Prerecorded Message by Steven Holding

Monday morning. Breakfast time.

He smothers a piece of slightly burnt toast with butter, pops it into his mouth to free up his hands, then pours hot water from the kettle into his coffee cup. He opens the fridge and takes out a carton of milk. He sniffs it, winces at the smell, then sighs. With the milk in one hand, the half-eaten toast in the other, he walks over to the sink. It’s full of dishes from the night before—and the night before that—plates caked with dried-out Bolognese sauce and half-eaten pasta. He sighs again, louder this time, then places the milk carton on the already crowded draining board.

The kitchen radio is tuned to a local station. As he stands at the sink, chewing and swallowing the last of his toast, he listens to the talk show.

“It was then that I knew it was time to let go and move on.”

The female caller’s voice sounds distorted, as if she’s calling in from the bottom of the ocean.

“You know, life’s just too short to hang on. You know what I mean?”

He picks up his black coffee and takes a sip. He frowns. No sugar. The DJ continues the conversation.

“I know exactly where you’re coming from, Lucy, as I think many of our listeners do, so thanks for calling in and sharing your story with us.”

He puts down the coffee and opens the sugar bowl. It’s empty. The DJ doesn’t stop talking.

“Because it’s good to talk, isn’t it, Lucy? And, as all you guys out there know, it’s good to listen! So, what song can we play for you, Lucy?”

He drains the last of the coffee and rubs his eyes.

“I would love it if ya played…”

Before the song can kick in, he sighs loudly and switches off the radio. He looks up at the clock that hangs on the kitchen wall. Time to make tracks. He grabs his jacket and slips it on as he walks through to the living room. Pausing, he checks his reflection in the mirror above the fireplace. He frowns at himself as he licks his palms then flattens his hair with his hands. Shaking his head slowly, he tries his best to straighten his tie. Despite several attempts, it remains crooked.

The telephone rings.

He looks over at the telephone and rubs his chin. It continues to ring. Shrugging his shoulders, he walks over to the table that is in the corner of the living room. He bends down, picks up the receiver and places it against his ear. There is a second of static, a momentary crackling, before a man’s voice speaks.

“This is a pre-recorded message. Are you having problems with money? Are you having difficulty managing all your existing debts? Then why not allow New Life to help you with your finances? We specialize in taking care of all your monetary problems by condensing all your current debts into one, easily-controlled—”

He hangs up the phone. His hand remains fixed upon the telephone receiver. He picks it up again and returns it to his ear. The man’s voice continues.

“—make life easy for you and your family! Our trouble-free package allows you to be free of the stress and worry of—”

He returns the receiver to its cradle. He coughs, clears his throat, picks up his briefcase, and walks to the front door. He pauses, turns around and looks at the room. Shaking his head, he opens the door and steps outside into the morning sunshine.

***

Tuesday morning. Breakfast time.

As he rummages amongst the debris that litters the kitchen worktop, vainly searching for a clean mug, he turns his head and sniffs the air. The aroma of burnt toast floods his nostrils. He spins around and fumbles with the toaster, failing to eject the flaming bread from the machine. As it billows smoke at him, he swears loudly and unplugs it from the main socket in the kitchen wall. After a few seconds, the cloud of smoke begins to disperse. The smell of charcoal remains, hanging heavily in the air. He frowns, then walks back over to the kitchen sink. He picks up a pint glass, half full of flat lager, tips the contents down the waste disposal, then rinses it out under the cold-water tap. He returns to the kettle, fills the pint glass with hot water, then stirs in what remains of the coffee granules.

He takes a sip from the glass, reaches over to the radio that sits on top of the fridge and switches it on. The DJ’s voice fills the kitchen.

“…enjoyed that golden oldie blast from the past! Now, over to line two where we should have our next caller waiting.”

He switches the pint glass to his right hand and uses his left to open the fridge. He peers inside, hunting for food. He sees a half-eaten chocolate bar nestled behind a plate of moldy lasagna. He reaches inside the fridge, grabs it, pulls it out and takes a bite.

“Hi. What’s your name, where ya from, and what’s your story?”

The radio suddenly lets out a burst of high-pitched static. He puts down the pint glass, continues chewing the chocolate in his mouth, reaches over to the radio’s aerial, and moves it slowly; backwards then forwards. The static dies out, replaced by a man’s voice.

“…lonely. I guess I just get lonely sometimes.”

He stares at the radio. The voice sounds familiar. He has heard it before. He knows it. The DJ interrupts.

“Sure, sure, we all feel that way sometimes, but we’re not alone, right listeners? We’re all together right now, tuned into the same wavelength, sharing our stories, sharing our favorite songs.”

The caller continues, cutting off the DJ in mid-flow.

“I just—I just need someone; I just need someone to listen to me…”

That voice. He knows that voice. He bends down next to the radio and puts his ear close to the speaker.

“I need someone to tell me what to do. Please, please, God, help me…”

He scratches his head. He recognizes the voice, is confident that he knows who the caller is. He leans closer to the speaker. He is not sure, but it sounds like the caller is beginning to cry.

“Help…”

The voice is suddenly cut off by the opening riff of the Beatles classic song. The caller’s voice is lost, disappearing into the mix, as the DJ rattles out a meaningless introduction.

“If you require some assistance, nothing can beat the Beatles! Right on!”

He swallows the last of the chocolate and switches off the radio. The telephone in the living room begins to ring. He quickly drains the last of his coffee from the pint glass, puts it down on the kitchen worktop, and walks through to the other room. The telephone continues to ring. He picks up the receiver and listens. For a few seconds, there is no sound at all. He rubs his eyes with one hand. He begins to put down the receiver when the telephone line crackles into life. A man’s voice.

“This is a pre-recorded message. Are you having problems? Are you having difficulties? Then why not allow New Life to help you? We specialize in taking care of all your problems—”

Slowly, he places his hand across his mouth. He rubs his face, massaging the three-day-old stubble upon his chin. The voice on the other end of the line pauses. There is nothing but the hiss of dead air. He waits. Still there is nothing but silence. He slowly inhales, filling his lungs to their full capacity. He closes his mouth, holding the oxygen in. He must be sure.

