Growing, Always Growing by Elliot Pearson

A hunk of metal drifting in a sea of iridescent stars,

blinking, reflecting in the station windows, but she doesn’t see—

Christine is where she’s always wanted to be,

alone

with the fungal root harvested from a wandering star,

away from it all,

like she was as a girl in the garden at home

in a world of her own.

 

The root is her prize and hers alone.

She sits and watches for hours at this dark, alluring little thing—

speaks to it and greets it good morning and wishes it good night

when there is neither in the black vacuum—

keeping it alive, secure in the lab

as it’s growing, always growing.

Hers and hers alone.

 

Oh, what joy to never see another soul,

to wake up with the sole purpose of feeding the root,

to watch it grow,

black as tar and pulsating—

growing, always growing

as the mold spreads,

and Christine is inhaling, always inhaling,

for what use is a filtration mask with such

a harmless specimen?

 

It is what keeps her connected, her root,

and the mold is spreading, growing in her now,

and she is changing, always changing,

waking each morning, growing closer to the root,

as if they were becoming one,

as the microscopic spores dance and drift into her open holes,

settling and seeding

as the mold takes over her mind.

 

She is unaware, complacent, no longer performing tests on herself,

coughs and sneezes blood into white paper sheets,

her hair falling out in clumps forming a sleek dark carpet

on the cold metal floor

as she wanders down the station corridors

in blood-soaked coveralls,

and she sheds her skin and peels it off in the shower

and it drops heavy to the wet tiles like thick pig skin

and the blood flows in the running water

and the steaming shower makes the flesh burn

that is no longer hers

as her bloated eyeballs push forth and pop out of her skull—

but she doesn’t feel a thing

because she is one with the mold.

 

Christine rots from within

but she is alive,

for the root has her mind

and they are a dyad.

They are legion

and they are many,

plotting a course back to Earth—

and there the mold will keep growing, always growing,

and Christine will make roots where she was once never able.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work can be found in Starline, The Banyan Review, and in several past editions of The Stygian Lepus. He lives in New Mexico.

Deliverance – Part One by Elliot Pearson

Apex Interactive Headquarters. Austin, Texas. 1999

Apex Interactive CEO, Dennis Enright, was slumped in his chair, smoking at his desk, awaiting the arrival of Tore Lund, studio head of Kaleidoscope Studios—one of Apex’s flagship studios.

Kaleidoscope had been responsible for developing the Deliverance series, which had launched a highly successful video game franchise that was known for innovation and pushing the industry forward by an unprecedented degree.

But the series had seemingly run its course. Gamers wanted more than a simple corridor shooter.

This wasn’t 1993.

Deliverance VI was the latest release in the series—more of the same, no longer the pinnacle of boundary-pushing technology. It couldn’t compete with the story-driven shooters that were on the rise. As a result, Kaleidoscope had worked hard to develop a project completely different to their long-established series, but Apex had rushed its development, wanting to get it out for summer of 1999.

The doomed, resulting product was shipped on too many discs. Bloated and rife with bugs and glitches, it was practically broken, slammed by critics for having no clear identity and for being almost unplayable.

Dennis had called the meeting with Tore to discuss the future of the studio and his clandestine plans for a new project that might just change the future of the entertainment industry once again—perhaps even forever.

Dennis spun around in his chair and faced the Austin skyline from his vast office window. This could all be gone soon, if we don’t take drastic measures, he thought. If we don’t innovate.

Dennis’s meek secretary opened the door and peeked her head through.

“Mr Lund is here to see you, Mr Enright.”

Dennis spun back around. “Let him in.”

Tore Lund entered the room and closed the door behind him.

He had a patchy adolescent beard that always looked in need of a good trim. No one would have guessed this guy was responsible for creating the high-octane, ultraviolent Deliverance series.

But men have much to hide.

“Hi, Dennis.”

“Tore. Great to see you.” Dennis motioned with his hand. “Please, sit.”

Tore took the seat opposite. Dennis swiveled from side to side anxiously. “Can I get you something to drink? Coffee?”

“No, thanks. I’m good.”

“You sure? Water? I can get the girl to bring you something.”

“No. I’m fine.”

“Alright. Straight to business then.” Dennis cleared his throat. “As you are aware, Octogun underperformed. Badly.”

Tore’s eyes were downcast. “Sales expectations were high, Dennis.”

Dennis grimaced. “Why shouldn’t they be? We’re in a highly competitive industry. There are studios popping up all over the place, making huge deals with our rivals. They’re doing what Kaleidoscope used to do very well, and with a lot less money. Could you tell me what it is they’re doing very well?”

“Innovating…”

Innovating. Damn right. Octogun wasn’t innovating, my friend. It was imitating.”

“With all due respect, Dennis, we had many plans that had to be scrapped. Innovative plans, which—”

“You had an entire year. A year of no releases from Kaleidoscope. You were working on one project. One. Don’t tell me you didn’t have enough time. Sounds to me like your team need to buck up their ideas. This is a business.”

“Well, Dennis, we could have done with another six months. That’s all I’m saying. Maybe even another year.”

“A year! Listen to me, Tore. We don’t have a year. Apex is in financial dire straits.”

Tore cringed. “I didn’t know. I’m sorry.”

“It’s too late to be sorry.” Dennis sighed. “It’s not your fault. I’ve put too much pressure on the studio. Too much money into too many projects. Projects that didn’t have the potential to be successful in the way we wanted. We’re going to restart Project Deliverance. We need to bring Ace Sterling back from the dead. The ultimate fucking badass antihero who made this company a shitload of money. Which put us on the map. Your game, Tore. You put us on the map. The innovator. The genius!”

“But I thought those plans fell through? I thought studies concluded the public was done with Ace and Deliverance? Like you said—six was a disaster.”

“Listen—we could do something completely unprecedented with a new Deliverance. Something nobody’s done before. It’s not just about the in-game tech. We need to develop an entirely new way of playing.”

Tore’s eyebrows furrowed. “You’re talking about the virtual reality experience?”

“Damn right, I am.”

“With the donor?” Tore leaned forward.

“Yep.” Dennis grinned maniacally, entwined his fingers like a stereotypical evil scheming dark lord.

Tore shook his head. “Dennis. You know how I feel about that. It’s unethical.”

Dennis put his hands up in the air. “You’re not seeing the bigger picture, Tore. Just think about it. This would change everything.”

Tore sighed. “When would production begin? The technology is nowhere near ready.”

“I’m speaking to some people. It’s a few years out.”

“You said we don’t even have a year. How can the company survive that long?”

“It has to, Mr Lund. And do you know how we’re going to do that?”

“How?”

“We’re going to loan the tech to the military, or whoever wants to buy it. I don’t care who. They’re going to be lining up outside this building on their knees for this shit.”

“What would they use that kind of technology for?”

“Who cares what they use it for. We keep the rights, loan it out, and use the money to fund even more project. We could have a new trilogy on our hands. We’ll become rich. Heroes of the industry. No one will be able to compete with us. No one. We’ll have complete dominion over the entertainment industry.”

“And the donor? Who is it exactly?”

“Details, Tore. Details.”

“I need to know the details. Did they have a choice in the matter?”

“A choice? Of course they had a choice. We’re not monsters. It was death row or signing up to be a donor and live forever.”

“Who is it?”

“A vegetable. Practically comatose. What more is there to know? It’s just a body. A vessel.”

Who is it?”

Dennis sighed and lit another cigarette. He exhaled in Tore’s direction. Tore swiped the pungent smoke out of his face.

It is a sicario. DEA picked him up two weeks ago. They’ve been after him for years. Being delivered to the facility at 0800 in two days’ time. Despicable individual. Responsible for the murders of countless men, women and children. The guy’s a scumbag. We’re doing the world a favor by taking him out of it. Real psycho—but a pro. Absolutely perfect for us. God damn perfect.”

“No matter who it is, I don’t think I can be party to this, Dennis. It’s not right. It’s a human rights violation. I should resign.”

Dennis rose to his feet, slammed his hands on the desk. “Resign? Are you fucking kidding me? Think about it. Just think for a second. This is the opportunity of a lifetime. Both our dreams would come true. We’d change the world, man. We’d be rich. That, I can guarantee. Think about it. Deliverance VR! No, wait. Deliverance Returns! Deliverance for Real! Deliverance Forever!”

“Wasn’t that a Batman movie? The one with the nipples?”

Duke Nukem. And look how that’s turning out. No—not Deliverance Forever…”

“How about just…Deliverance?”

“God damn.” Dennis sat back down and stared with mad, wide eyes at Tore. He took another drag, exhaled. “You’re a genius. That’s it. You always had the best ideas. I knew you’d do it again. It’s rebranding without rebranding. A rebirth. No. A reboot. It’s fantastic!”

“It’s quite simple, really.”

“Exactly. Beautiful in its simplicity. So—you’re in?”

Tore looked down at his shoes. “I don’t know.”

“You’d go down in history as the greatest video game developer of all time, my friend. Isn’t that what you’ve always wanted? You’ll be respected again. Adored. Everyone wants to be adored. This will be real game-changing shit.”

Tore sighed. “Alright. But—before anything else, what’s the guy’s name?”

“Huh? Who?”

“The donor.”

“Oh, some Spanish name. Let me check the file.” Dennis tapped on his keyboard and clicked a couple times. “Shit. Wait. Oh. Here’s the son of a bitch. Valdez. Romero Valdez.”

Tore looked past Dennis, out the window, imagining who this guy might be, wondering if he had a family. “Romero Valdez…”

“What does that matter? Romero Valdez ceases to exist. He’ll be the Ace—reborn for the new millennium. It’s going to be beautiful. Just beautiful.”

