Wonderland

“Red, red, red. Oh, I so love the taste of red,” the Queen said as it dripped into her mouth.

All around, the people trembled as they looked up, dozens of feet up, watching as the Queen drank from the skull, avoiding the body laying a few feet away.

For minutes that felt like hours, the lords, ladies, knights, and commoners all knelt frozen while the Queen finished and, finally, the last drop fell.

They held their collective breaths until, “You’re dismissed,” was heard from the Queen, then in an orderly fashion, they all left as the grand doors closed silently.

They all ran.

***

Day turned to night as the assembled people watched the rats scurry away and their leader finally arrive. When he entered, his hops sounded like thuds, disturbing the otherwise silent room. When the clock struck midnight, the meeting began.

“What happened this morning?” the rabbit asked.

“The Queen left early for her walk and saw John painting one of the white roses red,” said Harry.

“Begin the evacuation plan. The Queen will only be satisfied with her recent meal for a few days,” said the rabbit.

“He wasn’t just a meal! How could you say that?” said a woman.

Harry turned to the woman. “Now, Mary—”

“We only have a few days before the Queen finds a reason to kill again. Right now, we can’t focus on the dead, Mary. I understand he was your husband, but right now the living have priority,” said the rabbit as he looked at his pocket watch.

It was a quarter past twelve. They had to hurry before the guards discovered them, but before they could continue, the door slid open and a line of guards entered.

Rabbit jumped up and slammed into them, causing them to fall like a deck of cards. Everyone scrambled to get away, then disappear into the night.

Before the rabbit can escape, one of the guards grabs him. “Take him to the Queen!”

Picture of Mortem

Mortem

Mortem is a 19-year-old college student, currently serving in the Army. Becoming an author has been a life-long dream. With the encouragement of one of his professors, he is now chasing that dream.

Inauguration

Bud Palacio had no sooner opened his newsfeed than the child’s broad, moon-like face appeared over the top of the screen.

“What are you doing, Grandpa?”

Such deep brown eyes. Pure Palacio, according to the neighbors, and his daughter, the mother, who, five years ago, had been so proud, beaming when the child had arrived. “You see, Papa, you see the resemblance, and now, because of this child, the family name shall live on.”

But not this way, Bud had thought, and then the same as now, he’d have gladly given his own name for his daughter to have married, or at least acquired a child by more traditional means. Besides, the eyes were not as pure as folks would have him believe. He saw how the colors within the irises altered; that net of amber and gold and small dark flecks which expanded whenever the child was aroused, whenever it was watching, listening, asking questions. That was not Palacio, nor were those barely visible silver lines around the mouth and ears.

“I know you can hear me, Grandpa. I asked what you were doing.”

Bud turned his attention back to the screen. Babe Robotti had just been sworn in as America’s fifty-sixth president.

“Waiting for the soup to boil, that’s what.”

“The soup, Grandpa? And is it nearly done?”

“Well, it’s been simmering a good long while.”

“Can I see?”

“No, it’s an old man’s job to pot-watch.”

Bud read the headline. Babe Robotti Takes First Presidential Steps.

“What’s in the soup, Grandpa?”

“Oh, the usual mix. So much sugar and spice and salt. Plenty of salt. Carrots too.”

“Carrots, Grandpa? Mama said we don’t get those anymore, we don’t need them.”

“Well, let’s just say the carrots are a special kind, seasonal.”

The child turned its head to the side, silent for a moment, processing.

“And is the soup for me and Mama?”

“No, child. You’re part of it.”

Again, the turn of the head, the extended silence. Then “Mama, Mama, Grandpa’s lying again!” and the child was gone, feet clomping off into an adjacent room.

Bud listened for a while to the exchange between mother and child, a similar exchange to the one he’d heard so many times before. “Now you know what they told you at Early Learning. Old people do sometimes lie. They can’t help it, and so we must forgive them. And your teachers have explained to you about jokes, haven’t they? Grandpa used to tell jokes all the time when I was a girl. It’s an old-fashioned habit, wrong in so many ways, but one that he just can’t seem to break.” A joke, yeah, that’s what it was, all just one great big joke… With a shake of the head, Bud read on:

However, as all good citizens are aware, this is not Babe Robotti’s first time stepping into The White House. His arrival here thirty years ago—and then to a mixed reaction—has since gone down in history as America’s greatest achievement yet. So, who better placed, one might ask, to lead this ever-progressive, upstanding nation of ours, than he who paved the way for an entire generation, and helped make us who we are today? And while there are some who might still disagree, whose ideas are not only markedly outdated, but undeniably dangerous when taking into account the riotous behavior displayed in recent years by certain sections of the public, most notably our elderly and their so-called ‘Trad-Marked’ young sympathizers, one only has to hear the joyous reaction of the crowd to know that at last we have a president who is truly one of us.

It wasn’t long before the picture flashed up on the screen. The close-up. Robotti’s face bearing an uncanny resemblance to that of the forty-ninth president, but with silver lines around the mouth and ears, and those eyes, those giveaway eyes. Blue like those of his bachelor father before him, but with nets within the irises, the prototype of which had been developed some thirty years ago and made from fast expanding AI metal.

Picture of Carol Stewart

Carol Stewart

Carol Stewart is a mother and grandmother living in the Scottish Borders. She writes both poetry and prose. Her poems have featured in various print and online journals including That (Literary Review), Gravitas, Coffin Bell, Change Seven, Scapegoat, Little Fish, and most recently, All Your Poems. She is currently working on a short story collection, some of which can be read on Reedsy Prompts, one in Etymology (May 2024 issue) and another in Otherwise Engaged Literary and Arts Journal (June 2024).

Moriah

The hazy orange globe is setting somewhere over Romania. Twilight’s emerging softness and tranquility are entirely out of place on my rooftop, where a battle of wills is splitting the evening air. Bell is tugging at my elbows, pulling me toward her, begging me to do it. She’s seated on the ledge, her knees and feet and pained brown eyes facing me while her backside faces the open air, only concrete four stories below. I don’t want to grab her; she could misdirect my rescue into a tragic push.

We met last night in Kasimpasa, where her American looks stood out like a jewel in shit. She’d been sitting on an upside-down trash barrel, her skirt pulled up, a lit cigarette between her thumb and forefinger, her eye shadow twinkling purple under the street lamp. If she’d been Turkish, I would have dismissed her as a novice prostitute, but she was American and had a kind face, so her presence in one of Istanbul’s most dangerous neighborhoods at night was too perverse to ignore. An undercover agent? A lost tourist? A crime novelist in need of inspiration? She appeared too young to be there alone, and I felt protective instincts rising in my gut. Once she locked glances with me, these instincts became inescapable waves. Using my sloppy, self-taught English, I introduced myself. Her determined stare battled with her shyness. When she finally spoke, her words were muffled and only half-intelligible to my Turkish brain, but the sensual voice that spilled from between those plump lips stimulated me quite fiercely. I told her my name was Ibrahim, and she seemed charmed by that. When I asked what she was doing there, she said she was a student and that was all. She smiled at her coyness, then touched my forearm, then stroked it like it was the first time she’d felt a man.

“What do I call you?” I asked.

“Bell.”

“Bell?”

“It’s actually Isabella, but I shorten it for men I like.” 

I asked her if Bell meant “beautiful” and she said she didn’t know.

