Memories Saved by Allen Cash

I never thought I would want to kill my wife. Yes, the thought had crept into my mind previously, but it was only a fleeting thought. That’s when there was still hope. As I sit here now, I know there is no hope. She is a shell of the woman I once loved, and I can’t stand it. Over the last two years, she has declined; a husk of the loving mother our son remembers. I have even started to avoid her. Once the cold heart of depression was warmed by the soft embrace of acceptance, she was lost.

It’s been months since she has spoken to Jimmy. Our son. That’s probably for the best… Last time she talked to him, there was more profanity and insults than anything. He is twenty-six now and lives three states over. He is supposed to visit tomorrow for a few days. As always, I’m sure he will be disappointed with his mother’s condition. Thinking of the sadness in his face every time he sees her blurs my eyes.

God, I hate this.

I wipe my eyes and take a long pull of the dark liquor I have in front of me. Slamming the glass, I grab the revolver and the bottle. My rusty vertebrae creak one at a time into place as I stand.

Staggering towards the stairs, I catch glimpses of our life together—family photos from years past, trinkets collected from various places. I stop in front of a glass cabinet filled with small ceramic and porcelain babies. She would fuss over these stupid things for hours. Memories swim through my numb mind as I trade the gun for one funny little boy wearing a blue hat sideways.

We had spent the weekend in St. Louis, where she had found a little shop. After an eternity, she found the one she wanted, only realizing she had forgotten her purse.

“Oh, honey, I love it, please.”

“You want me to run three blocks in the rain for that?”

“It’s vintage, and I don’t have this one,” she said.

If she hadn’t said the last comment with her bottom lip out past her nose, I would have stayed dry. That’s the day I fell in love with her. But now I am standing here, without her, just this silly statue. I take another pull from the bottle. The small boy stares back at me. Mocking me with his stupid grin. Anger wells inside of me, and I throw the ceramic baby across the room, shattering a mirror. I see my fragmented face full of pain and anger, and it fuels my rage further. Spinning, I grab the banister to save myself from falling. A memory flashes through my mind of when she told me to just leave if I couldn’t handle it. She stood in this very spot. Hollow eyes and spindle legs. So weak from the drugs, she could hardly stand, but the venom in her voice was toxic. That was eight months ago. Righting myself, I retrieve the gun.

Halfway up the stairs, I see a younger version of myself with my arm around a beautiful brunette in a flowing white gown. My head swims, and I take a knee. A war of love and hate rages in my chest, being instigated by guilt and convinced by duty. Violent like white heat, it racks me into a cold sweat. I begin to weep.

I try to recall memories of our life together. Each of them is slowly being swallowed by new ones. Horrible ones filled with bags of piss and words of hate. Ones with fear and uncertainty, empty, lost.

No! I won’t lose them, I won’t let these things take over, I won’t lose her memory, too.

After a few moments, I take two long swallows. Pressing the heels of my hands into my eyes, and with my lips pressed tight to my teeth, nostrils flared, I continue up the stairs.

Pausing as another picture catches my eye. This one is of Jimmy. He is standing in a football uniform two sizes too big. A giant toothy grin takes up half his face. Staring at the picture, I finish the bottle and let it slip from my hand.

“I’m sorry! I have no choice, can’t you see?” I yell, ripping the picture off the wall, and throwing it down the stairs. Glass smashes everywhere, ramping my anger back to a ten. Wiping the snot on the back of my hand, I turn back upstairs.

Just outside the bedroom door, I can hear the white noise of the humidifier. I know she will be asleep; that’s all she does. My hand tightens around the gun as I slip quietly through the door. Stale breath and body odor assault my nose. Stillness engulfs me like a mad mood, and my skin prickles.

Resisting the urge to gag, I make my way over to the bedside. IV bags and clear tubes surround her like an alien sea creature. She lies there like a lump. A slow rhythmic beep echoes through the room. Her pale skin glows like a specter in the ambient light. She doesn’t even know I’m here. All that I do for her. Never a thank you. Never even a fuckin’ smile. I think of the way she has robbed me and our son. How she has taken this life and turned it into a toxic soup I am forced to eat daily. Someplace in my sober mind, I know it’s not entirely her fault, but it feels that way; it feels like she chose to leave us, like she quit. Swaying above her, I feel the pistol in my hand. It feels heavy and foreign, but as I put cold steel to flesh, it feels like home.

I can feel my heart beating hard in my chest. My breath is coming in short, quick fits. My vision is reduced to pinpoints as tears run down my face. Sweat covers my forehead.

I whisper one final I love you. Then, in one swift move, I kill the power to the machine that she has clung to for the past eighteen months and pull the trigger.

Picture of Allen Cash

Allen Cash

Allen Cash lives in East Texas with his wife and eight animals. When he is not writing, he spends his time playing guitar and playing with his dogs. He is currently taking classes at Full Sail University, working towards a creative writing degree. Follow him on Instagram.

Blood Ties by Malina Douglas

The ache of absence drove her to it, even as Odette dreaded what lay ahead.

The doors rattled open. She found herself in a hallway, shadow-thick. Distorted faces leered and grinned. Pale hands trailed tattered sleeves, reaching towards her.

Odette caught her breath, forced herself onward.

They lunged at her.

She shrieked.

Sharp nails snatched at black lace. Grasping, tearing. They ripped her dress. From scratches, blood welled. She ran, clutching a phial of liquid to her chest, heart juddering, slippers slapping stone. The potion she had lied to a hedge-witch to steal.

Emerging to a hall of checkered stone, she slammed the door shut behind her.

From the stairwell, harsh laughter.

There he was, the man she loathed. Velvet cloak, ancient eyes.

“Return my sisters,” she demanded.

“They’re here.” He flicked his arm and the door she had come through burst open. The creatures from the hall emerged, sliding and crawling, lank hair and vacant eyes.

“No! It’s not them. What have you—”

His laughter screeched like fingernails on stone. “Join them.”

The sorcerer curled his hand inward, and Odette slid towards him, unable to step back.

She flung the phial. Glass shattered against his chest. Smoke wreathed. He screamed as he melted.

The spell broke. The shriveled creatures grew straighter, flesh pinker, eyes brightening. Relief flooded Odette’s chest. The house rumbled.

Taking her sisters’ hands she ran down the long dark hall as the walls rained plaster, through the great creaking doors to the sunlight beyond.

Picture of Malina Douglas

Malina Douglas

Malina Douglas weaves stories that fuse the fantastic and the real. She explores ruins, caves and jagged rocks that could be the homes of monsters, ghosts or trolls. She was shortlisted by the Four Palaces Prize and received an Honorable Mention from the Writers of the Future Contest. Publications include Cast of Wonders, Metastellar, Wyldblood, Sanitarium IV, The Theatre Phantasmagoria, Parabnormal, and The Periodical Forlorn. Anthologies include Odin by Flame Tree Press, Out of the Darkness by Wolfsinger Publications, R is for Revenge, From the Yonder IV, and A Krampus Carol.

Get In! by Steve Calvert

“Get in!” she said.

“No,” replied the boy, “I’m not supposed to accept lifts from strangers.”

“But it’s raining,” the woman in the car said. “You’ll catch your death.”

The boy looked at the rain bouncing from the ground. His feet were already wet inside his shoes, but he knew he wasn’t supposed to get into cars with strangers. He peered up at the woman. It was dry in the car and he could feel warm air coming from the door she had swung open. She was a very pretty lady, and she was smiling.

