Department of Murderous Vixens by Don Money

“Number thirty-one.” The monotone call from the woman in horned-rimmed glasses echoes across the stark lobby of the Department of Motor Vehicles.

I look down at the number thirty-nine ticket I’m holding in my right hand. So close, yet still so far away. At least I’m not the unfortunate lady with two young kids that just walked in and pulled fifty-two from the ticket dispenser. She lets out a heavy sigh as she realizes she’s in for a long wait.

“Number thirty-two,” the second DMV lady, a white-haired older woman who likely oversaw the transition from horse carriage licenses to motor vehicle registrations, calls out from behind the dark brown counter.

Several screams erupt from somewhere outside the building, and as I turn and look, there are a dozen people running past the windows. No one else seems to be paying much heed to whatever this commotion is that’s going down. It is the DMV, after all, and the unwritten and unspoken protocol is to just mind your own business until it’s your turn to face off with the license and registration gatekeepers.

I fumble with the tax assessment and insurance papers in my left hand, hoping for the hundredth time that this is all I am going to need to get my tags renewed. The door swings out jarringly, as if the person is pawing it open like they don’t remember how doors work. Absentmindedly, I look over to see who this latest victim of state governmental bureaucracy is going to be.

Right away, something seems off about the man standing there. He is the epitome of disheveled—suit hanging loose and ripped in places, hair messed up, slack jawed, and eyes bloodshot. Poor fellow must have just come from the tax assessor’s office.

His eyes roam hungrily over where the twenty of us sit waiting. My unease grows as he moans and shuffles toward the playful, squealing sounds of the young kids who sit with their mother. The man’s teeth gnash together and my fight instincts kick in.

Before I can make my move, the third DMV lady calls to the man in a gravelly voice that can only be attained with a pack a day habit, “Sir, take a number.” He keeps shuffling toward the children, so she waves her arm, points at the red ticket machine, and replies even louder, “Sir! You have to take a number.”

This catches the man’s attention, and he alters his shuffling path of travel toward the long wooden countertop. The man’s moan becomes more of a feral growl as he approaches. He bumps into the counter and with outstretched arms, swipes at her. Things are getting weirder with the man’s behavior.

“Sir, if you are here for the vision test, you still have to take a number,” Pack-a-Day says.

The sound of a car crash in the parking lot and more screams pull my attention in two different directions. The chaos outside and the man inside quickly become secondary as the door shatters open and dozens of people shuffle through the door. Bloody with torn clothes, they moan and advance on all of us gawking at them.

A young man seated in the middle of the waiting area is the first to realize what’s going on. He stands and yells, “Zombies!”

In the blink of an eye, the DMV flips from a nervous calm to full bore chaos. Screaming. Crying. Cursing. Praying. Running. Pushing. Shouting. Accusations directed at the government. Chaos.

The first zombie to reach the crowd grabs a man wearing a flannel shirt and drags him to the floor. The other zombies collapse onto the downed man in a fit of gnashing teeth and flailing arms. The man’s unwitting sacrifice has bought us a few seconds of safety.

I look around for something that could be used as a weapon and pick up one of the plastic chairs, holding it with the legs facing out to form a barrier. Several of the other able-bodied people follow my lead and we form an improvised shield wall. We may just be able to hold off the zombies until help can arrive. Surely the police department is on its way here to save us, but then I quickly realize this apocalyptic event must be happening all over the city. We are on our own.

The situation nose dives even more as the zombies finish their flannel appetizer, then eye us, the main course. Better to go down fighting, I think, and ready myself.

As the zombies close in, they are suddenly distracted by a series of bright flashes coming from the counter. The Older DMV Lady has swiveled around the license camera and is unleashing a blinding fury of flashes to distract the zombies. Along with the flashing lights, she unleashes a barrage of foul language that catches everyone, including the zombies, off guard. I am not sure if the lights or the profane use of their mother’s names are having the biggest effect, but the zombies turn and lurch toward her.

With the attack redirected from us, Glasses DMV Lady calls out, “Quickly, everyone over here!” She beckons us to seek refuge behind the tall counters.

Those of us with the chairs form a rear guard as the crowd is ushered through the half door to temporary safety.

Glasses introduces herself, “I’m Velma. Over there, working the camera, is Elenor. Please excuse her course language, she’s a big Samuel L. Jackson fan. And there, by the license plate cabinet, is Janice. What we need you to do is hang on to your numbers and as soon as we clear this out, we will open back up.”

Pack-A-Day, or rather Janice, has gathered a handful of vehicle license plates into her arm and turns back toward the zombies. “All right, Elenor, it’s your state authorized hourly break. I’ll take over from here.”

Janice jumps onto the counter and, with deadly accuracy, unleashes a torrent of license plates into the zombies. The plates sling from her hand, slicing into the attacking undead, decapitating some and dismembering others. I can’t help but wonder if this is something they train for at a DMV Boot Camp or if Janice is involved in some type of metal slinging projectile team. Her attack has decimated the front line of zombies. Unfortunately, at least thirty more have staggered through the door into the DMV.

Elenor laughs. “Oh no, Janice, if you think I’m going to let you have all the fun, you’re sorely mistaken. I will just double stack my breaks.”

Janice scoffs. “You can’t do that Policy 3.2.4 clearly states that no employee is allowed to double stack breaks during off-peak hours or between Thanksgiving and Christmas.”

“Unless,” Elenor says, “the station supervisor signs off on it. What do you say, Velma?”

Velma looks up from where she is gathering the blank stock of driver’s licenses at a desk. “Approved,” she says and pulls out a big roll of tape from a drawer.

I am astonished at what is playing out before my eyes. In the middle of the zombie apocalypse, the DMV ladies have turned into action heroes. I watch as Elenor unplugs the optical vision screening machine and lithely hops onto the counter.

“Yippee-ki yay,” Elenor yells out as she dives off into the horde of zombies.

Instinctively, I look away, not wanting to see the dismemberment of the old lady, but instead of hearing her cries of pain, I hear Elenor manically laughing. I look out and see that she is holding onto the cord and swinging the vision machine like a mace. The room is filled with the thudding cracks of impact to zombie heads. Like a scythe cutting wheat, a circle opens around her as she clears out the undead.

The ladies have put a hurt on the zombies who have attacked the DMV. A small group of six people decide to make a break for it and seek refuge elsewhere. Velma tries to talk them out of the idea, but they are steadfast in their decision. I decide to stay here to help keep those who remain, including the mother with the small children, safe.

Just as the group makes it to the one remaining exit that had not been breached, a tidal wave of zombies burst through the glass door and wash over them, pulling them into a surge of bites and scratches. There are at least twenty new zombies that came in this attack.

Elenor yells over to Velma, “They still had their number tickets. In accordance with DMV regulations, any tickets that are unused but pulled must be recovered.”

“I’m on it,” Velma says back.

I look over at Velma and discover she has been busy. She has used blank driver license cards and tape to create a suit of bite protective armor to cover her body. Velma, not content with just defensive measures, has secured three letter openers to her right hand, making claws like Wolverine from the movies. She has transformed herself into DMVerine.

Velma dashes through the half door in the counter and rushes into the zombies piled on the escape attempters. In a vicious manner, she slashes away at the outer layer of undead bodies until she exposes the poor victims. Velma crawls into the pile of death and disappears. The writing mass of zombies close back in over the hole Velma created. I worry that one of these noble DMV warriors has finally succumbed.

Seconds pass and it seems time is standing still until a fist with letter opener claws pops out the back of the zombie on the top. Like a phoenix rising from the ashes, Velma stands up in the midst of a pile of carnage, and her left hand shoots high above her head, victoriously clutching six number tickets.

Another rush of zombies crashes through the door behind Velma and threatens to overwhelm her.

“Run!” Janice calls to Velma as she provides cover fire through a barrage of metal plates, slicing into the encroaching zombies.

Velma starts for the counter, but her path to safety is blocked as a dozen zombies break through a window, cutting her off.

A whooshing sound picks up in intensity and Elenor yells to Velma to duck. Velma drops into a baseball slide and glides across the polished floor under the spinning mace of Elenor. The improvised vision machine weapon cuts into zombies like a mower blade through a yard full of grass.

Velma climbs back to her feet and spins around, claws ready to engage any threats. Elenor slows the mace down and lets the vision machine come to a rest on the floor. Janice throws two more license plate projectiles, dropping the last zombie standing. The trio survey the DMV and find no hostile forces left to oppose them.

In the doorway, several zombies stumble in and survey the scene, looking at the trio of deadly murderous vixens standing ready to defend their sanctuary. Then they turn and shamble away from the DMV.