Kaleidoscope Studios. Dallas, Texas. 2052

Kashaf “Kash” Devlyn was typing spasmodically on her computer. She’d only started working at the newly reformed Kaleidoscope Studios six months ago and was eager to please the new studio owner—billionaire, Tobias Renko.

Getting a job at Kaleidoscope had been a dream. Kash would have been happy to just be the office janitor. She’d grown up on the studio’s games. Her father had introduced her to the Deliverance series when she was probably too young. He’d also shown her the underrated Octogun, which had received a cult following over the years, appreciated by those who had a thing for retro titles and buggy jank.

Kash didn’t believe it when she heard rumors circulating online that Kaleidoscope was being reformed, arisen from the ashes. Apex Interactive, the studio’s former owner, had gone bust and sold its assets. After many years, Tobias Renko purchased the studio in a bidding war.

Tobias promised long-term fans of Deliverance that they would see the return of legendary protagonist, mechanic turned neon demon slayer, Ace Sterling, in his crusade against the endless, insurmountable hordes of the Tek Demonik—a sinister bio-mechanical alien race from a distant dark star.

Kaleidoscope issued a statement that the new iteration of Ace would be more representative of the times. No longer a chain-smoking, crew cut misogynist who uttered sexist and offensive quips dressed in a blood and sweat stained wife-beater with a face modelled on disgraced Apex Interactive CEO, Dennis Enright—a man who’d been mired in a series of scandalous accusations of corruption. Enright was eventually assassinated in his own office just prior to the liquidation of Apex.

The return of the once-beloved studio had been a miraculous success story. But, as Tobias reminded Kash and all the employees at Kaleidoscope, they still had a long road ahead of them, and their first impossible task was rebooting the dead and buried Deliverance franchise.

As a talented programmer, Kash now found herself as part of the creative team leading the project, responsible for creating a sequel, reboot, requel, or whatever the hell it was, to her favorite gaming franchise of all time.

***

Tobias came out of his office and approached Kash. She typed a little faster and a little harder as he neared, careful not to shatter the keyboard in the process.

“Hey, Kash.” Tobias stood behind her. “You don’t have to work so hard all day, you know.” He grinned and placed his hand on Kash’s shoulder.

“Just working on some code.”

“Cool. Hey, take a break for a while. I’d like you to head down to the archives in the basement.”

Kash swiveled round in her chair. “Oh. I’ve never been down there. I thought all that stuff had been sifted through by the art department.”

“It has. And they found invaluable stuff. Great stuff. But I hadn’t hired you when I sent folks down there. And you’ve proven yourself to be the best programmer I’ve ever known. You’ll notice things the art guys never could.”

“Wow. Thanks, Tobias. I’m flattered. Really.”

“It’s the truth. There are some old hard drives and floppy discs I’d like you to take a look at. See what you can find and bring it up. But—not to your desk. I’d like you to take the drives into the private office. And switch the glass to black. Lock the door. I don’t want you disturbed.”

“Sounds like some sort of secret mission.” Kash laughed.

Tobias didn’t. “Something like that. I’d just like to keep things compartmentalized. I’d like the other teams to focus on what they do best. And for you to focus on what you do best. Understand?”

“Sure thing.”

Tobias smiled. “You’re doing a great job. Head on down, but why don’t you get something to eat first. Here’s some credit chips. Lunch is on me.”

He took out some multi-colored credits from his pocket and placed them on Kash’s desk, then squeezed her shoulder before returning to his office.

Kash didn’t mind Tobias. He was a good boss. Jovial and fair. But she wished he’d stop doing that.

***

Kash made her way to the elevator with a large soda in one hand and a paper bag containing a greasy burger and fries in the other.

In the basement, Kash sucked on the soda and took bites from the burger as made her way through piles of unsorted boxes until she found old desktop hard drives, large back-up drives, and several boxes full of CDs and floppy discs without labels.

God damn, she thought. What a mission.

Still—it’d be fun to go through all this old crap.

Who knew what she’d find.

***

Now in the private office, Kash pressed a wall switch to black out the smart crystal windows, then switched on the computer and started going through the storage devices one by one.

Most of the files were digital copies of things the team already had. Old concept art from the studios’ glory days.

Kash loved going through the folders. They were a gold mine to a fan like her. She was giddy and filled with a surging adrenaline until she reached the boring stuff. Boring development files about nothing or other. Kash skim read them until she came across a file pertaining to something called Project Deliverance.

The project had been spearheaded by Tore Lund, a true industry legend. He’d created Ace Sterling and Deliverance when he was barely out of his teens, before striking a deal with Apex and selling the game for millions. Tore was a genius programmer and designer. A legend to Kash. But he disappeared. Just didn’t show up to work one day, never seen or heard from again.

Kash kept reading.

To her surprise, virtual reality was mentioned as a real possibility as far back as 1999, with talk of developments having been made. But—nothing came to fruition. Just failed tests.

There was also mention of a donor. Kash had no idea what that meant. And a file on a man named Romero Valdez, a wanted criminal.

Kash eventually came to a file that mentioned a location on the outskirts of Austin where unspecified biotech was being stored in a place called Facility 200X.

She made a note of the location in her phone.

***

It was getting late. Kash switched off the computer and left the room. Her colleagues were peeling themselves from their desks, bleary-eyed and yawning, slowly making their way out of the office.

As she was closing the door, Tobias appeared behind her as he always did.

She jumped.

“Woah! Sorry, little lady. Didn’t mean to scare you.”

Kash held her chest. “It’s OK. My head was just elsewhere.”

Tobias smiled. “So—how’d it go? What did you find in those old pieces of junk?”

“Oh, nothing we don’t already have. Some intriguing mention of VR, but it never got off the ground. Never knew the studio was doing research into that so long ago. Did you?”

“Didn’t have a clue. I’d hoped there’d be some golden nugget in there somewhere.”

“There might still be. I haven’t finished looking through all the files yet.”

“Well, Kash—get back to it tomorrow. You’re doing great.” Tobias placed his hand on her shoulder.

She was growing very weary of that.

She feigned a smile. “See you tomorrow, then, Tobias. Have a good night.”

“You as well.” Tobias let his hand drop. It swung at his side like a dangle weed. His smile wavered a little. “Security will lock up.” He turned away and left.

Kash watched as he merged into the dark beyond corridor, heading for the elevator.

Once outside, Kash got in her car and began taking the usual route home, on autopilot, before seeing a sign to Austin. She thought of Facility 200X mentioned in the files.

Curiosity got the better of her.

She changed lanes and took the next intersection, punched the location mentioned in the file into her phone’s GPS and headed for Austin.

Picture of Elliot Pearson

Elliot Pearson

Elliot Pearson is a writer of speculative fiction and poetry. His work can be found in Starline, The Banyan Review, and in several past editions of The Stygian Lepus. He lives in New Mexico.

Rack and Ruin by Jim Mountfield

Neale stopped pushing the barrow and stood still. He did this despite being in the rain, which fell with a belligerence he’d never seen before in the upper valley. It thudded on his hood and clanged against the corrugated iron roofs surrounding the yard. Water sloshed off those roofs into badly maintained gutters and downspouts, or sometimes just splattered down the shed walls. He was on an untarmacked part of the yard, and his wellies and the barrow’s wheel and legs were deep in mud. 

The grey curtain of rain hid the landscape beyond the steading’s edges, but he swore that, momentarily, the curtain had parted, and he’d glimpsed something out there that looked wrong.

A voice startled him. “Are ye gonnae stand there till the rain beats a hole in yer heid?”

“Uncle Drew,” Neale protested at the gaunt figure who’d approached from the farmhouse. “Ye’re no well. Ye shouldnae be ootside.”

His uncle ignored that. “What’s the matter? What are ye lookin’ at?”

Neale pointed into the murk. “I saw somethin’ there. Somethin’ weird.”

The man peered that way. “In the overgrown field?”

Neale wondered. Over the drumming rain, had he detected unease in his uncle’s voice?

***

No livestock grazed in the field. Nothing was ever planted in it. Across its sunken expanse, up to the fence separating it from the back road, was a mass of weeds, grasses, and rushes. In the summertime, when Neale came to help his uncle on the farm, and he walked past the field on his way to or from the bus stop, he’d see a speckling of color—yellow dandelions, red dock seeds, purple thistle tops. But their colors were too few, small, and far apart to make the field pretty. Mostly, the growths packing it were dark, festering shades of green and brown.

He asked his uncle about it but received vague answers. “Yon field’s a wildlife habitat. I get paid money tae leave it alone.”

“Paid? By who?”

“By some environmental department in the EU.”

“But Uncle Drew, Scotland isnae in the European Union any mair. There wis a referendum, mind? The English voted tae leave, and we had tae leave too.”

“Well, an environmental department in Britain, then.” His grey, hairy eyebrows were tilting into a frown, and his voice was growing crabbit. Neale knew it was time to drop the subject. But he didn’t think the overgrown field contained wildlife. He’d never seen wild animals moving through it nor heard birdsongs there.

Once, when he asked why the field had been left to its own devices, his uncle merely remarked: “Its soil’s bad.”

Going along the back road, Neale would notice the fence holding back the field’s rampant but rank-looking vegetation. The wooden fenceposts were both lumpen with moss and eaten away by mold. The wire between them was so rusted he could probably break it apart with his hands. It was if a contagion had seeped up from the ground and corrupted the fence. As if there were a badness in the soil underneath, like his uncle had said, but an almost supernatural badness.

***

While they stood there, the curtain parted again and stayed parted for longer. Neale gasped. The bowl of ground occupied by the overgrown field was nearly full of water. A strip of vegetation was visible on the highest parts forming the bowl’s rim, including the part running alongside the back road. But most of the field had vanished, replaced by a small lake.