“If you were my son,” she said, “I wouldn’t expect you to walk home in weather like this.” She glanced through the windscreen and down the road that was quickly resembling a river. Little creases formed on her forehead.

Cold and wet, the boy shivered. It was a long way home. He wasn’t supposed to accept lifts from strangers, but he got into the car, anyway. The lady leaned across and helped him to shut the door. She smelled of flowers.

***

“Get out!” she told him.

“No,” said the boy. “I don’t know where I am. I’m scared and want my mummy.”

“But there’s nothing to be afraid of,” she assured him. “It’s warm inside, and, if you stay out here, you’ll freeze.”

A cold draft rushed in through the open door. The boy’s clothes were wet against his skin. The house did indeed look warm. There was smoke coming out of the chimney, and, through the window, he could see the orange glow of a fire.

“If you were my son,” she said. “I would take better care of you.”

She had a kind voice, and the boy could hear something big moving about in the woods. He was scared and needed his mummy, but he got out of the car, anyway. The lady closed the door behind him, reached down, and took hold of his hand. She had very soft skin that smelled of flowers.

“Come in,” she said. “Sit down and make yourself at home.”

“Okay,” said the boy, “but can I call my mummy?”

“Not now. Later. Your clothes are drenched. Take these and put them on, or you’ll likely catch your death.”

The boy took the clothes and looked at them, wondering who they belonged to. He could hear someone moving about upstairs and was scared. He wished he’d listened to his mummy.

***

“Get off!” he screamed. “No! Please leave me alone. I want my mummy.”

“She’s not here. It’s too late,” they said, and took him in their arms. He was a very pretty boy, and they buried him among the flowers.

Picture of Steve Calvert

Steve Calvert

Steve Calvert is a British writer. His short stories have appeared in various online and offline publications including Hub, Arkham Tales, The Rose and Thorn Literary Ezine, and on the Pseudopod and Creepy podcasts.

Howl by Albert N. Katz

I saw, if not the best, the most curious minds of my generation hungry, naked, and mad, looking for that fix when the moon was high and round and yellow as a dead man’s skin. Minds so curious and hungry they did what foolish young men and women have always done, and wandered into the unknown where some returned changed, and some returned no more. Most were unknown to me, and tragically, one was much too dear.

It was for the longest of times, nights filled with magic and joy and unbounded strength, wasn’t it, love? At least for a time. And yet here we lie you and I, in the bowels of Mexico City, you, running your fingers through my hair, and me holding a gun loaded with two silver bullets, and, God be blessed, Emily, safe in your sister’s home. What a long spiral road we took to get to this place. What a precipitous fall. But in the end, we knew, didn’t we, that this day would come? And we would have to pay, after all, spending more of our days as humans and not as the other.

Shhh. Don’t say anything. Just run your fingers through my hair and listen again to the tale of when I first saw you. It was in the woods adjacent to the family’s hunting lodge, where villagers dared not go, and yet, there you were, walking on that fateful, dreadful, wonderful evening. The moon was full, and I was in thrall to the hormones coursing through me. Even then, fur bristling and teeth bared, I knew I could not do what was driving me. You were the most beautiful creature that ever I had seen, dressed in a white silk robe, a cape billowing behind you in the breeze. Glowing as you were in the moonlight, I thought I was seeing a goddess. I watched you quietly from the deep grass as you bent down, picking mushrooms, placing them in the basket you carried, and oh, how I could see the red of your blood flowing through your veins, a ruby river calling to me, stronger than it had ever called before or since.

 I have no doubts that had it been anyone else, I would have just leaped and gorged until I could drink or eat no more. How can one resist the thrill of the hunt, knowing that anyone in my path could be mine for the taking? That is how we are driven when the bloodlust is upon us, isn’t it, love? But as you went about your task, looking so pure and innocent and full of life that, even with the bloodlust upon me, I could not bear to bring that vitality to an end even though I was hungry. Oh-so-hungry and the cracks in my soul were crying for relief. I howled loud and clear, wishing to warn you, hoping you would run away, far away, and I could go seek my sustenance elsewhere.

But you, my love, did not run. Or cry. Or beg. Like so many before you had. No, you smiled. And walked. No, not walked—glided, yes glided—toward me, slowly undressing as you approached until, beside me, your chocolate-brown skin so naked, your human body, oh so perfect in the moonlight, you came right up to me and petted my head as if I were the family dog. I heard for the first time your voice like a church bell echoing through the mist.

And those words! “I have dreamed of you, and I am ready.”

Do you remember how I howled a second time, more silently, more happily? I was giddy, no doubt of that. I knew with certainty you were to be mine forever, and I yours.

Then you spoke again, in words as clear and pure as a nightingale’s song. “Do it!”

And I did, biting you deeply on your left breast. I still can hear the ecstatic sigh you made and can see your blood splatter like raindrops. You slumped to the ground, and I ran away, stalking the nearby farms and fields to find a less willing and attractive victim. I found a young man, a boy really, tending his flock and I attacked him with a viciousness novel even for me. God forgive me. Even now, especially now, I can see the frightened look in his eyes and can smell his blood as I tore off chunks of his skin in utter glee.

The next day, I joined the mob looking for revenge, because we are always hunted afterward. We are, after all, human most of the time, with different fragilities and wishes. We came upon a wolf and killed it. Poor, dumb, magnificent, innocent beast.

But that was the next day. After my kill, I returned sated to find you sitting near where I had left you, leaning against a large oak. I lay down beside you while you ran your fingers through my fur, slowly and sensually, much like you are doing now. You looked at me wistfully, murmuring, “I always wondered what form my nahual would take,” tying me to the ancient knowledge of your people.

We stayed that way, you with your hand in my fur and me lying contentedly beside you, until the sun rose, and I transformed painfully back into my human frame. You were still so weak and helpless that I had to help you put on your clothes piece by piece, covering your perfect body again with your white robe, embellished now by blood droplets.

Oh, how slowly you moved, tired from the change that was already growing inside you. I carried your weakened body in my arms to where I had left my clothes, and then dressed in the style of the day, I, a young man of wealth and position, carried you to my hunting lodge from where I would take a rifle and the next day kill a wolf.

From that evening until this sad, sad day, you have been my companion, my partner in life and in the hunt, blood of my blood, light of my soul. I nursed you, caressed you, as your body was wracked with pain, your mind full of sensations never experienced by mere humans. And you, like all our kind, slowly filled with the knowledge that we who are the hunters are the true hunted, that anyone we meet can be our prey, can be our killers.

When next the moon was full, and the change complete, you and I went out hunting together for the first time, as joyous as pups, the bloodlust and the love-lust strong within us, running wild. You should have seen yourself, as beautiful in that frame as you are in human guise. Your pelt golden-red like your hair, sleek and shiny. Oh, how we ran, you in front of me, me barely keeping up with you. What joy! And oh, how your fur glowed in the moonlight. You were so wonderful, so alive at that moment. When we saw the herdsman, you leaped as he stood frozen by the sight, and you tore his neck as if you had practiced your whole life. I never had a meal that tasted so sweet. And then we went forth killing indiscriminately, as happy in our skin as the sea is blue.

May God forgive us.

Of course, the next day, I joined the hunt to find a wolf to pay for our happiness and for our sins. There always must be a reckoning, doesn’t there, my love?