Janice opens the counter door and ushers the others and myself back into the lobby. “Sorry about the less than ideal condition of the lobby,” Janice says. “Now please find a seat, and we will be with you shortly.”

Janice returns to the counter as Elenor collects up the vision machine and returns it to its rightful place.

Velma clears her throat and calls out, “Number thirty-three.”

Picture of Don Money

Don Money

Don Money writes stories across a variety of genres. He is a middle school literacy teacher. His short stories have been published in multiple anthologies including with Vault of Terrors, Trembling With Fear, Shacklebound Books, Black Hare Press, Wicked Shadow Press, and Black Ink Fiction, and in Troopers, Martian, Stupefying Stories, Saddlebag Dispatches, and Stygian Lepus magazines. Don’s stories have won placement in contests in Alabama, Arkansas, Kansas, Missouri, Oklahoma, and Texas.

Bullshit, Inc. by Jeremy Stelzner

Look, we all get tired of actors repeating the same folksy anecdote on late-night talk shows, NPR interviews, and whatever the new hip podcast of the hour might be. It would be easy to dismiss Public Relations as just another generational grift—like social media “bringing us together” or targeted advertising making the purchasing experience more convenient for users. But Public relations—the art of bullshit for power—can be traced, in one form or another, back to the times of Ceasar. His chief political advisor, Cassius Stultus, was known to have started his meetings with the mighty Julius by employing the famous phrase hoc stercus tauri est sed—this is bull dung but.

What a word, but. That one little world contains all the power of a proper PR campaign. Sure, a pop star ran over a migrant while high on poppers, but they donated $15 million to a charity that gives puppies to disabled children. Sure, that award-winning director did fondle young actresses during their auditions, but he fully financed thirty-six independent documentaries and feature films on a wide range of social issues, ranging from the conflict in the Middle East to the secret lives of trans Mormons. Alright, you got us: the senator did embezzle $11 million from one of his constituents’ action committees earmarked for inner-city public school equity grants, but he said he was sorry and donated a chunk of those stolen funds to women-owned businesses throughout the tri-state area. But I digress.

On the day I got my big break at Onzin Public Relations, I was having a coffee in Promenade Park. A group of pigeons gathered by my feet. They danced around my ankles, merrily clucking up, pausing their prancing only to peck on a day-old poppy bagel. I enjoyed their company because they were harmless. They enjoyed mine because back then, I was harmless, too.

Two skinny teenagers in black wool caps sat on a neighboring bench listening to music on their earpods while slurping whipped-cream iced coffee shakes. They giggled, snorted, and smirked wryly while texting one another smiley-face emojis to indicate to the other they were happy.

I put on my sunglasses so they couldn’t see me judging them. They were just so locked into their digital bullshit, and the whole wool cap in the middle of August was so cringy. I tried to remind myself they were just kids. Harmless.

Two of the smaller pigeons wandered away from the group like as if were strolling through the park on a first date, when a hawk swooped down through the gaps in the skyscrapers. He snatched them up, one in each talon, and squeezed his mighty claws into their little pigeon necks. The hawk soared away. He used his hooked beak to make quick work of them, ripping open their insides and snacking on their limp bodies. Back on the ground, their pigeon kin kept on cooing as if the slaughter never happened.

Meanwhile, the teenagers beside me missed the whole thing because they were busy posting memes of a sassy calico cat giving the President the stink eye. They both laughed. I didn’t laugh, though. I knew better than to get involved with that shit. Plus, since I’d sat down, I’d spotted over a dozen Oyer & Terminer agents, those champions of the 208th Amendment. Back then, O & T was part of the Justice Department’s Social Protocol Division. One such agent dressed in a serious black suit, popped his head out from behind a tree. He lowered his sunglasses, made eye contact with me, and placed his finger to his lips. Then he shimmied from the tree, did a forward roll on the wet grass, and sat beside the kids. They didn’t even notice.

Car horns honked from the street. The kids didn’t notice. The lights on Sixth Avenue were green, but the traffic had stopped. The kids didn’t notice. Taxi drivers arched their necks from their open windows, screaming out marvelous obscenities. The kids didn’t notice. A black unmarked van swerved through the gaps in the stalled traffic, screeching to a halt beside the entrance to the park. Three men in black tactical gear rushed up to the teenagers. This, they noticed, but they even had time to text a scared-face emoji to the other, the men thrust black bags down over their heads, hoisted them up, and tossed them into the idling van.

As the van sped off uptown, my roommate Janine adjusted her designer dress, sat down next to me, and crossed her legs at the ankles.

Janine was slender and graceful. Every touch of her golden hair and every movement of her delicate wrists were deliberate and served as further evidence of her perceived grandeur.

“Did you just see that?” I asked, my foot tapping impatiently on the pavement.

“See what?” Janine asked, looking around.

“That was the craziest thing I’ve ever seen.”

“What?” Janine asked again.

“It happened right there. Right in front of me!”

“Get to it already, Desi!”

“A hawk just ate those two pigeons.”

Janine shook her head dismissively while handing me a tomato and pesto sandwich.

“What do I owe you, Janie?” I asked, rifling through my purse, pretending to look for money I knew I didn’t have.

“You’re an intern, sweetie. Save your money.”

“I’m not an intern. I’m in the executive management program.”

“You’re an intern,” Janine corrected me. She lowered her sunglasses to flash me one of her signature bitchy looks. It was a look of judgment.

Janine was a teacher who found posting embarrassing stories about her students more profitable than actually teaching. She created an anonymous social media handle, @TeacherRevenge, which had millions of followers and pulled in thousands of dollars in ad revenue each month. So, rather than meeting with students, planning lessons, or grading papers, she spent her days at school peeking around lockers, hiding underneath chemistry lab counters, and spying on children behind upside-down newspapers like some kind of Looney Toon’s detective.

“How many times do I have to tell you? If you want a seat at the table, you have to play dirty,” Janine explained. God, she’d never shut up about that seat and that table. She’d lectured me about it earlier that week. I’d hobbled home after a ten-hour day of delivering mail, snacks, coffee, and important messages to important people who made sure I knew just how important they were. When I walked into the apartment that night, Janine was lounging on the couch. Her dirty snakeskin boots were hoisted up on the leather ottoman. She was finishing her second glass of Merlot and a particularly nasty post about a dyslexic boy in her class who got an accidental erection during his presentation on erosion. Janine cackled to herself in the warped pleasure of the child’s humiliation.

“You look like shit,” she said.

“I do?”

“It’s that blouse,” she scoffed. “Desiree, get yourself a serious suit already! If you want a seat at the table, you need to look the part.”

“My nana always said not to judge a book by its cover,” I said proudly.

“Oh, sweetie. No offense, but your nana’s an idiot. That’s not how the world works,” she said. “This is why you’re still an intern, hon. Of course we judge books by their covers. That’s why books have covers.”

Janine was right. That confident smile showed she knew she was right. She sipped her wine, smiled, stared, and judged me for being so naïve. I fled to my tiny room, closed the door, and sobbed into a pillow for half an hour, crying quietly so that Janine wouldn’t turn me into a punchline on social media. Late that night, I snuck out to Kohl’s on 82nd Street and spent my last hundred and fifty-seven dollars on a new blue suit and heels. I was wearing the new suit that day at the park.

Janine pulled her phone from her purse like an old Western pistoleer drawing their six-shooter. “Look, I’ve got to run back to school,” she said. “There’s a poetry reading this afternoon. It’ll be hysterical. I’ll post.”

She stood, shielded her eyes from the sun, and looked down on me.

“Nice suit,” she said.

I smiled.

“Where’s it from?” she asked mockingly. “Kohl’s?” Her tight ponytail bobbed in the sunlight as she sauntered away to hail a cab. She’d always remind me not to bother with cabs. She’d say cabs were for professionals. She’d say I was better off saving what little money I had by walking.

You know what? It turns out I hated Janine. I hated how she treated her students. I hated how she profited off her cruelty. Most of all, I hated how she could paint this portrait of herself so the world saw her precisely as she wanted to be seen, while I was still a fucking intern, illustrating my life with watercolors in a rainstorm that never seemed to end.

Once Janine was gone, I figured I’d better get back to work. As much as Janine teased me about it, I was lucky to land the job. Onzin is still the oldest PR firm in the United States. You might remember that during the Civil War, they famously represented both the American Cotton Growers Association and the Society for the Abolition of Slavery. Look, it wasn’t what I initially envisioned for myself. I studied storytelling at City College. But in all my time there, the only thing I learned was that I didn’t have the courage to tell my own stories. I took the internship at Onzin, thinking I’d help others craft their stories until I was brave enough to tell my own.

