Word-Shopping, Part I by Julie Allyn Johnson

I’m a chimera,

I think,

though its meaning

is not yet known to me.

 

Even its pronunciation

falters inside my brain.

 

I want a SHIM-er-ah

sound to describe

who I am,

my perceived fancy,

my joie de vivre.

 

But my head is not

that of a lion.

Neither fire nor flames

sustain me.

I haven’t any tail.

No frame of goat.

 

I’m no illusion,

no one’s longing

ill-fated and shunned.

 

Just the one set of DNA:

I am no surviving twin.

 

Pegasus is agnostic

of my existence.

 

No monster, am I.

Though my behavior

is monstrous at times.

 

[Flips the page]

 

Chimney sweep, n. a person whose job is cleaning out the soot from chimneys.

 

Well.        Well, well, well.

Picture of Julie Allyn Johnson

Julie Allyn Johnson

Julie Allyn Johnson is a sawyer's daughter from the American Midwest whose current obsession is tackling the rough and tumble sport of quilting and the accumulation of fabric. A Pushcart Prize and Best of the Net nominee, her poetry can be found in Star*Line, The Briar Cliff Review, Phantom Kangaroo, Lyrical Iowa, Moss Piglet, Cream Scene Carnival, Coffin Bell, The Lake, Haikuniverse, Chestnut Review and other journals. Julie enjoys photography and writing daily haiku, both of which can be found on her blog, A Sawyer’s Daughter.

Ω Editor Kara Hawkers

Kara Hawkers

Kara Hawkers is a poet and author of short, dark fiction.

As Editor-in-Chief, Kara devotes most of her time to operating The Ravens Quoth Press, along with her partner.

If left unsupervised, you’ll find her dabbling in other arts.

Just three ravens in a trench coat.

Ω Editor Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

Ω Editor Jodi Christensen

Jodi Christensen

Small town Utah is where Jodi calls home. She spends her days in a turn-of-the-century farmhouse, reading, writing, editing, and mentoring other writers. Her daily companions consist of her rambunctious and adorable six-year-old grandson and two rowdy dogs, all of whom bring her great joy.

Jodi has had a love of books for as long as she can remember. As a child, she filled her backpack weekly at the library, devouring story after story and returning the books early to trade for a new stack. She wrote her first adventure at the age of nine, a fanfic Boxcar Children story, and since then, has let her imagination be her guide.

As an author, Jodi writes time travel romance and dark speculative fiction. As an editor, she works on anything and everything that finds its way across her desk. Some of her favorite stories to read, write, and edit include; post-apocalyptic fiction, dystopian stories, and end-of-the-world adventures. She also enjoys dark romance, time travel romance, historicals, and horror stories, particularly the psychological kind. Above all else, she’s a sucker for a great character.

Carnivorous by Julie Allyn Johnson

I won’t bombard you

with my flesh-eating proclivities,

but old habits, as they say,

do die hard. My preference,

of course, would be for bodies

to remain soft and pliable,

incisors not being what they

once were back in the glorious day,

when it was nothing to tear a hunk

of human meat with a single swipe.

 

Picture of Julie Allyn Johnson

Julie Allyn Johnson

Julie Allyn Johnson is a sawyer's daughter from the American Midwest whose current obsession is tackling the rough and tumble sport of quilting and the accumulation of fabric. A Pushcart Prize and Best of the Net nominee, her poetry can be found in Star*Line, The Briar Cliff Review, Phantom Kangaroo, Lyrical Iowa, Moss Piglet, Cream Scene Carnival, Coffin Bell, The Lake, Haikuniverse, Chestnut Review and other journals. Julie enjoys photography and writing daily haiku, both of which can be found on her blog, A Sawyer’s Daughter.

Thievery by Lee Clark Zumpe

Tell me: Is it wrong to take the shoes of a dead man?

 

In another age, necessity was the mother of invention,

they claim—

but they didn’t live through the pandemic, did they?

They didn’t see the viral videos of first-wave victims

bleeding out over the Atlantic Ocean

on flights bound for North America.

They didn’t see metropolitan emergency rooms,

overflowing with sufferers,

desperate for treatment and guarantees.

They never read the increasingly unnerving headlines

publicizing curfews and proclaiming daily death tallies.

 

How those casualty figures mushroomed in the early days.

 

They never learned the unspoken secrets—

they never encountered a corpse shambling down the sidewalk

or recognized a friend or lover they’d watch die

knock on their door in the middle of the night

or crawl into bed with them

heavy with the stench of death. 

 

It was one for the record books, that virus—

more lethal than the Black Death and the 1918 Spanish Flu combined—

killing off more than three quarters of the world’s population

and triggering an ongoing war with the walking dead

that may never end.

 

Society unravels, slowly.

The lucky ones—the ones with a natural immunity— are soldiers now.

Soldiers and scavengers and pilferers.

Necessity is the impulse behind thievery.

 

Picture of Lee Clark Zumpe

Lee Clark Zumpe

Lee Clark Zumpe, an entertainment editor with Tampa Bay Newspapers, earned his degree in English at the University of South Florida. He began writing poetry and fiction in the early 1990s. His work has regularly appeared in a variety of literary journals and genre magazines over the last two decades. Publication credits include Tiferet, Zillah, The Ugly Tree, Modern Drunkard Magazine, Red Owl, Jones Av., Main Street Rag, Space & Time, Mythic Delirium and Weird Tales. Lee lives on the west coast of Florida with his wife and daughter.

Death of the Sea by Corinne Pollard

I am cursed—

mortal by day,

monster by night,

trapped on the seaway,

and losing the light.

 

I am thirst,

compelled to drink

every deep sea.

If disturbed, I’ll sink

ships, no escapees.

 

I am she,

a monstrous-thirst,

draining, sucking

until no cloudburst

rains, succumbing

to my wasteland reign.

Picture of Corinne Pollard

Corinne Pollard

Corinne Pollard is a disabled writer from West Yorkshire, UK, published in Sirens Call, Black Hare Press, Three Cousins Publishing, Trembling with Fear, World of Myth, and Paragraph Planet. Also, Corinne is co-editor for the Yorkshire anthology Aire Reflections with her dark stories and poetry inside. With a degree in English Lit and Creative Writing, Corinne has always enjoyed the world of dark fantasy. Aside from writing, Corinne enjoys metal music, visiting graveyards, and shopping for books to read.

Midnight of the Unnatural by Stephen McQuiggan

“Is Ellis there?”

Up in his bedroom, Ellis laughed as he grabbed his coat—none of his mates, especially Tommo, ever called him by his proper name. It was a hoot hearing him trying to be polite. They usually called him Eye-Zo-Ball (on account of his being born with one eye), or Daddy Long Leg (one leg being shorter than the other) instead. Sometimes they called him Aqua Man because of the webbing between his fingers.