My parents disapproved of my choice of mate, as I fully expected. They were, and are, bigots and snobs, blinded by their wealth and privilege. They accepted you begrudgingly later, only after Diego and then Emily were born.

Forgive me, love, his name just slipped out. Hold me. Hold me. Soon we will be at peace.

I think it was a relief to them that I agreed so readily with my father’s suggestion I take my mestizo woman, as he called you, and oversee the family interests in Mexico City. I have never forgiven them for the disrespect with which they treated you and our children, pure and innocent, when they were born. But in the end, Mexico City was the perfect place for you and me, near to your family and all that the place offered, awash in ancient spirits who still walked the land. It was a magical place in a magical time, rich in the history of our kind. A place where the past is only partly hidden, slowly sinking and rising from the debris of time.

Your mother and father greeted us with open arms, but your sister Juanita, having the second sight, looked at us in disgust and fear, always crossing herself when she saw us. I smile at her look, even now. When the children were born, she was adamant that they be baptized and wear the crucifix necklace she gave them. We had no qualms in doing so—such baubles have no power over us.

I said the words renouncing the devil, and why not? We are all God’s creatures, are we not, living our lives as He made us, or permitted us to be made?

I am glad for Juanita and her superstitions. Emily will be safe in her embrace.

Being the scion of the Garcia family fortune, we lived in style and moved into a spacious house in the aptly named Coyoacán district where, it is said, that nahual in the form of coyotes walk in the mist, snatching young children they meet on the way.

What a time it was. The dances, the parties, and you, so beautiful, truly the envy of every other woman in the city.

Mexico City! Such a perfect place it was for the hunt. Teeming with people, many without families of their own. A feast. When the moon was full and the bloodlust upon us, we moved through the shadows, sleek and quiet, until we came upon a solitary figure or two and pounced and ate until the sun started rising, and we two, our fur covered with blood and gore, made our way back to our casa.

The next morning, the cry of “Nahual!” rose in the streets and we joined our neighbors in hunting down any poor creature we found.

Always the hunter and the hunted.

But even in Mexico City, where the past is so present, and the spirit of the dead lies upon the land, the magic had to end. For us, you and I, love, it came with the birth of Diego and then of Emily. Yes, I will mention his name now. It is time.

How we nurtured them, protected them, kept hidden from them our secret lives, wanting for them a life where they would not be obligated to hunt, and then become the hunted

Do not all parents want for their children a life better than the one they lived?

We succeeded so well for such a long time, that even Juanita ceased her trips to the market for protective elixirs passed down for hundreds of years. Ah, humans, poor things, never know how those preparations cannot harm us or keep us at bay.

They were so beautiful, our children. So strong. And yet, they too had minds so curious and hungry that they did what foolish young men and women always have done and wandered into the unknown.

But why, oh why did they wander so on a night when the moon was full and our bloodlust so strong?

And why, of all the places they could go, did they go where we hunted?

God forgive us but when we came upon them, we saw only the blood moving through their veins calling to us and we did as we do when the bloodlust is upon us and our mind focused just on the joy of the kill. How we leaped and poor beautiful Diego lay on the ground with his throat bitten open, his head almost severed, his life bleeding away in the shadows of Mexico City. Slowly recovering our senses, we saw Emily, her eyes wide with horror, turn and run to your sister’s house for protection. At least we had the sense to not pursue her.

We, the hunters, must pay, mustn’t we? Always. And today is that day. Cry, my love, cry. I will join you. It is the time to mourn and to bring our memories of joy and the weight of our sorrow to an end.

There are two bullets in this gun. I do not know if we need silver when we are in our human frame, but you and I cannot take a chance that we will survive, and rise to kill and kill again when the moon is full, and the sky is red. Or take the chance, no matter how slight, that perhaps one day we might slaughter Emily, as we did Diego, as we mindlessly did with so many other innocent youths.

Farewell, my love. Think of me as I pull the trigger. When I turn the gun on me, I will dream of you dressed in a white silk robe, a cape flowing behind you in the breeze, and glowing in the light of the full moon, your pelt as golden-red as your hair, sleek and shiny.

Running, oh so swiftly and so free.

Picture of Albert N. Katz

Albert N. Katz

Albert N. Katz (he/him) retired from academia after 43 years working as a cognitive psychologist and started a new career as a writer of short stories and poetry. His stories and poems have appeared since in horror, science fiction, fantasy, murder and literary magazines or anthologies. With respect to his speculative writing history, they can be found (or accepted for publications) in magazines, such as Allegory, Everyday Fiction, The Hungur Chronicles, Illustrated Worlds, Punk Noir, Spaceports & Spidersilk, and Twenty-two twenty-eight., and in various fantasy or horror themed anthologies.

How Beautiful Things Disappear by Euan Lim – Part One

“Are you finished?”

“No. Be patient,” Alexandru scolds. He shifts, lifting Vasile’s arm out of the way and adjusting his grip on the ballpoint pen. They sit next to the mussed bed, the floor around them cleared of rubbish, their suitcases and twin violins resting in front of the window obscured by the dirty canvas curtain they’ve kept closed since sneaking in.

Vasile inhales, his head tilting back and eyes slipping shut. The wood beneath him has long since lost its varnish and is rotting at the corners; cold from the damp earth below seeps into his bare thighs and palms. The tip of Alexandru’s pen just barely dents his skin, black ink curling over his ribs and making him shiver, as if he could shake off their problems—if only for now.

Being fired from their jobs.

The alarming state of the dilapidated house where they were staying temporarily.

The quickly declining number of leu bills in their wallets, even though they’d withdrawn everything from their bank accounts.

Alexandru’s hand is warm and firm as it smooths over Vasile’s chest, the pen trailing after in long, sweeping strokes. “Sometimes I wish we were birds,” he says softly. “We wouldn’t have to worry about what people think of us. We could fly away to the Pădurea Hoia, and Muma Pădurii would take us in.”

“Because we’re broken things?”

“No,” Alexandru says. “No, we’ve never been broken. It’s the rest of the world that is. But I think she’d protect us. One outcast helping another. Don’t you agree?”

He doesn’t, but rationality could hardly dim the flame of Alexandru’s unwavering fancy.

The air around Vasile grows colder as Alexandru sits back on his knees with a soft smile, Brown hair curls messily around his round face, any slapdash attempt at styling ruined by how much Vasile had been running his hands through it a half hour ago.

Iată,” Alexandru whispers.

Vasile peers down at his side and the owl scribbled there—feathers splayed wide and half-finished, the mess beautiful in a way only Alexandru could make it.

“My turn,” Vasile says, and Alexandru holds out the pen.

Vasile takes it, and Alexandru leans back against the bed’s ugly, fading quilt, sewn in pale greens and purples, raising his arms to rest over the mattress. The pose pulls his breasts nearly flat, dark bruises there a mocking facsimile of the colors of the quilt, standing out starkly against pale skin where he’d bound wide strips of cloth that morning—again—to disguise his chest.

“I wish you wouldn’t hurt yourself when you do this.” Vasile touches a stripe of skin rubbed raw from chafing.

Alexandru’s lips twist wryly. One of his knees comes up, almost self-consciously, as if to shield himself from Vasile’s eyes. “It’s fine, Valy. What other options are there? There’s no one else here who can advise me on what I’m supposed to do with… this, until I get it fixed.”