Onzin’s headquarters were located on the twenty-third floor of the iconic Tractic Pharmaceutical Building in Midtown. Back in the day, world-renowned architect Jasper Warbles was hired at great expense to design the office. He was tasked with creating a series of disorienting conference rooms to ensure the scales of power were always tipped in Onzin’s favor.

Outside the office, I found three more pigeons hopping around a garbage can. They were searching for crumbs to snack on. I watched them for a beat, breathing in the calm before the storm. And make no mistake: Onzin PR was a well-financed tornado of bullshit. I swear to God, every time I stepped into that building, the world tilted on its axis. Down was up, left was right, and distortions of reality abound.

My office—if you can even call it that—was more like a closet with delusions of grandeur. There were no windows, just a small wobbly desk and a rickety wooden chair. One of the wheels had snapped off the chair months ago, and my many timid requests for a replacement went unanswered. When I was alone in there, I’d pretend I was being interviewed by a famous reporter, boasting about the perks of being an executive. I’d almost feel that swell of hope, until I remembered that in a place like Onzin, hope is strictly reserved for those who can pay for it.

After grabbing the coffee cart from the café, I hurried to Conference Room A, the one next to Conference Room Three. Donna Hawkins and Jim Merdas were at a long table, typing on laptops and swiping away on tablets while discussing the company’s most important client, the American Shooting Society.

Conference Room A had curved floors. It was only after some maneuvering that I was able to steady the cart. I placed a coffee carafe and a dozen warm pastries on the table.

“Destiny, the peppermint tea,” Donna Hawkins hissed. “We’ve discussed this.”

“I’m sorry, Donna. I forgot, honest.”

“It’s Ms. Hawkins, Destiny,” she corrected. “Don’t let it happen again.”

“My name’s Desiree, ma’am.”

“Who gives a shit?”

Donna certainly didn’t give a shit. Donna Hawkins must’ve taken classes at her Ivy League college to learn the art of making people feel small. Pretending to busy myself, I eavesdropped on their meeting, hoping to learn more trade secrets.

“Can we get to work, Donna?” Jim asked. Jim was a schlub. He wore an uneven brown beard, a backward blue Mets ballcap, an untucked shirt, and wrinkled khakis.

These two were like the odd couple, I swear. Donna sat upright. Jim slouched. Donna was clean. Jim was dirty. Donna used napkins. Jim used his shirt sleeve. They had nothing in common except their shared enthusiasm for grift.

“We’re in a real hole with the American Shooting Society,” Donna explained.

“Nah, we’re all set.”

“How do you figure?”

“School shootings dropped over the past two months, right? The cracks in the American Shooting Society’s public image are clean now. Job complete.”

“Jim, it’s summer vacation.”

“Exactly!” Jim crowed. “Their CEO likes numbers, and these numbers don’t lie. Zero school shootings in two months! Problem solved.” Jim placed his hands behind his head and leaned back in his comfy leather chair.

I wish I didn’t respect them, but Donna and Jim were like novelists. They could shape a narrative to their will. At Onzin, I learned that people like that get to tell stories however they want. People like that have real power.  

“Jim, you’re either an idiot or a genius.”

“Call me Jim Merdas, public relations God.”

“Using the third person now?”

“It’s warranted. Now, here’s what I’m thinking. I call the press and solve the problem, but then the A.S.S. won’t need to pay us hourly to fix the problem. So maybe…”

“I’m listening.”

“You know what they say about things that ain’t broke?”

“What?”

 “They say if it ain’t broke, then break it. Let’s pressure school districts to get the kids back into classes early. We say it’s because of something called, I don’t know, learning loss. Once those rascals get back in the building, there are bound to be more shootings; this is America, after all. Then, voila,” Jim said excitedly, clapping his hands like a magician finishing his act. “The A.S.S. would need us to clean up their shitty image again, wouldn’t they? And a ’round and ’round we go.”

The logic was nauseating. But people like Donna and Jim were masters in the art of distraction. They’d wrap up each lie in shiny paper and tie it up in a bow of silk ribbon. By the time they were finished, the lie looked so pretty that the recipient couldn’t smell the foulness of the shit packaged within.

“That’s some real outside-the-box thinking,” Donna said.

Our boss, CEO Skip Doodlebacher, would use that line. He was always on the lookout for what he called “outside-the-box thinking.” A portrait of his great, great, great grandfather, Mathius Doodlebacher, hung in the lobby. Mathius opened the firm nearly 300 years ago after making a fortune in the Dutch financial craze known as Tulip Mania.

Fighting to lug the cart out of Conference Room A, I stopped short when I spotted another O & T agent hiding behind the door. He had a pin on his suit lapel with an image of a gavel and a pen. He winked at me. Flustered, I pushed the cart into the hallway where I found Mr. Doodlebacher pressed up against the wall. He was hugging himself and hyperventilating. A framed motivational poster was on the wall behind him. It read Believe in your Selfie.

“Mr. Doodlebacher! Are you okay?” I asked, pouring some water into a paper cup for him.

“Thank you, dear.” Mr. Doodlebacher took a sip. His wispy, white hair was wet with sweat.

“Is there anything else I can get you, sir?”

Mr. Doodlebacher edged closer to me and whispered, “Is he still in there?”

“Is who still in there, sir?” I whispered back.

“The guy behind the door.”

“Yes, sir.”

“I used to love words, Desiree, I really did,” he said, pulling up his suspendered khakis. “There was a time when words like temerity or insatiable would really get my motor running. But now, with guys like that hiding around every corner, words terrify me. I have nightmares—actual nightmares—where I’m being chased down Fifth Avenue by the word oust. Oust? Can you believe that?” After looking in both directions to see if the coast was clear, Doodlebacher waddled off without so much as a goodbye.

I spun the cart around to get back to work and accidentally slammed into Frank, the only other member of the executive management program, knocking him over. Frank was a CrossFit zealot—maybe you know the type. He had a gift for weaving a CrossFit anecdote into every conversation.

“Sorry, Frank, didn’t see you there.”

I tried to help him up, but he didn’t budge. Tying to lift Frank was like trying to lift an iron anvil.

“Was that Mr. Doodlebacher?” he asked, standing.

“Yeah.”

“Did he say anything about the new position?”

“Nope. I should’ve asked him about it. I guess I just got nervous.”

“My CrossFit instructor says only the strong survive—that you can’t teach that kind of strength—that some people are just born alphas.”

“Mr. Doodlebacher? An alpha? I don’t think so, Frank. The guy’s so jumpy, like he’s walking around on broken glass.”

“Well, the carpets in Conference Room Room do have broken glass sewn into the fibers.”

“I hate that room.”

“Which reminds me, you want to take Conference Room Huh? this afternoon?”

“Huh?”

“Yeah. They’re reviewing the Fairbanks account. It’s gonna be a thing. I just got my ulcer straightened out and….”

“Frank! I’ll take it,” I yelped, knowing that this was my shot.

You’ve got to understand, I was tired. Tired of the condescending looks. Tired of being called Destiny. Tired of the snarky comments about my hair, my nails, my wardrobe, my weight. Tired of wooden chairs with missing wheels. For fuck’s sake, I deserved wheels. I deserved more. After two years of working in that madhouse and living with a woman as ruthless as Janine, I’d learned, in order to get more, you need to take more.

 

Conference Room Huh? was where upper executives met. The room itself was triangular. Doodlebacher’s grandfather had a custom mahogany table fashioned to fit the bizarre space. His grandson, Skip, was at the head of that table with his legs splayed. He was practicing what, after years of observing men on the subway, I’d dubbed the manspread.

Doodlebacher’s eyes darted around the room. He was covered in American flags. His tie, his socks, his watch face, his pocket square, his pinky ring, and the seven pins he wore on his jacket all prominently featured the stars and stripes. He looked underneath the table in a panic, like a child checking beneath the bed for monsters, and jumped up when I pushed the cart into the room.

“Quickly, Desiree. Sit over there in the corner before he gets back,” he panted, pointing to an empty folding chair. He only calmed himself by engaging in a series of deep breathing exercises. Finally, he asked his creative team, “Shall we begin?”

The team featured ten Ivy-educated, multi-generational, multi-ethnic professionals.

Phineus Edgewood was one such professional. Edgewood, the Turkish octogenarian Director of Managerial Direction, was so frail that I often worried he’d break a hip by sneezing. He had wide, trusting eyes and always seemed to have a little bit of lunch stuck in his long white beard. “Sir, we were discussing the rebranding deal for the Indian Ocean.”

“Rebranding the Indian Ocean?” Doodlebacher asked. “Why are we rebranding an ocean?”

“It’s not okay to use that kind of language anymore.”