His favorite nickname by far, was Frankenstein—it was their love of all things horror related that had bonded their little gang together in the first place.

He heard his mum pause before answering Tommo, caught between not wanting him to go out and happiness that he had friends to go out with at all. Ellis clambered downstairs before she could say something embarrassing. She turned as she heard his hectic descent; behind her in the doorway, Tommo pulled a face mocking his clumsiness, and Ellis laughed all over again.

“Be careful,” Mum said, as he pushed by her quickly to avoid a kiss. “And no running.”

Once they were around the corner and out of sight ,Tommo gave him a manly punch on the shoulder—it was sore, but Ellis liked it; I’m a real boy, he thought, same as all the others. Besides, Tommo was always punching Wisby, and Wisby was the coolest kid he knew.

“Guess what?”

“What?” Ellis asked.

“Good guess!” Tommo laughed, giving him another thump on the arm. “The poster’s up.” Ellis caught his breath. He didn’t have to ask what poster. “Wisby texted me first thing.”

They hurried across the waste ground as fast as Ellis’s leg would allow, both out of wind and patience by the time they reached the carpark behind the Multiplex. They approached the cinema slowly, like penitents before some gaudy neon shrine. Ellis felt Tommo’s nails dig into his elbow and followed his pointing finger to the advertising boards by the doors.

“There it is,” Tommo’s voice cracked as if popcorn was heating in his throat.

Ellis turned his head from side to side, drinking in the poster with his solitary eye: Midnight of the Unnatural it read in a dripping bloody font. There was a screaming girl in just her underwear, her saucer eyes trained on a sinister shape in the shadows—The Deviant is already amongst you! warned the strapline.

“It’s supposed to be the scariest film ever,” Tommo whispered, awestruck. “Fetid Potatoes gave it five claws!”

They were silent for a while, pondering the enormity of such a review.

“I heard three people died of heart attacks at the premiere—and a girl almost choked she puked so much.” Ellis’s enthusiasm was quickly draining away. “Aw, dammit, Tommo, we’ll never get to see it. We’re only eleven; they’ll never let us in. Maybe there’s some site we could download it from.”

“Fuck that,” Tommo bristled. “My cousin’s seen it and he says you have to see it on the big screen. There’s a scene where a guy gets his head ripped right off and everyone ducked when the mutant threw it right at the camera. There’s no way I’m missing out, even if I have to hold the whole cinema at gunpoint to get in.”

The Multiplex had been open for almost a year now and Ellis and Tommo had made a solemn vow that they would see at least one movie every week. So far, they had managed to see four, accompanied by Tommo’s teenage sister, and one of those had been (yuck) a love story.

“I’ll die if I don’t get to see it,” Ellis agreed.

They stood a little longer absorbing the poster, hoping to suck in some of its terrifying delights by a form of wish induced osmosis. They turned reluctantly and headed off to the Mall, the whole journey taken up by a heated debate on what exactly that vague shadow would actually look like when it was finally revealed—horns, Ellis posited; eight eyes, Tommo countered—and what gory carnage it would unleash, and if the girl on the poster was actually in the film itself. At the Mall they made straight for GamesXchange to meet Hal and Wisby.

“You see it yet?” Wisby asked.

“Isn’t it fucking brilliant?” Hal piped in.

“It don’t matter anyways,” Tommo replied, giving Ellis a hefty slap around the head on his blindside. “Frankenstein here reckons we’ve no chance of ever seeing it.”

“Freakshow hasn’t reckoned on our Mandy then, has he?”

Ellis felt his face burn—not from the sting of the slap, or the use of his least favorite nickname, but from the very mention of Mandy. She was Wisby’s sister, nineteen years old, and her skirts were shorter than her temper. She looked like a Hammer scream queen and, for reasons that Ellis was at a loss to explain, he found himself unable to breathe in her presence.

The older boys at school (the ones who smoked at the back of the Science block) called her Manhole Mandy, though Ellis had no idea what that meant or why it made them laugh so much. All he knew was that his already ungainly limbs grew even more uncoordinated when she was around.

“What are you on about?” Tommo tugged at Wisby’s coat. “What about Mandy?”

“You know the toilets in the cinema, right?” The cultivated sneer fell from Wisby’s face in his eagerness to relay the news. “My sis says there’s a fire exit right beside the girls’ bogs and,” he paused, trying, and failing, to regain his usual aloof composure, “she’ll open it for us once the trailers start and the lights go down.”

There was a collective whistle.

“But,” Wisby held up a cautionary finger, “Mandy says she’ll only do it if I do all her chores for a month, so you guys are gonna have to chip in and do your share, too.”

This caveat was brushed aside as an irrelevance—each one of them would crawl through a colon of broken glass just to watch the end credits, and Wisby knew it.

“Okay then,” he puffed out his chest, “you losers need to meet me round the back of the flicks tonight, half seven sharp.”

“Tonight?” Hal’s mouth was hanging open in a manner that made Ellis wonder why the others never called him Freakshow.

“Sure,” Wisby said, “you wanna be the first in school to see it, right? I keep Mandy sweet; we can go every night it’s on.”

They went to the burger bar and discussed various plot points they had read online, speculated on what powers the Unnatural would possess and the level of nudity (boobs, boobs and butt, or the Holy Grail—a fleeting glimpse of lady garden) they could expect, and then calculated a realistic death toll.

Tommo held sway during the duration of the meal due to his cousin having seen the movie already but, by the time they were down to the last of the curly fries, he was overthrown by Wisby’s vehement assertion that Tommo’s cousin sounded like a “lying prick.”

There was a frosty silence for a time, broken only by the rattle of ice at the bottom of their Cokes, but the delicious anticipation of the movie (The most fucked-up frightfest ever filmed —Fetid Potatoes) soon molded them back into mates.

They parted earlier than usual, too full of restless energy to settle in company, each one with his own special assignment to fulfill before they met again that night: Hal—bring the sweets, liquorice for Wisby; Tommo—steal cigs from his dad for a celebratory smoke after the show; Ellis—notebook for jotting down any major twists plus the best one-liners. Wisby was exempt—he had provided the sister after all.

Ellis trailed his leg gamely over the waste ground, unable to comprehend that in a few short hours he would actually get to see the Unnatural. This time tomorrow, he thought, the world will be a very different place. Everything will have changed; nothing will be the same again. He felt ridiculously grown up.

As he opened the front door and saw the clock in the hallway, the only fear that gnawed him was how on earth he was going to put in the hours between now and showtime. He laid out his t-shirts on his bed and killed a few begrudging minutes choosing from Jason, Freddy, or (old school) Dracula.