When Alexandru won’t meet his gaze, Vasile leans down and kisses one of the bruises, feeling the even rise-and-fall of Alexandru’s quiet breaths, dragging his lips lightly along skin as Alexandru’s hand winds into his hair.

He lets Alexandru hold him there for a moment, their hearts beating together, then presses a last, delicate kiss to Alexandru’s sternum. Alexandru cups Vasile’s chin as he draws away, a smile hovering at his lips and creasing the corners of his eyes before he lets go.

Vasile leaves the topic alone, reaching over to his backpack and pulling out the photo he always uses as reference. He settles his hand on Alexandru’s waist and begins to draw, avoiding the yellowing edges of bruising as he shapes the heart face of a barn owl, then its broad wings flared wide. Alexandru tips his head back lazily, his pulse fluttering under Vasile’s touch like a caged bird trying to fly.

“Notice how I don’t ask you when you are done, even though you’re taking longer than I did,” Alexandru murmurs after a while.

Vasile snorts. “I’m doing mine right,” he says. “It actually looks like what it is. Yours is so sketchy. It could be a bat, for all I know. Did you draw Dracula on me?”

Alexandru laughs. The unexpected movement makes the pen slip, an untoward mark skidding after it.

“You made me mess up!”

“Just draw over it.”

Vasile makes an angry noise. “I can’t. It’s not going to look like the photograph now!”

“It doesn’t have to be a perfect copy, motănel. It’s not sheet music for the orchestra. Just make up what comes next.”

Frustration looping tight around his neck, Vasile licks his thumb and scrubs at the mistake. That only makes it worse, smudging the ink like another bruise on Alexandru’s skin.

Alexandru sighs, fondly exasperated, and tugs the pen from Vasile’s tight grip. Pulling his breast out of the way with his other hand and craning his neck to see, he begins jotting down swift lines, sectioning the owl’s wing into its different parts, feathers appearing like slashes of moonbeams over the bars of his ribs.

“There,” he says, scrawling a narrow, sloppy ‘V’ for the beak. The drawing is chaos but, as always, Alexandru embraces it in a way Vasile never has been able to. “See?” He holds out the pen.

Vasile takes it.

Rising to his knees, Alexandru reaches onto the bed and pulls on his shirt. “Don’t frown, Valy,” he says, putting a hand on Vasile’s cheek.

Vasile glances away, sullen. “It didn’t go how it was supposed to.”

Nothing in the past month has been going like it was supposed to. They should have been at home in their separate apartments in Andrei Mureşanu, then meeting at a café the next afternoon before heading to orchestra rehearsal to practice Tchaikovsky—Violin Concerto in D Major, Op. 35. Even before the two of them had been fired, Vasile hadn’t been picked for the solo, and upset still simmers, thick and hot, under his conscience.

“But it still worked out, didn’t it?” Alexandru’s eyes shine treacle, illuminated by the naked lightbulb that buzzes yellow at the center of the room. “It all works itself out in the end. We’ll get through it. Three days from now, we’ll fly from here to New York and be free. We can find other people like us, and we won’t have to be scared anymore. I’ll get proper treatment, and we can be who we are without always having to watch over our shoulders. Everything will be fine, you’ll see.

“Here.” Alexandru reaches over to his wallet, separating a bent plane ticket from its partner, where they were hidden behind green lei. “I forgot to give this to you yesterday. You should keep yours, in case something happens to me.”

“Don’t say that,” Vasile says sharply. “Don’t say it. It’ll always be you and me.”

“Just in case. I don’t want to be the one making you stay if I lose them. It’s only a precaution, Valy,” he promises. He touches Vasile’s jaw lightly, his gaze so hopeful it makes Vasile ache. “I can’t wait to start a new life with you.”

He hesitates. Alexandru always speaks of America with such reverence, hope lighting up his face, while Vasile clings to terror every time the subject comes up. How could he leave Transylvania and never come back, even if his home has never treated the two of them with anything but indifference bordering on cruelty? The tickets have been tucked away in Alexandru’s wallet since last night, when Alexandru came back from meeting an acquaintance’s friend’s cousin, who’s a travel agent. With their departure now imminent, Vasile has been trying in vain to memorize the red-roofed and pale-walled houses of Cluj-Napoca; the chatter of families eating outside on restaurant decks fenced with wrought iron; the smell of petrichor when Alexandru convinces him to take walks along the edge of the Pădurea Hoia after it rains, despite Vasile feeling eyes on the back of his neck every time they go out together. He never tells Alexandru, who’s always busy scattering seeds for the red squirrels to curry favor with Muma Pădurii.

“I don’t know if I’m ready,” he whispers. Something flickers across Alexandru’s face—frustration, worry, disappointment—before it vanishes so quickly Vasile knows he’s imagined it.

“Of course you are,” Alexandru says assuredly. He presses one of the plane tickets into Vasile’s palm.

Closing his eyes, Vasile brings their hands up to kiss Alexandru’s wrist, then his thumb, then his fingers, which smell of ink and salt and faint flowery soap.

Alexandru’s answering smile could have enchanted concert halls and concert halls full of people to love him.

“Okay, Sandru,” Vasile whispers.

***

“I have to get something today,” Alexandru says the next afternoon while they’re still in bed. “Before we leave Donath.”

Vasile lies curled around him comfortably. Like this, he can revel in what they’d never had while living apart, before everyone had found out who they were. All this, because Alexandru had rapped on the door to Vasile’s apartment four evenings ago, terrified of the men who’d been following him for several days. They’d packed up and fled for somewhere more clandestine, not really caring where they ended up—it isn’t as if they have to worry about a commute to their jobs anymore.

“Okay,” Vasile says sleepily, nosing into Alexandru’s hair and reaching for his hand, twining their fingers together—Alexandru’s shorter than his own but just as strong.

“It’s a little outside the city, so I’ll go alone. I know you’re sick and tired of this dump, so if you take the bus to Old Town, I’ll meet you there. We can eat at Vărzărie and book a hotel. I’ll even go by my old name, so we can share the room.”

“Okay,” Vasile agrees.

“And before we leave for America, we can go busking and play a feciorească duet together. As a farewell to Romania,” Alexandru adds slyly.

Absolutely not.”

Alexandru reaches back to smack Vasile’s chest. “Măgar! Why?”

“I do not busk,” Vasile says stiffly. “Nor do I play folk music.”

I am Vasile Nicolescu, former second chair of the Transylvania State Philharmonic Orchestra, and I do not busk or play folk music,” Alexandru mocks in a sing-song voice. “I spend my weekends perfecting my page-turning technique for the concertmaster—”

“And you’re so obsessed with folk, why did you even accept that position as assistant concertmaster?” Vasile catches Alexandru in a headlock, scrubbing the top of his head with hard knuckles until he squawks.

Alexandru is breathing hard by the time he manages to thrash free, his hair sticking wildly in every direction. “Just to convert you.” He shoots a smirk over his shoulder as he swings his feet over the edge of the bed, which creaks dangerously. “Don’t act like you’re too good for it. I saw you looking in that bush along the Pădurea Hoia after I saw an iele there.”

“I did not,” Vasile sniffs, watching Alexandru stand and stretch, then reach for his folded clothes draped over the footboard and begin to dress. “You don’t want me to come with you?”

“No,” Alexandru says. “I’m just getting something back from Wadim. It won’t take long.”