My wife’s name—Hande—means smile. Years ago, this label was perfect for such a happy soul. She awoke every morning to a life of possibility. Joy followed her into any room she entered. Her laugh was a burst of life. Her breast, where I lay my head at night, was warm and hopeful. The smiles faded, however, when we had trouble conceiving a child; they vanished when the doctor told her she had no chance. She doesn’t cry every day anymore, but I still hear the sobs. They’re always there, her trauma engraved on my mind. The suffering of Hande was—is?—unlike the suffering of other women. Her light had been so bright that its absence was deadening. Sadness lives with us now, even if more quietly, in the apartment just off Taksim Square, where we dress each morning, dazed by emptiness, before she leaves for her job at the bank, and I leave for the processing plant. A few months ago, the doctor removed any hope for in vitro fertilization, suggesting we consider surrogacy if we had the required financial sum, which we didn’t.

I want children. I am a man from a large family. My five older brothers have twenty children in total. Hande knows this very well, and knows the shame of childlessness in Islam, which is why she approached me a few weeks ago, like a sleepwalker with coffee pot in hand, and offered to share me with another wife. Nobody had to know. Perhaps only this could be less painful for her than divorce. She said we could even move to the Emirates, where it’s legal. She suggested I could marry an American woman and share my time between two continents; this is the life an old friend of my family arranged for him. Since Hande cannot give me a son, she instead gave me her blessing. I shushed her, and I haven’t thought about it since.

 

***

 

Glory Be.

Our Father.

Hail Mary, full of grace, the Lord is with thee, blessed is the fruit of thy womb, Jesus

Holy Mary, mother of God, pray for us sinners, now and at the hour of our death. Amen.

Four times more.

Glory Be.

Our Father.

On and on and on.

My grandmother had assigned me the rosary every morning and every night, but I never really minded because it gave my body a schedule, a kneeling position twice a day, and a kind of rhythm that my mind needed, especially that first year after I’d moved in with her and my grandfather. I was only six, but it wasn’t long before I learned the prayers by heart. I’d been enrolled in a Catholic elementary school after my parents died. (My father was still alive, but not to me.) I didn’t remember much about my life before this. Over the next few years, my mind became increasingly heavy and tired in a blur of horrible thoughts, so the discipline from the nuns was welcome; they kept my mind from wandering too far or ruminating too long before calling on me in class or rushing me toward the chapel right before lunch. It also helped me focus on my studies. In ninth grade, I found church history interesting, especially how every element of church architecture symbolized something important. I also loved the face of the Virgin. On art. On porcelain. On the cover of the missal. Scripture, on the other hand, bored me, and I avoided reading the Bible with its stuffy King James language and lack of feeling.

Whatever the nuns didn’t teach me at school, my grandmother, and occasionally my grandfather, filled in at home. My grandmother was a failed nun. She had lived at a convent when she was 18, but decided, after anguished indecision, that God hadn’t called her after all. Instead, He wanted her to have a child, and in order to do that, she had to find a husband. So, she married my grandfather, who was always so kind to me. He spoke softly, especially when my grandmother was in the same room, and he loved playing chess and cribbage, so we did that a lot, especially on the weekends. We lived in a small house with a screened-in porch that offered a panoramic view of the bird feeders and bird baths lining the backyard fence, so that porch became our game room where my grandfather and I pondered our next moves to the music of finches and cardinals.

My grandparents hadn’t attended my mother’s wedding because the man she married—my father—was a Jew. With so many Catholic boys in town, my grandmother had disapproved fiercely. He wasn’t even a wealthy Jew. She might have tolerated a Jewish doctor or even a Jewish scholar, but a Jewish good-for-nothing with a squared jaw and thick, sloppy mustache was about as disgraceful as husbands came, so she’d said. She believed my mother had married him out of lust or spite. She believed all women were lustful and spiteful, not just her daughter and granddaughter, but all the female bodies that had come and gone with their wicked minds since Eve. When my mother told them she might convert to Judaism (not because he demanded it, but because she wanted to), my grandparents didn’t speak to her for months. That was before I was born. I never learned if she’d gone through with the conversion; in fact, I don’t remember my mother being religious at all. But I remember my father’s faith; he was wholly religious; God burned in his eyes.

In high school, I belched frequently because I couldn’t help it. They started when my father went away, and they tasted how I assumed poison would taste. I constantly felt like I had corrosive acid in my stomach and on occasion it crawled up my throat so quickly that I couldn’t suppress the audible pop. The nuns never slapped me for it because they weren’t allowed to do that anymore, but they slapped me in a non-physical way, metaphorically, with their reddened glances and stern words.

“Get to a doctor,” Sister Cynthia shouted at me once. “A stomach doctor!” I never went, but I worked on my skills of resisting and concealing the burps. They came far less frequently at home, probably because my grandfather was there to keep me calm. Until I was nineteen. I had spent my freshman year commuting to college and telling my grandmother I was busy with school clubs and socializing, which was an excuse to explore the shadows of the city alone. But my grandfather’s sudden absence in the spring was too much to bear. The little bit of peace in the house was gone. The cribbage board was gone. I begged my college for a slot in the study abroad program for fall, and they obliged, probably out of sympathy. My mother had left me some money, fully accessible now that I was 18, so I funded the trip myself. I didn’t tell my grandmother till the day I left in mid-July. Until then, she had occupied her time berating me—grief had intensified her constant judgment—and issued warnings like enemy grenades. College boys want your virginity. Poor grades will ruin your life. The Lord knows whenever you have an uncharitable thought. I kept up with prayer and the rosary, but only because I wanted to. The day I left, she protested wildly, then cried desperately, then told me never to come back. Good. That had been the plan.

I was no longer burping. That reflex had subsided, the acid replaced by tobacco and alcohol as soon as we landed in Europe.

The exchange program had sent me to a sister college in Vienna, where I was to share an off-campus apartment with an Iranian student named Azita, who also arrived early to spend part of the summer in Austria. Azita fell into a habit of screaming in my ear about the grotesqueness of patriarchy—widespread and obvious in the Middle East, subtle but more insidious in the West, especially the United States. She told me how aggressive and domineering the men are in Iran, how violent they could be and how it was condoned by the law. She told me stories of women in Saudi Arabia who were stoned to death or hacked to pieces because they were found to have had sex, a woman in Turkey who was run over by her boyfriend for looking at another man, a woman in Egypt who was murdered by her husband’s brothers because she told the police he had raped their daughter.

When I left for Turkey, I didn’t tell her where I was going. It was the week before the semester started, and I suspected I might never come back. I spent two days in Istanbul, mostly drinking and smoking in Beyoglu at night, watching what I had expected to be a clash of eastern and western men on Istiklal Avenue, but what turned out to be mostly young drunk Turks. I wasn’t certain what I was looking for, but I knew I wasn’t finding it here where the professionals and families congregated. So, I started exploring the edges of the city, the river docks, the side streets, the back alleys, the dilapidated mosques that tourists avoided. That’s where I found him.

Glory Be.

Our Father.

***

The next afternoon I picked up Bell and we drove ninety minutes to my family’s apartment in the central square of Banmit, a small town on the Black Sea surrounded by hills. A mere two rooms, it’s been in my family for generations, used not as a vacation getaway, despite its seaside location, but as a business hotel for my brothers and me when we needed to negotiate with the meat suppliers. I turned to gauge her expression in the passenger’s seat when we came upon the ocean of red; it was like paint coating the sidewalks, the parking lots, the foundations of buildings, including mine. She wasn’t fazed; in fact, she looked excited. Overhead, the birds of prey shrieked warnings as we walked from the car. As usual on feast days, the raw, heavy scent of carved flesh was battling with the chemical solvents.

“Today is Eid al-Adha,” I said once we entered the foyer. I explained that the red was the blood of lambs. The whole neighborhood—the whole town, in fact—was a meat town, a lamb town, home to Turkey’s butchers, and the makeshift slaughterhouses along the sidewalks were a common sight on days like this.