“What are you doing?” Mum popped her head round the door, her pleasant tone not enough to mask the over-protective glint in her eye. It was always there—sometimes Ellis thought she would devour him whole, telling him it was for his own good with each bite.

“Just deciding what to wear.”

“When did you get so fashion conscious? Must be a girl involved.” Her tone was even more playful, her eyes even more hungry.

He reddened at a sudden unwelcome image of Mandy. “I’m going to the cinema with Tommo and the guys, that’s all.”

“Oh,” he could hear by her relief that she’d already lost interest, “what’s on?”

Ellis couldn’t hide the grin that beamed across his face. “Midnight of the Unnatural, it’s a horror—”

“I know what it is,” Mum said, coming back into the room, one eyebrow cocked to unleash doom. “I really don’t think that’s very suitable, it’s far too old for you, pet. They’d never let you in.” She smiled as if her reasoning pleased them both. “No, I don’t think you’ll be going, pet.”

Ellis protested, his tears of frustration already turning her into a blurred barricade. “Wisby’s sister says she can—”

“You know I don’t like you having anything to do with that,” she hesitated, searching for a synonym for hussy, “girl. You’re not going and there’s an end to it.” Ellis flung his t-shirts at her feet in impotent rage. His mum ruffled his hair and bent to pick them up.

“Tell you what,” she said, folding them up neatly on the bed, “when your dad gets home we’ll order a pizza and have our very own movie night. We can watch Goosebumps if you want.”

She moved in to tickle him, but he pushed her away, hating her callous cruelty; hating himself when he saw the hurt in her eyes.

“Okay, Mister, have it your own way. You can stay up here all night. I’m sure your father will be up to have a word later, but in the meantime, you can stew and reflect.”

She slammed the door behind her, and Ellis lay down, cursing her and his own big mouth. He texted Tommo and the others—he didn’t trust himself to keep it together long enough to actually speak with them, and he couldn’t bear to hear their sympathy, or mocking laughter, in return. When his phone rang, he refused to answer. Despite his distress, he couldn’t help but notice it only rang the once.

Tommo texted around six, telling him to say that he was having a sleepover at his during the week and that Mandy would let them in then. This consoled Ellis enough to let him sleep, but not enough to free his dreams from the taint of abandonment.

No one answered his calls the next morning and for a while he harbored the hope that the rest of the gang had missed out too, that they had been caught sneaking in and maybe even spent the night in a cell. But as the morning wore on, such comforting fantasies soured into the notion that his friends were simply avoiding him because he was just a little baby whose mummy wouldn’t let him go see a horror flick.

“I’m off to the Mall,” he told her. “If that’s not too dangerous.”

He hadn’t spoken to her since he’d pushed her, hadn’t even spoken to his dad—just sat quietly through the oft repeated sermon that began “Son, we love you, but you have to understand that you’re different.”

“Don’t be like that, pet,” Mum called after him, but Ellis was already gone as fast as his withered leg could carry him. He was out of breath by the time he got to Tommo’s. Hal was coming out just as he reached the garden gate.

“Hi, Hal!” He used his best carefree voice. “Did you get to see it? What was it like?”

Hal froze midway down the path; he looked back over his shoulder, then at the hedge, as if searching for an escape route. A shiver ran through him, galvanizing him. He put his head down and charged at Ellis, almost knocking him over in his haste to get by, but Ellis clung to him as he bumped back into the gate.

“Whoa! What’s wrong, Hal? What hap—”

“It was awful.” Were those tears in his eyes? “I never want to see it again, swear to God I don’t.”

Ellis released his grip, shocked by his friend’s unwonted earnestness. He turned at the sound of the front door opening to see Tommo’s mum frowning on the porch.

“Thomas told me to tell you he’s not feeling well today.” She took a few steps toward Ellis, stopping short the way all grownups did—as though he might break if they got too close. “Tell me, did something happen last night? Thomas is not his usual self this morning,” her eyes followed the fleeing Hal down the street, “or his young pal.” 

“I honestly don’t know. I never went out last night, Mrs. Harris.”

As he walked back home Ellis’s heart raced—what a movie it must be if it scared Tommo, of all people, sick. He simply had to see it now, even if it meant leaving home and sleeping rough. He tried calling Wisby but found his number was blocked; not for the first time—Wisby was forever punishing people for imagined slights. The dregs of the weekend dripped away; a torture celluloid could never hope to reproduce.

Ellis was in the schoolyard early the next morning, enduring agonies until he saw the familiar cluster of his friends move along the railings; the usual whirlwind of flying satchels, spitballs, and inventive abuse now replaced by a regimented silence. They walked with their heads down as though they trudged to an execution, or worse, an exam.

Ellis bounded over, his trailing leg erasing most of a hopscotch grid. Hal and Wisby raised red-ringed eyes, muttered something, and hurried into assembly. Only Tommo remained, looking very much the recipient of the shortest straw.

“Listen Ellis,” he began, and Ellis was momentarily dumbstruck by the use of his given name. “I know you want to hear all about the film, but I can’t… I mean… Just meet us by the Umbrella tree at lunch break, okay?” He moved off to join the others.

Ellis reached out to detain him a minute longer and Tommo flinched at his touch. “Jeez, was it really that scary?”

Tommo couldn’t meet his eye. “I used to think it was all make-believe.” His face reddened, ashamed of the whine in his voice. He choked back a snot-filled sob. “I’m never gonna watch a horror movie again. I’m finished with them!”

Ellis’s morning started with double algebra, but he spent it trying to puzzle out entirely different equations. As he crossed the yard, heading to Biology, he caught sight of Wisby watching him from the library window. In the gloom, Wisby’s head looked disconnected, floating like a pasty-faced Glick high above.

At last, the bell rang for lunch and, without bothering to leave his bag in his locker, Ellis made his lumbering way out of school and over to the waste ground at its rear. The Umbrella tree (so called because of its shape, though Ellis thought it more a toadstool) was the only landmark on that jumble of bramble and brick. The tree had been tattooed by generations of teenage penknives. Its roots sank in the shards of broken wine bottles, its branches laden with glue-bags and condoms, its massive trunk blackened by hobo fires.

As Ellis hobbled over the uneven earth, he saw that the rest of the gang were already there, watching his approach with haunted eyes. Above them a crow broke the silence with a single raucous cry—It’s just like the movies, Ellis thought, almost turning his ankle on an empty beer can as he stepped beneath the tree’s impressive canopy. Wisby was standing by his backpack, a thermos flask propped against it, and Ellis cursed himself for not bringing a few sandwiches along from the canteen.

“You know, you guys are acting awful strange,” he said, puncturing the uneasy quiet. “Are you gonna tell me about it, or is this just one big wind up?”