“How,” marveled the old man, “did that happen? I’ve never seen such a thing afore.” Again, Neale thought he heard unease in his tone. His uncle turned and contemplated the slope rising behind the back road. “Runoff, surely. Frae the hill.”

“Didn’t ye say the hill’s runoff mostly descended its north side? Intae the river?”

“Aye, but…” His uncle pointed above the upper boundary of his farm, to an area of hillside that was brown and grooved, and pimpled by a few remaining tree stumps. “A while back, the Forestry Commission cut doon the big plantation o’ trees that’d stood there for years. That wis bound tae cause mair runoff on this side. Plus, durin’ the operation, the Commission’s vehicles churned up the slope. Their wheels left deep tracks that’ve maybe channeled the rainwater this way.”

“Well,” said Neale, “ye’re now the owner o’ a lake. What’ll ye call it? Loch Drew?”

But his uncle’s eyebrows were rising again, and his brow crinkling, and he realized his attempt at humor wasn’t appreciated.

***

The next morning, Saturday, the weather remained foul. Uncle Drew advised Neale to take the weekend off. “Forecast says it’ll be like this till next week. There’ll be little tae dae here. Ye may as well go back tae the toon. Yer ma will be glad tae see ye.”

As was his habit, he sat in an armchair that was turned towards the kitchen window, though thanks to the gauze of rain there was little to see outside. The nearest hills were discernible only as grey humps. Neale felt like asking what he was looking at…but didn’t ask. That armchair, in that position, was where his aunt had sat for much of the last year of her life. Perhaps he was trying to see what she’d seen. Perhaps he was searching for something not physical, but metaphysical.

Neale protested, “Who’ll dae the chores?”

“I will.” Considering his frailty, how he slumped in the chair looking shapeless and indistinct, his uncle’s voice was surprisingly firm. “I’m no deid yet.”

They argued until Neale gave in. His uncle made a promise: “Don’t worry, I’ll have plenty o’ work fir ye when ye return. Fixin’ the rones an’ rone pipes on them sheds fir a start. Have ye seen them? They’re a disgrace. An’ giein’ their walls a new lick o’ paint. An’ maybe tarmackin’ mair o’ the yard—I’m sick o’ wadin’ in muck when it rains.”

He sighed. It was a long, anguished sound. To Neale it seemed to sum up not just his frustration at his recent illness, and pain at the not long past death of his wife, but bitterness about a whole lifetime that hadn’t worked out the way it was meant.

“Aye,” he said finally. “No matter what ye dae, this place keeps goin’ tae rack an’ ruin.”

Neale made a point of putting silage along the aisles in the cowsheds and leaving bales of hay and straw inside their doors, so that all his uncle needed to do was fork the fodder into the feeding spaces by the pens and throw the bedding in among the animals. Then, unenthusiastically, he packed his bag.

The back road twisted along the bottom of the hill until it came to a junction with a bigger road where the bus stop was located. Water seeped across the road from the hillside, soaking Neale’s shoes and making him wish he’d worn his wellies. At the roadside, the foliage of the overgrown field crowded against the fence with the rotted fenceposts and rusted wire. It was as dense as a hedge and hid from view the water that filled the lower ground behind it.

As he walked, a few times, he thought he heard noises over the ongoing mutter of the rain. These were rustlings in the vegetation to his side. Each time, the rustling had stopped by the time he turned his head, though once he saw the tops of some weeds stirring a yard behind the fence, as if something was pushing past the bottoms of their stalks. Maybe the field was a wildlife refuge as his uncle had said. Maybe the water had forced its inhabitants, whatever they were, up to its edges where they were less able to conceal themselves.

Then, coming around a bend in the road, he sighted something on the tarmac ahead. It lay in a glistening dark-grey heap, and he assumed it was roadkill. Unconsciously, as he neared it, he shifted to the side of the road opposite where it lay—it was beside the overgrown field, so he moved towards the hill. Protrusions from its main mass seemed to correspond to limbs and a head, but other parts sprawled onto the road too, in lumps, strands, tatters, with no similarity to animal form. Meanwhile, its flesh was greasy and gelatinous.

He passed it, as far from it as the road would allow. While he threw reluctant, sideways glances at it, he observed a hole in the adjacent vegetation, made as the animal—a fox or badger, surely—had come out of the overgrown field and through the fence, before getting crushed under somebody’s wheels.

But the carcass didn’t resemble a fox or badger. It looked more like a burst fish or even something mollusk-like. It was as if, decaying here in the rain, the carcass had regressed from being mammalian and gone back through the stages of evolution until it was a primordial, oozing thing… Then he noticed the condition of the vegetation around the hole the dead animal had left in it. Even by the overgrown field’s standards, those weeds and grass were decayed and discolored. They’d turned a putrid yellow. In front of them, the top of a post hung on some sagging fence wire, free of its bottom part because it’d rotted through.

The dead thing was behind him now, but he couldn’t help turning his head to view it one last time. And he wondered if, fleetingly, the form on the road moved. Did it shift a fraction through the hillside runoff washing around it? Neale froze. Then he pivoted so that he was facing the way he’d come. But the grey, gruesome pile of flesh was inanimate again. It couldn’t have moved, he thought. What he’d seen move was the water sweeping over the surrounding tarmac, which’d given the roadkill a semblance of motion.

He resumed walking. To his relief, the road twisted again, and the thing disappeared from sight behind him.

***

That experience on the back road disturbed him. However, while he stood at the bus stop and looked in the direction of his uncle’s farm, the mystery of what was lying on the road gave way to a new mystery.

The rain had thinned, and he could make out the huddle of buildings that was his uncle’s steading. The water of the imposter lake he’d called ‘Loch Drew’ stretched in front of them, filling four-fifths of the overgrown field.

Why, standing there, looking back, did he have a sense of déjà vu?

***

He asked his mother, “How long has Uncle Drew’s farm been in the family?”

She counted on her fingers. “Five generations. It wis yer great-great-great-granda who acquired it.” She added wistfully, “It would a’ been six generations if Drew an’ Vera had had kids an’ there’d been somebody tae take it on frae them.” She suddenly looked alarmed. “Here, he isnae talkin’ aboot leavin’ it tae you, is he?”

“Naw, I wis just wonderin’…”

“Neale, he kens ye’re goin’ tae university next autumn!”

When he finally convinced her Uncle Drew wasn’t trying to interfere in her plans for him, he pressed on with his questions. “How did the family acquire it?”

She protested, “How am I supposed tae ken? That’s ancient history—middle o’ the 19th century.” But she added, “Yer great-uncle Walter said it wis obtained both easily an’ with great difficulty. Easily because it wis cheap, even by the prices of the times. They bought it off the Whitson Estate fir almost nothin’. With great difficulty because… It wis in an awful condition. The tenant farmer who’d been there previously left it in rack an’ ruin.”

“Rack an’ ruin?”

“Walter’s phrase. Ye ought tae speak tae him. He wis always the family historian.” She was silent for a half-minute. Then, perhaps remembering Great Uncle Walter was now in an old folks’ home and so stricken with dementia he hadn’t uttered a word to anyone for years, she tried to describe it herself. “There were tales the tenant farmer had done a runner. Just abandoned it an’ disappeared one day, leavin’ the poor beasts there tae starve in their pens. Oor ancestors had a terrible job makin’ it a viable business again. When they moved in, it wis a hellhole. Tumble doon hooses…” She shuddered. “Rottin’ animal carcasses…”

Neale pondered this, then lifted his still-wet coat off the radiator. “I’m goin’ oot.”

“Already? But son, ye’ve only just arrived.”

“I won’t be long. There’s something I need tae check.”

***

The town’s high street was almost deserted. Most people were a few streets away, gathered near the river to watch police, firefighters, paramedics, and the mountain rescue team evacuate the houses on the riverbanks—in a few cases, where flooding had already occurred, carrying out people and pets or even punting them out in little dinghies. All the rainwater dumped on the upper valley during the past few days had, courtesy of the river, made its way to the lower valley, where it wreaked havoc in the town.

Neale, though, wasn’t interested in this drama. He went to the high street’s little gallery, which was hosting an exhibition of paintings, old and new, of the local hills.

One painting there had caught his eye when he’d visited the exhibition a few weeks ago. Now he wanted to see it again. According to the information panel beside it, the painting was entitled Dernsyke Farm Following a Storm and dated back to 1857. The small, antiquated-looking buildings grouped in the center of the canvas were unfamiliar to Neale save for the biggest one—a square of whitewashed stone two windows high and two windows across that he recognized as Uncle Drew’s farmhouse, though without its more modern extensions. He also recognized the outlines of the hills behind the steading. In the wake of the 1857 storm, the wet hills were grey and blurry, just as they’d looked from his uncle’s kitchen window this morning.

He judged from the positions of the buildings and the hills that the painting had been done somewhere near the junction of the two roads, where the bus stop was today. The artist had viewed the steading across the overgrown field. Originally, this puzzled Neale because in front of the painted steading there wasn’t a field but a small lake.

Rack and ruin, his mother had said. Middle of the 19th century.

Dernsyke Farm Following a Storm. In 1857, with a temporary lake…

Neale decided he needed to get back to Uncle Drew.

***

It was dark when the last bus from the town dropped Neale at the junction. He made his way along the back road, glad he’d brought a torch with him because the night sky was choked with rainclouds and contained neither moonlight nor starlight. The beam roamed the road ahead, glinting as rain fell through it. He felt apprehensive walking on the road, which first he attributed to the strangeness of the lake’s reappearance. But then he realized his apprehension was more immediate. It was about what lay on the tarmac in front of him.

He traversed several of the road’s bends whilst trying to remember which bend he’d seen the roadkill on, but in the darkness, it was impossible to distinguish one part of the road from another. He pointed the beam downwards. Though he didn’t want to see it again, he did want to know where it was so he wouldn’t—the thought made him nauseous—step on it.