After a glass of laki, and very little conversation, I couldn’t stand it anymore. I laid her on the floor and pulled off her American blue jeans and underpants. I didn’t want to come across as a beast. I’m not a beast. But this girl, this Isabella, bloomed with youth and fertility; she had the sad face of a doll but the eager body of a whore. Even Hande knew I required this. If Hande were here, she’d turn away, but she’d understand. Bell had offered me her body by coming here, had offered me young motherhood, so I turned her onto all fours and got behind her, lifted her so her rib cage hooked against the radiator, and we could both see out the window and drink in the crimson graffiti from the slaughter of the sheep. She groaned painfully, but leaned farther forward and tossed her hair. I thrust behind her, felt her breasts, and peeled her blouse up and over her head. When I saw the scars on her shoulder, I paused, but only for a few seconds, just long enough for her to writhe under me eagerly. The scars were large, but not repulsive. My protective instincts shot through me all over again.

When we were finished, we both saw the blood. She didn’t appear embarrassed exactly, but she stared and pondered it. The drops were darker than all the red outside, more like dark brown. Maybe she was disappointed it wasn’t brighter. Or maybe she was disappointed in me.

“Are you okay?” I asked. She nodded.

I pulled her toward me and enfolded her body into mine. I kissed the back of her neck gently to reassure her that I’m not a beast.

“Where did this come from?” I asked, touching her leathered shoulder.

She reached behind and pulled me closer while arching her back and tipping her head and hair back so her lips rested close to my ear.

“Today’s a day of sacrifice, isn’t it?”

***

Even though the blasts were loud and shook the walls, it was his footsteps that froze me with fear. My room was pitch black and I could see no light under the door, so he was doing it in the dark. They slept across the hall—in separate beds—so only two walls separated me from the shots. I didn’t have to wonder what it was. Some people, their minds still sleepy, might have suspected a car backfiring, or even an irresponsible hunter way too close to the house. I was only six years old, but I didn’t have to wonder at all; I knew instantly he was killing her.

That’s not to say I expected it. Who would ever expect their father to use a hunting rifle on their mother in the middle of the night? Who would ever expect to hear six shots, the gun cocked reliably after each, like an extremely slow musical beat, at four o’clock in the morning? Nobody would expect that, but I suppose I had. He’d wanted me dead from the moment she’d told him I was growing inside her. My grandmother told me all this later. She said that was when their fighting had started, after my conception. He was many years older than she was, already in his fifties at that point, and, besides, my mother had been told she couldn’t conceive, that she was barren because of a uterine abnormality. My father knew this early on; he’d signed up for a childless marriage. So, I was quite a shock.

According to my grandfather, my mother had laughed when she first told them she was pregnant; she herself had considered it impossible. My father, however, didn’t laugh at all. He demanded an abortion, a proposal which apparently my mother had considered, but ultimately rejected, maybe because it was a mortal sin, or maybe because by then she had started to love me. He continued to demand my termination. When she refused, he took matters into his own hands, according to my grandmother. He pushed my mother down the stairs in an attempt to kill me, resulting in a fractured knee and sprained ankle but no dead baby. My mother denied that he pushed her, said the blame should be placed on her own clumsiness, but that was every battered woman’s excuse, according to my grandmother.

The gunshots had shaken the house, but what I most remembered were his footsteps. They had a cadence between the shots. Shoot. Cock. Steps. Shoot. Cock. Steps. I would later learn that he had walked from one side of the bed to the other between shots. A shot from the left side of the bed, then a shot from the right side, then another from the left, and so on. My mother’s skull was left with six holes, three on each side.

Even more peculiar was the darkness; he hadn’t turned on a single light. He had never hunted or even owned a gun—he’d purchased the rifle expressly for this performance—so it was surprising that he’d hit his target, her head, every time despite a lack of light. Six bullets and six holes in the skull. Had it been plain luck? Had nervousness somehow honed his marksmanship? Had God temporarily endowed him with the precision he needed to get the job done?

Shoot.

Cock.

Steps.

And on and on.

***

My first slaughter was that dog sniffing around our house for a year. I’d been feeding her hides every day, so she came to view me as her master, and I came to view her as my pet. One Saturday, Baba had decided the dog was suffering from cancer, which was the lie he used to teach me that animals and love are incompatible. I still hear the dog’s whines as Baba held him down. He showed me where to insert the knife to get a clean cut of the jugular. As the blood trickled, he taught me to pull the head back to spread the vertebrae, then insert the blade to cut the spinal cord. Within seconds, the dog went limp and dropped to the ground. My little brother, Rayan, had been watching the whole time. He was indignant.

I cried all afternoon, not because I’d killed the dog, but because of the voice that had whispered to me while I was doing it. The message was eternal, but the voice was meant for me just at that moment. It said with absolute certainty, “Jahannam is real.” Hell. That was the place where all Muslims ended up, according to Rayan once he was comfortable in his apostasy. Three years ago, he formally rejected Mohammad and fled to Italy, where he fancied himself some kind of Christian prophet, all new revelations falling from the sky, from God, entering and expanding his mind to the point of mental exhaustion. The last time I spoke with him by telephone, only a few months after he’d left, he refused to share his divine revelations with me and swore me to secrecy with regard to his whereabouts.

For a virgin, Bell didn’t seem scared or embarrassed or even particularly excited about having had sex. Usually, when a man and woman are together like this, sex is the destination, but it felt like Bell saw the sex as merely a prelude to something more consequential. The sex wasn’t the final act? She looked at me expectantly from the sofa, the perfect curves of her breasts at odds with the twisting vines of her scars. We maintained eye contact for a while, as if we were both seeking assurance that this was real, that we were real. Like during prayer, when the mosque is silent and another man makes eye contact with me, and maybe we both feel a sense of dread in our concentration. We both know there’s a chance all of this is meaningless, that we’re behaving like fools, that Allah isn’t listening, or never was.

A moment later, I joined Bell on the sofa and lit two cigarettes. Her body was still misted with sweat, her face sullen and newly childish once the cigarette was in place between her lips. I was surprised—maybe disappointed—by the absence of tattoos carved into her flesh. All American women had tattoos, I’d been told. Can scar tissue withstand a tattoo artist’s needles?

“Are you okay?” I asked. “I mean, how are you feeling?”

“Fine,” she said, then covered her mouth to muffle a belch, which reminded me of my brother, who equated belches with the release of evil. Was she evil? Had I introduced evil to her body? Was my adultery more or less forgivable than my brother’s apostasy? Did he deserve total ostracism while I sat here in the sweaty spoils of illicit love?

“Why me?” I asked. Not to the heavens, but to her.

She turned coyly, studied my face, caressed my ear—untrimmed this morning—and said, “You called to me.”

“I did?”

“You and those killer green eyes. You called me with those killer eyes.”

Her attention on my eyes and ears was short-lived, however, as the clucks of chickens sailed through the open window on the opposite wall, the one open to the rear and overlooking the coops. She pointed upward.

“Is there a roof?”

“Of course.”

“Can we go?” She stood up, her ass covered in red streaks. Had I smacked that hard? I didn’t like the roof idea, but it had a waist-high ledge around the perimeter and the neighborhood had been abandoned today; the butchers were feasting in the hills with their families. I walked to the bedroom, dressed and tugged the sheet off the bed. When I returned, she was already in the hall. She was nude. I met her there, where we had to climb one flight of stairs to a steel door. I draped the sheet around her shoulders, despite her half-hearted efforts to resist, and pulled up a corner to cover her hair. When I shoved against the steel, its screeching yawn gave way to the orange halcyon sky.