Make life easy for you. Be free of the stress and the worry.”

The voice pauses again. One second. Two seconds. Three seconds.

“New Life.”

He opens his mouth and slowly exhales. He waits for the voice to continue. There is nothing but the whirr and click of the telephone line as it goes dead. He stands motionless, the phone against his ear. Slowly, he replaces the receiver back into the cradle of the telephone. He walks over to the mirror above the fireplace and stares at his reflection. As he looks into his own bloodshot, tired eyes, one thought runs through his head.

They are the same.

He rubs his face again, turning his head sharply to the left. The movement causes an audible crack in his neck and shoulders. He turns his head back and looks at his own face. Again, the same thought.

They are the same. The voice on the radio. The voice on the telephone. They are the same.

They are the same voice.

With this realization in his head, he picks up his things. He opens the front door and steps out into the sunshine. As he closes the door behind him, he does not look back.

***

Wednesday morning. Breakfast time.

He sits upon a beach, his legs pulled tightly to his chest, his arms wrapped around them. The beach is made up of hard flints and pebbles and feels uncomfortable to sit upon. He shifts from side to side, trying to find a better spot to sit, but it is no good. His ass still aches. He looks up at the ocean before him, concentrating on the repetitive sound of the waves as they crash up against the shore then slowly slide back out, dragging hundreds and thousands of stones with them. The sight and sound are hypnotic, filling him with a sense of calm and wonder.

He feels at peace with the world. He even begins to forget how sore his behind is.

The sky begins to darken. The waves become fiercer, crashing violently against the shoreline. He pulls his legs closer to his chest. He hears a voice. He recognizes the voice.

“Help me! Please, help me!”

He stands up and looks out to sea. In the water, twenty or thirty yards from the shore, a man is struggling to stay afloat. He is tossed around by the current, disappearing from view under the water, then breaking the surface, arms flailing wildly. The man begins to scream.

“God, help me! Help!”

He looks around him. The beach is empty. He turns back to see the man going under again. He pauses for a second then runs down the shore, his feet slipping on the gravel beneath them. He reaches the water and wades in, the coldness sending shivers through his body. He keeps his eyes fixed firmly on the man as the water reaches his waist. The man continues to shout.

“Help!”

He stumbles and suddenly he is submerged, his mouth filling with salt water, the waves pulling him down. His body thrashes, fighting to find the surface. His eyes sting as he struggles to pull himself upwards. Still, he can hear the voice.

“Help me!”

“Help me!”

“Help me!”

“Help me by playing this song—”

He rolls over in bed as the clock radio clicks into life. He coughs then sits up, running his hands through his hair, his forehead damp with perspiration. He looks over at the clock radio. He is late. He swings his legs over the edge of the bed and reaches out to switch off the clock radio. He pauses and listens as the DJ speaks.

“And what song can we play for you today? Lay the name on me, and we’ll lay that track down!”

The voice. The voice from his dream. The voice on the telephone. The voice from yesterday’s radio. The voice speaks.

“Stop me if you think you’ve heard this one before.”

The DJ laughs.

“Not a problem, not a problem. The Smiths, coming at ya!”

The chiming guitar of Johnny Marr begins to float from the clock radio speaker. He remains seated on the edge of the bed, eyes closed, the song filling the silence in the room. He puts a hand up to his face and realizes he is crying. He wipes the tears away upon the back of his hand, sniffing a line of snot back up his nostril. He reaches across to the clock radio, grabs it in his hand and yanks it, pulling the plug from the wall socket. He turns and flings it at the bedroom wall. It hits the cracked, yellowing plaster and breaks into pieces.

He jumps up and dresses quickly, pulling on his shirt and trousers. Fumbling with his tie, he stumbles into the living room.

The telephone begins to ring.

He stares at the telephone, unsure of what to do. The telephone continues to ring. He looks around the living room, noticing for the first time how dirty it is. Nearly all the furniture is coated with dust. Cobwebs hang down from the far corners of the ceiling. He shakes his head, tripping over his own feet as he heads for the table in the corner of the room. He reaches out towards the telephone.

The telephone stops ringing.

The silence startles him. He lets out a gasp of air. He pauses, his gaze fixed firmly on the telephone. He stands motionless, arm outstretched, a frozen statue. He begins to count down from thirty in his head.

Thirty. Twenty-nine. Twenty-eight. Twenty-seven.

He begins to shake. His hand trembles ever so slightly.

Fourteen. Thirteen. Twelve. Eleven.

He begins to sweat, one tiny droplet of moisture creeping down from his forehead then along the bridge of his nose.

Seven. Six. Five. Four.

The bead of sweat drops from his nose, plummeting downwards until it splashes upon the top of his left shoe.

Three. Two. One.

Nothing happens. He slowly allows the tension in his muscles to relax.

The telephone rings and his heart skips a beat.

He darts out a hand, grabs at the receiver and knocks it to the floor. He squats down and picks it up, putting it to his ear. He listens, unaware that he is biting his bottom lip.

He hears the voice.

“This is a pre-recorded message. Are you the problem? Are you the difficulty? Allow New Life to help you?”

He begins to rock backwards and forwards. He chews his lip so hard that it begins to bleed.

“Make life easy? For you? Stress? Worry? New Life?”

The voice. That voice. The voice. That voice.

“New Life.”

He reaches up and grabs at his hair. He tugs hard, pulling the roots from his scalp.

“Kill yourself.”

The line goes dead. He holds the receiver in front of him. He stares at it. Eventually, he releases his grip, the receiver tumbling to the carpet for a second time. He runs to the front door, flings it open and sprints outside, slamming it shut behind him.

***

Thursday morning. Breakfast time.