Wisby nodded at Tommo and Tommo stepped forward. “What do you want to know?”

Everything,” Ellis laughed, “like how long in before the monster appeared?”

“He was in it from the very start.” Tommo scuffed his shoe against a root.

“Hiding in plain sight,” Wisby chipped in. “Everyone thought he was dead nice see, just one of them, but—”

“Pretty standard twist,” Ellis offered. “So, what happened when they all realized?”

“I’ll need to show you,” Tommo said, pointing to the gnarly trunk. “Stand up against that for a second.”

“Can’t you just tell me?”

“It was the worst part—I need to show you.”

Ellis shook his head but moved over to the tree nonetheless; Tommo placed a hand on his chest to pin him there.

“They lured him … It … down to the woods,” he said.

Behind Tommo, Ellis saw Hal take a coil of rope from Wisby’s backpack. “Hey guys, what the fuck?” he spluttered as they began circling him, binding him tight to the trunk.

“It’s okay,” Tommo said, “we just wanna make it like it was in the film.”

Ellis laughed; his voice fragile, cracked with nerves. When he was bound securely, the three of them stood silently before him. “So then what?” Ellis asked. “Did the monster finally reveal himself? What did he look like?”

“He had one eye,” Tommo said.

“He had webbed hands like claws and a clubfoot,” Hal said.

“He looked just like you,” Wisby said.

Hal lifted the thermos and handed it to Tommo.

“See,” Tommo said sadly, “he suckered everyone into feeling sorry for him. They didn’t realize he was Unnatural—didn’t realize the deviant was among them all along, not until he started picking them off, one by one, families and all.”

“You touch my Mum,” Hal screamed in Ellis’s face, “and I swear to God I’ll …” Unable to think of a threat profound enough, he compensated by spitting in Ellis’s eye.

“Too far guys!” Ellis was in tears beneath the saliva. “Way too far!”

“That’s what it said in the film,” Tommo muttered, unscrewing the lid from the thermos. He flicked the flask at Ellis, splashing its contents on his face, and the dizzy smell of petrol filled the air.

“No, no, no,” Wisby grabbed Tommo by the arm; “like this.” He mimed the shape of the cross.

“Come on guys, game’s over,” Ellis pleaded until his mouth was filled with fuel. He was still gagging when Tommo dropped the empty flask on the ground. Wisby flicked a Zippo; even through his stinging eyes, Ellis recognized it as Manhole Mandy’s. “Okay, okay, you scared me—now let me go.”

He hesitated before unleashing the threat he knew he could never take back: “Let me go or I’ll tell my Mum.”

“You had us all fooled too,” Wisby said, tossing the lighter.

Ellis screamed as the flames engulfed him, screamed so piercingly the crows fled from the branches above, screamed so unbearably Tommo held his ears and buried his head between his knees.

“Wow,” Hal said, turning to Wisby, “it’s just like in the movie.” But Wisby was already gone.

Picture of Stephen McQuiggan

Stephen McQuiggan

Stephen McQuiggan was the original author of the bible; he vowed never to write again after the publishers removed the dinosaurs and the spectacular alien abduction ending from the final edit. His other, lesser known, novels are A Pig’s View of Heaven and Trip a Dwarf.

Eating the Elephant: To the Moon, Author! by Kimberly Rei & Dean Shawker

Once upon a time, an author had an idea. The idea became a story. The story was published.

And now it lives amongst the stars.

True story. Black Hare Press’ Area 51 is literally shooting through space. Goofy? Maybe. Exciting? Maybe. Excellent marketing?

Yer darn right it is!

Authors, now more than ever, are responsible for a lot of the heavy lifting in marketing. I recently saw someone talking about how they had an agent—everything but the ink on the contract—and they lost that agent because they had less than 40,000 followers on social media.

That’s a bit disheartening. We’re not exactly the most extroverted group out there. And now we have to find people, interact with them, and convince them to not just like us, but follow us? Invest in us?

What’s a wordsmith to do?

Lean on our talents. Get creative. Set the box on fire and explore new ways to catch readerfish.

Area 51 was originally destined for the moon. Things happen. In this case, that thing was over-shooting. So instead of languishing with rocks, the book is within reach of aliens who will likely form opinions of us. Brava!

There aren’t a lot of calls for interplanetary book tours, so we must look to more mundane opportunities until the stars call once more.

Book signings are both wonderful and terrifying. Book signings give you the chance to meet with readers, face-to-face. To possibly meet other authors. To get a feel for what it all looks like. The people-watching is amazing! Talk about character building. Whew!

Downsides? No one shows up. Three people show up. No one buys a book. Sounds awful. But that’s it. That’s the very worst. After digging through rejections and suffering late nights with wayyyyy too much coffee, that’s not so bad.

Contact your local paper! Digital or print, whatever you have access to. Let them know you have new work coming out and see if they’d like to do an interview. Again, the worst they can say is no. But what if they say yes? Be ready for a few photos, light questions about who you are, why you write, where inspiration comes from. Smile big and walk in confidence!

Check your library system. Do they have your book? If they do, tell eeeeeeveryone about it! This one is a double whammy. Supporting your library and beating your drum. If they don’t carry your work, you can fix that. Look at their website for a “recommend/request a book” type form. Can’t find one? Call or drop by. Librarians are really friendly people. They like books! Ask if they’ll acquire yours. You already know the worst-case scenario.

Look for conventions. You can get a table and sell copies of your books direct. If you can’t make that level of commitment, see if the convention gives away swag bags to attendees. If they do, you can send marketing cards (postcard size) or bookmarks for them to stuff in the bags. Go with bright glossy covers and make sure your contact info is all over it. There’s often a small fee (around $15USD), but it gets you in front of everyone who walks in the door.

A friend of mine recently entered a contest—for short cinema. She sent in a short story in the hopes of winning and seeing her tale in action. Literally.

Stephen King is known for allowing film students to buy some of his work for $1USD. Film students are always looking for content of all genres, styles, and length. Dig into schools and classes. See who is looking and what they need. If you have the rights to your stories, there’s nothing keeping you from collaborating!

Speaking of contests, there’s a ton of them waiting for you. Some charge a read fee. Some don’t. How much you’re willing to pay will guide your choices. You’ll get a little cash in your pocket and the prestige of winning.

Contests are lovely, but oh the awards! The Stoker, the Hugo. Nebula. Locus. A quick dance with a search engine will suggest a wonderful list. Aim small. Aim big.

 

What else can you imagine? Where else can you reach? School fundraiser? See if they’ll let you sell your books if you give them a cut. Community bake sale? Slide a bookmark in with each treat. Wear a tee shirt or carry a tote bag with your book cover. At every turn, post what you’re doing. Add photos. Be enthusiastic!