On the roof, which was flat and dirty, her sheet nearly blew off as she raced to the edge. She placed her hands on the ledge and took in the view of the Black Sea, which had been invisible at street level. Its blackish water curdled nearly a mile away, not much farther than the Pink Mosque, the seaside mosque attended by my father, and his father, and stretching four generations back, the mosque where occasional doubts, like ghosts, escaped my heart and tapped on a nearby shoulder, the mosque that too often smelled like dirty feet because the ablution fountain’s water pressure fluctuated with the seasons.

“See that minaret?” I pointed to the pink tower, and she followed with her eyes. “My family has worshiped there for many generations.”

We were four stories high, surrounded on three sides by ugly rooftops, dirty and dilapidated.

Rayan is dead now. I’m almost sure of it. He never phoned me again. Once, I brought up his name during a holiday with my uncles and brothers. We’d gone fishing on the sea, no children allowed, and several of us had congregated at the stern. I shared a memory of Rayan, and, even with the waves, I could feel the sudden hardening of bodies. My eldest uncle shook his head and said, simply, “No.” I pushed a little bit, and asked where Rayan might be; two more uncles glared at me. I wouldn’t have brought up my brother if my father had been present, but even my uncles’ reactions were a shock.

“That boy is gone,” the eldest had said. “Forget his name.”

Could there have been guilt in his voice, or in the disappointed stares of the others? Uncles are the enforcers of the moral code of Islam. They take apostasy seriously.

***

He wasn’t done. I knew it wasn’t going to end with my mother, even before he’d stepped from their blood-soaked bedroom into the hallway. He was coming for me. He couldn’t get me six years earlier, so he was getting me now. I was the burden he had to discard, the surprise he had to forget. This bed was just another womb. Yet, the perfect aim of his crime across the hall hadn’t followed him. Neither of us knew at the time, but it turned out he’d missed both my head and my heart.

When the deeds were done, he didn’t take his own life. This puzzled me because so many shooters, I later learned, shoot themselves as a kind of coda, especially when the victims are spouses and immediate family. Why had he spared himself? I formulated theories in the months and years afterward, but that was just to keep my mind alive. I knew the answer. God had commanded him to kill us. There’s no need for shame when your actions glorify God.

For at least the first year after moving in with my grandmother, she’d cursed him daily for not blowing his own brains out too, for being alive upstate. She didn’t want him in a cell of steel and concrete. She wanted his body buried in the ground and his soul tortured in Hell, and she never once tried to soften that wish for my benefit. My grandfather rarely talked about his grief, but he frequently excused himself from our cribbage games to leave the room and cry. The three of us prayed the rosary together. We said grace before every meal, holding hands and bowing our heads. We sang hymns. “On Eagles’ Wings” was always my favorite. We stared up to heaven as if we’d written the lyrics especially for my mother. The priest dropped by for pie and coffee some afternoons. He had a mustache and always winked at me from across the table as if that’s what grieving little girls expected from visiting priests. I didn’t like him. Not because he was a priest; I love priests. But because of that mustache. My father had the same one.

Senior year of high school is when I found myself drawn to the river, the piers where the most evil seemed to dwell in our sad little city. I’d researched which neighborhoods had the highest rates of assault and murder. I’d dropped by the most populous bars at the most populous intersections, where most patrons arrived alone, even if they’d expected not to leave that way. I dressed skimpily, smiled at men, and learned where drugs were transacted and visited those buildings, pretending to have money. I tried to start fights, said I’d call the cops if they didn’t give me the stuff for free. I asked which corners were best for hookers and pretended to sell my flesh. When a man advanced me cash through his passenger side window, I walked away and laughed. Instead of chasing me, he sped off. I asked a girl how many prostitutes are killed in this area every year. She widened her eyes, shook her head, and waved me away. Another girl called me a psycho and suggested I try online.

My bed had become a puddle of sweat. The back of my head was against the ugly oak headboard. He was standing at the foot of the bed with the muzzle six feet away from my eyes. That mustache was visible in the glow of the night light, which was plugged in just above the baseboard to my side. His brown eyes weren’t quite visible to me, but the twinkles were. The twinkles were his tears, and the night light had caught them too. The twinkles were shaking because his whole body was shaking. Yet he wasn’t pulling the trigger. I could smell cigarette smoke—the scent had always lingered on him for hours—but I still couldn’t make out his expression. He was waiting for something, almost like he was expecting someone to interrupt.

After the first bullet punctured my shoulder, my body shook frenetically, and the headboard banged against the wall. My body commenced a seizure, like when you bang your finger really hard in a door and keep shaking your hand in the air to avoid the worst of the pain. I believe I screamed, but to this day I still don’t know for sure. When the seizure stopped, the burning began. Not like fire burning, but like acid inside, those future belches biting at my organs and poking at my back and shoulder and arm. It’s possible my teeth were chattering. I had no control anymore; the burning was too much for my little body to experience consciously. I had to fall into sleep because sleep was my only chance to cope. I have to sleep. But if I fall asleep, I’ll fall off, I’ll fall backward and land on the pavement and it will be all my fault, not his.

***

“Bell!”

Once I’ve shaken her awake, two sad eyes droop down to face me as her sheet-scarfed head tilts from one side to the other and back again, as if blowing in the wind.

“What are you doing?” I shout parentally.

She blinks both eyes and stares into mine. One of her breasts peeks out from behind the lolling sheet. She takes my hands and places them on her chest.

“Please,” she whispers. It’s a plea for me to do something that only I can do right now, right at this moment on this empty roof in this empty neighborhood, the Black Sea humming in the distance. Only one of us knows what she wants. That’s what I tell myself as I squint and shake my head purposefully in an effort to appear puzzled. But I do know what she wants.

“Please what?”

She nods. She knows I know.

“Ibrahim. I’d rather not beg.”

“No!” I remove my hands, but she grasps one of my forearms with almost superhuman strength. She leans into me from her seat on the ledge.

“Please do it,” she says. “I’m not supposed to be here. This was never supposed to happen.”

“What are you talking about?”

“I was supposed to die. That’s his plan. It’s always been, and it must be finished. I’ve been here too long.”

She steers my hands back to her chest, but I yank them away.

“I’m not doing that,” I shout, genuinely angry. “You can’t do this to me. You want to make me a murderer?”

“It’s the only way,” she says quietly. “It will look like I jumped. That’s all you have to say.”

She looks at the building to our right, and then at the house to our left, and then the building across the street. My eyes follow hers in all directions. If there’s a human face in any of these windows, then we’re both already in danger. A naked girl in a sheet outside for all to see. But there are no human faces, and we both know that. There’s not a single heartbeat in this bleeding neighborhood besides our own.

“I can’t do it myself,” she says. “It’s a sin. I’d be condemned for eternity.”

This time, my puzzled expression is genuine. I shake my head slowly while sound exits my mouth, a steady mumbling sound that is telling both of us no. She’s using me. She wanted to fuck at least once before she died. Now, she wants that same fuck to push her.

“A sin for you too, I know,” she says, faintly smiling in a surreal attempt at empathy. “But a lifetime to repent.”

“This is wrong, Bell,” I tell her and place my hand safely on her shoulder.

“How can it be wrong when it’s what He wants?”

“He?”

She’s finished talking. She raises her bare feet to the ledge and heaves herself to a standing position. Her five-feet-tall body now fully vulnerable to the tug of a sudden gale that could drop her to the pavement below, she looks down at my side of the ledge, down at me, her sheet blowing in the evening breeze, her eyes pleading. Her face appears less pale in the evening, oddly, the enfolding darkness imbues her skin with more color. I know nothing about this girl, but she is suffering. She’s scarred more brutally inside than her shoulder could ever reveal to me. She is someone’s child, someone who may love her, may hate her, but she’s a child. We all are.