He sits in the living room. He is hungry, but he does not eat. The radio is switched off. He slowly fiddles with his hair, wrapping one lock of it around his finger. He repeats this action again and again.

The telephone rings.

He stares at the telephone. He does not answer it. Eventually, the ringing stops.

He stands up and looks at his reflection in the living room mirror. He stretches out a hand and touches his own image. He pulls his palm away and looks at the handprint left upon the glass surface, imposed over his own face.

He turns, walks over to the front door, opens it and steps outside.

***

Friday Morning. Breakfast time.

He unplugs the radio in the kitchen and carries it through to the living room. He sits down on the couch, oblivious to the pile of rubbish that he crushes beneath him. The coffee table in front of him is piled high with junk, unread newspapers, filthy cardboard fast-food containers, empty crumpled aluminum beer cans, unopened letters. He reaches out and sweeps it all onto the floor with his open hand. He places the radio onto the now clear surface and stares at it. He scratches his head, reaches out towards the radio, pulls his hand back, scratches his head again, stretches out his arm a second time.

He looks at his hand. It is shaking so badly that he grabs it with his other hand and pulls them both tightly up against his chest. He looks around the living room. He stares at the telephone, silently sitting in the corner of the room. He closes his eyes and slowly hangs his head forward. He remains in this position for some time.

As tears begin to trickle down his face, he lifts his head, breathes deeply and takes hold of the radio. He switches it on and sinks back down on the sofa.

The room is filled with music. He smiles, wiping the tears off his cheeks. He recognizes the tune. It is a song he knows well. A song he thinks he has heard a thousand times before.

The song ends abruptly. Silence fills the room. He hears the voice, whispering softly from the radio speakers.

“Help me. Please, help me. Please, help me.”

He reaches across to the radio and fiddles with the tuning dial. Static crackles as the voice fades in and then out. Each station he tries is the same. The voice.

“Help me. Please, help me. Please, help me.”

The voice. Only the voice. Nothing but the voice.

He shakes his head and switches off the radio.

The telephone rings.

He stands up, walks over to the telephone and picks up the receiver. He puts it to his ear.

The voice. The same voice. The same voice.

“New Life. Kill yourself. New Life. Kill yourself.”

He screams as he throws the telephone to the floor. He stumbles backwards, his hand across his mouth, trying to stifle his own cry. He stares around at his surroundings, seeing the filth, observing the squalor. He glimpses his reflection in the mirror on the wall. He lashes out with his fist, his knuckles cracking the surface, splitting his image into two.

He runs to the front door. He flings it open, squinting as bright sunlight floods in.

He steps outside. The sun feels warm upon his face.

The street is empty. He looks around at row upon row of identical-looking houses. He begins to sprint along the street. As he runs, he looks from side to side, wildly searching for signs of life.

Somebody.

Anybody.

He sees nobody. Nothing at all.

Gasping for breath, he falls to his knees. He throws his head back, arms stretched upwards, pointing to the sky.

He sucks in air, filling his lungs.

And shouts at the top of his voice.

***

Monday morning.

Breakfast time.

Picture of Steven Holding

Steven Holding

Steven Holding works, writes, and worries somewhere in the United Kingdom. You can follow his work on his website.

Serpent in the Garden by Linda Sparks

I slither through the darkness, plying the ancient sinuous dance of the Old Ones. A moonbeam pierces my glistening scales, sparkling like rare diamonds. The whisper of my passing is ethereal, and one might easily imagine its soft sound.

Will the listener cast off the fear and ignore the hackles rising at the neck’s nape and the rush of increased respirations? Will they assert that sound was but a fleeting figment of the imagination or a primal, ancient warning that is no longer necessary in this world of modern weapons and superiority?

I exude power and dominance, and my body is well-fed and incredibly strong, yet some might comment upon my exotic beauty. Others may shiver, shake, and scream as they befoul themselves in their rush to escape. They remember the enemy of old even if their mind does not attest to it.

Do you fear the fang that bruises your flesh? And that intoxicating rush of the gift of my nectar which rapidly infuses within you?

Is it not time that you stopped to take a breath and assess your true vulnerability?

I crawl upon the earth on my belly, and you imagine I was cursed long ago in a garden. It seems you understand absolutely nothing.

I believe that fleeing dark hare has a far greater comprehension of how this universe works. Does he not guard the River Styx, awaiting the dead to arrive and pay his fee? Yet he has not forgotten my immense power.

We have agreed to temporarily share this world. I understand he is crafty and deals with the dead continuously and his skillset is quite remarkable. He is met with the doe-eyed newly dead who blubber and weep and ultimately even attempt to negotiate their passage, although they have not yet given up on the possibility that they could return to the living. Some hold fast to the idea they are dreaming or perhaps this is a nightmare from which they will awaken in a cold sweat but absolutely alive.

The hare and I have often spoken of this and laughed.

Are you displeased or even shocked that we have the audacity to find humor in the recklessness of the newly departed?

Together, we have agreed it is remarkable that these trivial humans have survived as a species for as long as they have. We’ve placed bets on exactly when they will nuke themselves, as we both believe it is just a matter of time. We are patient. We can wait.

I have considered the possibility that mankind has been given assistance from the Entity. I’ve not yet confirmed that as I am not eager to start a universal conflagration and, thus, I bide my time and continue to assess.

Ah. Then where would that leave the dark hares and the serpents of this world, you ask? I make note of your trembling voice as well as your defiance. Will you shout about the unfairness of things?

The Black Hare is observing my sinister amusement with a spark of pleasure. Our work is quite serious and controlled and thus, we treasure these moments of clarity and shared pleasure.

For his persona and physicality, he is somewhat different than me. He stands upright, and he is fleet-footed, far more astute than that foolish white rabbit in that strange story with an imprudent girl named Alice. (In truth, I preferred the tale of the Carpenter and the Walrus and the naked hunger which was revealed).

Tonight, I am on the hunt. The moon has risen, and her silvery bands of light radiate throughout the forest and the fallen pine needles brush against my body as I swiftly pass through.