Becoming impatient, he twisted around and slashed the torch beam through the darkness beside and behind him. Surely he’d reached it by now? So where was it? Could it really have moved? Still turning, he flashed the torchlight along the decrepit fence and the foliage behind it. The light revealed something—the hole the thing had come out of. Yet, when he examined the adjacent patch of road, there was nothing. Just the hillside runoff flowing over the tarmac.

Maybe Uncle Drew had come this way on the tractor. Maybe he’d seen the roadkill, scooped it up with a shovel, and chucked it over the fence?

Walking further, he discovered another hole in the roadside vegetation. Again, the grass and weeds around the hole were a decayed yellow and the fenceposts on either side had rotted through. Further still, he found a third hole. This time, when he directed the torch towards the road surface, something glistened under the runoff, a patina of slime the water hadn’t yet washed away. He raised the torch, its beam skittered along the road ahead, and the slime continued to glisten in a line… As a trail?

Neale ran, water splashing about his feet. While his arm cranked at his side, the torch beam swung erratically. It sometimes alighted on the fence and showed more holes in the vegetation. He rushed past hole after hole…

He got to the mouth of the farm’s lane and swerved into it. A minute later, he arrived between the high, black walls of Uncle Drew’s outhouses and sheds. He wondered what’d happen to the night lights. There were sensors he should have triggered by now, but the steading hadn’t lit up. Then, briefly, a modicum of light did appear. But it was only because a moving raincloud let a shaft of moonlight poke down from the sky. It made a smear on a flat, greasy surface back the way Neale had come—the surface of the lake covering the overgrown field.

He thought frantically. Uncle Drew had said the field’s soil was ‘bad’. What had he meant? And what happened when it encountered a huge quantity of water? What came out of that alchemy between soil and water?

Something gurgled quietly behind him.

The gurgle was long, low, and suggested pain, as if the lungs and throat producing it were diseased and decayed. He swung around and the torchlight landed on the façade of one of the steading’s oldest outhouses. It exposed a patch of wall that was grossly scabbed and stained. Impossible, he thought. Uncle Drew was talking about repainting the farm buildings, but it hadn’t been that long ago since their last paint job. Where had this mess come from?

Something glistened at the light’s edge, before shifting away, able to negotiate the vertical surface. Neale chased it with the beam, but it moved too fast, and he saw only more of the discolored wall.

The torchlight reached a stone with ‘1860’ carved on it—presumably the year his great-great-great-grandfather had built the outhouse, following the farm’s mysterious collapse into ‘rack and ruin’. The date stone was above a doorway and, seemingly, the sound came from there. Neale forced himself to enter.

He flicked a light switch beside the inside doorframe, but the outhouse remained dark. There was something wet—no, sticky—on the switch’s casing and he snatched his fingers away, afraid of being electrocuted. Then, continuing to rely on the torch, he discovered a black, putrid mass propped against a wall. Astonished, he identified it as the remains of the hay and straw bales he’d left for Uncle Drew. How could they have rotted so quickly?

His fear was overwhelming now. But he managed to shine the torch through the rails of the nearest pen. A shape was humped there, a cow lying on its side.

The cow raised its head and emitted the pained gurgle again. Strange, gloopy strands of something rose with the head too, connecting it with the floor. Glowing in the torchlight, the strands straightened and tightened. Then they pulled part of the head away and fell back, accompanied by pieces of decayed flesh and moldering cowhide. The torch beam poked past shreds of suddenly-uncovered nasal bone at the end of the cow’s snout.

Similar sized humps lay behind the animal, indicating more stricken cows, but Neale couldn’t look any more. He staggered back and the beam wove crazily through the black interior. Briefly, it encountered something—some things—and gleamed on mounds of shapeless, oleaginous matter. The things, whatever they were, slithered away from the light, into the building’s dark recesses.

He raced outside and made for the farmhouse. He tore open its door, charged through, and grasped at the hallway light switch—which also refused to provide any light. Struggling to keep his hand steady, he directed the torch beam ahead. He tried to ignore the things he glimpsed on either side—the rotted fabric of Uncle Drew’s coats and boilersuits, hanging from their hooks, and the blighted rubber of the wellies, parked in pairs underneath.

When the torchlight invaded the kitchen, he saw the silhouette of Uncle Drew’s armchair, still turned towards the window. The top of the man’s head was visible above the headrest.

His voice shook. “Uncle Drew? Uncle Drew?”

He reached the chair and put a hand on one of the man’s shoulders. What he felt, though, was less than a shoulder. It was a cold, soggy lump, and when his hand retreated, he felt threads of slime retreat too, on the ends of his fingers.

His uncle spoke, through a disintegrating mouth. “I tried ma best, Neale,” he gurgled. “I did, I really did… But I couldnae stop it. I couldnae save the farm frae…rack an’ ruin.”

In the darkness beyond, on the floor, there was a new sound as something began to ooze forward.

Picture of Jim Mountfield

Jim Mountfield

Jim Mountfield was born in Northern Ireland, grew up there and in Scotland, and has since lived and worked in Europe, Africa and Asia. He currently lives in Singapore. His fiction has appeared in Aphelion, Blood Moon Rising, Death Head's Grin, Flashes in the Dark, Hellfire Crossroads, Horla, Horrified Magazine, The Horror Zine, Hungur, Schlock! Webzine, Shotgun Honey and The Sirens Call, and in several anthologies.

The Scenic Route by Jodi Jensen

At the thunk, thunk, thunk, Shelby pulled her car over and got out.

Awesome, a flat tire. 

Grumbling, she popped the trunk and dug around for the tire iron and jack. While she hadn’t changed a flat tire since high school when her older brother had showed her how, she was confident she could figure it out.

She wrestled the spare out of its nook, then found the jack underneath. No tire iron, though. Shit.

She glanced up and down the lonely stretch of road. Some shortcut. Her GPS had given an alternate route over a steep mountain pass. Had it been winter, she’d have gone the long way. But the sun was shining, the pavement dry, and a warm summer breeze blew, making it a pleasant day for the scenic route. Problem was, no one else seemed to want to take the scenic route, if the lack of other vehicles was anything to judge by.

Options ran through her mind. She didn’t have roadside assistance, so she’d have to pay out of pocket for a tow, and she was over an hour away from the nearest town. That left the cops. She was positive if she called dispatch, they’d send someone to help her.

Decision made, call placed, there was nothing to do but settle in and wait. The operator had said it would be at least an hour, possibly longer, before anyone would be there. Glancing down at her shorts and sneakers, Shelby decided to take a walk.

According to her maps app, there were a few things of interest in the vicinity; a hiking trail, a rock quarry, and a small lake. Thinking perhaps she’d find a public restroom as well as kill some time, she started out, setting the timer on her phone for thirty minutes so she’d know when to turn around and head back.

About a half mile down the road, she saw a sign for the trailhead and the rock quarry. She double-checked the timer—fifteen minutes left—then headed down the dirt road.

Tall Aspen trees with their signature white trunks provided ample shade, and she smiled as she strolled. Maybe it wasn’t such bad luck to have had the flat tire.

She rounded a bend and spotted a fork in the road. Left to the rock quarry and right to the trailhead. Figuring her best shot at finding a public restroom was the trailhead, she veered to the right but a bloodcurdling scream stopped her in her tracks.

Turning, she saw a young man in nothing but gym shorts and covered in blood, running down the road from the quarry.

“Help! Help me!”

Backing up a few steps, she gasped. “Shit, what happened? You okay?”

The young man’s wide, terrified gaze darted over his shoulder every few strides. Though he was barefoot, he ran as if he weren’t. He ran as if his life depended on it.

“Help me!” he pleaded.

As he got closer, Shelby turned, ready to run with him. “My car is down the road, c’mon!”

When he reached her, he collapsed against her shoulder, gripping her with bloody hands.

She recoiled from the sticky, sweaty grasp. “Hey, it’s okay. It’s going to be okay. The cops are already—”

“I know,” he growled. He slipped behind her and wrapped both arms over hers, clutching her in a gruesome bear hug.

“What the hell, dude?” She struggled but couldn’t free herself from his iron grip.

He licked her neck, then nipped her earlobe so hard she cried out in pain.

“The fuck are you do—”

“Shut up!” He dragged her backwards, heading in the direction of the quarry.

“No!” she screamed, fighting against his hold. “Fuck off! Help me! Someone help me!”

“Fine,” he yelled, then bit her right in the crook of the neck. “Scream all you want. No one out here but us.”

A gush of wet warmth spread from her neck. Blood… She brought her head forward, then jerked it back.

Her intended head-butt missed, and he cackled in her ear. “That’s it, fight me, sweetheart. It’s better for me that way.”

She kept screaming.

He bit her again.

She kicked and flailed.

He laughed.

She clawed at him, connecting with flesh on his legs even with her arms still pinned.

He dragged her closer to the quarry.

The alarm on her phone went off in her pocket.

For an instant, the man’s hold loosened as he startled at the noise.

Shelby jerked away and ran. Thirty minutes. Stay alive for thirty minutes.

He tackled her from behind, abruptly silencing the alarm and sending her sprawling, face-first, onto the ground.

Scrambling to find purchase, she screamed louder, her fingers raking over the hard-packed dirt.

The man grabbed her ankle and bit into her exposed calf.

She howled in pain, kicking, and connecting with some part of him.

“Fucking bitch!” He jerked her shoe off her foot and pounded the backs of her thighs with it.

Rolling over, she aimed another kick at his face, but he caught her leg and twisted hard.

Something in her knee popped and a flash of white, hot agony shot through her. She laid her head back in the dirt, momentarily paralyzed by the pain.