As she prays aloud—“Blessed are the fruit of thy womb”—she turns so I can hug her around her knees, but far too abruptly, she almost buckles and falls. I embrace her like she’s the last tree on earth and I need to keep her fully rooted here. Much to my surprise, my eyes are producing tears, which blur her image when I look up. She touches the top of my head and strokes it, then smiles sadly, her face enveloped by the sheet like a head scarf that glows white in the dark.

“It’s time,” she whispers down to me. The tidiest shove will send her to death, but will save her from damnation. She’s right, I have a lifetime to find salvation. She asks this of me as a gift. In death she might find my beautiful brother, who can assure her that I was not a beast, or my beloved Hande, whose body still walks the earth, but whose soul has gone on ahead. Where is all the life?

Bell extends her arms out to her sides and tilts back her head to find the black heavens above—“Now and at the hour of our death”—She shifts her weight backward, outward, so that if I let go, she’ll plummet. The sheet slides off her cruciform body and floats away like a ghost into the night. She now stands naked and waiting, trusting me to do as she asks. The shove will have to be hard, deliberate enough to qualify as certain murder.

The song of adhan soars into the night. The muezzin’s voice begins its tenor chant, which sounds abnormally loud up here on the roof. This is the mosque’s final call to prayer. The last of the light is gone. It heightens my senses as it always does. Bell’s legs have tightened slightly, the melismatic call from the minaret an unwelcome interruption to the task at hand. To reassure her, I loosen my grasp around her knees, and I give her a soft kiss on her lower belly, which has faced my eyes this whole time. When my lips pull back, I glance upward to make sure she’s ready, the call vibrating loudly in the air, swirling all around our rooftop tragedy, and that’s when the dome of bright white stars becomes visible through my tears and her prayers and her suffering. The town, the sea, the entire planet are enclosed in endless twinkling against the black infinity. The blessings of eternity.

 Now look towards the heavens, and count the stars. If you’re able to count them, so shall your descendants be.

I lift with all my might and steal her body from the ledge. I carry her toward the center of the roof, as far away from death as possible. She’s shouting and hitting me, trying to wriggle from my grasp. Her strength makes me stumble, and we both topple to the cement floor. That’s where I take her in my arms, not to love her, but to prevent her escape. Her naked body, however, lies still and docile after a moment, only shaking slightly, matching the rhythm of her crying. Another defeat. Another delay of her fate.

“No,” is all I can say into the sweet sadness of her face. I reach toward her belly, still shaking with sobs, and rest my hand there softly but with purpose. Protectively. I wait for the shaking, the sobbing to wane, which it does after a few moments.

“Why?” she asks, her hands covering her face.

My hand caresses her belly. Where is all the life?

“There could be a child,” I whisper. She breathes in and out a few times, then turns to me quizzically. I nod violently enough so she can see it in the dark.

“I can’t kill my child,” I say. Five words of explanation.

It’s plausible. I stayed inside her downstairs, so we might have conceived. I hadn’t considered the possibility until now, and neither had she, but there may be a child in the stars. If not yet, then soon. When we go downstairs again. And then again.

I kiss her, but she neither resists nor participates. Her mind has gone backward. She has memories of babies in the womb.

The stars above, if they had eyes, might laugh at our bodies on this roof, at the magic we reach for to keep ourselves sane. Or, they might cry over us, two sheep unaware of our significance and the worthiness of our sacrifice. Even stars will one day lose their light and die. Will they remember us from their heavenly tombs?

Picture of Leon Marks

Leon Marks

Leon Marks is a writer and college professor living just outside New York City. He holds an MFA in Creative Writing and currently teaches graduate-level writing and communications at Johns Hopkins University and City University of New York. Twice nominated for the Pushcart Prize, his fiction has been published in The New Haven Review, The Westchester Review, The Stockholm Review of Literature, Thug Lit, Pulp Modern, Typehouse and Union Station Magazine, among others. He is the founding editor of Heart of Noir, a comprehensive educational resource, film directory, and online fan community aimed at expanding appreciation of the mid-20th century classic film noir phenomenon. He also served as editor for Now What? The Creative Writer’s Guide to Success after the MFA (Fairfield University Press, 2014), an anthology of essays and articles about the writing life.

Redress

Montgomery Resor was an unassuming man, and he lived a quiet life. Slight of stature, bespectacled, with a plain oval face given to sallowness and a carefully barbered black beard, he was quite easily overlooked in a crowd. He spent his work days poring over balance sheets at the Boston offices of Samuel Redfield and Sons, Accountants. At thirty-five, he had been with the firm for eight years. He did his work conscientiously and gave no reason for quarrel, each January being rewarded with a small raise in his salary.

Montgomery lived frugally with his calico cat Charlotte in a modest townhouse in the city’s South End. He had no social life. With the exception of his once weekly dinner at a cafe around the corner from his lodging, he took his meals at home.

An unremarkable life—until the morning of October 7, 1879.

At shortly after 9:00, the knocker on his front door sounded heavily.

“Mr. Resor,” said the liveried postman, “no letters today, sir, but I do have a special delivery parcel.” The carrier handed over the package and, tipping his cap, departed.

When Montgomery had returned to his easy chair by the fire, he mused as his cat curled nearby. “Curious, Charlotte. Did I tell you I was expecting a parcel? I thought not.” Carefully, his thin fingers removed the brown wrapping paper to reveal a handsome black-leather bound book, its cover embossed in scarlet: Collected Tales of the Macabre by E. A. Poe

“Oh, my!” he exclaimed, turning the volume over in his hands. His reaction was understandable, for collecting fine books was his singular passion. Since his youth he had been an inveterate reader, and over the years he had amassed a respectable library. In this he found great comfort and fulfillment. He could think of no more gratifying an evening than one in which he lit a fire, brewed a cup of tea and read from a book in his collection.

With great care, he opened the book to the gilt-edged title page, and when he did, a sheet of note paper slipped out. Unfolding it, Montgomery read the message, written in black ink with calligraphic artistry and precision:

 For your eyes only. More rare volumes such as this.

 Tonight: 7:00 112 Marlborough Street

Mme. Olga Fortunoff

He was baffled. He knew no one by that name. Was the invitation actually meant for him? He retrieved the wrapper. Indeed, it was his name written on the paper. But who was this “Mme. Fortunoff,” and how would she have known of his keen interest in collecting vintage books? Though normally the most reticent of men, the allure of the invitation was potent, and he resolved to accept it and learn the answer to his questions.

The hours of the day seemed to drag on interminably. Montgomery found himself too restless to lose himself in reading, so he occupied his time by running several errands and taking advantage of the mild autumn weather with a long afternoon walk in a lovely park near his home. But despite the serenity of his surroundings, he could not banish the nervous expectancy that grew within him through the day.

At length, with evening approaching, he ate a light supper; and, as the clock neared a quarter to seven, he hailed a hansom for Marlborough Street.

Number 112 was a handsome brownstone a few steps off Clarendon Street on one of the Back Bay’s leafier blocks. Montgomery climbed the dozen cement steps to the landing and gave the brass knocker several sharp raps. Presently, the door opened, and he was greeted by a tall, arrestingly beautiful woman he took to be in her early thirties.

“Mr. Resor,”she said, as she ushered Montgomery into the foyer. “you’re right on time.” Her voice had a smoky, breathy quality. Walking a few more paces, she gestured to her right. “Let’s make ourselves comfortable here in the library, shall we? Please, take a seat.” 