“Edgewood, I don’t think the Indian Ocean is named after what you think it’s named after.”

“Sir, the client thinks Native American Ocean would be more appropriate. Don’t you think that Native American Ocean would be more appropriate?” Edgewood asked.

With O & T agents lurking about, the team held their collective breath.

 “Let’s move on,” Doodlebacher said. That was his catchphrase of sorts meant to reinforce his position of authority.

“Very well, there’s a problem with the Fairbanks account,” Edgewood explained, opening a blue folder. He jerked his head around when Agent William Stoughton roared into the room and slammed the door to announce his arrival. He was in the same black suit they all wore, with the gavel-and-pen pin stuck to his lapel. Stoughton was the chief regional O&T commander. Word was he got the gig at the Justice Department because of his reputation for brutality, and his unwavering commitment to the cause.

“You’re in my seat,” he said, pointing at me.

I quietly rose and turned toward Mr. Doodlebacher for help. He was a good man. I trusted he’d do the right thing. That’s how he got to the head of the table, right? The head of the table? I was starting to wonder if I even wanted a seat at the table or if, like good advertising, I’d just been conditioned by people like Janine to think that I did.

“You didn’t start without me, did you?” Agent Stoughton asked, pulling out a notepad and a pen.

Doodlebacher motioned for me to move to the adjacent corner of the room. My job at that moment was to survive. If I stayed quiet, I couldn’t be judged. So I shut my mouth and hid in plain sight like an extra in my own movie while the scene unfolded around me.

“We were just about to start,” Doodlebacher said. “Can someone catch us up on the Fairbanks account?”

To my left, Elizabeth Newton wrapped her long auburn hair around her ears and bit down softly on her chapped lips. She forced her flush red face into a smile and cleared her throat. “Skip, as you know, the President’s production company, Patriot Hawk Films, has spared no expense on their big-budget reboot of the Pirates of Penzance,” she explained. “Our client, Heston Fairbanks, is the star of the final film in the Pirates of Penzance trilogy, Pirates of Penzance 3: The Shanty at World’s End. His public image requires some damage control.”

“Why’s that, Elizabeth?”

“It’s his role in the film,”

Agent Stoughton licked the tip of his pen.

“What’s his role in the film?” Doodlebacher asked.

“He’s the Pirate King.”

“That’s great! That’s the starring role.”

“Yes, but Heston Fairbanks isn’t a pirate.”

“I don’t see the problem, Elizabeth.”

She thought carefully about how to best walk the diction tightrope before declaring with the confidence of a carnival barker, “He’s taking the part from an actual pirate. You know how hard it’s been for them to find roles in Hollywood?”

 “Did you just say them, Ms. Newton?” Agent Stoughton interrupted, adjusting his tie.

“I apologize, Agent Stoughton. I meant to say sailors of fortune.”

“That might have been what you meant to say, but it’s not what you said.”

“That’s not fair.”

“Not fair? This is America, Ms. Newton. You are, of course, free to say whatever you’d like, provided it doesn’t jeopardize public safety or we don’t like it.”

“But—”

“I have to report this.”

Elizabeth Newton’s face went pale. Her hands trembled. “Please don’t,” she begged.

“Pack up your things. They’ll be here soon.”

Her face turned white with fear as she fled the room. I should’ve been stronger. I should’ve stood up to those bullies. I should’ve screamed out, “What are we doing? You know what she meant!But I wasn’t strong enough. Not yet.

 “I’m sorry you had to see that. Let’s move on,” Mr. Doodlebacher started again. “We’re in a real pickle here. They’re tearing our boy apart on social media, and if we use social media to defend him, they’ll turn on us. So what’s our play?”

Donna suggested, “Let’s donate heaps of cash to pro-pirate charities like P.U.P. Pony Up for Privateers. We’d garner support from the non-profit community.”

“Not bad, Donna,” Mr. Doodlebacher said. Donna looked across the table at Jim Merdas and winked.

 “We should be careful though, Mr. Doodlebacher. Sir. You’ve never publicly stated you aren’t anti-pirate,” Jim said, winking back at Donna.

“When did I say that?”

“No, sir, you didn’t say you aren’t anti-pirate,” Jim explained.

“I didn’t say a lot of things, Jim.”

“Skip, did you just talk back to that man?” Agent Stoughton interrupted.

From the outside, they all seemed cordial enough, but as I watched them leaning forward with their wide, venomous eyes, it was clear they were plotting to slither around each other’s necks to move up that corporate ladder.

“No, William. I wasn’t talking back,” Doodlebacher explained.

“It’s Agent Stoughton.”

“I’m sorry.”

“Then you admit it?”

“Admit, what?”

“You just apologized.”

“I apologized for the name, not about the pirates….”

Elizabeth Newton huffed back into the room. Her mascara was running. Her arms were scratched and bloodied.

“Stop the meeting!” she shouted through her snot and tears. “Agent Stoughton, you must take Mr. Doodlebacher away!”

“You have something to report, Ms. Newton?” Agent Stoughton asked excitedly.

“He’s a distant lover!” Newton shouted.

“He is?” Edgewood asked.

“I am?” Doodlebacher asked.

“And he’s a misogynist!” Newton added.

“Lizzy, how could you say something like that?” Doodlebacher asked.

“Well, Jesus, you’re a man, Skip!”

“I’m a man?” Doodlebacher questioned.

“We’ll look into it,” Stoughton said.

“I won’t stand for this any longer!” Edgewood yelled, rising heroically from his chair. “I’ve known Skip Doodlebacher for thirty years! He’s an American patriot. Look at his tie, for Christ’s sake!”

“Sit down, Mr. Edgewood, or you’re next!” Agent Stoughton warned. His team of O & T agents rushed into the room. “What took you so long?”

“We got lost,” an agent explained. “What kind of Conference Room is called, Huh?”

“Huh?”

“Exactly.”

The agents shrugged, black-bagged Elizabeth Newton, and dragged her from the room while Donna and Jim remained across the table, giddily texting away. Agent Stoughton squeezed past Edgewood. He took hold of Doodlebacher’s white hair and slammed his head into the table four times, breaking his nose, dislocating his jaw, and knocking him out cold. After sacking Doodlebacher, Stoughton wiped the old man’s blood off the table with his Department of Justice hankie, zip-tied his limp hands behind his back, and hoisted him over a shoulder.

“I’ll be back,” Stoughton said, striding out of the room.

With Doodlebacher detained, most of the executive team fled the room. Only Edgewood, Donna, and Jim remained.

“What do we do now?” Edgewood asked. “Onzin’s reputation is at stake here. We have clients. Someone must take the lead.”

I could hear Doodlebacher’s empty chair calling out to me. Here was my chance. My heart was pounding. I was breathless. It was like I’d been suddenly plowed over by an avalanche of hope.

Donna perked up. “It can’t be Jim. I reported him for speaking in the third person without cause,” she gloated.

Jim shot her a dirty look, one that suggested he’d put Donna in front of the annual American Shooting Society stockholder firing squad if he could.

“It can’t be me,” Edgewood said. “That job would kill me dead.”

“Didn’t you die in 2015?” Donna asked, giggling. She stood confidently, straightened the creases of her designer gray suit, and said, “Boys, the seat is mine.”

Jim toyed with his phone, looking up at Donna with a maniacal grin. “I’m sorry, Mizz Hawkins,” he said with a tone that made it clear he wasn’t actually sorry. “But your promotion might not be so smooth. I just reported you for mocking the elderly.”

“Prick,” Donna said, flopping back down.

“Bitch,” Jim said.

While the two of them daydreamed about how to best destroy each other, I stepped up and approached the table from the corner of the room.

“Where do you think you’re going, Destiny?” Donna asked.

“It’s Desiree,” I said, edging between the wall and the point of the triangular conference table. “The agents will be here for you shortly, Ms. Hankers.”

“It’s Hawkins.”

“Who gives a shit?”

I reclined into Mr. Doodlebacher’s lush leather chair. It was soft and smelled like opportunity. I eased into a healthy manspread and said, “Now, Mr. Edgewood, let’s move on.”

After the O&T agents disposed of Donna and Jim, Edgewood closed the door and locked out the madness. We spent the afternoon in a collaborative refuge of creativity and goodwill. We spoke openly about the Fairbanks account, without fear of judgment. We found truth in each hoc stercus tauri est sed in a collaborative refuge of creativity and goodwill. After a few hours, we had put out the fires.

“You’re quite good at this, Desiree.”

“Thank you, Mr. Edgewood.” I smiled so hard that the muscles beneath my chin cramped up. “That’s kind of you to say.”

“It’s getting late, though.”