 

The world is your platform, and your work deserves such a stage… and beyond.

Picture of Kimberly Rei

Kimberly Rei

Kimberly Rei, in addition to writing creepy tales, is an editor with Black Hare Press and takes joy in offering the wobbly wisdom of her experience. She does her best work in the places that can't exist...the in-between places where imagination defies reality. With a penchant for dark corners and hooks that leave readers looking over their shoulder, she is always on the lookout for new ideas, new projects, and new ways to make words dance. Her debut novelette, Chrysalis, is available on Amazon. Kimberly lives in gorgeous Florida where the Gulf hides monsters and the sun is a special kind of horror.
Picture of Dean Shawker

Dean Shawker

Dean Shawker hails from Bracknell, UK, and now lives in Melbourne, Australia.

Dean is co-founder and editor of Black Hare Press.

Having found that his BSc in Bioengineering and BA in Digital Media were as useful in real life as calculus and geometric proofs, Dean now works in commercial non-fiction during the day and moonlights as a minion of the hell hare, Captain Woundwort, in the dark hours.

He writes speculative fiction and dark poetry under the pseudonym Avery Hunter, and edits under the name D. Kershaw.

You’ll usually find him hanging out with the rest of the BHP family in the BHP Facebook group, or here as a servant to the Stygian Lepus.

The Followers by Jim Mountfield

“Don’t make yourselves comfortable.” 

As if to reinforce Clive’s warning, a gust of wind rattled the classroom’s windowpanes. The city’s football stadium dominated the part of the skyline framed by those windows. Now a black cloud loomed above the ribs of the stadium’s cantilevered roof like a buzzard perched on a carcass.

Clive felt no guilt at sending his twelve students outside just as the weather was turning foul. He hated them. They were an imposition. He was meant to be a writer, yet he was stuck here, wasting time that should be spent writing, trying to teach these no-hopers to write.

He placed some photocopies on his table. “This exercise is a practical follow-on from last week’s lesson on creating characters. Take one of these handouts. Then go outside, walk around the neighborhood, find someone who looks interesting enough to base a character on. Follow them, observe them, imagine what their personality, background, life-history are like. Make notes on the handout, which lists the things you need to consider. Be back by quarter-to-three. The next homework assignment is to turn your notes about the person you observed into a 500-word character description. You can use the last fifteen minutes of class to start it.”

The students heard the first raindrops strike the windowpanes. But the task’s unexpectedness left them too surprised to complain. Clive was eager to get them out before they did complain. “Obviously, do your following and observing at a discrete distance. Don’t get arrested for stalking. Now…” He clapped his hands. “Go!”

Out they went. By the time they’d gone along the corridor to the school’s lobby, some were grumbling, but it was too late.

The last person to leave was a woman with long auburn hair who looked in her early thirties, though, from the information on her course application form, Clive knew she was older. She’d loaded the top of her desk with stationery—biros, notepaper, correction fluid, colored highlighter pens—which she was returning to an oversized handbag. He said, “You needn’t take that with you, Edie. It’ll be here when you get back.”

She sounded nervous. She usually did when she spoke to him. “Oh… I’d better bring it along… It might be useful…somehow.”

She was the only person in the class with a strong city accent. The others spoke in middle-class or posh accents that were less easy to identify geographically. Clive assumed this gave her an inferiority complex and was why she found him intimidating. Come to think of it, she seemed to find everyone in the class intimidating.

She tottered towards the door on high heels that just about elevated her from being short to being of medium height. She lifted the final handout but, before leaving, turned and looked at him worriedly. “Do you think this is…right, Clive?”

“What do you mean?”

“Well… It feels dishonest… It’s like we’re spying on these people and stealing something from them.”

“Oh Edie. Don’t fret. It’s what we writers do. We exploit everything and everyone around us for material. We eat it all up. Why….”

He laughed, showing his teeth.

“We’re practically cannibals.”

***

Edie was well behind the other students. She followed the twisting staircase down from the adult-education center, past the poolroom on the middle floor, to the building’s entrance, which was beside the façade of one of the street’s Chinese restaurants. A classmate stood in the doorway, peering out at the rain while it smacked the pavement with growing violence.

“Hello,” she said. “You’re Ralph, aren’t you?” Though he spoke poshly, she found this classmate more approachable than the others because he was so young. He barely looked out of his teens and had apparently chosen his clothes, a loose-hanging tweed jacket, corduroy trousers, and clumpy leather brogues, in the hope they’d make him look older and more mature.

“Yes. And you’re Edith.” Unnecessarily, he added, “It’s raining.”

“Oh, just call me ‘Edie’.” She removed a small umbrella from her cluttered handbag. “I’ve got a brolly if you want to share it.”

Ralph took her umbrella and opened it, and they stepped out of the doorway. Through the shimmering prism of the rain, they saw out a few figures further along the street who might belong to their class. One after another, those figures disappeared around a corner at the street’s end. “The market,” he explained. “I think they all decided to head there.”

“That’s a good idea.” The market was a roofed-over complex southeast of the city center, encompassing a block and housing nearly a hundred stalls, shops, and eateries. “It’s always crowded. There’ll be plenty of folk to choose from and we won’t look so conspicuous as we follow them. Plus, we’ll be out of this horrible weather.”

She realized he was holding the umbrella low for her. While it shielded her, the wind and rain swept over it, pelted his face, and tangled his hair. But before she could protest, Ralph pointed ahead and asked, “What about him, though? He might have potential.”

Another figure was prowling the street several yards in front of them. Definitely not a classmate—this one was hunched over and wore a frayed beanie hat, an anorak that’d once been white but was now gray with dirt, and a pair of saggy sports bottoms.

Edie felt uneasy. “Him? Well, I know him… I mean, I’ve seen him. He hangs around this neighborhood.”

“I’ve seen him too. He’s eccentric. I bet we could get an interesting character-description out of him.”

“But using him doesn’t feel fair. He’s probably been through a lot, poor man.”

They followed him further. Then the wind swelled and almost wrenched the umbrella from Ralph’s hands. By now the rain was strafing the street, making miniature watery explosions over the road and pavements. They ducked into the strip of shelter offered by the doorway of the nearest restaurant. A tang of Thai tom-yum soup assailed them as they huddled there. Though the council promoted this street as the city’s Chinatown, there weren’t enough Chinese restauranteurs locally to line its sides with eating places, so restauranteurs from other Asian communities had found premises too.

“God,” Ralph lamented, “Clive chose a fine time to send us on this mission.”

Edie didn’t reply. Awkwardly, she stared past him. Ralph turned and discovered that the man they’d been trailing had also taken refuge in the doorway. His face, only a yard from theirs now, was unshaven, weatherbeaten, and strangely squashed-looking. Because most of his teeth were missing, his head seemed to sink onto his jaw.