The room was lit only by a fire and several tabletop candelabra, but there was ample illumination for Montgomery to be struck by the rich mahogany bookcases on every wall that held what he could only guess were scores of rare volumes.

“Now,” his hostess said warmly, as Montgomery eased into a deep leather chair, “a proper introduction. My name as you know from the invitation is Olga Fortunoff. My late husband was an importer of fine wines; and, like you, he was a lover of books. More in a moment, but first let me see to refreshment.” On a table between them sat a crystal decanter and two wine glasses.  Montgomery took note of the woman’s attractiveness—the fine features of her face, green eyes, her beautifully coiffed dark hair and tasteful, obviously expensive, clothes. She lifted the decanter and began to fill the goblets.

“I don’t mean to be rude, Madame Fortunoff—and I’m very pleased to meet you—but, in truth, I am not much of a drinker,” Montgomery said rather meekly.

“Well, I urge you to make an exception on this occasion, Mr. Resor. This is an especially fine médoc, and I have saved it just for your visit. Please,” she continued, proffering the glass containing the shimmering deep burgundy-colored wine. Her voice he found most alluring, her manner quite persuasive. His reluctance melted away.

“Thank you,” he said, taking the goblet.

“A toast, then,” Mme. Fortunoff announced, lifting her glass. Somewhat haltingly, Montgomery did the same. “For the love of fine books.” He took a tentative sip. “Come, come,” said his hostess with mild reproval, “you must do better, sir.” At that, Montgomery followed with a healthy draft, and it made his head swim.

Madame Fortunoff took a chair opposite her guest.

“Now, I know how curious you must be about your presence here this evening.”

“Indeed,” replied Montgomery, “most curious.”

“All your questions will be answered, I assure you. As I said—and as you can see around you—Mr. Fortunoff was a passionate collector. Frankly, his ardor was much greater than mine, and now that he’s gone, I am intent on divestment. It became known to me that you were a discerning collector, so I sent along the invitation; the volume of Poe’s stories I hoped would serve as an inducement.” She paused. “Pray, finish your wine. Another glass perhaps?”

“No, no, really, this one is quite enough.” And not wishing to appear ungrateful, Montgomery drained what remained in his goblet.

“Perhaps, if you’ll permit me, Mr. Resor, a few more details about the collection.”

“Certainly, madam.”

“Mr. Fortunoff began amassing these volumes ten years ago, shortly after our marriage…” As she continued, Montgomery strained to follow his hostess, but the power of the wine was acting upon him as a soporific. Time seemed to elongate and slow. Madame Fortunoff’s words took on the character of speech emanating from the depths of a chasm. With supreme effort, he struggled to refocus. “…but I must not waste another minute before I show you my late husband’s most prized acquisition,” Mme. Fortunoff said, rising from her chair. “Please come with me. This volume I keep in very special place, a very secure place.”

“I-I’m sorry,” Montgomery stammered. “I’m embarrassed to say I’m feeling a bit woozy. Perhaps I should stay here.”

“Think nothing of it,” Mme. Fortunoff said airly. “I’ll assist you. After all, you wouldn’t want to miss examining what is purported to be one of the very few copies of the Gutenberg Bible extant. I have my doubts and would very much value your appraisal.”

“Well, I…” Montgomery began as his hostess helped him to his feet and steadied him as they left the library and began descending a winding staircase off the main hallway. “Two…left…feet,” he mumbled as they moved haltingly down.

“Here we are,” Mme. Fortunoff said when they reached the bottom of the staircase. They were in what appeared to be a basement, not a large space, with brickwork all around. It had a dank, musty feel. The only illumination was provided by several beeswax candles that flickered in wall sconces. “Let me help you to this small bench, Mr. Resor. You can take a moment to gather your senses.”

But instead of shaking off the effects of the wine, Montgomery slipped into a kind of twilight, and there he remained for how long he did not know. When he began to return to greater lucidity, he became aware that both of his arms were raised and his wrists were shackled in rings to a chill brick wall behind him. And his consciousness registered something else—a sound very near.

“Madame Fortunoff…” he slurred.

“Ahh, Mr. Resor, you’ve come around. Good. Now I can complete the explanation of how you’ve come to be here.” With each passing minute, the fog in Montgomery’s head was clearing, and as it did, he realized that not only was he chained but that a low wall had been built up around the space he occupied. And there was more to his dawning horror, for he beheld before him not the sublime elegance and beauty of the woman who had been acting as his hostess, but the grotesque figure of a rotting corpse, its grinning skull topped by a decaying conical cap festooned with tiny jingling bells.

“W-Who are you? Where is Madame Fortunoff?? And what are you doing?”

“Why, Mr. Resor, I am Madame Fortunoff, and I am, shall we say, cementing a long-standing relationship. You see, your name, ‘Montgomery Resor’? That was the name your great-grandfather took when he came to this country, the better to mask his Italian heritage from the prejudices of the Boston brahmins. In turn, it was handed down through the generations to you. In truth, your family name is ‘Montresor’, with its origins in Venice. And that is where your family and mine intertwine. For, you see, my Christian name is Fortunato.”

“Montresor? Fortunato?” Montgomery struggled to comprehend.

“Yes! And the wine you drank? Why, of course, it was Amontillado!” The hideous figure threw its head back and roared with laughter.

“But,” Montgomery protested weakly, “that was only a story…a-a fiction.”

“Was it now? And this is merely a fiction?” the creature snapped, troweling a fresh layer of cement and setting more bricks, bringing the height of the wall to the level of his captive’s chin.

“But why?” Montgomery cried out, now completely lucid and gripped by panic, “I’ve done nothing to you!”

“Not directly, of course Mr. Res—Signor Montresor. But your ancestor in Venice, during the height of the carnival season…surely, you need not have me recount the particulars.”

“But I bear you no ill will!” The grotesquerie paused, its decayed flesh reflecting dully in the low light. Its countenance, what remained of it, was a rictus of mockery.

“Immaterial, I’m afraid,” the hellish thing said, drawing so close that its foul breath filled Montgomery’s nostrils. “You are the last of your line, and I find it only fitting that the same fate to which your ancestor condemned me be visited upon you.”

“You can’t,” Montgomery cried, straining against his bonds..

“Ah, but I will!” The creature declared, resuming its diabolical work.

Once the final brick was set in its place, the thing admired its handiwork for a moment, before tipping its skull backward and laughing maniacally. It echoed off the brick recesses of the basement and swiftly died away, leaving an abyss of silence broken only by the hiss of one of the guttering candles.

From behind the freshly cemented wall came the faint rattle of chains, a low moan and an anguished “For the love of God, Fortunato!”

“Indeed,” replied the abomination, “for the love of God!”

Picture of Nick Young

Nick Young

Nick Young is a retired award-winning CBS News Correspondent. His story "Breathe" appeared in the Stygian Lepus, Edition Six. In addition, his writing has been published in dozens of reviews, journals, and anthologies. His first novel, Deadline, was published in the Fall of 2023. He lives outside Chicago.

The Distance Shrivels

I used to think time was an elastic band attached at one end to the past. Unless you were strong enough to overcome the tension and snap the damn thing to break free, the struggle to escape would inevitably exhaust you.

The road stretches to the horizon, carrying my car alternatively through the rough rattle of old bitumen, and the muted hum of new. The accelerator holds beneath my foot without effort, to maintain one hundred clicks. A pair of Whistling Kites swoop at carrion on the road in front of me. At my approach, black and brown blurs thrust up into the sky propelled by one meter wing spans. Kites don’t have pasts. They don’t have futures either; at least not ones which they contemplate. They are free from reflection.