I turned my neck toward the bank of windows along the hypotenuse wall. The tired sun was starting to set in the crimson sky. “Would you look at that? Time flies, I guess,” I said, checking my watch and brushing some lint off my new blue suit. I grabbed a blueberry pastry from the table and took a bite. It was sweet and salty and flaky and warm.

Edgewood packed up. “I hope to see you here tomorrow morning. Let’s say 10 a.m. in Conference Room Huh?”

“Huh?”

“Indeed.”

I left the office that evening with strong and steady steps, measuring each stride in the possibility of what tomorrow might bring. I tossed the remaining pastry into the trashcan in front of the building. The three pigeons from earlier were still there. One of them was merrily snacking on a pizza crust. The other two were dead, flopped over and limp, lying in a small pool of purplish pigeon blood. The dead ones had peck marks on their chests and wings. One was missing an eye. The other had his foot ripped clean off. They must have killed each other. What silly birds. I shook my head, stepped over their mangled corpses, and hailed a cab.

Picture of Jeremy Stelzner

Jeremy Stelzner

Jeremy Stelzner’s stories have appeared in numerous literary magazines, journals, and anthologies, including the 2024 Coolest American Stories, The Stygian Lepus, Across the Margin Magazine, The Jewish Literary Journal, The After Happy Hour Journal of Literature and Art, and Prime Number Magazine, where his story “The Thin Line” was awarded runner-up for the 2024 Press 53 Award for Short Fiction. He is a graduate of the Creative Writing program at the Harvard Extension School and teaches high school literature and journalism in Maryland. You can find his work on his website or reach him by email at jeremystelzner71@gmail.com.

The Hungriest Tuesday by Lawrence Dagstine

It was a starving town. In the Norman Rockwell-like setting of Canaan Hollow, being “hungry” had an unsettling connotation. The residents’ grinning faces and cheery nature showed all the traits of helpful neighbors, yet a cult-like shadow loomed over the community’s serene avenues. Unwelcome visitors, often arriving lakeside, were welcomed only on Tuesdays; the mayor or sheriff and his deputy practically insisted on it, and no traveler entered a home unattended. Truth be told, the townsfolk’s hunger was not for customary dishes; they craved darker sustenance. They fed on more than the goodwill of their neighbors.

On the Monday afternoon before the hungriest day of all, along the ragged dirt path between the asphalt and the public park grass, a child in tattered clothes with dried blood under his fingernails walked to Bobby’s Grocery, kicking a bitumen chunk ahead of him. After four blocks, he was completely absorbed by it. A breeze off the lake carried the sweet air of mud, rotting wood, a slight fishy smell, and other unexplainable decay. He detected the sweetness of old grease, a sharp whiff of gasoline, fresh tires, spring dust, and, from across Main Street, the faint essence of tuna casserole at the Bottomless Catch. A stout figure in blue overalls with an unkempt beard waved and disappeared inside. The boy sucked on his fingernails and kicked the chunk at the curb, then lofted it over the sidewalk to Maxwell’s Grease Shop. He followed the chunk a few more doors south to Bobby’s window, which displayed expired canned goods and a mournful cardboard pig marked with the names of cuts. An old man sat on Bobby’s paint-peeled bench, silver hair as fine as spun glass poking out under his green fedora, snoozing as the late afternoon sun reached under the faded brown canvas awning up to his belt.

He was not Bobby. Bobby was the gaunt man in the white apron who had stepped out the back door of the store, away from the meat counter, to get a breath of fresh, meatless air. He stood on a rickety porch that looked across the lake, butcher knife in hand, a stone’s throw away. The beach there was stony; the sandy portion where visitors docked was four blocks back to the north. A frail girl, perhaps one of his, stood on the diving dock, plugged her nose, and executed a perfect cannonball, and he heard the dull splosh. The sun created a trail of shimmering lights across the water. It was about to set. It would make quite a picture if you had the right lens, which nobody in this town had. And on top of not having a camera, nobody had a computer, smartphone, Wi-Fi, or other post-2000 technological gadgets, either.

The woods surrounding the twisting roads and hollow were filled with red oak, maple, spruce, pine, birch, and thick brush, except where cows were slaughtered. The municipal boundaries, nestled inside an old Native American canyon, included unpopulated pasture and cropland with wheat, corn, oats, and alfalfa—God’s way of keeping this farmland hidden and discouraging newcomers. It also housed about three hundred people, mostly in small white framed houses with buckets of blood and guts on their porches, large vegetable patches with curious gravemarkers, and modest lawns. Many yards featured cast-iron deer, small windmills, clotheslines, plaster animals like squirrels, lambs, elephants, and other eerie taxidermy. At each driveway’s end were white and gray painted rocks, a bed of petunias and wilted tulips with a white tire, and some had a shrine in the rock garden. The Blessed Virgin stood demurely behind an old 19th-century nunnery, her eyes averted and arms slightly extended, above a bed of peonies and marigolds. She stood on a tall brick pedestal, meeting the boy’s gaze with deep sadness for the world’s sufferings, including what happened on Tuesdays in this town.

It was a quiet community where you could stand in the middle of Main Street for much of the day without being in anyone’s way. Not forever, but as long as you wanted. It felt like a “township” or a “burg,” a sleepy place six days out of seven where life had a peculiar charm and moved leisurely. People drove old cars, nothing modern or fancy. You could find Studebakers, Ford Fairlanes, even one or two Bel Airs, and Dodge and Chevrolet Sport Trucks for heavy transporting. But what were they hauling? What was in the back of those pickups? The double white stripe was for show, as were the six parking meters. Six was all they could afford. Merchants called it downtown; others said uptown.

Most men wore their belts low, accommodating their prominent bellies, some large enough to have names of their own. These men were elders, and they didn’t hide their obese stomachs in loose flannel shirts. The excess adipose told a different story; they were still consuming or digesting something (or someone) over time. They let them hang free, patting and stroking them as they stood around and talked. The buildings were two-story red and whitewashed affairs, crafted by bricklayers with false fronts, trying to be inconspicuous. The first stories had newer fronts of aluminum, fake marble, stucco, and fiberglass stonework, meant to appear modern. But that was all deception.

There were telltale signs of decay in certain areas, if you knew where to look. The crack in the sidewalk that no one had bothered to repair. Even a few rusted, uneven streetlamps flickered uncertainly at night. The creeping ivy snaking up the sides of buildings, thick and stubborn, like a forgotten hand reaching for something it could never touch. This particular district was where they celebrated the most important day of the week.

The boy didn’t have a name, but that didn’t matter. He was one of the many children in Canaan Hollow who were patient, who knew what Tuesday meant. He understood how sacred this day was to the town. Things had happened long ago in this place, dark and terrible things, in the silence and cravings of forgetful generations. Tuesday was the day of ceremonial hunger beyond the stomach.

The boy stood there purposely, as the night cast long shadows over the crooked streets and footsteps stirred on the sidewalks. He sat at the edge of a bench and waited. Windows opened, doors unlocked. He watched as the old automobiles and once-empty square with its dried-up fountain hummed with eerie anticipation. Residents from nearby houses gathered in clusters, hushed voices mingling. A couple of nervous glances were exchanged; some voices pitched low like a choir of ghosts. At the heart of it all was the mayor, a towering figure with a face as unreadable as the stony cliffs looming over the lake. His eyes were dark, almost black, glinting with the same coldness that now chilled the air. Beside him stood the sheriff, a man with a flesh-embroidered hood and the broad frame of a bull. For a law enforcement official, his demeanor suggested someone who had long forgotten the difference between right and wrong. Together, they orchestrated the ritual in a practiced dance that had proceeded for decades.

Now pushing his way to the front of the crowd, the boy felt the static in the air teasing the hair on his arms. He stood with the townsfolk, waiting, watching. Here was a sacred rite that united the natives in ways outsiders could never fathom. This square was where the procession began, where the butcher’s table was placed, surrounded by old wooden crates and neatly arranged flowers, though the bright hues couldn’t mask this particular day’s dark purpose. There were even buckets to collect the blood. Everything was gathered and rightfully portioned. Nothing went to waste. The boy’s mouth watered at the intoxicating smell of roasting meats mingled with the earth and pungent bodies.

One young girl jumped up and down because she couldn’t see. She begged her mother, “Can I have a piece of that young girl’s leg? I’ve never had leg before. Oh, please, Mommy. She’s already dead. Been dead since last week.”

A guy in a newsboy cap looked at his watch and mumbled, “Almost midnight. Tuesday again. I never get tired of this. I’ll get the freezers cooling.”

