covered stones. Retracing her steps, she climbs up the steep ridge.

Dwain coughs and sputters a curse under his breath.

She dashes by the stone wall of Otis Greely’s place as the moon casts aside the wispy veil of clouds. Moonglow bathes the forest, and Dwain hesitates, his heart pounding in his chest. He staggers alongside a tuliptree, hands gripping his knees. His butcher knife falls to the forest floor. His health is poor, but he knows he must not allow this girl to slip through his fingers. Only one child escaped him in all his years, and she did not run very far.

Crystal catches her breath as she ascends through a rosebay rhododendron tunnel. Dwain trails her, lingering in some shady tangle farther down the slope. She misses playing hide-and-seek with her brothers and sisters in the Appalachian backwoods; misses hearing her mother’s stories told beside the campfire. She misses wandering through the woods collecting wildflowers to place on her grandmother’s grave.

Dwain bursts out of the darkness and lunges at her, and Crystal yelps. She dodges him narrowly and sprints off down the trail.

“I’ll catch you yet, girl!” Dwain barks, shambling after her as quickly as his legs will carry him.

Finally, Dwain emerges from a snarl of mountain laurel and looks down upon the little girl. Crystal backs reluctantly toward the edge of Grim Knob, eyes fixed firmly to the ground. The wind tosses her blond hair delicately.

“Thought you could get away from me, did you?” Dwain growls. “Ain’t no one can hide from me in these woods. They’re my woods.”

“But daddy,” Crystal whimpers.

“Don’t call me that, girl! I ain’t got no children, not no more.”

“Don’t you recognize me, daddy?” Crystal lifts her head, and the moon paints it full of life and innocence. “It’s me, Crystal.”

Dwain sees the face of his daughter and he shudders. He shambles forward waveringly, staring at the little girl. He wants to run his fingers through her hair, hold her tiny hand, kiss her forehead. He wants to tell her he is sorry for what happened ten years ago.

But he cannot do any of those things, because she knows.

She knows what he did to her mother during the harsh winter a decade ago. Knows how much he had savored the taste, how he had grown addicted to it. She knows what became of her brothers and sisters over the years, what atrocities he had committed to feed his obsession.

Dwain charges Crystal, his eyes pulsing orbs of scarlet rage; his arms outstretched and fingers clasping as they had been ten years ago. Crystal stands patiently as he approaches, shivers as his feet slip on the cold rock. He sails straight through her and plunges over the ledge.

Crystal sheds a tear and glances up toward the star-speckled sky. As the echo of Dwain’s dying cries fade in the distance, she, too, fades and joins the weird and wonderful shadows set aflutter throughout the forest by the harvest moon.

Picture of Lee Clark Zumpe

Lee Clark Zumpe

Lee Clark Zumpe, an entertainment editor with Tampa Bay Newspapers, earned his degree in English at the University of South Florida. He began writing poetry and fiction in the early 1990s. His work has appeared in a variety of literary journals and genre magazines over the last two decades. Recent publication credits include Space & Time, Lovecraftiana, Illumen, and The Literary Hatchet. Lee lives on the west coast of Florida with his wife and daughter, and one high-maintenance cat.

Kiss of Death by Avery Hunter

The moon spilled its silvery light into the room, catching on the rich burgundy of velvet curtains that billowed gently in the midnight breeze. The four-poster bed loomed like a dark altar, its voile drapes rippling softly. Within it, a man lay sprawled in serene stillness, his bare chest exposed, the shadows accentuating the sharp planes of his face, the curve of his lips just shy of a smirk. Moonlight kissed his tousled hair, a picture of effortless, intoxicating beauty.

She slipped through the shadows, her bare feet soundless against the polished wood floor. The vampire moved like a wraith, every step a whisper of lust and hunger. Her hips swayed as though she were already caught in the rhythm of his eventual surrender. Her hands skimmed her own body, barely containing the heat pulsing beneath her pale flesh. Her tongue flicked over her lips, tasting the anticipation that hung heavy in the air. She hadn’t fed in days, and the man before her—perfectly still yet visibly aroused—drew her like a moth to flame.

His body beckoned, a flawless invitation, serene in its intoxicating stillness.

She slid onto the bed. Her knees pressed into the plush mattress as she straddled him, her thighs brushing against his cool skin. Her palms traced the hard lines of his chest, nails raking the taut muscles beneath his skin. Her lips parted, a soft sigh escaping.

Lowering herself onto him, she moaned softly, letting her body meld with his, indulging her own dark hunger as she rode the ebb and flow of primal need. The friction sparked waves of pleasure, and her fangs itched. Her craving intensified as she leaned down, lips brushing his throat. The vein called to her, pale and perfect under his skin, and she sank her fangs in, the familiar puncture of flesh sending a jolt of ecstasy through her.

She drank deeply, expecting the rush of life. Warmth. Something to flood her veins and sate her aching need.

Her eyes snapped open, and panic seized her as her hands dug into the rigid flesh of his unmoving shoulders. The blood was wrong—stagnant, cold, as if she’d siphoned it from a long-dead corpse. She reeled back, her lips smeared crimson, staring down at him.

The truth struck her like a blade to the chest. Rigor mortis. Angel lust.

She’d tasted death.

Her scream shattered the room as her body convulsed, the vile blood consuming her from within. The corruption was swift, merciless. Her skin blackened and cracked, flakes of her once-beautiful form crumbling away as she clawed at herself in agony. She disintegrated in a cascade of ash, her cries fading into nothingness as her remains scattered across the bed, a silver glow washing over the undisturbed corpse beneath her.

The breeze stilled. The drapes hung limp. Silence reigned.

And the man, ever still, lay in the moonlight as he had before: rigid, serene, perfect, the faintest smirk lingering on his lifeless lips.

Picture of Avery Hunter

Avery Hunter

Avery Hunter invented writing, the quokka (but not its propensity for sacrificing its young to predators), and mudguards for bicycles (after an unfortunate incident one muddy Monday morning). Now they teach tarantulas how to make a perfect mimosa.

Ω Editor Kara Hawkers

Kara Hawkers

Kara Hawkers is a poet and author of short, dark fiction.

As Editor-in-Chief, Kara devotes most of her time to operating The Ravens Quoth Press, along with her partner.

If left unsupervised, you’ll find her dabbling in other arts.

Just three ravens in a trench coat.

Ω Editorial Associate Janet Wright

Janet Wright

Janet Wright lives in the wilds of North Yorkshire, UK, where foxes shriek and owls hoot at the bottom of her garden.

An avid reader since childhood, she loves nothing better than to curl up on the sofa and lose herself within the tactile pages of a physical book. She’s open to any genre, though her favorites are historical crime, time travel, and Gothic horror.

She writes short stories and micro fiction under the pseudonym Rosetta Yorke.