The light fades as picturesque altocumulus clouds thicken into brooding cumulus as a wet season storm brews in the heavens. Framed by such, I see a giant light globe. Its filament sparking from top to bottom, flooding the edges of the moisture dense clouds with ghostly flashes. I can hear the cracking and rumbling despite the volume of the music filling the car. The CD player no longer works, so I surrender my ability to choose. There are only so many radio tunes I can take. They play an impressive variety of music and occasionally provide a real gem to surprise me, but mostly, I’m enduring a mediocrity which fails to connect. I have to feel it.

A feeling is worth chasing, isn’t it? If you identify it, then locate it, and the memory is attached to a promise of euphoria. Surely, that is worth pursuing. I’ve decided that the buzz I long for is at the end of this road. I experienced it previously, but I’m running away now. Have been running since accepting the job offer in Darwin. I’d never considered Darwin, until I did, and now I’ve been here for years. I don’t want to leave either. Like many Territorians, I’m from somewhere else. I left my family, tattered and fragile as it was, and fled to the land of the runaway. The land famous for crocodiles and oversized bottles of beer. A city filled with fly in, fly out workers who either suffered through the separation, and the demanding work schedules, or embraced the otherness. The separateness. The distance. The safety of isolation.

There was a guy who found himself in the watch house again, after a short stint in jail and a long night on the tiles. His wheels were spinning until he met Jesus and started going to some happy, clappy church in the suburbs. I knew him because I ended up at the same institution. The people were irresistible and overflowing with acceptance and tolerance. After several months, he became a part of the furniture, serving the church with the skills God had given him, and dispensing advice in the midst of oversharing about his tragic family history. I learned very late, too late, that he was on parole and being sponsored by the church. We got reasonably close after many conversations over tea, either before or after the morning service. He started to change. I smile. He started to transform, exactly like the sky above and before me right now. Darker. He made me uncomfortable, so I avoided him. Then he was gone. Running again. His parole period had ended, so he climbed on his Harley Davidson Street 750 and took off.

I’m on Giraween Rd, which connects Coolalinga to my destination: the horizon. Ten minutes behind me is the clubhouse of the Hell’s Angels. The gates are red, bright like we imagine the devil’s horns, not dull and dirty like the Top End soil decorating the space between the edge of the road and the spear grass still erect, yearning for rain, waving at the procession of vehicles which pass. Girraween Road is flanked by large acreages, homes and sheds set way back from the road behind barbed wire topped fences. These gates are all gray or silver, occasionally white, but soiled white like the ancient line markings on the road. Everything feels old. The collections of car and farm machinery wrecks, the tumble-down buildings, the unkempt grounds in which the bush and the civilization fight for supremacy. I know where my gate is now. I could find it in the dark, or in the belting monsoonal rain, but I’m not looking for it today. My focus is on the horizon.

I’m tired of that gate, the house, the trees, and the dogs behind it. Restless, I’ve made up my mind to drive on to the end. The end is an undiscovered country. I’ve never passed my gate. I don’t know what’s down there. It looks like more of the same. The dividing line between earth and sky is obscured by the rising and falling bitumen, shrouded in mystery. A sign tells me to hit the anchors. Twenty kilometers off my speed in twenty meters, not that anyone cares. If I was in the city or the suburbs there would be police around. I got surreptitiously photographed the other day doing seventy-two in a sixty zone. When I didn’t slow down fast enough, officer friendly snapped me. I only found out about it three weeks later when the fine arrived in the mail. Big fines for minor offences while the kid doing two hundred on the highway has no authoritative audience.

The air, thick with rain, assists my deceleration, and I need to adjust the air conditioning. It’s chilly. Cold, like me. Alone and on the run. A pretender, bluffing my way through life: a job, a church, some friends. Faking enjoyment of my routines, even singing their praises to anyone interested. I’ve got so much free time, I started writing a blog called I Don’t Cook. A hundred people in Poland read my reviews of microwave dinners every night.

At times, I really felt like I had broken free from my past. Fleeting moments of delirious joy served with spoonfuls of hope gave me enough strength to persist through the crippling grief and desolation. The tension in my stomach, in my neck, the permanent frown which I attempted to massage away with moisturizing cream. I had a girl to share the pain with for a while. The problem was she was the cause of most of it in the first place. Sadly, it took too long to wake up to the devastation being caused by that diseased relationship. By the time I finally removed her physical presence from my life, her bitterness had stained my heart and infected my mind. I don’t know what kept me going. Pig headedness. Stupidity. Addiction. She was bad from the start, and I should have known better, but I was messed up. So certain of myself that it qualified as delusion.

The gate whizzes past on my right as the first heavy drop explodes on my windscreen. In a few seconds, it’s an invading army which I fight off with my windscreen wipers on high. I pop the headlights on too. The low-profile tires of my Falcon no longer feel so sure on the road. The rain is hammering down, and water pools in irregularly placed splotchy puddles. I hit one and feel the tires skate across rather than roll. Slightly unnerved by the loss of control, I ease off the accelerator. Needing to concentrate on the road causes my melancholy to evaporate. I feel better, lighter. I bless the storm, and thank the God who blew it in my direction.

My life has changed dramatically, beyond belief. I was deep in a financial quagmire courtesy of careless spending and allowing myself to be manipulated. One of my addictions bled my bank balance to the point where I began defaulting on loans and I was caning my credit cards to the limit and beyond. I was chasing thrills, stuck in the cycle of diminishing returns. Fooling myself I was making progress and this time I would find what I was looking for. I didn’t even come close. More destructive, exploitative relationships followed. I was on the phone every day to creditors making new arrangements to repay debt which I knew I would not be able to meet. Chasing further highs to self-medicate on the internet, and then a miracle happened.

Whilst battling my demons, and mostly having my arse kicked, God intervened and sent me an angel. I knew it from the first time I saw her picture. The first time I heard her voice. The first time I kissed her cheek and held her hand. Purity. Goodness. Grace. The undeserved favor of God personified in an elegant woman. Meeting her was the beginning of my salvation. Everything began to change for the better.

The car slows as I lose concentration and forget I’m driving. I can’t see the road now because of the teeming rain. I have to stop. It’s too dangerous. I tentatively pull off the road and engage the handbrake, preparing to wait out the storm. I used to think time was an elastic band anchoring me to the past, but I infused it with power. Gave it authority to restrain me. I did it to myself: my own worst enemy. Time is not an elastic band. It’s gelatinous and quite capable of maintaining a vice grip, but it can be easily stretched beyond its capacity to hold shape. I did it. I broke free, but only because I never gave up and I recognized my limitations. I couldn’t save myself. Neither could this angel from Saigon, who I met on an internet dating site one day before I was planning to cancel my membership. She was, however, a vital cog in the machinery of the rescue plan. She still is.

The rain is easing. I’ve lost track of time. The clock in the car doesn’t work. Like the CD player, the digital display on the dashboard has passed its use by date. It’s unreadable. Time doesn’t matter now. The dogs will be overjoyed to see me when I get back. I get the same reaction whether I’ve been gone for an hour or a day. The big dopey one will do pirouettes, flicking spit out of the side of his mouth when I appear with a bowl of food. The other one, which stands as tall as me, will try to eat the biscuits, dog sausage, and even the bowl right out of my hands. They’ll act like they haven’t eaten for weeks. They can’t remember the past, and they don’t think about the future.