Vasile scowls, the blanket bunching around his waist as he sits up. “You said you stopped talking to him after he called you mentally ill and tried to beat you when you told him about…”

Alexandru’s smile is too beatific to be anything but a mask of reassurance. “I did,” he says.

“I’ll come with you.”

“No, Vasile. Take the bus to Old Town. If he finds out I’m seeing someone new, he’ll be angry. I’ll be okay alone.”

 “What do you need him for?” Vasile asks sharply. Maybe, yes, he’s jealous—the ugly feeling slipping over his shoulders like sunset, casting darkness over his eyes.

“I’m getting back the violin from my tataie that he took from me when we broke up.”

“You have one already.”

“Yes, from Hora Violins. I know. You paid for it, even though I didn’t want you to.”

“It’s not good enough?”

“It is. I love that violin. It’s wonderful. It’s just not the same,” Alexandru says gently, coming around the bed. He puts a knee on the sagging mattress, taking Vasile’s face in his hands. “You know that.”

“Am I not good enough?”

Alexandru’s face softens, a sad smile curving his lips. “You are, Valy. I’ll tell you that every day. You’re so good to me. I just want this one thing, that’s all.” He leans forward, pressing a light kiss to Vasile’s lips.

“That’s a lie,” Vasile mumbles. “You want a lot of things.”

Alexandru laughs quietly, leaning forward to rest their foreheads together, the tips of their noses brushing. “That’s true, isn’t it? But look what happiness it got me.”

Vasile presses his head harder against Alexandru’s, winding his hand behind Alexandru’s neck and fingering the soft hairs there, feeling Alexandru shiver. “Fine,” he allows. “Fine. But if you’re not at Vărzărie by sunset, I’m going to come looking for you.”

“I expect nothing less, motănelul meu.”

Though it’s past time for them to be getting up, Vasile yanks him closer so that they tumble into bed together again.

Picture of Euan Lim

Euan Lim

Euan is a first-generation author writing contemporary and fantasy fiction centering themes of cultural inheritance and queer identity. His work has been previously published by TL;DR Press, Improbable Press, and A Coup of Owls, and has been shortlisted by the Reedsy Weekly Writing Contest. When he's not at his desk, you can find him birding, undertaking various crafting projects, or planning his next travel adventure. More of his work can be found on his website.

Not All Who Wander by Damir Salkovic

We were not allowed to ride our bikes all the way out to the park. Not so close to dark, and not just the three of us by ourselves. We had our own reasons to avoid it, too. But we went anyway, carefully skirting the town’s main street, where we could be spotted by a nosy neighbor, or—worst of all—one of our parents driving home from work.

It was a dare to test our fear, a game to push boundaries. Less than a month into the new school year, the glorious, carefree summer was already behind us. Leaves were turning and the days growing shorter, the pleasant smell of bonfires rising on the crisp, cool evening air. The thought of the coming winter was making us restless, even if neither of us could put a finger on the exact reason.

Back then, I was too young to name the sense of emptiness and loss that came over me when the skies turned dreary and cold. When there was nothing to look forward to but school and rain and slogging through slush-filled streets. It’s a feeling I’ve gotten to know intimately over the years.

But all that was still in the future, like a wreck waiting for you on the other side of an approaching curve, and the three of us—Joey, Danny, and I—were speeding blithely around it with our eyes closed. We whooped and shouted and pedaled our bikes faster down the back lanes of the town. Here the houses were older and grubbier and fallen leaves clogged the gutters. Here rusted jalopies squatted like dead beasts in unkempt front yards. Here lived the kids who wore hand-me-down clothes and who often showed up to class with black eyes, or took unexplained sick days, or who dropped out of school altogether.

I knew it was getting late and that I’d be in trouble if I wasn’t home when my dad came back from the mill. I’d be the only one. Joey’s parents barely noticed him, and Danny lived with his mom, who would already be three sheets to the wind by this time. But my dad saw everything, and he wasn’t one to spare the rod. Still, the threat of punishment didn’t deter me in the least.

We redoubled our efforts until we passed the Congregational church and turned left at the hardware store. This was the town center, or what passed for a center in our forgotten, forgettable hometown. Getting off our bikes, we pushed them to the edge of the park.

It wasn’t much of a park. Now that seems obvious to me, but at the time it was the only park any of us knew about. Built during our town’s brief heyday in the fifties, the years had buried its lawns under successive layers of neglect. Many of the lights no longer worked, the grass was yellow and straggly, and local hooligans had demolished the benches, which no one had bothered to replace.

Teenagers would gather there after dark to smoke and neck and drink. But most kids my age hated it on sight. There were frights in its depths that a young boy’s imagination could run away with. Like the pond in its middle, where a fountain had once spouted, was a murky puddle that smelled bad in the summer, afloat with candy bar wrappers and beer cans. Like the thicket on the side facing the movie theater parking lot, where drunks and drifters snuck in to spend the nights.

But the bandstand—the bandstand was the worst of all, a focal point from which all the other terrible things seemed to radiate. Its wood was flaked and rotted, its roof sagging from corrosion and dead leaves and the memory of many winters of uncleared snow. Under the warped floorboards of its base, blackness yawned through a broken wooden lattice. Homeless folks would sometimes bed down beneath it, or junkies looking for a fix—if rumors were to be believed.

For the three of us, childish fear had evolved into fascinated horror because of something that had happened the summer before. I didn’t know then what force compelled me to dare my friends to visit the park after dusk. I still don’t know, and I don’t care to guess. They accepted it, and that was all.

We stopped a good distance from the bandstand, and I realized I’d miscalculated. Above the unruly trees, the light was already dimming; the heat evaporating quickly, like it does on warm fall days. But it wasn’t just the temperature that raised goosebumps along my arms and neck. The park was empty, utterly empty, which somehow made the shadows lurking in its corners all the more ominous.

“What now?” Danny said, his voice thin and reedy.

A glance at Joey showed me he was just as afraid as I felt. Last year, I would have suggested that we head home as fast as we could. But this year was different. This year I’d grown up and filled out, and I was ready to challenge Joey for the unofficial leader spot of our little group. If I chickened out, I’d lose the upper hand I momentarily had on him. It was a perverse feeling, at once giddy and sickening, and getting stronger as my own fear grew.

“We should check out the bandstand,” I said, forcing a casual expression onto my face and doing my best to sound dismissive. “There could be a bum down there. Or a wino. Maybe they got themselves a little booze stashed away.”

Joey didn’t take the bait. “It’s getting pretty dark,” he said. “Maybe we should head back.”

He looked at Danny for support, but Danny was silent, his gaze fixed on the tops of his dirty sneakers.

Triumph bubbled inside me, but I managed to hide it. I shrugged, made as if to swing my front wheel back toward the street.

“I get it,” I said to Joey with a mocking smirk. “It’s okay to be scared. Maybe next time, when it’s still light.”

“I’m not scared,” Joey said, his voice cracking on the last word. Embarrassed anger colored his cheeks. “You go ahead and do it, if you’re so tough.”

But it was a weak comeback, and all three of us knew it. The last of the sun had faded and darkness was advancing across the common. A similar darkness was spreading from some secret well inside me. Part of me wanted to stop whatever I’d set into motion. But a different part, the one with the sweet, poisonous voice, was now in charge.

“It’s cool,” I said, my insides swimming with giddy terror. “I got this. I’m not a baby, afraid of a little dark.”