“You,” declared the man, “were following me.”

Ralph lied. “No, we weren’t.”

“Oh, I’m wise to how these things are done. First, you weren’t just behind me, but were keeping pace with me. You didn’t want to catch up and overtake me. Second, you were talking about me. I could tell. Ordinarily, people would be shouting over this storm. But you weren’t. You were keeping your voices low. A dead giveaway.”

Edie piped up. “John, please! Don’t be paranoid. We happened to be walking behind you, that’s all.”

The man’s indignation vanished. Amiably, he said, “Oh hello, Edie. How are you? Er… I don’t suppose you could make a donation to the cause today?”

Ralph was astonished. “John? You really do know him!”

Edie opened her handbag again, extracted a purse, and from that fished out some coins. She gave them to the man, too embarrassed to check first how much she was handing over. Meanwhile, he told Ralph, “Sure, she knows me. Talks to me every time she comes here to attend that writing class, up above the Pride of Shanghai Restaurant.” His eyes narrowed. “Do you go there too? Are you a writer?”

“Well, I don’t profess to be yet—”

The man sneered. “Profess? You look like a young professor, all right.”

“But I have ambitions that way.”

He became belligerent again and stabbed a finger towards Ralph. “Well, here’s something to write about. You can write a whole book’s worth about it. What…happened…to…my…wife?”

Edie sighed. “You see, a while ago, John’s wife disappeared. He believes she was abducted.”

“I’m investigating,” he elaborated. “Not just the abduction. Also, the abductors.” Furtively, he glanced either way along the street. “They’re all around, see? Among us. Selecting more people to abduct. They try to blend in, but if you know the warning signs to look for…”

Ralph interrupted. “What about the police? Have you reported your wife’s kidnapping to them?”

That prompted a scornful laugh. “The cops? What would they do? Those bastards haven’t just abducted her—they’ve erased every trace of her existence. Erased all memories of her from the heads of everyone who knew her. Nobody knows she disappeared because nobody knows she existed in the first place.”

Edie was desperate for this conversation to end and for them to be on their way. But, to her dismay, Ralph was mulling the man’s words over. Then he demanded, “How did they manage to do that?”

“A signal,” said John. “It’s some signal they send out at the moment of abduction. Removes the person from the collective human memory.”

Ralph peered down at the man’s left hand, searching the grimy fingers for a ring. “But didn’t some physical evidence of her remain?”

“No. The signal destroyed the physical traces of her too.” He considered it. “They send out a fucking strong signal.”

“But if the signal’s so powerful…” Suddenly, Ralph’s voice had the triumphant tone of a debater clinching an argument. “Why hasn’t she been removed from your memory?”

John, though, had an answer. He raised his left hand—definitely, Ralph noted, no rings on those fingers—and tapped his left temple. “My brain’s different, see. Differently wired. And while their signal did get her out of my memory, it didn’t get her out of the deeper bits, the subconscious. So, sometimes, I dream about her…” His squashed face seemed to deflate more. His voice became a croak. “That’s right. I know I had a wife once… Because I meet her again in my dreams.”

Ralph felt pressure against his hand and realized Edie was clutching it. When he looked down at her, he saw faint smears about her eyes. What? John’s babblings had moved her to tears?

The man had another change-of-mood. Something made him glance along the street behind him. His anguish turned to alarm, and he hissed, “Right, everyone, act calm. One of them’s coming.”

The storm hadn’t quite cleared Chinatown of pedestrians. A figure was approaching on the opposite pavement. It was tall and thin, lacked an umbrella, but was clad in a raincoat that descended to its knees. The raincoat had a plasticky greenness and, though the clouds and rain muted the light, it glistened brightly. Ralph tried to discern the figure’s face, but a cloth cap was pushed down over it, and the corners of the raincoat’s collar were pulled up around it.

For a hallucinogenic moment, Ralph thought the shafts of rain were bending towards the figure. The rain was crowding against it, splashing in a tumultuous halo around its feet and nowhere else… But the crazy moment passed, and he found himself contemplating an ordinary, rainy street with an ordinary, raincoated pedestrian on it.

The figure receded towards Chinatown’s other end. “So,” said Ralph, “that’s one of the abductors?”

“It is.”

“To me, it looked like a bloke in a green raincoat.”

Edie contradicted him. “Not green. It was blue.”

“No,” said Ralph, “it was green.”

“Blue.”

John sighed. “Yip. These disagreements happen when they’re around. Always a warning sign.”

***

Edie sat outside a café in one of the market’s alleys. While shoppers milled past her table, she worked with two highlighter pens on Clive’s handout. The details you could tell about a person by looking at them she marked in one color. The details you needed to use your imagination to answer she marked in another.

“Favorite drink, alcoholic or non-alcoholic…” she read, running the second pen’s nib across the words. She sat back in her chair. “How am I supposed to know that?”

She thought about John. Though they’d agreed not to use him as a subject, she wondered what his favorite drink would be. She recalled some beverages associated with down-and-outs. Buckfast Tonic Wine, Frosty Jack’s Cider, Carlsberg Special Brew…

“No. That isn’t right.”

She imagined John at the end of a day, sheltering in a derelict building. Opening a knapsack and taking out a bottle of wine—proper wine, not Buckfast—and two wineglasses. He set the glasses on the dusty floorboards and poured two miniscule amounts into them. Because the wine was expensive, far beyond his normal price-range, he had to pour it sparingly. Then he raised one glass in a toast. He was pretending his wife was with him. They were drinking wine together and everything in their lives was normal. The nightmare had never happened.

It touched her that John was devoted to his wife, even though, possibly, she’d never existed and was a phantasm of his madness. She wished her own husband had shown such devotion—the husband who’d knocked her up when she was 16 and cleared off, never to been seen again, when she was twenty one.

Ralph returned to the table. He’d been in the market’s toilets, drying his hair in the breeze from a hand-dryer. Now his hair rose in a weird nimbus, but she didn’t embarrass him by pointing this out.

He noticed she’d highlighted the words on her handout in green and blue. “When we saw the raincoat worn by that man in Chinatown…”

“The abductor?”

“The abductor, as John claimed. Maybe it wasn’t so strange we saw different colors. There are greenish-blue shades where it’s hard to decide which color you’re looking at.” He sat down. “Also, in Japan, there’s a color called midori.”

“Isn’t that a liqueur with melons in it?”

“Technically, it’s the Japanese word for green. Except that in Japan some things we would consider blue, like the sea, are called midori. So, different cultural conceptions of green and blue exist too.”

She repeated it. “Midori. You know some interesting things, Ralph.”