A future is exactly what I have now, and I should focus at least some of my intense mental activity there. I can enjoy each moment too. I can dance and salivate when food is presented to me. My angel from Saigon may be far away from me physically, but I never felt closer to a woman. I married her last year, and I’ve never been happier. The problem is I’m not a whistling kite or a dog, so the past still impacts me. I destroyed all my credit cards and I’m paying off debt, but every scheduled direct debit from my account is a reminder of the past. Thankfully, it’s also a beacon for the future. It is my choice how to view it. My choice to return to my gate, or press on, urgently to the horizon, to the future. I’m sitting in a car which I shouldn’t have bought, but one I love and don’t want to sell. I’ll finish paying it off this year. Then, I’ll own it, as I already own the memories I’ve made in it and with it. A thousand turns, hundreds of crossroads. Choices.

Resurgent evening sunshine breaks through the disintegrating clouds and begins to bake the saturated earth once more. It won’t take long until all these irregular shaped pools and ponds disappear. The evidence of the historic storm will soon be gone. I won’t remember it because it has passed, and no longer bears down on my present. I’m free now. I just need to live free. U-turning with care, I accelerate slowly away from the horizon. The distance shrivels behind me, as does the distance before. I turn the car to face the gate, and the dogs lope down the driveway to greet me. It is now. I am in it. Having learned my lessons from the past, and being at peace as I await an undisclosed, but secure future, I choose to live now.

Picture of D.A. Cairns

D.A. Cairns

Heavy metal lover and cricket tragic, D.A. Cairns lives on the south coast of New South Wales. He works as a ghostwriter, has had over 100 short stories published, and has authored seven novels, and a superficial and unscientific memoir, I Used to be an Animal Lover. His latest book is the Square Pegs anthology. You may like to visit his website.

Nightus

Casper barked and Vayda jumped. Her sister was running around the tree, chasing a black dog. The summer air was hot and sticky, and she was ready to go home and find popsicles.

“Let’s go, Seven, it’s too hot,” she said.

“No!” screamed the small blonde girl. She was red in the cheeks from running. She sat on the ground in protest, the little black dog lying beside her, panting.

Vayda glared but said, “I’ll give you the last cherry popsicle.”

A bribe worth taking, but Seven shook her head and fell back on the ground, spreading her arms out in the grass. They had been out there for hours now, arriving right after breakfast and eating apples from the orchard trees.

An older gentleman stepped onto the trail behind the girls. “Well, well, well. I knew I would find you two out here. It’s too hot to be out without sunblock.”

“Please leave us alone,” Vayda said.

“I mean you no harm,” he replied.

Seven chirped in, “What do you want?”

“No, we don’t want to know. Please leave us alone,” Vayda interrupted.

“Now, now, let’s talk, children. I just want to have some fun, play some games. I mean you no harm.” His eyes gleamed with schemes and lies.

The girls held onto each other, Casper standing in front of them. A good boy.

“We’re leaving.”

“But, Vayda.” The older girl shushed her sister with a look and started to walk away backwards, keeping her eyes on the man.

He stood at six-feet-seven hunched over, a hump on his back. His eyes were dark like the night sky, but something darker lay within them. The girls had heard of him—the one of the night, the seeker of stars and dark magic. An ancient one called Nightus. He steals your dreams and weaves them into his cloak, leaving nightmares in his wake.

“Come with me, child, we will play some games.”

The girls broke out into a run, the dog following behind. They just needed to get to the porch. Back home. To Nana.

“Come back here! Why won’t you come back here?” The creature was getting closer and closer, his breath loud and tormenting behind them. Thump. Thump. Thump. The porch was still yards away.

He jumped in front of them. “To the land of night and danger we go, children.”

And they vanished.

Picture of Caitlin Donnelly

Caitlin Donnelly

Caitlin Donnelly is a young thirty something millennial with a passion for weaving captivating horror or science fiction stories that transport readers to new worlds. With a background in creative writing, she infuses her work with modern and futuristic ideas. When not crafting narratives, Caitlin enjoys music festivals and people watching. A mother of 2 humanoids and a fur baby, she spends most of her time looking for new and exciting stories to write.

Drafting a Memoir

is an archeology of journals,

unearthing the entombed past,

layers within layers, exposing

the true character of characters.

Who can remember who said

 

what, or when? What did I reply?

Who knows how long it took to learn

their customs and kinship rites

when so much was omertà? How

can I be sure if what I wrote

 

in journals at that time expressed

my true feelings? Or was it my inner

parrot memorizing, reciting back

for that old carrot? I learned through

indirection, signals, distractions

 

which subjects were taboo. Don’t call

this vendetta or revenge. There’s enough

blame and blackmail for all. I never had my

say, was never understood. Autonomous,

now I’m digging down, digging in

 

to grasp the last rubble of memory,

to comprehend how I hooked onto

someone who called himself analyst,

not the puppet master, cult leader, pimp,

and scammer he exposed himself to be.

 

It’s right here in writing, in my hand,

inked on these bound pages. How clearly

I revealed the doubts in my own words

that no one perceived or heard. Changed,

I wish I’d listened, read my pages.

Picture of Joan Mazza

Joan Mazza

Joan Mazza worked as a microbiologist and psychotherapist, and taught workshops on understanding dreams and nightmares. She is the author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam). Her poetry has appeared in Potomac Review, The Comstock Review, Prairie Schooner, Adanna Literary Journal, Slant, Poet Lore, and The Nation. She lives in rural central Virginia.

Don’t Call it the Blues

I don’t get depressed. When sad,

I turn inward, backward, ponder

my timeline, consider what I might

create next. I’m not the kind

who stays in bed all day or lets

dishes collect in the sink. I drink

coffee, not wine for breakfast, make

herbal tea in the afternoon to soothe

my roiling brain after a day of all

bad news. When I find myself

worrying about the teenage kids

of a mother deported to Mexico,

wondering how they’re doing,

who’s paying the rent, I look

out the window to see the trees

leafed out in their early green

of spring. Though it’s May,

the heat is on, blowing hot air

up the vents, telling me it’s okay

to sleep some more. The cats

are sleeping, as is my old dog.

I’m going back to bed. Don’t call

it depression. It’s healthcare.

Picture of Joan Mazza

Joan Mazza

Joan Mazza worked as a microbiologist and psychotherapist, and taught workshops on understanding dreams and nightmares. She is the author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam). Her poetry has appeared in Potomac Review, The Comstock Review, Prairie Schooner, Adanna Literary Journal, Slant, Poet Lore, and The Nation. She lives in rural central Virginia.

I Wonder

Three of us carry the broken fem-bots away.

They have been used, abused, filled with organic human matter, and are now useless at their jobs.

They have merely been put into stasis, but can still see and “think”, if we artificials are capable of such a thing.

We walk across the barren plane to dump the bots into open dump-holes where they will be piled on top of others until the day when their batteries eventually fail.

That could be decades.

I wonder if the same will happen to us—we three dump-bots whose sole purpose is to discard.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and is also a poet. His work has appeared in various anthologies, journals, and magazines, including several past issues of The Stygian Lepus.

Wandering Star

I killed the crew of the Wandering Star—

humanity’s last hope.

On a desperate mission to find a new home,

far from our forsaken star.

I caused the ship to crash—

after gouging out the eyes

of the captain—

into this lonesome planet of obsidian

where I now find myself.

 

Maybe I’ve lost my mind,

but I heard a voice calling me here—

a soft whisper in the dark.

They called me insane,

said I’d gone

AWOL,

tried to lock me up.

Now they’re gone.

 

I wander the surface,

guided by a whisper,

until I stand in its shadow—

an upside-down

colossal pentagonal

black pyramid

floating high,

high above.

I weep when I realize why

I’ve been led here—

to bear witness to the leviathan’s arrival,

declaring the end

of all things.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and is also a poet. His work has appeared in various anthologies, journals, and magazines, including several past issues of The Stygian Lepus.