Until he laughed. A dark, ugly laugh.

The sound of it refueled her will to live. She’d be damned if she was going to just lie here and let him kill her. She felt around for something, anything, to use against him, but there was nothing. Nothing but dirt and pebbles.

Desperate, she grabbed two fistfuls and waited.

A few seconds later, his face appeared above hers. Blood smeared across his cheeks and chin, and he seemed to be chewing on something.

He saw her looking at his mouth and laughed again. “You taste good—”

Her stomach lurched and her calf throbbed at his words. Oh, God— Screaming, she swung her arm up and crammed the dirt from her fist into his mouth and nose.

Coughing, he spewed the dry soil, pebbles, and a chunk of flesh.

She kicked as hard as she could, her sneakered foot catching him right in the chest.

Caught off guard, he toppled backwards.

Shelby pushed to her feet and looked wildly around. There! A security shack at the entrance to the quarry. Ignoring the throbbing in her knee and calf, she ran.

Within seconds, the man was behind her, shouting and whooping, seemingly delighted by the chase.

Please be open— She raced to the small shack, her momentum crashing her into the door. She took a step back and grabbed the doorknob. It turned—thank God—and she scurried inside, bolting the lock as the man reached the door.

Too late, she realized her mistake. There was nowhere to go. No other way out. She’d trapped herself in a shack barely large enough to turn around in. Her gaze combed over the tiny space, looking for something, anything, to help her.

The man stood outside, watching her through the window.

The window…

Fuck…

Smiling, he placed his filthy, bloody palms against the glass pane, leaned back, then smashed his head through the window.

Glass shattered, the shards raining down in the tiny room.

He reached an arm inside, feeling for the lock. Fresh blood ran down his face and he licked his lips, keeping his gaze trained on her as he turned the deadbolt. One quick turn of the doorknob, and the door creaked open.

He grinned.

She choked back a scream and took her one chance before she lost it. With the man’s head and upper torso still hanging inside the window, while the rest of him was on the other side of the door, she shoved past him through the narrow opening.

Straight ahead was a dump truck, and she made a run for it, thinking to lock herself inside. As she raced around to the driver’s side door, a gruesome sight had her skidding to a stop.

A woman’s bloody head and shoulders sticking out the top of a gravel pile. The rest of her was buried. A band of silver tape was wrapped around her mouth and lower part of her head. The woman’s eyes were wide open, her horrified, pleading gaze locked on Shelby.

A muffled scream came from behind the tape, and Shelby looked over her shoulder to find the man only a few yards away.

She scrambled to the truck, jerking on the door handle.

Locked.

Fuck!

Whipping around, she came face to face with her attacker.

Wooo-eee, this is fun!” The man stalked closer, pinning her with his unhinged gaze.

“Please,” she begged. “You don’t have to do this. Just let me go—let us go.” She nodded toward the mostly buried woman.

The man lurched forward and struck Shelby in the side of the head.

***

Shelby came to slowly. Her body felt weighted down, her limbs heavy. She cracked an eyelid, then squinted against the sun. Her head lolled back, and the earthy, but slightly metallic scent of rocks filled her nose. What the hell—

“There you are, thought I’d gone too far, and you’d left me before we even got started.”

Her eyes popped open. Standing a few feet away, and looking delighted, was the blood-covered man in shorts. She glanced around, bile rising in her throat as she realized why she couldn’t move. Now she was a half-buried woman.

Tears leaked from the corners of her eyes as she struggled in vain, her cries muffled by her own strip of tape. Her gaze came to rest on the other woman. Her matted red hair glistened in the sun, her pale cheeks streaked with dirt, blood, and dried tears. The woman’s eyes were half-closed, her head tipped to the side. She wasn’t moving.

“I’m afraid she’s left us,” the man said. “Pity, I’ve never done two at once.”

Shelby gagged, swallowing hard to keep the vomit down.

“Wait right there.” The man howled with laughter. “Course, it’s not like you have a choice. Still, I want you to see this.” He scrambled up the gravel pile to the other woman, then stroked her face with a filthy hand. The look in his eyes was almost tender as he kissed the top of her head. Flashing Shelby a cheeky grin, he bit the woman’s lip, tearing a chunk off.

Shelby’s stomach gave a mighty heave, and vomit filled her mouth and gushed from her nose. Panic swarmed her—what a way to die, choking on puke.

Her vision swam, darkness closing in around the edges as her body kept heaving. Her sinuses—her whole head, burned.

Somewhere in the back of her consciousness, the man’s screams echoed.

Shaking violently, a final thought passed through her mind—better than the alternative.

Blessed darkness blanketed her.

In the distance, she registered the faint ringing of her alarm.

Then nothing.

Picture of Jodi Jensen

Jodi Jensen

Jodi Jensen grew up moving from California, to Massachusetts, and a few other places in between, before finally settling in Utah at the ripe old age of nine. The nomadic life fed her sense of adventure as a child and the wanderlust continues to this day. With a passion for old cemeteries, historical buildings and sweeping sagas of days gone by, it was only natural she’d dream of time traveling to all the places that sparked her imagination.

Son of Man by Julian Drury

Charles stood before a white chapel house surrounded by a dilapidated picket fence in an open field. He tossed his cigarette into the dirt when a car pulled in behind him. He turned to see a Parish Police vehicle, a uniformed man stepping out, introducing himself as Deputy McTeer.

“You lost, sir?” McTeer said, walking closer to Charles. “This is private property.”

“Do I look lost, officer?”

“Not too many people drive blue Volkswagens around here.” McTeer sucked his teeth briefly, lifting his upper lip in a way that brushed his mustache against his nostrils. “Also, I’m not an officer. Only a deputy.”

“I went to church here as a kid.” 

McTeer pressed his lips together tightly, placing his hands on his hips. “That so? I don’t recall seeing you around here before.”

“I haven’t lived here in a while. Honestly, I just came back from spreading my dad’s ashes over the gulf.”

“What’s your name, son?”

“Charles Meroux. But you can call me Charlie if you’d like.”

A scowl formed on McTeer’s face as his nostrils widened.

“You’re Raymond Meroux’s boy, ain’t ya?”

“Yes, sir. I guess you know he passed away.”

“Everyone around here knew that day.”

“He left his house to me. And, well, I’m here to figure out what to do with it.”

McTeer chuckled, spitting into the dirt. “Well, ain’t we all lucky.”

“That’s a way to describe it, sure.”

“A man can wonder what you’d be doin’ in that house all alone.”

“Yes, a man can wonder.”

McTeer tipped his hat with a smirk. “Welcome back, Mr. Meroux.”

Charles looked back toward the church as McTeer drove away. He remembered when his dad took him to his first service there as a young boy, not long after his mom left. The services were known for snake handling ceremonies. Charles held a snake for the first time during the service, imagining how hard he needed to squeeze before its scales ruptured into fleshy gelatin between his fingers.

I want to be a good man.

***

Phoenixville, Louisiana, had only one major road leading to town. It was a gravel-paved road, flanked by an endless legion of towering trees, broken only by occasional farms or roadside trailers. A house rested at a curve in the road, beyond two fields of long grass. It sat exactly at the point where the gravel road turns to dirt, with an elevated foundation, raised nearly fourteen feet from the ground. A wraparound porch guarded the perimeter at the top of a set of concrete steps, curtained windows peering out in each corner like spider eyes.

Mr. Lindsay, the property inspector, leaned against his car, waving as Charles pulled in. Charles turned off the car’s engine, lighting a cigarette. He stepped out while facing Mr. Lindsay, exhaling smoke slowly through his lips and nose.

“People around here seem a little anxious about you being back, Mr. Meroux,” Mr. Lindsay said, wiping sweat from his brow. “Seems strange, you look like a nice enough fella.”

“Well, I’ve been gone for about ten years, Mr. Lindsay. People around here hated my dad, and me too, I guess. Probably part of the reason I left in the first place.”

“Yes, I’ve heard a few rumors. Ten years is a long time to be away from home, though. Does it feel good to be back?”

Charles sighed, fixing his glasses as they slid down his nose. “This place isn’t home. I left when I got the chance and haven’t been back until now. Hadn’t spoken to my dad since I left, really. Didn’t hear anything about him until I got a call from the Parish saying he died.”

“Oh, I see. Why did you leave, may I ask?”

“Just wanted to get away and try to live a normal life, I guess.”

“Why’s that?”

“Those rumors about my dad, mainly. Sins of the father and all.”

“Well, rumors or not, your daddy sure liked to read. I can say that for sure. At least, with all them books I saw in there, it sure looked like he enjoyed reading.”

“My dad homeschooled me, so yeah, he kept a lot of books. Very religious, you know? Didn’t trust public schools much.”

“Oh, I see.”

“He was also a storyteller. He loved to tell stories, usually ones about his life. They were all made-up, of course, but he liked to pretend they were true.”

“Well, that sounds very interesting.”

Charles threw his cigarette butt into the dirt, grinding it down with the tip of his shoe.

“You want to hear a story? One my dad used to tell me?”

“I would love to.”

“How about the story of how he got over his fear of the dark?”

“That sounds fine.”

“My dad feared the dark when he was a kid. Every night he would shake himself to sleep, and my grandparents never allowed him to keep a nightlight. One night, he claimed it was so dark and quiet that a monster slipped into his room. He couldn’t see the monster, but he could hear it. It had a screechy voice, almost like a wailing chitter, and he could hear its claws scratching the floor.

“Monsters, you see, don’t like sunlight. They hate it. The one that came to my dad, in particular. They also can’t hurt you if you don’t fall asleep. As long as he stayed awake, the monster couldn’t kill him. This monster was hungry, though. It waited all night until the sun came out. Then its true form was revealed.”