“Well, I’ve been…” He checked himself, sensing it was inappropriate to tell her he’d spent his gap-year in Japan. He didn’t want to brag about his travels in front of someone who’d perhaps never been further than a beach in southern Spain. “I read about it somewhere.”

She gazed into her mug of coffee. “I wish I’d had time to read. To educate myself. It’s probably too late now.”

He tried to cheer her up. “Well,” he laughed, “that John’s a character, isn’t he? Crazy as a box of frogs. When I pointed out the hole in his lunatic conspiracy theory, about how he could remember his wife when nobody else did, he said it was because his brain was differently wired. In other words, because he was mad. He used his madness to justify his mad story. Brilliant circular reasoning!”

Edie didn’t find this funny. She shuddered. “Don’t joke about it, Ralph. My poor mum wasn’t right in the head, either. She was in and out of hospital for years. Schizophrenia, she had. No laughing matter.”

Ralph blushed. To hide his red face, he bowed it over his mug and took a swig of coffee. “I’m sorry. Shouldn’t have made fun of him.”

“It’s frightening. Sometimes I wonder if I’ve inherited some of her schizophrenia.”

“You? Surely not.”

“Oh, I’m all sweetness and light now.” She sighed. “But after a couple of gin-lime-and-lemonades, I become a different person. A scary one.”

Ralph’s blush persisted and Edie felt embarrassed that she’d made him embarrassed. After a minute of silence, he declared in an unconvincingly upbeat tone, “Right-o. Time to get to work.” He turned towards the shoppers. “See anyone promising?”

Edie grimaced. “Oh, I hate this. Having to snoop on people.” But she tried to focus. “Okay, what about her?”

She’d noticed a twenty-something woman approaching. The hair had been shaven from the sides of her head, but a thick, defiant comb of it, dyed purple, remained on top. She wore spectacles, a black greatcoat, and Doc Martens. “Interesting specimen,” he commented. “Good choice.”

“You can follow her if you like.”

“No, she’s yours.” He spoke quietly as the woman was almost level with their table now. “You saw her first.”

Edie returned the worksheet and pens to her bag and clambered up. “Damn Clive for putting us through this. I feel like a criminal.”

“You’d better hurry.” Already the woman was receding, carried off on the torrent of shoppers. Then Ralph took a deep breath and was about to add, “Edie, look, I apologize. I honestly didn’t mean to mock John or your mum…”

But he was too late. Edie spoke instead. “Well, got to go. I’ll see you at the school at two forty five. Good luck with finding someone.” She departed, her eyes fixed on the strip of purple hair as it bobbed away in the crowd.

Ralph drained his mug, her final words lingering: “Good luck with finding someone.”

In her company, he’d begun to wonder if he had found someone. Not for Clive’s stupid task, of course, but as a friend. Someone he could talk to freely and naturally and without awkwardness. And perhaps, one day, that friendship might develop further… He shook his head. No, impossible. They came from completely different backgrounds. And the age difference. How old was she? She looked reasonably young, but… Could she be old enough to be…his mum?

Maybe that was why she’d shown an interest in him. She felt an urge to mother him.

Ralph tried to forget her and slough off his feeling of foolishness. For a minute he studied the handout, groaning at some of the wilder things Clive wanted them to deduce—the subject’s favorite superhero? Then he chose a passer-by, a man with pepper-colored hair and an even-grayer beard, in a plaid shirt and jeans. He rose and followed him. No ideas came, however, and he soon gave up. He switched to following an old woman whose varicosed legs, in their stockings, looked almost as lumpen as the bag of vegetables she was carrying. But again, he quickly gave up and changed to following someone else.

Led by one person after another, he wandered out of the alleys, with their fruit-and-veg stalls, hardware shops, butchers and fishmongers, tearooms, and greasy-spoon cafés, and into the arcade, which was the open and more touristy area of the market. Preserved old shop-fronts with antique signage ran along its sides. A few more shops, detached and single-story, formed islands in the middle of the floor. One sold footwear and had a giant red boot, like something from a nursery rhyme, planted on its roof. Higher up, rain sluiced off the barreled glass roof of the arcade itself.

Looking down again from the rain, he noticed a patch of green shimmering amid the crowd ahead.

He sped up and dodged past a few people, straining to get a better look at the figure. It changed direction so that it no longer walked across the arcade but along it, and Ralph changed course too. They passed the old-fashioned shopfronts on one of the sides. By now, between the heads of the shoppers who still separated them, Ralph saw a cloth cap above the greenness. This surely was the person they’d spied in Chinatown, the one whose raincoat they’d disagreed about.

Then a strange thing happened. The raincoat was suddenly a different color. It wasn’t green but—as Edie had claimed—blue.

Something muffled the noise of the arcade. It shrank to a murmur, then to a whisper, then to nothing. Perhaps this was to do with how the air was changing. Ralph had a notion it was becoming crystalline. Yes, crystals were forming around him, green ones that caught the building’s light, filtered it, gave it a greenish hue. He tried to pause and study this impossible phenomenon, but couldn’t. His feet kept moving of their own accord.

Doesn’t anybody else think this odd?, he wondered.

In fact, only he and the raincoated figure were moving now. The other people in the market had frozen. As Ralph traipsed past them, he saw how literally frozen they’d become. They’d acquired a glassy-green transparency and resembled human-shaped sculptures, carved from green ice. Meanwhile, the people directly in front of him didn’t even resemble ice. They might have consisted of green vapor because, magically, he passed through them.

His quarry, the figure, still had substance. It halted and slowly turned towards him.

Its raincoat was green again. Everything else, the crystals in the air, the ice sculptures at Ralph’s sides, the vaporous forms in front, became blue. Their blueness thickened and solidified until he felt he was traversing a blue corridor.

Ralph thought of one of his roommates, a postgraduate student with a fondness for hallucinogenic drugs. It’s Harry. For a laugh, he’s put something in my food or drink. Magic mushrooms or some shit. The bastard!

Then the corridor became both colors. One marbled the other. Soon, the swirls of blue and green animating its sides made it feel more like a giant kaleidoscope. At the kaleidoscope’s end lurked the figure, which was darkening. It shed all its color and transformed into a human shadow. The darkness within its outline was absolute, hiding everything, showing nothing.

Ralph heard a shrill, tearing noise. He felt it too. It tore through his thoughts, through his flesh, through his very being. Also, he no longer had a sensation of walking forward. He was falling. The kaleidoscopic corridor had stopped being horizontal. It was a vertical shaft, and the figure was at its bottom like a black, human-shaped floor.

Ralph saw things plunge past him, falling at a greater velocity than he was. Other people—a baby in a crib, a toddler in a onesie, a six-year-old boy in a familiar-looking primary-school uniform.

That’s me, he realized. Me at different stages of my life.