Putting on meat-packing gloves, his partner added, “The spare parts, like the bone marrow, go in the warehouse. Don’t let one vat go empty. Everybody gets fed. That’s the rules. And save the bones. They can be ground down to make seasoning.”

Time seemed to stop moving. The boy heard the low hum of voices, the swishing of worn aprons, their black and white checks stained with red. The citizens of the hollow moved as one. Their footfalls were heavy but deliberate, each man, woman, and child guided by instincts older than the lakeside itself. Their faces under the blood moon had an oddly detached look, as though they had become part of something larger, something sinister.

The first new victim was brought forward, an old man unknown to the population. Judging by the whispers, he had come into town just a day before, a stranger standing by the lake with a rowboat, unaware of his fate. His face showed kindness, and his eyes held a youthful curiosity. Simple innocence made him easy prey. His hands were thrust deep into his pockets, the wind tugging at his coat, and for a moment, he seemed quite happy, like a man who had unexpectedly found an oasis. He didn’t see them coming.

Bobby was the first to emerge from the shadows, butcher blade in hand. The crowd watched silently as the ritual began. There was no hesitation, no mercy in the butcher’s movements. Then other grocers, meat cutters in their own right, joined him. Two hardware store owners, toting hatchets, entered from the opposite side of the square, and a tall, lanky man with an ice scraper emerged from nearby bushes. The mayor gave a nod. His voice was soft but commanding, like the whispered wind carrying the scent of decay. Then he muttered ancient, hollow words while the sheriff picked up a giant woodcutter’s axe. A minute later, the other residents closed in on the man.

The boy felt his pulse race; hunger emerged within him, carving out his throat as if to make room. The ritual was performed with purpose and reverence, as if it were a secret handed down through the ages. The townsfolk treated the victim like an offering, their voices rising in harmony as they formed a circle around him. With wide-open eyes, the boy saw how the man’s struggles slowed until the ritual’s weight rendered his body limp. His blood thickened and pooled on the ground, then into the supplied buckets, completing a necessary detail that would satiate the town for another week.

Although life left the man, part of him was devoured right there in the square. Then he was dragged around the corner, leaving a trail of red. Smirking and glistening with another Tuesday’s evidence, the residents withdrew, fading into the shadows like specters satisfied with the night’s grim work. Tiny utterances flowed from those who remained, their whispers scattering into the renewed silence that blanketed the atmosphere once more. Yet, in the boy’s chest, hunger gnawed still.

As the town slowed back to its torpid rhythms, the boy walked home. His stomach churned, not with hunger, but with something darker, like a memory within a memory. The houses of Canaan Hollow faded into silence, flickering into darkness, mere paper stars against the fog-lit sky. Men ambled back to kitchens, rubbing overfed stomachs. Women with hollow eyes and lacquered hands lingered over pots that were too deep, bubbling too slowly.

Long ago, the boy learned that feasts always followed the Tuesday sacrifices; a grim tradition. The townspeople cleared their bowls for these special church sacraments, reserving them not for ordinary fare, but for a specific offering: flesh. But not just any flesh. It was the flesh of those who strayed too far into the hollow, deceived by the mayor’s sweet smile or the friendly chatter at Bobby’s Grocer. Sometimes, if the supply exceeded the demand, they would end up on the menu at the Bottomless Catch. This was no genuine kindness, nor was it kinship.

The boy stood before his home, a familiar green wood house. Peeling paint over mismatched shutters attested as much to his blood as to his home. Inside, the table was set. A sweet, pungent, savory aroma came from the kitchen. Mother, in her Heart is in the Kitchen apron, stirred a big pot with a large metal spoon. Her face was pale yet serene, and she had purposely stayed up as though this was a casual late night. Smiling at him, her eyes glinted with that familiar emotion. She never questioned the tradition, never asked where the meat came from. She didn’t need to. It was simply delivered to her doorstep, and it was simply life in Canaan Hollow. “Sit, my son,” she said sweetly, like the whisper of leaves. “Dinner’s up.”

The boy slid into his seat like he had done a thousand times, his heart beating strangely fast, but he paid no attention to it. This was no place for doubt. Only hunger. Only need. She set a plate before him; steaming, red meat drenched in gastric juices that shimmered in the light. The boy trembled slightly as he grasped the fork, but did not falter. There was a cadence to the ritual—an art, slower, more deliberate, and purposeful. He cut into the tender flesh, the knife slicing through it with affectionate ease. The meat was sheer perfection. Soft, warm, seasoned with something he couldn’t name. He brought a piece to his mouth, and the taste—God, that sumptuous taste—was like nothing else. Sweet, rich, almost addictive.

His mother watched him eat; her eyes never left him. He didn’t need to look up to know she was watching him, as she had every Tuesday, for as long as he could remember. The boy hesitated for an instant, the fork halfway to his mouth, and a thought momentarily entered his mind: What if I didn’t? What if I stopped eating, just one Tuesday? But, no, that thought receded before its roots could take hold. He clawed at hunger and unlocked what would happen if he didn’t partake.

After all, this was a feast, and he had a belly to fill.

The boy’s gaze followed his mother’s movement, crossing the room to the stove, then to the cabinet where jars of pickled vegetables and preserves sat. His heart stopped as he noticed something that shouldn’t have been there. Jars of excess meat. Slabs of it; fatty deposits too. Not the usual cuts of pork, beef, or chicken. No. These were different. The labels were faded, almost unreadable. But there was no mistaking the shape of the flesh inside. The subtle, almost untraceable curve of a jawline. The delicate curve of a shoulder. A vital organ or two… or three. A hand, frozen in time, wrapped in the amber hue of the pickling juices. A shudder ran through him, but his mother turned back with a jar steady in her hands. “We all pull our weight,” she said, her voice calm, as though detached from any emotion. “Without sacrifice, the town’s appetite is never fully sated. We each give what we can, and next week it’ll be somebody else’s turn.”

The boy’s stomach twisted in a way that had nothing to do with the food. The reality slammed down on him, and he finally understood what it was to belong to the hollow. And at that moment—the ritual still going on all around him—he knew there would never, ever be an end to the hunger. Not for him. Not for anybody. Not until the last bit of flesh had been consumed.

Picture of Lawrence Dagstine

Lawrence Dagstine

Lawrence Dagstine is a native New Yorker and speculative fiction writer of 30 years. He has placed over 500+ short stories online and in print periodicals during that period of time. He has been published by houses such as Damnation Books, Steampunk Tales, Wicked Shadow Press, Black Beacon Books, Farthest Star Publishing, Calliope Interactive, and Dark Owl Publishing. Some of his recent small press book releases include The Paraplegic, Small Favors, and The Nightmare Cycle. Visit his website, for publication history past and present.

Dear Raven by Nick Romeo

Maybe you’re an angel who hit a low branch or ignored the direction back to your realm, causing your wings to fall off. Since that time, you have been painting over your white robes with black matte, taking on the mantle of a bird of prey. You pick at my decaying brain, sipping the infection out through my ears, all while whispering for me to remain strong and resist the gloom. You have helped me to remove that vile carrion from my psyche, scratching and digging with sharpened talons deep into my marrow. I have come to understand your true objectives, not as a portent of the apocalypse, but as a guardian. I can see that enlivening glow from your core shining through your eyes—that area you could not cover.

Picture of Nick Romeo

Nick Romeo

When Nick Romeo is not at his nine-to-five occupation which is strongly situated in the STEM fields, he passes the time with his wife, cats, and his art creations. His main forms of expression are 3D digital renderings, electronic music, writing, sewing, and photography. Nick's latest chapbook, titled Empyrean Fog Machines, was released by Back Room Poetry.

Sin Eater – Part Three by Paul W. La Bella

The sun was down, and the Hall had cooled to a more bearable temperature. The single bulb above the stage looked like the last star in a dying universe. It swayed as the ceiling fans spun, kissing their skin with cool air.

“I want you both to spend the night here. I’m gonna pray on this, and more importantly, I’m going to listen to what the Lord has to say. I’m very proud of the both of you.”

Pastor Wilson walked down the narrow space between the two clusters of folding chairs.

“There are cots and blankets and pillows in the closet. Say your prayers and get some sleep.”

Bill sat on the edge of his cot, belching up the half-digested sandwich that sat in his stomach like a brick. The stuff that came up tasted like peanut butter and pennies. He spent the next half hour chugging water and resisting the urge to vomit.

Julia was lying on her cot, facing away from Bill. She had curves like the rolling hills of Illinois, and her breath was soft and shallow. Bill could see her shoulders rise and fall with each silent capture and release of air.

The only sounds were the creaking ceiling fans above them. They whirled and spun, and Bill found himself examining the rotating blades, certain that one would come unscrewed from its bracket and come careening toward him. The spinning motion made his stomach turn, and he belched, gagged, and chugged water.