I am perfection.

There are moments when I choose to reveal myself and that is when the screaming begins. It is a beautiful symphony of music to my sensorium. I have the greatest desire to twist and weave to the cadence of their howls. But there is often no time to enjoy the ultimate delivery of my toxins. If my prey is not alone, others will rush and try to brutally slaughter me when I was just performing my natural duties. In such situations, I do lose respect for the prey. If you permit yourself to be fanged by a poisonous serpent, then you most certainly are not worthy to continue inhabiting this planet. Others far wiser will succeed and ascend.

Which brings me to another point for consideration. In that ancient tale, the humans were kicked out of the garden due to their errors. Being far cleverer than any human, it is true that I did offer the forbidden fruit. It took very little of my silky soft whisper to persuade the female because she was angry at her mate and wanted to prove that she could make decisions independently. She’d already heard the tale of the earlier female, Lilith, who had suffered from the male’s attempts at dominance, and she had chosen to leave the Garden. They can spin it however they wish, but I know the truth of the matter because I was there.

My ultimate reward was when she persuaded him to take a taste as well. The brute grabbed the fruit from her and devoured its lushness and cast about, looking for more. His greed was marvelous to observe.

There are words for that, but I have decided not to speak ill of the dead. After all, my guy, who acts as the Ferryman at the River Styx, is quite amenable today and we have agreed to work in unison. The river floods with the dead whenever there is war or famine and currently, the volume of the traffic in the dead is increasing. We have decided to work together to get them sorted and transported.

An owl is hooting above, defying us to attempt to silence him and taunting me because he is out of range of my capable fangs. That same owl has scars upon his body because he made a grievous error when he thought to swoop down upon our Dark Hare and make him prey. He paid dearly for that mistake in judgement, and it took him several months to heal. We had watched comfortably, actually placing bets as to whether or not he would starve to death before he healed enough to hunt.

And now we hear the howls and cries of the dead as their bloodied and mutilated bodies arrive at the river. Many of them mistakenly believed they would never die and they did not have the coins for the Ferryman in order to pay for their passage.

Ah, those foolish ones.

I am reminded of my early days in the garden and how easily I was able to use my silver-tongue and persuade the female to take a taste. It was a source of great joy to me, and I fully expected a reward. Had I not proven the fallibility of these weak humans?

Yet, I, too, was cast out of the garden.

Let me assure you, eons may have passed, but I do not forget when I have been wronged.

One day, I shall rise from my belly and claim this planet as my own, and those frail creatures who have been coddled by the Entity shall know my name. They shall bow down before me.

I shall dance the serpent’s dance and speak in the ancient tongues and all shall know me.

Picture of Linda Sparks

Linda Sparks

Linda Sparks is a poet and author of horror poetry, stories and books. She has been published by Ravens Quoth Press, Clarendon House Publishing, Lothlorien Poetry Journal, Spillwords, Kaidankai and many others. She also served as editor for Valkyrie Magazine.

The Arrival of an Unwelcome Outsider by Lee Clark Zumpe

praise be given, bountifully,

to the magnanimousness

of our most generous host,

 

the sagacious prince,

whose indomitable spirit

shows such resolute courage

 

in the face of such calamity–

providing a singular sanctuary

for the prosperous and prominent,

 

protecting his most affluent allies

from the ravenous, tenacious scourge

which continues its ravages

 

outside the imposing walls

of this remote, castellated abbey,

spreading death and desolation.

 

damnation be on his head,

as lurid as the scarlet stains

that so swiftly inflame the flesh

 

of the plague-ridden courtiers

whose revelries now cease

at the arrival of an unwelcome outsider–

 

what gradation of privilege,

what manner of hubris, Prospero,

led you to this farcical fallacy:

 

your worldly riches and repute

offer no real refuge for your revelers

nor shelter from death’s grim snare.

Picture of Lee Clark Zumpe

Lee Clark Zumpe

Lee Clark Zumpe, an entertainment editor with Tampa Bay Newspapers, earned his degree in English at the University of South Florida. He began writing poetry and fiction in the early 1990s. His work has appeared in a variety of literary journals and genre magazines over the last two decades. Recent publication credits include Space & Time, Lovecraftiana, Illumen, and The Literary Hatchet. Lee lives on the west coast of Florida with his wife and daughter, and one high-maintenance cat.

Rebel Girl by Ann Wuehler

In her kiss, I tasted the revolution. Her lips held flies, worms, and mold, but she smiled and licked my lips before taking my hand. I went with Rebel Girl, because I knew no other choices in the sandlands of everything around us. Gunning the engine of the baby blue Ford Comet, I went out into the night, beneath the heavy twinkle of the dead stars above our heads. I rode with a dead girl toward vengeance.

“Take the 95 exit. Let’s head for Winnemucca, then Reno,” Rebel Girl whispered, her breath stinking of that t-bone left to rot in a trashed apartment. She licked my ear with her slimy tongue and placed her tattered hand on my blue-jeaned thigh.

“I ain’t got enough gas to get to Nevada,” I said, letting her peek down my stained flannel shirt with the ragged hem. It was about the only shirt I had left. My wealth consisted of some quarters and a ketchup packet from Micky D’s. “You thinking what I’m thinking, honey?”

Rebel Girl threw back her hair, what remained of it, just clumps of brownish strings plastered together with mold and dirt. “You dug me up. I’m the queen now. We head to Nevada, we find Bruce and Mandy. I screamed for you, Edith. And you heard me.”

“We’ll get ’em both, Rebel. Of course I heard you.”

She and I howled like insane coyotes as I swung off the highway and pulled into the little gas station off the back end of Parma, Idaho. I drove up to a pump, wondering who could see my dead baby riding shotgun. There was nobody else there, late at night, and the clerk inside no doubt had his hands down his pants as he watched women doing bad, bad things on his cheap phone. God knows we’d all done that at jobs like this.

“Gun or knife?”