“Which was?” Mr. Lindsay asked, wiping sweat from his eye.

“A rat. A tiny, harmless little rat. In the light, the monster loses its power. In the light, the monster dies. My dad trapped the rat and smashed its head with a hammer. It’s funny how the dark distorts things so much. Is it a great monster we fear in the dark? Or is it nothing at all?”

Mr. Lindsay stood silently. Charles maintained eye contact with him, waiting for the right moment to break it. Mr. Lindsay took a deep breath.

“Well, that was certainly an interesting story, Mr. Meroux.”

“Do you have any kids, Mr. Lindsay?”

“Yes, two boys.”

“Do you love them?”

“More than anything.”

“What kind of men do you think they’d be when they grow up? Every father worries about that at some point, right?”

“I’d love my children, no matter what. That’s the point of being a father, Mr. Meroux.”

Charles leaned against his car, smirking at the corner of his mouth. Mr. Lindsay stood stiff and silent as a gust of wind blew past him. Whistles left Charles’ lips, random tunes without structure or coherence.

“People are just stories, you know. No one really knows anyone else. We can’t see through other’s eyes, think their thoughts, or feel their feelings. We can only do that for ourselves. Everyone else is just a string of images, words, and meanings thrown together to create a living story.”

“That’s a perspective one can have, Mr. Meroux.”

“You want to hear the story about the day I was born?”

“No—thank you. That won’t be necessary.” Mr. Lindsay gestured at his wristwatch while clearing his throat. “I have to get back to the office in Alexandria. It’s a long drive. Call me if you have questions or need anything else from me, Mr. Meroux. For property inspection, that is.”

Mr. Lindsay hurried to his car and drove off without delay. Charles fumbled in his pants pockets, reaching for a set of keys. He held the withered keys in the palm of his hand, away from his face, as if he were anxiously awaiting them to explode like firecrackers. As the wind picked up and droplets fell from gray clouds, Charles stood alone with his head held high and his hand held out.

***

Charles walked through the threshold carrying only a duffle bag and an ice chest, greeted by family photos and crucifixes along the wall. Most rooms in the house had a taxidermy animal, usually a racoon, opossum, or squirrel, with a few alligator and bird skulls. Charles reminisced over them after opening his ice chest, then sipping from a bottle of bourbon, the liquor sweet on his lips until the bottle ran dry.

He stood reading a note he found pinned to the door to the library:

You Are My Only Son

My Only Sun

Charles held the note in his hand for a moment, giggling slightly. He thought about the differences between words, like son and sun. Two words that sound the same and nearly look the same, yet changing one letter creates two completely different meanings. If one piece of a word goes missing, it loses all meaning. It dies. The hours Charles spent reading books alone in the library every day felt like death of a different kind, the one a child feels when they aren’t meant to be seen or heard.

Three large bookshelves stood shoulder-to-shoulder next to the fireplace. Charles ran his finger across the spines of the books stuffed along each shelf, from textbooks to books on the occult. Demonology and Black Magic: Defending Against Satan’s Children was Charles’ personal favorite, admiring the image of Baphomet and his horns on the wrinkled front cover. His admiration went on until his eye glanced at the mounted deer head above the fireplace.

Charles removed the head. He carried it to the basement, staggering down the withered wooden stairs railed against a brick wall. It was the most unique aspect of the house. Not because it was finished or looked pleasant, but because it was the only basement of any kind that existed in Phoenixville. It wasn’t built underground, like most basements. Rather, it was built under the house’s elevated foundation. This was where Charles’ dad, Raymond Meroux, taught him taxidermy when he was young.

An entire workstation was set, various tools and chemicals displayed along a flat metal table. Charles set the deer head on the table after clearing a space.

“Do you think I’m weird?” he said in a slurred voice, holding the deer’s head to his face. “I don’t want to be weird anymore. I want to be like you.” Charles picked up a buzzsaw from the table, pressing the serrated blade against the antlers. “This won’t hurt. I promise.”

***

Nightfall summoned a blaze in the backyard firepit, fueled by lighter fluid and a warm breeze. Charles burned the deer’s head first, its antlers sawed perfectly off. As the fur and stuffing melted in the fire, Charles saw only blackened flesh and bones. He gathered the rest of the stuffed animals from around the house, tossing them each into the flames one by one. The more he burned, the more beer he drank, swearing them to be his last. It was pleasant to watch the carcasses burn. It was time for a new genesis.

Charles removed his clothes slowly and danced around the pit. Spins, twirls, deep back bends, and gentle caresses across his chest drew demons from the empty shadows surrounding the wooden fence and dead bushes. Charles knew these demons, with gnashing teeth and yellow eyes, like harpies who had their wings burned off. The demons danced with Charles, pushing him around the fire over and again. Charles vomited and the dancing stopped while the fire died slowly under stars.

I want to be a good man. I just don’t know how…

***

Charles smoked a joint in the early morning. Soon after, he ventured onto the roadside collecting roadkill just before sunrise. At first, only a couple of nutrias and a squirrel were found, the squirrel missing its lower legs and tail. Near a forest patch, Charles found an opossum with its head completely crushed. He kneeled slowly, loosening the string of the garbage bag in his hand. His hand reached out, yet paused suddenly, Charles’ arm jolting as if the veins were struck by sharp needles.

A toad hopped out from a patch of grass near where the carcass lay. Charles watched it carefully. He waited, his eyes following the creature as it hopped away into a thick bush. The toad reminded Charles of a boy, someone he met when he was a kid. Charles didn’t just remember this, he fixated on it, reliving the memory. The boy was catching toads by the creek, smiling as he and Charles made eye contact for the first time. After the memory faded back to present reality, the cemetery two miles down the road seemed like the best place to go.

The small cemetery sat at a split in the road, nestled between the forest patches. Charles observed the headstones from the tree line. He couldn’t read the names on the headstones, yet was sure this was the cemetery he was familiar with. Patience was needed. Charles waited until after sunset to walk among the headstones, looking for a specific name, with only a flashlight to guide the way. A cold chill crawled up his back as humid air entered his lungs.

I want to be a good man. Teach me how.

“Bierce,” Charles said in a whisper, reading from a small headstone at his feet. He sat with crossed legs, keeping the flashlight steady on the headstone’s name. A thought arose, Charles wondering what would happen if one letter in the name was changed. “Pierce,” he murmured, the name lingering into the still air, repeating softly—“Bierce, Pierce”—until his dry tongue scraped against the rough stone where the name was etched.

Bierce Anthony Myrtle

Beloved Son and Brother

***

Driving drunk during a Saturday sunset seemed better than being drunk alone, at least to Charles. This led to an unplanned stop at a local bar along the roadside. The building, which looked like a rundown shack, had a flashing sign of a beer bottle in one of its windows. Charles walked into a room blasting with country music, cigarette smoke, and loud patrons, who immediately went silent. Charles ordered a shot of bourbon and a bottle of beer without too many words exchanged. After downing the shot, he walked to an empty table in the back corner where he sipped on his beer.

Charles noticed a particular man staring at him from across the room. The man had a beard that Charles admired, yet eyes that he quickly grew to loathe. They were spear-like eyes. Not in the sense that they were shaped like spears, but that they pierced like spears. The man eventually made his way over to Charles’ table, sitting down uninvited.

“Do you know who I am?” he asked calmly, with a grin.

“No, can’t say I do.”

“I know who you are.”

“And who is that?”

“I’ll tell you who I am first. I’m Pierce Myrtle, Bierce’s little brother. You remember me now, Charlie Meroux?”

“That was a long time ago. Besides, I was just a kid back then.”

“Bierce was just a kid, too.”

“I’m not sure what you want me to say, honestly.”

“Just say what you can, Meroux. Say what you can.”

Charles gulped his beer, cocking his head up until his eyes faced the ceiling. “I have nothing to say to any of you people.”

“You shouldn’t fear me. I’d lie sayin’ I’m not angry, but I’m not the one you should be afraid of.”

“Who said I’m afraid?”

“You’re afraid, that’s for sure. Whether it’s me or somethin’ else, that’s yet to be seen.”

Charles sighed, stroking his hair back while tapping his feet on the floor. “Fear is loneliness. My dad used to say, ‘to be a man is to travel the loneliest of roads.’ You can’t possibly know fear until you live this life alone.”

“You want to talk about loneliness?” Pierce replied, stroking his beard. “You know my daddy killed his self over Bierce? Put two barrels of a shotgun in his mouth. My momma, well, she went to sleep one night and never woke up. My whole family is gone, all because of what your daddy did.”

“My dad didn’t do anything.”

Pierce chuckled, tapping his knuckles like drumsticks against the table.

“You and I both know what he did. I know about you too, little Charlie. I know how you lived with your daddy. I pity you. I really do, even if you don’t believe me.”

“None of you had anything you could prove in court. You didn’t even have a body. My dad didn’t kill anybody. He used to go to church every week until everyone shunned him. He even threatened to do an exorcism on me when I was twelve. Said I was possessed by a ‘homosexual demon’ and that’s why my mom left us.”

“That’s an awful thing for a father to tell their son.”

“Trust me. He didn’t have it in him.”

“Why you back here in Phoenixville? What you been up to all these years?”

Charles rolled his eyes while taking a deep breath. “Just trying to live a normal life. Or at least learn how, I guess.”

“You’ll never be normal around here, Meroux. That’s not your fault, but you’ll have to live with that if you stick around here. You don’t belong here.”

Charles guzzled the rest of his beer, setting the empty bottle down forcefully. “You know, you remind me of someone who sucked my dick once in a bathroom stall. Except, he trimmed his beard better than you.”

Pierce grinned, leaning in close to Charles’ face. “We’ll talk again soon. I know where you’ll be.”