“You okay?” Julia said.

Bill caught his breath. “Yeah. I’m okay.”

“Do you feel any different? Do you feel absolved?” Bill asked.

She chortled. “Don’t feel much of anything, if I’m being honest. It’s all too surreal—like it’s not really happening to me.”

“I can relate. This doesn’t make me a cannibal, does it?”

She laughed and turned to face him.

“That’s not how I’d describe you, but I guess that depends on who you ask. Most people don’t understand desperation. Most people don’t need to make the kinds of decisions we made tonight. I guess some people would call you a cannibal—but you’re not. You’re just desperate.”

Bill was touched—and a little surprised by her eloquence.

His stomach grumbled, and a small pocket of air escaped from his backside with a squeal. His face turned bright red.

“I’m sorry,” he said.

“No, it’s okay,” Julia said.

His stomach rumbled again. Another pocket of air threatened. He clenched, but it was no use. It escaped him and echoed off the paneled walls like a silver trumpet with a leaky spit valve.

They didn’t laugh all at once. It came slowly, Julia trying her best to hold it in—but succeeding about as well as Bill did holding in his air. It was too much, and they finally broke up. Their laughter filled the Hall, brightening the dark spaces where the single naked bulb couldn’t reach. It felt good to laugh, especially at something as innocent as a squealing fart.

Bill felt lighter—and not just from the expelled gas. He felt at peace, like his sins really had been forgiven. Did it work like that? That fast? He didn’t know, but he refused to argue with this feeling of levity, refused to overthink it and somehow ruin the pleasure he now felt.

Maybe it’ll be alright—

There was a crash.

Bill and Julia’s heads snapped to the door. It swung open and slammed against the back wall. Pastor Wilson stood with his palms on the jamb, and bright light flooded in from the hallway behind him. The whites of his eyes were stained red, and his hair looked like a mess of spiderwebs.

“Everything okay?” Bill said.

Pastor Wilson shook his head—and began to fall.

They rushed to him, and Bill caught him before he hit the floor. They got the pastor to his feet and helped him over to the cots.

“Get him a glass of water,” Bill said, and Julia went for the doors.

“Bourbon,” Pastor Wilson called after her. The gravel in his voice was gone, replaced with something closer to a soft breeze running through dry reeds.

Julia went, and Pastor Wilson grabbed Bill by the collar.

“I was wrong about the blood, Bill. It wasn’t enough.”

Bill’s heart sank. It smashed through his chest and into his stomach. He knew what it meant—knew what Pastor Wilson was thinking but avoided saying. How would it be done? Raw or cooked? Grilled or seared? His stomach churned at the thought.

He took a few steps back, as if the pastor were set to explode. Julia came back with an empty glass and a bottle of bourbon.

“What do you mean?” Bill said.

“I didn’t know how much you wanted,” Julia said and unscrewed the cap. “Tell me when.”

Pastor Wilson snatched the bottle from her hands. In a few fast gulps, half the liquid was gone. He relaxed and looked at them with wet eyes.

“I’m sorry. I was wrong.”

“What do you mean, you were wrong?” Bill said.

“I spoke to the Lord, and He was good enough to answer my prayers. Come, sit with me,” Pastor Wilson said and waved Bill over.

He didn’t budge. The anger was coming back, the room fading like a distant memory. Pastor Wilson sighed and spoke to Julia.

“I spoke to the Lord, and He answered and said that your blood was not enough.”

Bill swooned, and the Hall suddenly twisted and blurred. The paneled walls melted like wax, and the playful carpet turned into flames.

Too good to be true, he said to himself, over and over. Too good to be true.

The world went away, and all that remained was Bill and Pastor Wilson. Silence, darkness, shadow and light—all became one. Smoke blotted out Julia’s face. The anger rose like the tide and drowned out all life on the shore.

He tackled the pastor, and they both hit the floor.

Bill’s fists came down like a storm of stones crashing into Pastor Wilson’s face. His head twisted in the direction of each blow. Blood spurted and gushed from the pastor’s mouth and nose.

Julia screamed, but Bill didn’t hear. He grunted with each jab. Finally, he slammed his open hands onto the floor on either side of the pastor’s head, and the world came back—Julia, gasping in panic; the pastor, breathing hard and moaning.

To Bill’s astonishment, Pastor Wilson wrapped his arms around his waist and hugged him.

“You are not yet lost, Brother Bill.” His voice was a faint whisper, and Bill looked down at him, shaking his head. “It’s the only way. Otherwise, you’re doomed. Both of you.”

Bill’s heart was pounding, and for a moment he thought he was going to lose his mind—thought the world would melt away again and never return. And maybe that would be all right. Maybe that was his punishment—insanity.

He broke the pastor’s embrace and looked down at him. Those feelings of insecurity, of anxiety and panic, vanished like smoke up a chimney, and the world steadied itself in Bill’s mind.

“This is the only way,” the pastor said again.

Bill nodded.

He looked at Julia.

“I’m sorry,” he said.

***

The hallway shook as Bill and Pastor Wilson dragged Julia to the basement. She screamed and kicked and groped at the walls. Crucifixes fell to the floor with a clatter. She knocked down a picture of Peter, his face shrouded in his hands, and the plastic frame cracked. Pastor Wilson opened the door and stood at the top of the staircase. The smell of must crept up into the rest of the house.

The basement was dark, and every surface was covered in dust and slime. Julia screamed as they threw her onto the bed. She screamed when Pastor Wilson handed Bill the rope, and kicked until Bill finally gave up in frustration.

“Hit her,” Pastor Wilson said, and Bill did. Once. Twice. The third time did it. Her body went limp, and Bill fastened the rope to her arms and legs.

The mattress sat on top of a crooked box spring, which rested on a metal frame with a headboard made of vertical bars like a jail cell.

Bill tightened the rope around her arms and legs and tied off the ends so that she looked like an X on the bed. Pastor Wilson sat next to her, and the mattress creaked under his weight. He took a big swig from the bottle of bourbon and forced air through his teeth.

“Now that she’s calm, we can begin. Bill.”

He tossed Bill the switchblade and held Julia’s leg slightly up off the mattress.

Julia’s eyes fluttered, and she came to. She saw Bill with the knife and began to thrash.

“Please, Bill. Oh God, please—”

“This is for both of us,” Bill said. “Don’t you see? It’s the only way.”

He closed his eyes and sliced off a piece of her calf. Her screams echoed off the walls and bit at Bill and Pastor Wilson like a February wind. He held the piece of flesh up to the bulb over his head. Blood fell down the sides, and there were little flakes of fat in the meat. He sniffed it, not knowing what to expect.

“Go on, Bill. For both your sakes,” the pastor said. “Go on.”

Bill slid the slice of flesh into his mouth and chewed. Julia was still screaming. Blood poured from her leg, and she was trying to kick her way out of the ropes. Bill saw, from the corner of his eye, how much blood was spreading on the bed.

He swallowed.

There was a bright flash. Bill shielded his eyes, and Pastor Wilson leapt off the bed and cowered in the corner. The house began to shake, and a torrent of wind filled the room. Julia’s shirt rose and fell in violent whips. The stone walls began to expel fine dust into the air. Pastor Wilson got to his feet and went to Bill.

“It is the Lord!” he said. “He has come! He has come!”

And then the silhouette of a man appeared in the empty space of the room. Bill looked over at Julia. He thought she would be happy—rejoicing in the love of the Lord—but her eyes were glazed over. She looked like a porcelain doll in a psychopathic child’s bedroom.

He looked at her leg. There was a long red line that began just under her knee and zigzagged all the way to a rounded gash the size of a golf ball in her thigh.

“Bill! Bill!” Pastor Wilson said. He was tugging at Bill’s shirt, screaming over the loud, whipping wind. Bill tore himself away from Julia and looked at the figure, squinting his eyes against the dusty wind. When He spoke, Bill and Pastor Wilson fell to their knees and wept.

There was an electrical sound, like an old-fashioned TV set turning off, and the silhouette was gone. The wind stopped, and the dust slowly settled to the floor. It took a minute for Bill’s eyes to adjust to the darkness, and when they did, he went to Julia. He stuck two fingers on her neck and felt for a pulse.

Nothing.

“She’s dead. I—I don’t know how, but she’s dead,” Bill said.

He looked at the gash in her thigh, and as he did, he saw—like a memory—how he slid the knife up her leg. He remembered that she’d issued a weak grunt when he punctured the meaty space in her thigh.

Why? You liked Julia, he asked himself.

You loved Lana, a voice answered back.