The tearing noise escalated to an immense, sanity-threatening screech. Around him, the streaks of blue and green in the shaft’s sides dwindled. As the figure drew closer, as he fell closer to it, they were replaced by streaks of blackness that spread from the figure like tentacles from an octopus. Past him plummeted more versions of himself—Ralph at the age of thirteen in a different uniform, that of his boarding school, and a mid-teens Ralph in skinny black jeans and an emo T-shirt.

The figure expanded and made the shaft black. A few remaining threads of green and blue wormed through the blackness alongside him, then vanished, and he saw nothing more.

The noise reached a crescendo. Ralph imagined the particles that made up his body were being torn asunder, as were the particles, whatever form they might have, that made up the time-stream of his life. His final thought before obliteration was: What do you want with me? But even if he’d been able to communicate with them, and they’d been minded to give him an answer, he wouldn’t have begun to understand their answer anyway.

After that, there was only a last radiating pulse of energy.

***

Edie felt it while she watched the woman with the purple comb of hair mosey in front of a second-hand bookshop. The woman was inspecting some paperbacks on an outside rack. Edie tried to get closer so she could see what the woman was interested in reading, information that might help with Clive’s assignment.

Then pain stabbed through her head. She blundered against a different rack and knocked books onto the alley’s tiled floor.

She was surprised at how quickly the pain departed again. It was as if she’d suffered a violent migraine, but one with a lifespan of just a few seconds. Then she noticed the books scattered about her, crouched, and started gathering them up and returning them to the rack. One book made her pause. Its creased, aged cover sported an image that transfixed her. It showed a huge rat with black-gray fur, black-pupiled eyes, and splayed, almost human-like claws. The author was somebody called James Herbert. The book was titled The Rats.

She realized the woman she’d been following was standing beside her. When she looked up, she found herself in her bespectacled gaze. “That’s one of his best ones,” the woman said. “Have you read it?”

Edie felt terrified. Had the woman guessed what she was up to? “No…” she stammered, trying and failing to sound natural. “I haven’t.”

The woman laughed. “Well, if you ever do, don’t get too attached to the characters.”

“What do you mean?”

“He keeps introducing new characters. Lots of them. He’ll introduce one and spend pages telling you about them. Describing their whole life-history. And then, when you feel you completely know them… Bang! He kills them off. Monster-rats eat them at the end of the chapter.”

“Oh. That sounds brutal.”

“It is. You never hear of them again. And you realize they had nothing to do with the plot.”

***

While he sat in the empty classroom, Clive also felt a fierce but brief pain in his head. “Jesus!” he cried, “What’s happening?” He snatched his hands from his laptop’s keyboard and clamped them to his face, suddenly imagining a blood clot or a ruptured blood vessel wreaking havoc inside his brain.

Then nothing was happening. He was shocked to discover he felt okay again. He lowered his hands. “What was that about?”

Spooked, he looked again at the screen. In the hour since he’d got rid of the students, he hadn’t even written a paragraph. The word-count in the bottom-left corner told him he’d managed a pathetic eighty nine words. He looked at the time in the opposite corner. Oh no. two thirty six. Those eleven pains-in-the-arse would be back soon.

Something else spooked him. Eleven? There were eleven of them, weren’t there? Not twelve?

He opened the class register and counted. Yes, of course. Eleven. How had he got that daft suspicion there might be twelve students?

***

In the same classroom a fortnight later, Clive went from desk to desk, giving each student a copy of a handout.

“This,” he announced, “is Edie’s most recent homework assignment. I want to share it with you all because it’s so good, both for the observations and for the effort she made imagining the character. The old-fashioned clothes he wears because he’s young and insecure and wants to look older. His determination to do the gentlemanly thing by holding the umbrella low for the person he’s walking with, while his head and shoulders get soaked. His absent-mindedness, suggested by his unkempt hair after he’s dried it using a toilet hand-dryer. The way he hangs his head over his coffee, because—insecurity again—he’s shy and blushes easily. And much more. Anyway, please read it.”

He made eye-contact with Edie. “Come on. Don’t look mortified. I’m not pulling your leg. It’s an excellent assignment.”

After three o’clock, when the other ten students had left, Edie dawdled in the room. She wanted to say something to him but didn’t know how to say it. Clive sighed and told her exasperatedly, “I wasn’t joking. I thought your assignment was wonderful. Have some self-belief, Edie!”

“But Clive,” she lamented, “I cheated!”

“What?”

“The character I described for my homework. It wasn’t Gwendolene.”

“Who’s Gwendolene?”

“The person I followed that day… I messed up, you see. I got too close to her, we ended up talking, and… Well, we swapped telephone numbers.” Indeed, she’d arranged to meet Gwendolene tomorrow evening. They were having a drink and then going to the cinema, where they planned to see a new movie based on a Stephen King novel.

Bewildered, Clive lifted a copy of the handout he’d distributed. “So, who’s this?”

“That’s the thing… I don’t know. I imagined him… No, it wasn’t just imagination. I had a dream about him. One of those dreams you only remember pieces of—ghostly, tantalizing fragments that float around in your head for days afterwards. But each fragment seemed to give me a few details about him, which I wrote in the homework.” She sighed. “It sounds crazy. Maybe I am crazy. Like my poor old mum.”

“Edie,” he said. “Don’t worry. I won’t tell anyone you cheated.”

A couple of minutes later—the time he judged it’d take Edie to leave the school and descend the staircase—Clive went to a window. He spotted her head of reddish-brown hair on the street. She crossed the road and stepped onto the opposite pavement, where she paused to speak to someone. Clive recognized the person as the old dosser in the beanie hat and filthy anorak who stalked Chinatown, accosting folk, begging them for money, subjecting them to insane ramblings.

The dosser and Edie started walking along the street together, apparently in conversation. “She knows that nutter?” Clive marveled. “Curiouser and curiouser.”

How did she know him? Why did she associate with him, when surely, she knew what a looney he was? What were they discussing now? Suddenly, Clive turned from the window, eager to grab a pen and paper and write this down. He had the seed of a story.

Thus, he wasn’t watching the street when a third figure, wearing a green raincoat, appeared below. It walked in the same direction as Edie and her friend, a little way behind them, and moved at a similar pace so that the distance between them remained constant.

As if it was following.

Picture of Jim Mountfield

Jim Mountfield

Jim Mountfield was born in Northern Ireland, grew up there and in Scotland, and has since lived and worked in Europe, Africa and Asia. He currently lives in Singapore. His fiction has appeared in Aphelion, Blood Moon Rising, Death Head's Grin, Flashes in the Dark, Hellfire Crossroads, Horla, Horrified Magazine, The Horror Zine, Hungur, Schlock! Webzine, Shotgun Honey and The Sirens Call, and in several anthologies.