Could I have anticipated what was about to happen? I’d like to think I was innocent and clueless. That I would have done it, walked my talk. No big deal, nothing to it. But to this day, part of me suspects otherwise. I knew, because no sooner had I said it than I wanted to take it all back.

Except it doesn’t work that way with words.

Joey and I both felt it. We shivered and backed away from each other. I glanced around and realized that Danny was no longer standing next to us. He was walking toward the old bandstand, his back stiff, his movements almost robotic with fear.

I wanted to stop him, to say it was all a joke. Maybe I did shout after him. But Danny kept going, across the blighted lawn, bending down to peer through the broken siding. He hesitated for a moment, terror evident in every inch of his stance.

Darkness swallowed his feet. Was he trying to crawl inside, or being pulled under? I couldn’t tell, because the shadows converged on him suddenly and it was hard to see. Next to me, Joey was saying something—stop, or look, or don’t—but his voice was a whisper that barely left his lips.

Danny was staring at us now, his face white as a sheet. Something moved under the stand. A sack, or an old coat, fluttering even though there was no wind. Fluttering, because no person could have been inside it, moving like they had no bones in their body. Our friend’s mouth was opening, shaping a cry, or a plea, but a vast dislocation had fallen over the park, or filled my head, and I couldn’t hear a sound.

Then he was gone.

Say what you will about our town, but almost every household turned out for the search. Everyone but the very young and the decrepit. The cops searched under the bandstand, combed the park over and over, but found no trace of Danny. Drifters and petty offenders in a ten-mile radius were detained and questioned, to no avail. The old pond was dredged several times. Nothing in it except knee-deep, mucky water, broken bottles, and used condoms.

There was no way a kidnapper could have subdued and made off with a struggling twelve-year-old boy without being seen. Danny had not run away from home, nor could he have gotten lost on the few streets between the park and his house. None of it made sense, but it didn’t make him any less gone. The case went cold after a while and remains unsolved to this day. Danny’s mom moved away shortly afterwards. I have no idea what became of her, and I never asked.

No one ever pointed the finger at Joey and me. They didn’t have to. People avoided us, whispered behind our backs. Parents would pull their children closer when they saw us in the street. Small towns can be like cauldrons, boiling you to death before you noticed what was happening. Invisible walls hemming you in and shutting you out at the same time.

Joey never spoke to me again, and after a few months, his family picked up and left too. I guess those invisible walls finally got to be too much for them. I stuck through it for high school, then let life take me away. First to one coast for college, then the other for work. Never settled long in one place, never started a family. I suppose I could say I wanted to do the responsible thing, but really, I was just scared shitless.

Because there was another reason we avoided the park. One that neither Joey nor I would admit to the cops, or to our parents, or to anyone else. Even to ourselves.

That summer we’d been loitering on the edge of the park, embroiled in a hot argument I could never remember afterward. With an inhuman howl, an apparition had risen from the bushes and charged at us, bellowing in incoherent fury. That was what it looked like, at least. Almost pissing myself in panic, I hopped on my bike and started pedaling. Joey was already twenty feet ahead of me, knees pumping like he was setting a world record.

But Danny, stocky, slow Danny, had frozen for a moment. As the shambling figure came for him, he reacted in panic, turning, stumbling, throwing his arms out.

Pushing the wino right into the street, into the path of an approaching car.

I’d heard a car brake, that awful meaty thump, a woman screaming like she was never going to stop. Then the engine roaring as the driver raced away. The first thought in my horror-stricken brain was Danny, and it made me turn back. But he was fine, if a little pale, standing on the sidewalk like he’d grown roots. On the road lay the bulky body of an elderly man, made even bulkier by the layers of filthy clothing he was wearing.

I remember his eyes were open, glassy under his long, greasy hair. I remember a bottle of White Lightning, miraculously intact, rolling on the asphalt until it came to a stop in the gutter. There was a bit of blood, but the man was alive. He was making noises in the back of his throat, and I thought of getting help. Then I thought about the trouble I would get in. Apparently, all three of us thought the same, because we picked up our bikes and snuck away.

Without a word, we let the wino bleed to death in the street.

None of us ever told. None of us ever mentioned it to the others. Because what was there to talk about, really?

“Just one of those things,” Lee Sobchak, the police chief, told me many years later. I was in town for a visit, and he was long retired, killing time in one of the few remaining bars. “Your buddy prob’ly just got spooked and wandered off. Got lost. It happens. Wasn’t no one’s fault.”

“Maybe it was,” I said. I was a little drunk, and a lot depressed, and feeling more than a little sorry for myself. “Maybe we asked for it. Brought it down upon ourselves.”

Lee’s gaze remained fixed on his beer glass, and his face was empty, hollow, like he’d aged a decade between two blinks of an eye. “What’s done is done,” he said, his voice old and quavering. “Ain’t no use digging up the past. Better to forget.”

But I can’t forget. Even if I wanted to, they won’t let me.

It doesn’t happen every evening, or even at the same time each year. But it usually happens as the days grow shorter. When they’re still warm, but that ineffable chill has started to creep in, and you know winter will be here soon. I’ll sense the light dimming, like a shadow has fallen over the sky, and I’ll look around.

Sometimes it takes me a minute, sometimes more. But eventually they’ll be there. Two figures, one tall and shapeless, the other smaller. Holding hands, outlined against the dying day. Too far away to make out their faces, but I’ll know they’re staring directly at me. Danny is still wearing the same clothes he wore when he disappeared, and over the decades that have grown ratty and threadbare. But it doesn’t matter. He doesn’t need clothes where he is now. Those are for my benefit, a reminder.

I know this, just like I know there will come a day when I’ll tire of running. Or when they will no longer be content with watching from a distance. On that day, I’ll raise my head and see them right there next to me, unspeakable things reflected in what passes for their eyes. They will hold their hands out to me, and I’ll follow them into whatever space they now inhabit. Either because I won’t be able to say no, or because they won’t take it for an answer.

It’s getting harder and harder to wait.

Picture of Damir Salkovic

Damir Salkovic

Damir is the author of the story collection Collapse Years, two novels, and short stories featured in multiple horror/speculative fiction magazines and anthologies. An auditor by trade and traveler by heart, he does his best writing thirty-plus thousand feet in the air and in the terminals of far-flung airports. He lives in Virginia with his wife and a dynamic duo of cats. When not writing fiction, he reviews horror movies, discusses books, and shares unsolicited opinions on just about everything on his blog, Darker Realities.

The Hinge That Shouldn’t Have Moved by Fendy S. Tulodo

At 3:12 a.m., the cabin door creaked—but the wind had died an hour ago.

Harvey didn’t breathe. Didn’t blink. The fire had smothered itself into coal-colored silence, but something—something—moved. Not outside, not scratching the walls like the wolves did last winter. It was inside. Just past the trapdoor.

Three days he’d tracked the Red Stitch. Three nights without sleep, gut-fed on adrenaline and canned beans. Locals said it wasn’t an animal. Said it watched. Harvey didn’t care what they believed. His cousin was dead. Split open from spine to chin like a zipper peeled wrong. He’d seen the remains—steamed in the snow like slaughterhouse waste.

This was no job anymore. This was something else.

The hinge moved again. A stifled tick in the dark.

He cocked his rifle toward the basement and waited.

Harvey Wren had been a wildlife tracker for over a decade. Former Army, too—discharged after a mine exploded three feet from his squad. His hearing never fully recovered in the left ear. He’d tracked grizzlies in Wyoming, and mountain lions in British Columbia. Nothing ever made him afraid.