“Knife. I want the suffering.” Rebel Girl took out a coil of her own intestines, and wound it about her right arm like a strange, rotting bracelet. Her eyes turned to me, her bright, lovely eyes that held sparks of hell and wisps of Christmas.

I searched for the butcher knife. “You’re so beautiful, Edith. I love how full of revenge you are. I want to eat your nipples with a side of fries and a strawberry milkshake. I wanna wear your clothes.”

Her fingers skittered over my arm, the bones showing through the tatters of skin. For a moment, I knew an actual coldness. Where would tonight end? Would she vanish, leaving my heart forever broken? Would I be dragged with her toward whatever hell existed?

My own fingers found the big butcher knife, called Betsy. I kept her in the glove box, just in case. My Arminus handgun, loaded with .22 Long Rifle bullets, waited beneath the driver’s seat.

I loved Rebel Girl, I feared her. She had kept her promise.

She expected her Edith to keep hers.

“It won’t take long.” I met her lips, tasting the ash she had wanted to reduce the world to, so we could all start over, so we could all be cleansed and free and happy.

No more rules or laws or old white men telling us what to do, the fuckers. How she had gritted out cuss words for the old white guys. I would take her in my arms, she would calm. But her eyes searched me then to see if I truly believed in her version of the future or if I slogged in the mud and the shit with everyone else.

Onward I walked into the convenience store with the lone man scrolling through his phone, his brown eyes not wanting to lift or deal with some customer at eleven at night. I remembered my grandmother smoked Pall Mall’s, but my long-gone daddy chewed Copenhagen. The rows of tobacco stuff made memories fill my head, and spit filled my mouth until I swallowed. Candy bars and chips waited to be bought; the machines to dole out coffee, the cold section full of pop and beer and wine coolers.

All of it meaningless and overpriced, but it would soon get splashed with man blood.

Keeping ol’ Betsy behind my back, I let my face settle into something normal. I even tossed my hair, which hit my shoulders.

“Help you?” He had a nametag, which read Reed. He looked Basque or Mexican or Eastern European. Brown eyes, darkish skin, pimples, a long nose, and a scruffy beard shadow that did not add to his masculine appeal.

I had practiced my helpless gal routine with Rebel Girl’s help a year ago. Smile, act nice, pretend real hard, make up a story. Get out, don’t get caught.

“Yeah. I’m just traveling through. I think my tire’s a bit flat. Can you come out and look at it? I’m heading for Utah.”

“We got air out there. You getting gas?”

“Eventually,” I admitted. I smiled, but the guy seemed oblivious to my obvious charms. “Please have a look before I put any air in? I don’t wanna blow my tire or have a wreck or whatever.”

“I…shit. Okay. It has to be quick.”

The moment Reed stepped out from behind his counter, the till was calling my name. I brought Betsy out and up. She slid into Reed’s soft beer belly like a spoon going into Dairy Queen soft-serve. He grunted, and the hot sticky red flowed. I twisted ol’ Betsy viciously and often as he tried to fight me. He slipped and fell on his own muck. Betsy took two fingers, just like that. He screamed and screamed, but I did not relent. Rebel Girl left the car to watch me pump my knife into his body. I’m a big woman but I’m cute, as she had told me after those times when I got doubts or cried for days on end that no one loved me, no one at all.

I love you, Edith. I love you.

Reed knocked me off him and I flew into the rack of chips, smelling copper, drenched in gore. He screeched and yowled, a human pincushion now.

“Take the damn money. Fuck, oh fuck, take it! Let me call an ambulance. Please. Please? What is that thing? That thing—oh fuck it hurts, it hurts—” He tried to point at Rebel Girl, but I had sliced two of his fingers off.

“That’s my baby,” I announced, as I bent to cut his throat.

I kissed him as he died, with Rebel Girl sitting on his belly, grinning at us both, the skin of her face cracking and splitting. I tasted nothing but death on Reed’s slack mouth. Blood all over as Rebel Girl crawled through the puddles. Her corpse rested in the passenger seat, yet she played in pools of blood like a happy puppy.

I jimmied the till open with Betsy, bending the tip to do so, and scored oodles of cash, change, and even a few checks. What dimwits still wrote checks in these failing and few remaining days of the empire? I scooped out the cash and change, and put it in a plastic bag. My instincts told me I did not have long to linger. My nape itched. Get out of here, they’re coming, something in my gut said. Other people needed gas in Idaho late at night.

Finding a big woman covered with the blood of the dead attendant would not go so well for me, haha.

Rebel Girl had no sense of humor, but I sure did.

I took two large bottles of water and put them in a bag. My hands grabbed for jerky, granola bars, and apples, but I let them drop as lights splashed by on the highway. The driver did not turn into the gas station.

Get the car fueled up, get out of here, get back to revenge.

Rebel Girl floated back to the car as I switched the pumps on. I got the tank filled, though my hands were shaking. I filled a jerry can I kept in the Comet just in case, then got two more cans from the store, filled them too. Reed stared up at the ceiling, his second mouth grinning at me and drooling what looked like black cherry Jell-O down toward his collarbones.

I need to haul ass from this place of carnage and suffering and seek the objects of my fury and grief.

Bruce and Mandy would be hiding somewhere in the sandlands of Nevada.

They had decided Rebel Girl needed to go before she got us life in a federal pen. Being an actual rebel is not for crybaby wimps. Doing bad stuff to get to the good didn’t sit well with the pair of weaklings. Fucking murderous crybaby shitbirds.

The Comet lurched onto the asphalt and Rebel Girl laughed. I drove toward the 95 onramp, then turned us toward the Silver State. We sang as I guided the boat of a car through the night. We sang songs we made up about love and change and rebuilding it all. It takes courage, she had once told me. It takes courage to wanna burn the world down and form it brand new.