Charles struck Pierce’s lips with a kiss, followed by a chuckle. A swift punch to the face knocked Charles to the floor. The bartender soon intervened, telling Charles to leave at the point of a baseball bat. He complied, leaving the bar after picking up his glasses from the floor. Pierce watched him stumble back to his car and drive off into the night.

***

Chain smoking cigarettes didn’t help Charles soothe his anxieties. Feeling watched was only part of it, other fears hid among shadows. These fears, however, had no name or purpose behind them. They were faceless, formless entities that roused fear for the sake of it.

I’m not empty. I’m not whole. It’s just a matter of time now.

A headache gripped Charles in a vise as his hand lifted the buzzsaw toward his forehead. He placed the sawblade against his skin, wondering if his headache would end if he simply cut the pain out. This was interrupted by a sudden banging at the front door.

“Deputy, um, McTavish, right?” Charles said when he answered the door.

“McTeer.”

“Want a beer? Come inside and have a beer with me.”

McTeer stood silently.

“Mr. Meroux, I’m going to be blunt. How long is it you plan on stayin’ in Phoenixville?”

“I don’t know. I told you I came down here to figure out what to do with my dad’s house and that’s what I’m doing.”

“You said that almost three months ago. I haven’t seen any work on the house, nor any for sale signs. These things make a man skeptical of your intentions.”

“I was just going to sell it as is.”

“Listen, here’s the deal, son,” McTeer interjected as he snatched the cigarette hanging in Charles’ mouth. “People around here don’t want you. You make everybody uncomfortable.”

“Uncomfortable?”

“After what your old man did, people around here just want to forget. You hangin’ around brings up bad memories.”

“My dad didn’t do anything.”

McTeer smirked, stepping closer to Charles on the threshold.

“Be that as it may, I’ve gotten some reports lately of a guy with glasses and a ski mask wanderin’ around and pickin’ up roadkill. Got another report about a week ago of a naked man runnin’ around the woods at night with antlers on his head. Also, I don’t think I need to remind you of your run-in with Pierce Myrtle at Marky’s Bar.”

“It was nothing. I’d already forgotten about it.”

“Men like you don’t belong here. This is a quiet, Christian town for men with families. Men with wives and kids. This ain’t no place for degenerates and troublemakers.”

“What’s that supposed to mean?”

“I’m givin’ you a warning. I suggest you do what you gotta do with this house and get it off your hands asap. When that’s done, you’re gonna get your shit, leave here, and never come back. For now, I’m askin’ you not to come into town anymore. You can do your shoppin’ and whatnot in Lullip, the next town over. Do you understand what I’m tellin’ you?”

“Yeah. I gotcha.”

McTeer tipped his hat, spitting on the ground.

As he walked away, Charles slammed the door, punching it viciously until his knuckles turned red. A six-pack seemed good enough to ease the pain in his hands. The first two beers, he chugged quickly. The empty cans were thrown about the house with aimless rage, Charles lunging one can after another in any direction he deemed worthy. No amount of alcohol, cigarettes, or even a joint could calm the tides churning within him.

In the bathroom, Charles stared at himself blankly in a mirror as tears ran down his face. No comfort came from flexing his arm muscles, beating his chest, or slapping himself with both hands. Deer antlers slowly morphed to his head, tied in place by a leather strap. A sealed bottle of bourbon rested in his hands. Charles didn’t attempt to open the bottle, only gazing at it for several minutes until looking back at himself in the mirror. He smiled as he turned off the light.

I want to be a good man. It’s only a matter of time…

***

Charles waited until midafternoon. He wore a green coat, holding a garbage bag. His eyes darted around after leaving the house, glimpsing in every direction, watching patiently as he trekked into the nearby tree line. The humidity didn’t bother Charles much, even as sweat trickled down his nose. He walked like a lost ghost, no direction, no purpose, yet all memory. His wandering into memory was suddenly halted by the tinge of cold steel pressed against the back of his neck.

“Turn around,” said a familiar voice.

Charles turned slowly, raising his hands.

Pierce Myrtle stood before him, firmly gripping a pistol. “I knew I’d find you out here.” Pierce stepped forward, searching through Charles’ coat and pants, only to find a quarter empty bottle of bourbon. “You mind?” he said, gesturing to the bottle of bourbon, taking a big gulp soon after. “You still look afraid.”

“I’m not afraid.”

“Whether you believe me or not, this isn’t what I want. But this is how it must be.”

“Does it make you feel strong?”

“There’s no joy in this for me, Meroux. I’m not a killer. I understand, believe me. You loved your daddy. I loved my brother. Love does terrible things to a man. It breaks easy, like thin glass. That’s why I’m doin’ this. Not out of hate, but love.”

“You want to know where he is?”

Pierce took another gulp of bourbon, pressing his pistol against Charles’ forehead. “Say that again?”

“Bierce. I can take you to him. That’s what you want, right? That’s what you’ve always wanted. You want to settle this? I can show you the way.”

Sunset approached as Charles led Pierce deep into the forest. They journeyed into the thick until reaching a creek. The small creek ran through a series of fallen trees, its banks made up of pebbles and rocks. Charles stood near a group of rocks, turning slowly to face Pierce. He said nothing to him, only glaring directly into the barrel of the pistol.

“Where is he, Meroux?” Pierce asked, his eyes tearing up. “Where’s my brother’s body?”

“Body?” Charles tilted his head.

Pierce took a gulp of bourbon, stumbling forward. “Show me where Bierce is. Be a man and do what’s right. That’s the least you can do.”

“Bierce is here. His body was destroyed, but he remains in spirit. His spirit lives here now. He will always live here until the end of time.”

“I’m done bein’ nice about this, Meroux.”

“This is where it happened. Right there, by the creek. This is where Bierce was taken into the void. I can still feel him here with me. Tell me, what do you feel now?”

“Stop…wh-wha…”

The pistol fell from Pierce’s hand as he dropped to his knees. His vision blurred and hearing shifted to muffled murmurs.

“There was a banana spider that made its web not too far from here,” Charles said as he crept closer. “I used to catch grasshoppers and palmetto bugs in the long grass and snap their legs off. I’d take them to the spider and feed them to it. It was amazing to see how the spider slid down its web, scooping up these bugs, watching them struggle to use limbs they no longer had.”

Pierce fell onto his back.

Charles spoke continuously as Pierce slowly became lost in darkness. “Bierce. Pierce,” he whispered quietly.

***

“Oh, good,” Charles said as Pierce stirred. “I hoped you weren’t going to die.”

Pierce pieced together images of a concrete floor, thick walls, and metal table arranged with several animal carcasses and tools.

Soon he faced a form that spoke in Charles’ voice with antlers resting atop his head. Pierce wailed in a weak mumble, his heavy head wobbling unstably. As he tried moving, he felt the tight grip of rope tying him to a chair.

“Sumbitch,” Pierce said, attempting to form a coherent sentence. “Sumbitch…”

“How’d you like the whisky? I saved it ’specially for you. A nice little spike. It should keep you docile for a while.”

“Sumbitch…sumbitch…”

Charles’ fingers latched onto Pierce’s face, squeezing his cheeks tightly. After a deep breath, he looked down into Pierce’s eyes. “I wish I had your eyes. You have the same eyes Bierce had.”

Pierce spat in Charles’ face, getting only a laugh in response.

“It wasn’t supposed to happen the way it did. I didn’t even know about Bierce until I saw him that day. I don’t regret anything, though.”

“Wha…you…” Pierce mumbled as his eyes grew wide.

“All I ever wanted was to be normal. Normal for my dad, normal for this town, this person or that person. I thought if I just played a role, I could pretend to be someone else. Not me, but someone who looked like me. I wasn’t me, only a story of me.”

“Sumbitch…sumbitch…”

“I was alone most of the time when my dad wasn’t home. He never wanted me to leave the house. I spent hours, sometimes days, alone in that house. I snuck out when I could, though. So, one day, when dad’s gone, I ran away. I didn’t really know where I was going. I didn’t care, either.”

“You…you?”

“Bierce was by the creek catching toads. I don’t know why, but I just got this feeling of always wanting to be around him. For hours we caught toads up and down the creek until the sun started going down. Bierce said he needed to go home. I didn’t want him to leave, though. I just thought if I was with him, I wouldn’t need to go back to my dad. I thought if I hit him hard enough, if he bled long enough, then I could keep him like my dad’s stuffed roadkill.

“I picked up a sharp rock. Then, well—I lay with him. All night it was just me and him out here, just how I wanted it. For the first time, I didn’t feel alone anymore. My dad found us before sunrise the next day. I remember the way he looked at me, like he was frozen in time. Maybe he was, if only for a moment.”

Pierce looked up. His heart raced, unable to express any rage. “You…you…”

“My dad did everything he could to protect me, even risking the death penalty. He was willing to take all the blame. All this for a son who never loved him. Funny, right?” A wide grin grew across Charles’ face, baring his teeth like a cornered animal as he released Pierce from his grip. “My dad didn’t kill Bierce. I did.”

“Gawd… G-Gawd!” Pierce flailed his head around wailing, trying to call out for help.

This made Charles laugh, chuckling like a woodchipper. “Bierce. Pierce,” he said, pointing at Pierce. “Just like that, a name becomes completely different. People are like words, you know. If you take out letters of a word, remove their pieces, what are they? Are they still whole? Do they have meaning?” Charles pressed his finger against Pierce’s forehead. “If I took pieces from you, would you still be the same? Would you still be a man? Or would you be something else entirely? We can find out together.”

Pierce spat and cursed with a mumbled slurring. “I…kill ye…I…kill ye!”

“I do have one regret. My only regret is that I couldn’t keep Bierce. My dad made sure of that. Burned his body up in the backyard fire pit until he was nothing but ash. I’m going to keep you, though. I’ll keep you here with me forever, and you’ll always be with me in spirit. I wanted to be a good man. But now, I just want you.”