He turned away from her and looked for Pastor Wilson, but he was gone. He realized he was still holding the bloody knife and dropped it to the floor. He went to the bed, closed Julia’s eyes, and walked up the stairs.

***

The door opened up into the living room with its solitary chair and worn-out Bible. The floorboards creaked as Bill closed the basement door and called out for Pastor Wilson. The house had somehow changed—shifted—as if everything had been moved a quarter of an inch to the left. Long shadows painted the walls, and the creaking floorboards sounded like screams.

He went into the kitchen. There were dried maroon dots on the linoleum where Julia had cut her hand. He walked through the hallway, passing the prints of Jesus, Mother Mary, and the Disciples. He heard laughter—faint, but there.

He opened the door to the Hall and saw row after row after row of empty folding chairs. There were thousands of them, a sea of gray folding chairs. He searched the room, searched for the stage, the altar, for Pastor Wilson. All he saw in the sea of chairs was one shining bulb swaying in the distance.

There was a sound—something akin to a groan, but higher in pitch. The room suddenly shrunk. Thousands of chairs slammed into themselves like nesting dolls. Then the Hall was back to normal.

Pastor Wilson was lying on the stage, writhing around like an eel and muttering something to himself that Bill couldn’t make out. He rushed over and saw that the pastor’s wrists were slashed from just below the hand to the crook of the elbow. A jagged piece of glass, matte red, stuck out beneath his chin. Blood fell from his throat and pooled around his head. Bill found the pastor’s shirt wadded up on the carpet. He snatched it and tore it at the seams. He tied the pieces around the pastor’s wrists and throat, then took his own shirt and used it to wipe the blood from the pastor’s face.

“What did you do?” Bill said.

The Hall shook. The walls clattered and rumbled, and a horrible noise filled the room. Low, guttural, grinding.

Pastor Wilson suddenly rose from the stage—floated above it like a feather caught in a high wind—laughing.

Bill’s vision narrowed, his strength drained like water through sand. He stood and backed away from the stage. Pastor Wilson’s laugh filled the room, and his body rose higher. Then he turned in midair, his feet toward the floor. His face contorted—twisted—and lightning struck the altar.

Bill shielded his eyes from the bright light, and when he looked back, he saw Lana, floating above the smoking altar.

Then she dropped to the stage with a thud.

The room began to spin, melt, vanish, and reappear. He was suddenly standing over Lana’s bloodied face—but it was really Julia’s. She was lying in the alley and tied up in the bed at the same time, the two pictures melding into one.

Then the scene swirled and was reborn. He was back in the bar, watching himself pummel Dave/Derron. He looked at the bruised and twisted face on the floor and saw that it was Pastor Wilson’s. A Pastor Wilson twenty years younger than the man he knew today—but Pastor Wilson nonetheless.

Unreality washed over him, and he fell backward and banged his head on a barstool. The pain was immediate and sharp.

The Bill who was beating the younger Pastor Wilson looked up. Hatred burned in his eyes like melted glass.

He tried to yell, tried to make it all stop, tried to force himself back to the present—away from this bar.

The picture changed again. He was back in the basement with Pastor Wilson and Julia. The Bill in front of him was dragging the blade up Julia’s leg, twisting it around her knee and planting it into her thigh. She screamed. His eyes were vacant, and his mouth hung open.

Then the flash of light came, and the wind blew, and the silhouette appeared. Bill stood opposite his other self and saw the face of the silhouette.

Everything went black.

His eyes opened slowly, and Bill saw an orange sky. Black clouds hung above, scattered like burnt cotton balls, and there were twinkling stars that seemed very far away. He tried lifting his head and found that he couldn’t move. He began to panic, felt claustrophobic, he—

That smell! he thought.

It burned his nose and throat, and he gagged. Laughter rose from somewhere behind him. He tried to look but still couldn’t move. Then a smoky figure floated above him. It grew and thinned out, and a face appeared—and it was laughing. More balls of smoke appeared and changed before him.

The realization hit him like a cancer diagnosis.

One of the figures sent out a wisp of smoke that formed itself into a tail and lingered just above him, waiting as if to savor the moment.

And then it sliced him from sternum to groin, and the smoky demons began to feast.

Bill screamed and cried and begged for help, but only their laughter answered him back. He thrashed his legs, but they didn’t move. He tried to turn his head and found that if he concentrated, he could actually do it. His neck cracked like bent fingers and turned a quarter inch at a time. The pain rose like a hungry flame, hot and searing.

He could see his entrails dangling from smoky mouths and spilling blood onto the stone table.

Bill screamed, and when he finally turned his head enough to see the hellish landscape around him, the world blurred and melted and spun. The pain grew to sickening heights and suddenly vanished—and he felt hollow.

Now everything was black, and the events of the last forty-eight hours, of the last two years, danced in his mind like lunatic ballerinas. Lana, Julia, Pastor Wilson, Dave/Derron.

He twisted in the darkness, that empty space inside filling up with fear and hate and sadness and want.

The words finally came to him—that heavenly dove in the storm:

Serenity through passion. Passion through forgiveness. Forgiveness through strength.

Now he felt like he was falling—falling into a void—and the pastor’s words were gone, replaced with only two:

Sin eater.

Lana and Julia and the pastor, Dave/Derron, Bill himself—they were gone from his mind. He had forgotten everything: who he was, what he did, and what was to come. He spun in the blackness and felt like he was falling.

Yes, falling—straight from that hellish place down to—down to what?

He found that he was turning around and saw that he was falling toward an ocean, brilliant and blue. And there was a ship. An impossible ship, with an impossibly long bowsprit and an illogically tall mast—but a ship nonetheless.

It heaved on white-tipped waves, swaying until its sails were dampened by the water. It grew larger as he fell, like he was being pulled into it, like it was eating him.

And the words repeated:

Sin eater. Sin eater. Sin eater.

Sin.

Stone.

Smoke.

Blood.

The images flashed over and over in what remained of his mind like a crudely drawn flipbook.

He crashed into the ocean—landed just beside the impossible ship. The water settled, and a voice called out from the deck:

“It’s a position of honor. Of great respect. You should feel special that you were chosen,” Pastor Wilson said, and the images were torn from Bill’s mind.

Picture of Paul W. La Bella

Paul W. La Bella

Paul W. La Bella lives in Dutchess County, New York. He’s a father, husband, and budding author who spends his days drawing maps for a small land surveying company. At night he likes to hide away in the basement and write stories. When he’s not writing, he enjoys reading, playing with his three children, and watching movies with his loving wife. His work has been featured in Bewildering Stories (August 2024), The Genre Society (October 2024), and Sally Port Magazine (April, 2025).

Ω Editorial Associate Elliot Ansell

Elliot Ansell

Elliot Ansell is originally from England, has lived in Argentina, Spain, and Mexico, and now lives in Las Cruces, New Mexico where he is yet to see a flying saucer. He writes speculative fiction and poetry under the name Elliot Pearson. You can find him on Instagram.

Ω Editorial Associate Janet Wright

Janet Wright

Janet Wright lives in the wilds of North Yorkshire, UK, where foxes shriek and owls hoot at the bottom of her garden.

An avid reader since childhood, she loves nothing better than to curl up on the sofa and lose herself within the tactile pages of a physical book. She’s open to any genre, though her favorites are historical crime, time travel, and Gothic horror.

She writes short stories and micro fiction under the pseudonym Rosetta Yorke.

Ω Editor Kara Hawkers

Kara Hawkers

Kara Hawkers is a poet and author of short, dark fiction.

As Editor-in-Chief, Kara devotes most of her time to operating The Ravens Quoth Press, along with her partner.

If left unsupervised, you’ll find her dabbling in other arts.

Just three ravens in a trench coat.

Ω Editor Jodi Christensen

Jodi Christensen

Small town Utah is where Jodi calls home. She spends her days in a turn-of-the-century farmhouse, reading, writing, editing, and mentoring other writers. Her daily companions consist of her rambunctious and adorable six-year-old grandson and two rowdy dogs, all of whom bring her great joy.

Jodi has had a love of books for as long as she can remember. As a child, she filled her backpack weekly at the library, devouring story after story and returning the books early to trade for a new stack. She wrote her first adventure at the age of nine, a fanfic Boxcar Children story, and since then, has let her imagination be her guide.

As an author, Jodi writes time travel romance and dark speculative fiction. As an editor, she works on anything and everything that finds its way across her desk. Some of her favorite stories to read, write, and edit include; post-apocalyptic fiction, dystopian stories, and end-of-the-world adventures. She also enjoys dark romance, time travel romance, historicals, and horror stories, particularly the psychological kind. Above all else, she’s a sucker for a great character.

Ω Editor Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.