I stopped to top the tank off from one of the jerry cans somewhere past Jordan Valley, my head buzzing and tingling. My jeans and flannel shirt needed to be tossed. I stripped naked as Rebel Girl catcalled and told me I was her beautiful Edith, her warrior love, her Amazon sweetie. Sweatpants and a hoodie were all I had with me. Gray from the waist down, blue to the top of my head and I felt good. I felt good and strange and a little drunk on how much I loved Rebel Girl.

What if she wasn’t here at all?

Pulling the driver’s side door open, I saw her dead self slumped in the seat. Then there was the plastic sack of cash and change, and the two gallons of water. I saw ol’ Betsy on the passenger side floor, the tip ruined and bent and the blade itself gummy with Reed’s blood. I had killed a man, but we had killed before when Rebel had been alive. Or had we? My memory seemed full of holes within holes with more holes after that until those skeleton fingers touched my back.

I had to focus. I had to keep going.

“Where in Nevada?”

“Head to Route 50, we’ll find ’em,” Rebel Girl said as she settled into her seat. She turned to watch me with her bright, lovely eyes. “You gonna leave those clothes on the side of the road, babe?”

“Yeah. Why not? Let the revolution start,” I said as I slid behind the wheel. I took off toward Route 50, the loneliest highway and a good place to go to ground.

“You don’t love me anymore.”

My foot stomped on the brake. The Comet screeched, leaving some rubber on the road. I watched a shooting star streak across the heavens. My hand reached for hers and her fingers finally closed around mine, the awful skinny bones pressing into my flesh. In the far distance, headlights grew bigger and bigger in the rearview. We could not sit here long. I pulled us as far over as I could and cut the motor.

I took my Rebel Girl in my arms and rocked her, her face settling in the crook of my neck, finding that hollow in my shoulder that was her special spot. She stank, the rot of her high and ripe. I held her the same way as on the day she died, her head blown off by Bruce, who handed the old shotgun to Mandy, so if they got caught for this, she’d be blamed, too. It’s how cowards think, and God knows, God knows me so well, I was once a coward, and I will always be a follower. I followed Rebel Girl, and I will follow her now into the very sun if this dead woman demands it of me. I hesitated when Bruce raised the shotgun. How could anyone shoot someone so right about burning it all down? How?

But he did. He muttered about crazy and going too far and I got a job interview for a casino, me and Mandy is done with this shit. Blowing up a hospital is terrorist shit! Bang. Bang and my Rebel Girl gone! I buried her, I dug her up and here she is. Here she is.

We’re gonna blow up St. Luke’s there in Boise, blow it right to hell up and the people will rise up, they’ll rise up, free, oh free, Rebel Girl told us.

“Let’s get going.” She drew back, smiling a little, her teeth looking too long, but her gums had decomposed. “We kill those scum and we nuke St. Luke’s. I got plans, Edith. I got plans. Nuke the Luke!”

I drove and drove, my hand in hers. The car behind us zoomed past and disappeared around the corner, going at least a hundred. The morning sun hit my eyes, and I needed coffee or a place to rest. My hand stretched over the white seat, but Rebel Girl’s body did not slump there. Maybe I could only have her with me at night? Had I left her body along with my bloody clothes on the side of Highway 95 South?

Yes, I had left her body behind.

Nevada seemed strange and full of shadows as I coasted toward Winnemucca. I had some gas left and a lot of cash. I noted a Nevada State cop car coming from Winnemucca and that it slowed. It stopped and turned so that it was now behind me. Reaching for the gun beneath my seat, I heard Rebel Girl’s breath in my ear, felt her lips on my cheek. I was not alone. She was with me and we would see the revolution start.

The lights flashed.

I checked the chambers of my grandpa’s nine-round ancient revolver. Twenty-two Long Rifles, nine for each slot, greeted my exhausted eyes. There was no other traffic. No one would see this. I rolled down my window. My breath came easily. The sky had turned the soft blue of a July day destined to be boiling hot and cloud-free. I watched him get out, I watched him walk toward me, a big man with his hand already on his revolver.

My shot went into his shoulder, not his face. He drew his own gun and shot me on the side of the road. Rebel Girl took my hand.

We watched the ambulance show up, we watched them talk about me, that I might be ‘the one’ who had killed that guy in Idaho. I might be the one who killed that guy. Did she dump that dead girl on the side of the road? Maybe, can’t say yet.

They zipped my body into a black bag.

Rebel Girl tugged me back toward 95, leaving the lights and cars and people to deal with the business of living as we kept onward to take on Bruce and Mandy in the middle of the Silver State.

In my kiss, she tastes the revolution and my love at last. We drift toward the future and hide ourselves beneath the dead stars that still send out light to guide us on clear evenings.

Picture of Ann Wuehler

Ann Wuehler

Ann Wuehler has written six novels—Aftermath: Boise, Idaho, Remarkable Women of Brokenheart Lane, the House on Clark Boulevard, Oregon Gothic, the Adventures of Grumpy Odin and Sexy Jesus and Owyhee Days. “The Blackburne Lighthouse” appears in Brigid Gate’s Crimson Bones anthology. “The Snake River Tale” was included in Along Harrowed Trails. “The Ghost of John Burnberry” appears in Penumbric. “The Caesar’s Ghost Quest” made it into the October 2023 World of Myth. “Cassie’s Story” was just accepted by Great Weather For Media. “Mouthpiece” will appear in the Horror Zine’s summer 2024 edition.

Eating the Elephant: Always Student-Minded by Kimberly Rei & Dean Shawker

Do you need a degree to be an author? To be a good author? To be a successful author?

There’s a lot of debate around the topic of writers and education.

One side says, “Yes, absolutely. You can’t be competent, much less great, if you haven’t been schooled in the established rules and traditions at higher than elementary levels.”

The other side says, “No, not necessary. You can write if you know the basics of spelling and grammar. Get to it!”