Charles turned, picking up the buzzsaw from the table behind him. He pressed the trigger switch off and on, admiring the whirring spin of the serrated blade. “This will take a while, though,” he continued, glancing into Pierce’s eyes. “I think I’ll tell a story, to pass the time. You want to hear the story about the day I was born? That’s my favorite story of them all.” Charles smiled. “Let’s start from the beginning.”

Picture of Julian Drury

Julian Drury

Julian Drury has been publishing fiction for the better part of decade. His work has been featured in outlets such as Quail Bell Magazine and Danse Macabre. Originally from New Orleans, Julian now resides in Denver, adjusting to the weather.

Eating the Elephant: Navigating the Wild World of Publishing by Kimberly Rei & Dean Shawker

Which Avenue is Right for You?

In the bewildering labyrinth of publishing, you might feel like you’ve stumbled into a strange bazaar, with vendors hawking everything from gold-plated, velvet-bound books to mystery boxes that could contain, well…anything. You’re not wrong. Publishing, in all its forms, is a bit like that bazaar—full of choices, each with its own glitter, pitfalls, and promises. So, let’s take a stroll through the main publishing avenues: traditional, self-publishing, hybrid, and vanity. I’ll guide you through what each offers, the little triumphs they bring, and the downfalls that could knock the wind out of your sails if you’re not careful.

Traditional Publishing: The Long Road Lined with Gatekeepers

Ah, traditional publishing—the dream many writers hold onto, the sparkling unicorn we chase. This is the world where your manuscript is snatched up by an agent, who then dazzles the publishing houses with your literary brilliance. They bite, they sign, and boom—you’re an author on bookstore shelves. At least, that’s the dream.

What’s In It For You? If you’re lucky enough to catch the attention of a big traditional publisher (think Penguin Random House or HarperCollins), they’re going to foot the bill for most of the big-ticket items. Editing, cover design, printing, distribution—it’s on them. And that sweet, sweet advance they offer? That’s cash in your pocket upfront (though don’t imagine it’ll be six figures unless your last name rhymes with “King”). You’ll get industry professionals backing your book, which means higher chances of landing in prestigious spaces like bookstores, libraries, and maybe even Oprah’s book club if the stars align.

Royalty rates? Expect 10-15% of the book’s retail price, after you’ve earned out your advance. Sounds slim, but remember, you didn’t fork out money for the upfront costs. The publisher is taking the financial risk. The catch? You’ll need to sell a lot of books to start seeing real profits.

The Dark Side Traditional publishing moves at the pace of a tortoise with a PhD in bureaucracy. It’s slow. From querying agents to final publication, the process can take years. If patience isn’t your strong suit, this could be maddening. And don’t get me started on control—you’ll have little say over the cover design, marketing, or, in some cases, even the title of your book. Also, getting in is tough. Rejection becomes your new normal as gatekeepers—agents, editors, marketers—stand between you and publication. But if you’re lucky (and persistent), the payoff can be worth it.

***

Self-Publishing: Where You’re the Boss…and the Janitor

If traditional publishing feels like trying to get into an exclusive club, self-publishing is the rebellious alternative where you create your own club. No gatekeepers, no rejection slips—just you, your book, and a world of possibilities.

What’s In It for You? Freedom. Sweet, glorious freedom. You control everything—your cover design, the title, your release date. You’re not waiting on anyone’s approval. This is the route if you want to move fast, experiment with creative ideas, or simply take charge of your author destiny. The financial model is a big lure, too. Platforms like Amazon KDP, IngramSpark, or Draft2Digital let you publish at little to no upfront cost, especially in digital formats. And royalties? We’re talking 70% for eBooks on KDP (if you price your book between $2.99 and $9.99). Much higher than traditional rates.

The Dark Side While you may get a larger slice of the pie, you’re also the one baking it, decorating it, and selling it. Editing, cover design, formatting, marketing—it’s all on your shoulders. That means either learning the ropes yourself (which takes time) or hiring professionals (which takes money). You’ll need to shell out for services if you want a polished product, and quality counts—especially when readers are comparing your book to traditionally published ones.

Budget $1,000 to $5,000 to get your book looking and reading like a pro’s work. This includes editing (around $500 to $2,000 depending on your editor), cover design ($300 to $1,000), and formatting ($50 to $300). Plus, there’s the cost of your time, which, as every self-pubber will tell you, is considerable. Expect to market your own book too, because the internet isn’t going to sell it for you just because you tweeted about it once.

***

Hybrid Publishing: The Best (or Worst) of Both Worlds?

Hybrid publishing is like meeting in the middle—a little bit of traditional, a little bit of self-publishing. In essence, you’re paying for some of the services a traditional publisher would normally cover, but retaining a lot more control over your work.

What’s In It for You? With a hybrid publisher, you get professional editing, cover design, and distribution, much like traditional publishing. However, you’ll likely maintain more control over your project. It’s a collaborative process, and that can be a sweet deal for authors who want the polish of traditional publishing but with a bit more say in the end product. Hybrid publishers can get your book into bookstores and libraries, something that’s tougher for pure self-published authors.

The Dark Side It’s not cheap. You’re going to pay—sometimes up to $10,000—to see your book in print, and there’s no advance like with traditional publishing. Hybrid publishers can vary in quality. Some are reputable, offering real value in terms of marketing and distribution, but others? Well, let’s just say some hybrids have been accused of charging premium rates without delivering premium results. Before you sign with one, research deeply.

Royalty rates are typically higher than traditional publishing (up to 50%), but you’ll still need to sell quite a few copies to make back your investment. Essentially, you’re betting on yourself. For some authors, it’s a gamble that pays off. For others, it’s an expensive lesson.

***

Vanity Publishing: Enter at Your Own Risk

Vanity publishing is the shady cousin of the industry, lurking at the edges, whispering promises of fame and fortune for a fee. But like most things that sound too good to be true…you probably know where this is going.

What’s In It for You? If you go this route, you’ll get a physical copy of your book—no question about it. Vanity presses will take your money, print your book, and send it to you, often within a few months. It’s quick, and there are no rejections. It’s the route of ultimate ease, where anyone can be a published author.

The Dark Side Let’s be blunt: vanity publishers are more interested in your wallet than your book. They’ll charge you thousands of dollars (usually $5,000 to $20,000) and, in return, give you a sub-par product that they make no effort to market or distribute. The books might end up in your garage, gathering dust while you figure out how to sell them. And royalties? Forget it. In many cases, they don’t pay any meaningful royalties because they’ve already made their profit off your upfront payment.

If you’re considering vanity publishing, proceed with extreme caution. Better yet, don’t. There are just so many better options out there.

***

So, Which Path Do You Choose?

When it comes down to it, there’s no one-size-fits-all in publishing. It depends on your goals, your budget, and how much control you want. If you’re in it for prestige, a slow-burn career, and don’t mind the wait, traditional publishing could be the path for you. But if you’re a control freak (in the best way) who wants full creative autonomy, self-publishing might be your golden ticket.

Hybrid publishing is ideal if you want that extra professional push without losing your voice. And vanity publishing? Well, let’s just say it’s the path best avoided unless you’ve done your homework and know exactly what you’re getting into.

In the end, it’s all about picking your poison—er, path—and making it work for you. Just remember: no matter which road you choose, publishing is as much about the journey as the destination.

Picture of Kimberly Rei

Kimberly Rei

Kimberly Rei, in addition to writing creepy tales, is an editor with Black Hare Press and takes joy in offering the wobbly wisdom of her experience. She does her best work in the places that can't exist...the in-between places where imagination defies reality. With a penchant for dark corners and hooks that leave readers looking over their shoulder, she is always on the lookout for new ideas, new projects, and new ways to make words dance. Her debut novelette, Chrysalis, is available on Amazon. Kimberly lives in gorgeous Florida where the Gulf hides monsters and the sun is a special kind of horror.

Picture of Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

Ω Editorial Associate Janet Wright

Janet Wright

Janet Wright lives in the wilds of North Yorkshire, UK, where foxes shriek and owls hoot at the bottom of her garden.

An avid reader since childhood, she loves nothing better than to curl up on the sofa and lose herself within the tactile pages of a physical book. She’s open to any genre, though her favorites are historical crime, time travel, and Gothic horror.

She writes short stories and micro fiction under the pseudonym Rosetta Yorke.

Ω Editor Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

Ω Editor Jodi Christensen

Jodi Christensen

Small town Utah is where Jodi calls home. She spends her days in a turn-of-the-century farmhouse, reading, writing, editing, and mentoring other writers. Her daily companions consist of her rambunctious and adorable six-year-old grandson and two rowdy dogs, all of whom bring her great joy.

Jodi has had a love of books for as long as she can remember. As a child, she filled her backpack weekly at the library, devouring story after story and returning the books early to trade for a new stack. She wrote her first adventure at the age of nine, a fanfic Boxcar Children story, and since then, has let her imagination be her guide.

As an author, Jodi writes time travel romance and dark speculative fiction. As an editor, she works on anything and everything that finds its way across her desk. Some of her favorite stories to read, write, and edit include; post-apocalyptic fiction, dystopian stories, and end-of-the-world adventures. She also enjoys dark romance, time travel romance, historicals, and horror stories, particularly the psychological kind. Above all else, she’s a sucker for a great character.

Ω Editor Kara Hawkers

Kara Hawkers

Kara Hawkers is a poet and author of short, dark fiction.

As Editor-in-Chief, Kara devotes most of her time to operating The Ravens Quoth Press, along with her partner.

If left unsupervised, you’ll find her dabbling in other arts.

Just three ravens in a trench coat.