Not until the trail markers started vanishing.

It began near Crooked Elk Pass. Scratches—long, curved, four-pronged—appeared six feet high on spruce bark. No bear could reach that. The air smelled off. Not bad, just off. Like iron and burned wiring. The moment he stepped off the official trail, things changed. Birdsong ceased. Trees leaned wrong. Moss curled inward.

The creature never left blood. Never left fur. But Harvey found other signs: a torn boot, half a jawbone. A child’s drawing impaled on a thorn. He’d walked that horror until it led here—a half-buried forest cabin, thirty miles from the nearest fire road.

The place had been empty when he arrived. Until now.

The basement door hadn’t opened.

But the air had changed. Warmer. Breathing on him. Harvey knew the smell of enclosed rot—whatever was down there, it had waited long enough.

He stood and moved slowly. Each footfall was planned, measured. He didn’t rush. Rushing got people killed.

The trapdoor’s metal ring was rusted stiff. He didn’t touch it. Instead, he poured a line of salt around the door and settled back, facing it.

Nothing. For an hour.

Then, at 4:22 a.m., it spoke.

Not words. Scraping.

Long, deliberate drags—like claws across stone, coming up the steps.

The Red Stitch was real. And it wasn’t hiding anymore.

Harvey remembered what the old woman in town told him.

“You don’t hunt it,” she said, crushing tobacco in a blue bowl. “It lets you think you do. It makes itself small until you’re close. Then it blooms.”

He’d chalked it up to superstition. But now, as the trapdoor bulged upward and the salt began to smoke, Harvey understood. He was never the predator. He was bait.

And it was time.

He raised the rifle, cocked it once, and waited.

The door didn’t open.

The fire pit hissed. Then something new entered the room—not a beast. Not a creature. A boy.

He couldn’t have been more than eleven. Filthy hoodie, shoeless, bleeding at the ankles. His eyes were all pupil.

Harvey’s grip tightened. “Stop there.”

The boy stood between the fireplace and the table. No footprints. No breath.

Then the boy blinked. And it wasn’t a child anymore.

Its jaw cracked open, far too wide. Tongue lined with thorns. The hoodie melted into its flesh, turning inside out with a sound like torn leather. Harvey fired once—center mass.

The thing staggered, hissed—not in pain, but disapproval. Like a parent catching a lie.

Then it ran at him.

Harvey dropped the rifle, grabbed the iron poker from the fire pit, and swung. The hit connected—something snapped, either bone or illusion. The creature collapsed against the wall. Screeched once. Twitched. Then peeled itself backward, slipping down the trapdoor like water down a drain.

Gone.

He didn’t chase it.

Instead, he locked the cabin, burned the salt ring again, and waited until daylight.

He didn’t sleep. Didn’t cry. He watched.

At dawn, the frost returned. The air grew sharp again. The woods settled into a new stillness—like something had passed.

Harvey left the cabin and hiked five miles until his sat-phone connected. He told no one what he saw. Just requested a chopper to retrieve the remains near Crooked Elk Pass.

He marked the cabin’s GPS in a sealed journal and buried it beside the road, beneath a split boulder.

Then he went home.

Three weeks later, Harvey sat in a cheap motel outside Missoula. Snow fell gently outside. His beard had grown in wild. Eyes darker now. He’d started sketching again—something he hadn’t done since Iraq.

One drawing kept repeating: a face. Not a child. Not a beast. Something in-between, with a hinge in its mouth.

The phone rang.

Blocked number.

He answered. Static. Then a voice. His cousin’s voice.

“Harv… you never saw it all.”

He dropped the phone.

And from the motel’s bathroom, a hinge moved.

Just once.

Not wind.

Not hinges.

Not again.

Harvey turned. Slowly.

And smiled.

“Come on, then.”

Picture of Fendy S. Tulodo

Fendy S. Tulodo

Fendy writes razor-edge stories about the fractures in the human soul. His characters claw through moral wastelands—rebels chasing redemption, power players toeing bloodstained lines. Every sentence dissects the raw nerves of choice when there are no clean hands left.

The Animals of Inkwhich Inn by Steven McClain

1.

A lodger in Tolland County’s Inkwhich Inn,

a storied boarding house in Inkwhich Wood,

I, that Halloween, in chair at parlor

chimney seated, was at supper joined

by Samuel Bludgeon, an innkeeper-aeronaut,

and Agnus Caper, the hotel’s detective.

I, by pair addressed as “Steven,” smiled.

   Without Bludgeon’s house’s doors, a woodland

windstorm was, from inn’s quarters’ shelter, barred.

The inn, an edifice-dirigible,

a tavern-submersible, a public

house and train, had to cusp of winter come.

 

2.

   At postwoman’s portly parlor entry gladdened,

Caper, cases’ correspondence clasping, clamored:

   “’Twixt bricks of chimney’s bore, through flue in forest floor

of Tolland’s woodland fair, a hairy shape,

in tents’ pit appearing, walls descended, loping,

leering, leaping did, on oxen hooves alighting,

dart ‘neath wires’ whale. There a gas lamp’s wick

in capstan’s cogs lit hackles’ horns of Inkwhich dog.”

   “The inn’s mutable hound!” Bludgeon bellowed.

Grinning exclamation ended, entered

Henry, pit’s inparadisial dog,

and Bludgeon’s house’s cunning monsters’ guard.

To refute a frowning farmer’s query,

about his bearded sentry, Bludgeon belched:

   “While flight of frost did forest blanch,

on floating bough-bridge rails of branch,

our inn o’er trees in winter lurched

on balloon tracks ’twixt boles of birch.

On halyard sheets of frozen light,

moon-kindled kites of falling snow,

like sails of soot, did tavern tow.

Soon Inkwhich hound appeared, then small,

to trot ’tween trunks in blizzard’s pall.

Approaching prow of Bludgeon’s barge,

night’s dwarfish dog grew eldritch, large,

bore bison’s bulk and height of horse,

wore hide of seal and hair of gorse.

Then slow from stern receding hound

again in frame of dog was bound.

While wolf, disguise uncastled, shrank,

our house through door to barrows sank.”

 

3.

Her hand on head of house’s hound, Caper,

to tent’s fairground tale returning, stated:

   “In lanterns’ leer of Inkwhich Forest well,

where clowns did dart ’neath brass of branches’ bells,

dell’s wind-clapped peals to winter trees affixed,

there ray of moon on rolling motes of snow

did tungsten tents ’top Tolland Circus throw,

fair’s photon-fibers’ incandescent cloth.

Then, as ambulating elm, a giant entered!

On legs of moose, in webbed claws of bat,

fair’s forest giant, clad in cloaks of stone,

did juggle barrel, cauldron-box, and vat,

his tumbling troughs where broths were brewed from bone.

In tanks’ putrescent smoke of clabbered blood,

extruded chimney stalks of mushroom buds

’tween captured bodies’ bearded seams of soup.

There peristaltic pulse of purple worms

in curd of giant’s coffins’ kettles squirmed.”

   Growing green at giant’s food, inn’s bakers,

about bodies juggler brewed, inquired.

Fore his sunset fire’s fender marching,

belly-bulksome Bludgeon, broadly breeching

bobbing beard, did to tavern’s bakers say:

   “The grinning horse of Tolland Wood

in turning trench of river stood

on legs of stork ’neath strike of rain

in coat of kelp and boarfish mane.