Who do you listen to? It depends on what you want to do. If you want to write, you need tools to set words to paper, digital or physical. If you want to teach, you don’t necessarily need a degree to share your knowledge and experience. You can offer workshops, lead writing groups, or mentor emerging writers. However, effective teaching requires a deep understanding of both the craft and how to convey it—being a skilled writer doesn’t always translate to being a skilled teacher. You’ll need to refine your ability to guide others through the nuances of storytelling, structure, and language, as well as provide actionable feedback tailored to their needs. If you want to teach in a university, though, you’re gonna need that degree.

Let’s dig in.

Reading is perhaps the easiest, most accessible approach to learning about genre and style. Read a lot. Copiously. Read brain candy; read the classics. Read comics and newspapers. Devour the words. Get lost. Note. Literally take notes on what you like and what you don’t. Go beyond “I love horror!” and get deeper. Is there a phrase that stood out? A twist you didn’t see coming? Do you like the author’s voice? Why? Break down anything that catches your attention.

I’m reading a book with a character who has to be the most evil I’ve ever encountered. There’s no gore or torture. No violence. And yet, this secondary character and two lines of dialogue made me put the book down for a few days. That’s skill! I made a note of it.

You can take classes without an eye to a degree. Universities and colleges often let you audit a class. Beyond that, there are online courses (more than one class, some even leading to a certificate) and classes (one-offs) that are purely informative. The cost varies wildly. Some are free; others run into the hundreds of dollars. Check reviews, talk to people who may have experience in this realm, and spend wisely.

The Masterclass series will expose you to teaching from seriously big names: Atwood, Gaiman, Oates, Mamet, Patterson, and more. All wildly successful authors, all willing to share their lens and experience. Usually broad information, rarely specific. Masterclass charges an annual fee, but you get access to all the classes, and they run sales from time to time.

Workshops are like classes but intense. They require more from you, usually in the form of more writing and critiquing other students. You’ll discuss what works and what doesn’t on a more personal level than a class. You can usually get pretty granular with the subject matter. The same range of pricing applies.

Online workshops offer a solid experience from the comfort of your home (or coffee shop, etc.). In-person workshops level that up a bit. The discussions are livelier and more interactive. There are educational centers (Clarion West comes to mind) dedicated to writing. They tend to offer longer residencies and very focused writing. Do a lot of research with this type of learning. You want one that fits well and puts all your resources to good use.

Writing groups put you with other authors of varying backgrounds but often within the same genre. Birds of a quill and all that. These groups share works in progress, reading chapters out loud, offering feedback and suggestions. I know a few well-established authors who have had the same writing clutches for decades. Literally. Think Mary Shelley, Lord Byron, and John Polidori. One gathering, and Frankenstein was born. Other creative minds challenge you to produce your best possible work.

In that same vein, beta and critiquing groups can challenge you. They tend to be more readers than authors (or authors setting down their black pens and picking up red ones). These are people who give their opinions—sometimes strong ones. Plot, tone, word choice—everything is up for debate. Where a fellow author might share advice on how to fix a problem, a beta reader may just say they don’t like it and that scene sucked. Listen. Get good at parsing what influences the story and what might be sour grapes. There’s value in all of it.

Writing/critiquing groups are an in-the-wild, live-action way to learn and hone what you already know. Approach them carefully and find a good fit. It may take you a round or two, but you’ll know pretty quickly if it’s not going to work.

Finally, you. There’s an old adage that says, “Never try to be better than someone else. Be better than you were yesterday.” Compete with you. Read over old pieces, finished or not. Go wayyyyy back. Cringe. Smile. Exclaim, “I wrote that? Nice!” Be horrified. Be proud.

And then step up.

Picture of Kimberly Rei

Kimberly Rei

Kimberly Rei, in addition to writing creepy tales, is an editor with Black Hare Press and takes joy in offering the wobbly wisdom of her experience. She does her best work in the places that can't exist...the in-between places where imagination defies reality. With a penchant for dark corners and hooks that leave readers looking over their shoulder, she is always on the lookout for new ideas, new projects, and new ways to make words dance. Her debut novelette, Chrysalis, is available on Amazon. Kimberly lives in gorgeous Florida where the Gulf hides monsters and the sun is a special kind of horror.

Picture of Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

Ω Editor Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

Ω Editor Jodi Christensen

Jodi Christensen

Small town Utah is where Jodi calls home. She spends her days in a turn-of-the-century farmhouse, reading, writing, editing, and mentoring other writers. Her daily companions consist of her rambunctious and adorable six-year-old grandson and two rowdy dogs, all of whom bring her great joy.

Jodi has had a love of books for as long as she can remember. As a child, she filled her backpack weekly at the library, devouring story after story and returning the books early to trade for a new stack. She wrote her first adventure at the age of nine, a fanfic Boxcar Children story, and since then, has let her imagination be her guide.

As an author, Jodi writes time travel romance and dark speculative fiction. As an editor, she works on anything and everything that finds its way across her desk. Some of her favorite stories to read, write, and edit include; post-apocalyptic fiction, dystopian stories, and end-of-the-world adventures. She also enjoys dark romance, time travel romance, historicals, and horror stories, particularly the psychological kind. Above all else, she’s a sucker for a great character.

Ω Editorial Associate Janet Wright

Janet Wright

Janet Wright lives in the wilds of North Yorkshire, UK, where foxes shriek and owls hoot at the bottom of her garden.

An avid reader since childhood, she loves nothing better than to curl up on the sofa and lose herself within the tactile pages of a physical book. She’s open to any genre, though her favorites are historical crime, time travel, and Gothic horror.

She writes short stories and micro fiction under the pseudonym Rosetta Yorke.

Ω Editor Kara Hawkers

Kara Hawkers

Kara Hawkers is a poet and author of short, dark fiction.

As Editor-in-Chief, Kara devotes most of her time to operating The Ravens Quoth Press, along with her partner.

If left unsupervised, you’ll find her dabbling in other arts.

Just three ravens in a trench coat.

Deliverance – Part Three by Elliot Pearson

They reached the city center. It was drenched in red, purple, and green neon. Impossibly tall black glass and steel high rises formed a circle around them. 