By lamp of moon, in fog of ford,

the horse to circus lodgers lured.

Mare’s tongue of eels ’tween teeth of loam

made binding songs of slime and foam.”

 

4.

   I, keening keel of wooden vessel, heard

a ship with winds o’er rooftop wrestle, wheel-

ing, flapping, flouncing: Whiz-BANG! Whiz-BANG! Whiz-BANG! Knock!

   “Flight of bakers’ oaken ornithopter!” exclaimed Agnes.

“They, ridding kitchens’ bobbing treadle-barge,

freights of flour, yeast, and butter carry,

to house’s bread in Bludgeon’s ovens bake—”

   “But well’s whale!” I badgered. Agnes rejoined:

   “In toadish hand, a taloned span in which could carthorse hide,

were pregnant mare in palm to stand when whale his fingers plied,

did What-in-Wood a cross-brace swing to trapeze-levers steer,

a handle-net of knotted strings on which ’neath whale appeared

a puppet built from tackle-spring and corpse of Irish Deer.

Parbuckle’s sling in circus ring did lurching carcass rear.

The puppet, five yards hoof to beard, then stood on hindlimbs ‘top a pier,

well’s trestle-wharfs’ depending tiers—”

   “Mine’s ladders-plank on which was circus set,” shouted Bludgeon,

twixt snow-girt groves of platforms’ starlit pines—”

   “Like to winter maple’s longest branches,” whispered Agnes,

“or its loam-leafed tubers’ delving taproots,

did antlers’ copse from skull of deer extrude,

bones on which a wake of vultures brooded

hissing, wearing wattles’ steaming stoles of sick—”

   “With stool of whale was deer embalmed,” burbled Bludgeon. “Whale’s dung

from frowning bung of puppet’s seams festooned,

a yellow paste on which antlers’ raptors,

climbing clotted clods of hair, dined like drones

dredging hive’s honeyed hexagonal combs.”

 

5.

Caper, clouting cakes ’gainst plate of palate,

did, o’er her bulging, battened belly, cluck:

   “His periwinkle pelt, a wrinkled rind,

harlequin pachyderm Wimple Stopknob

did, to the circus water organ wield,

wear protheses, tin to great-toed plinth-paws

tied, gloves of pegbox, string and hammer, hands

in cuff of keyboards’ pillory enclosed.

Stopknob, tricorn head in stocks ensnared, played

calliope in forest Underfair.

Wimple’s hippopotine tusks, gums’ gudgeon

axles anchored wheels on whose circumference

winding, did wet webs of iron wires

turn. Incisors’ gear-in-gob, spun by bob

of Stopknob’s bite, incited bellows’ blast.

Elephantine ears, twine, waxen batter,

forming Wimple’s pleated bellows’ bladder,

were, through eardrums’ pursing valves, with ivory

clouds of snow engorged. Sack’s disconsolate

contractions squeeze then through nose’s nozzles

sneezed burning steam to bore of organ fill.

On yawning peaks of Stopknob’s organ pipes,

pit’s fluted pikes of parchment, plank and paste,

were gaping beaks of feathered whales affixed.

Cetaceans’ severed muzzles’ singing reeds,

organ’s pedal-pulleys’ baleen whistles

did, draft through rings of humpbacks’ larynx drawn,

a barcarole’s befogging dance perform,

recital during which, I with Bludgeon

was, beneath stand of snow-clad pines concealed.”

Picture of Steven McClain

Steven McClain

Steven McClain is the author of the speculative poetry collection The Monsters of Inkwhich Well: An Octosyllabic Science Fiction (2022).

One More Drink by Meta Paige Taylor

One more drink.

Two more cigarettes.

My hands are sticky,

at that place we went.

Some regrets.

 

A few angry gods,

devious wretch.

I’m still floating in the same shit-swamp I was born in.

Depression; cancer of the soul—

Begging and drowning and dying in it.

 

This good poison,

a music I can’t deny.

Damaged…

Love shy…

Love struck.

Fucked.

 

Secure in my emptiness,

into the garage I go,

and talk with my imaginary friends.

We’re all addicted to demons;

dipped in reality.

Walls come tumbling down.

 

Kinship denied.

The pieces that fill the hole

that you’re drowning in

for the rest of your life.

Stumbling around in the dark, drowning.

 

And this cigarette tasted like…

And this drink smelled like…

the room was spinning.

But with a carton half full of cigarettes,

I can do anything.

 

Glitter,

shiny nails;

they look so pretty.

Waiting for this rain to start,

wondering what will be cleansed.

Picture of Meta Paige Taylor

Meta Paige Taylor

Meta Paige Taylor grew up on the East Coast but has lived in the Midwest for many years. She is a published author, and an English teacher, by occupation.

In Sections: A Contrapuntal by Dee Allen

Based on the short story A Lady’s Hands Are Cold, written and illustrated by Emily Carroll

 

“It began with a Spring wedding.”

            From the first night at her new groom’s mansion,

“By Summer, locked away in the hall.”

            A heart-breaking moan made itself known

“By Autumn, willfully murdered.”

            More like a hymn, desperate warning in song

“By Winter, dead to all.”

            Robbed her of minutes, hours of sleep

“Never to cross the pearly gates—”

            Each bedtime, more of the same, driven her insane

“Slow decay to the bone.”

            One night, aggravation came to a head

“Never to be a ghost that floats—”

            And the bride took action

“Left to rot forsaken and alone.”

            With a hatchet, hacked hole into corridor wall

“Those dainty hands,”

            Where the dreadful song spewed from

“Smooth skin, pretty face.”

            Found a pair of hands, dead and cold by touch

“Along comes competition”

            Throughout the manor, a night of excavations

“Looking to take my place!”

            A leg in the floor, two arms underneath a picture,

“Treasures once had: The necklace, the bed,”

            Dismembered feet, one in a closet, one in drawers,

“The manor that was home, but”

            Torso wrapped in a silver dress below the stairs

“The biggest gift given was my love—”

            Another leg between columns and finally,

“And both hands were cut!”

            A detached head, shock of grey hair, blank eyes,

“That man will never love you!”

            Thin lips cold—which miraculously

“Not him or any high-born man!”

            Spoke, threatened a violent revenge—Dead lady in sections

“Piece by piece, you’ll be ripped! Deceased!”

            Re-assembled with red ribbons—Re-emerged on both feet

“Now that I rise again!”

            Aching to strangle the breath from her rival!

“Once upon a time, a triangle did unfold:”

            Out of the mansion,

“A young woman, a rich man and”

            Past her monster [well, husband],

“A lady whose hands were cold.”

            Towards the woods she ran [she’s much safer there, among the trees].

 

*Note: Contrapuntal: A poem in which two different viewpoints are expressed on the page either as two columns of words or one line of poem A followed by one corresponding line from poem B from start to finish. It can be read as two poems on one page or as a dialogue between poems.

Picture of Dee Allen

Dee Allen

Dee Allen is an African-Italian performance poet based in Oakland, California. Active in creative writing & spoken word since the early 1990s. Author of 10 books—Boneyard, Unwritten Law, Stormwater, Skeletal Black, Elohi Unitsi, Rusty Gallows, Plans, Crimson Stain, Discovery and his newest, The Mansion—and 78 anthology appearances under his figurative belt so far.