It started to rain. The droplets felt real on Kash’s skin.

A lightning bolt struck the street a few feet ahead. It left something behind. An object. Kash recognized it from the original Deliverance games—a Hydro Shotgun. Neon demon killer. There was a bandolier with shells beside the gun and Kash strapped it around her waist.

A blood-curdling scream rang out then and reverberated through the streets, followed by another, and another.

Kash loaded the gun.

“They’re coming,” she said.

“Who’s coming?”

“Neon demons.”

“Neon what? This is too much.”

A grotesque blue-gray creature adorned with bio-mechanical tech that leaked plasma was crawling down the windows of one of the high rises.

Kash looked around. Every building was covered in demons. Her vision started to blur. Her movement was jagged. The game was lagging, unable to support the sheer number of NPCs.

The demons scuttled down the glass and started rushing towards Kash.

The lag stopped.

She fired from the hip and blasted the demons with the shotgun’s electrified water shells as endless hordes of demons came with slashing claws and bared teeth.

Demon limbs and heads were flung from their bodies. Arterial spray fired out in thick long jets, drenching Kash in guts and gunge.

“This is strange,” Romero said.

“Talk about stating the obvious,” Kash replied.

“No—it’s like I’m thinking, you’re doing.”

“You’re right…I’m acting on reflex. I’ve never fired a gun in my life. I’m barely even thinking about what I’m doing.”

The demons were growing in number, seemingly spawning from nowhere. And now flanked by dozens of possessed soldiers wielding assault rifles.

Kash realized this wasn’t a level in the game, it was just a simple testing ground.

Deliverance Reborn was but a half-playable prototype.

“There’re too many of them,” Romero said.

Kash fired into the horde one last time. “Shit. Let’s go.”

They ran into an abandoned liquor store and an NPC sprung out of nowhere. Must have spawned in. A random male citizen stuck in a T-pose. His mouth was closed but his audio track played anyway. “My God! Ace Sterling as I live and breathe! Have you come to deliver us from the evil that infects our city?”

“Um. Yeah,” Kash said.

“Here—take my Chasm Gun,” the NPC said. “Head to the roof!”

A huge gun appeared in Kash’s hands. She left the NPC where it was and rushed upstairs.

***

Kash looked down at the endless horde of neon demons and soldiers.

The demons began scaling the building, making their way up to the roof. The possessed soldiers were already inside the building, rushing up the stairs.

Kash readied the Chasm Gun and fired down at the street. A golden beam of light shot out. It caused the ground to crack and open, creating a great chasm. The demons and soldiers were pulled down by a tremendous force below and sent screaming into the depths. But there were still a few demons making their way up and the sound of heavy footsteps nearing the roof.

Kash took several steps back and waited for the demons to appear first.

They leapt up onto the roof. Kash fired the shotgun, sending them flying off the roof like ragdolls.

She turned as the soldiers kicked the door open and aimed their assault rifles at her.

She fired off a few shots, hitting several soldiers, but there were too many.

She ran to the other side of the roof to look for some way to escape.

Bullets hit her and it hurt like hell. But she managed to soak up a lot of them without faltering.

“Kash, what’s that?” Romero said.

She could see the outside of the game’s map beyond—just empty white space—and had an idea.

“Romero, this game is far from finished. Just a test and buggy as shit. I think I might be able to crash it.”

“Whatever you’re gonna do—do it fast.”

The demon horde had respawned and was climbing back up.

Kash fired the Chasm Gun directly at the soldiers. Something that resembled a black hole opened up in midair and the soldiers were instantly sucked into it, vanishing completely.

Kash took a few steps back, got low, then sprinted forwards until she reached the edge of the roof, then leapt off and cascaded down into the white space below.

Kash was blinded by white light. Then there was nothing but darkness.

She heard rushing water and Tobias panicking.

She was back in the room.

The bolts to the headset unscrewed and she tore it off.

She rose and turned. Tobias had a look of terror in his eyes. The terminal was sparking. Tobias went to raise his revolver, but Kash smashed the headset into his face, breaking his nose. He stumbled back and fired off a shot blindly. Kash rushed him, wrestled the gun free and struck him repeatedly with it until he fell and passed out.

The tank containing Romero was emptying, flooding the room. Romero was released from the tubes and cables. The respirator shot out of his mouth. He slipped down limply. The tank opened and Kash ran over. She held Romero in her arms. “Romero! Wake up!”

He rubbed his eyes. “You did it. You freed me.”

Romero embraced Kash and held her tight.

Tobias began to stir. Romero stood and looked at him. “Want me to end him?”

“You told me you were a bank robber…”

“Yeah. Sorry.”

“No killing. I have a better idea.”

Romero helped Kash place Tobias in the chair. Kash put the headset on him. “I can reprogram this,” Kash said, tapping maniacally on the keyboard, trashing the game’s code.

“What’re you doing?”

“Finding a way to alter this headset. Tobias can decide his own fate.”

The headset’s bolts locked into place. Tobias wouldn’t be going anywhere.

Perfecto,” Romero said.

“Come on, let’s get out of here. I’m going freelance.”

***

Tobias awoke. The shrieks and screams of neon demons reverberated through the streets.

He tried to pull the headset off.

No luck.

The demons approached.

Tobias screamed.

The headset wouldn’t come off.

Something snapped.

Sonora, Mexico. 2052

Romero Valdez knocked on the door to his old home in the quiet pueblo.

After a moment, a striking young woman opened it halfway and peered out.

Romero stood, hardly able to speak. “Julia?”

The young woman opened the door wider, her face now lit by the morning sun, and shook her head.

From behind her, a middle-aged woman appeared. She regarded her father, far younger than her, and stood still and silent.

Romero choked at the sight of his daughter, now grown.

He fell to his knees and sobbed.

Julia rushed out and held Romero close as dust whipped about them.

Deliverance.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work can be found in Star*line, The Banyan Review, and in several past editions of The Stygian Lepus. He lives in New Mexico.